Behold, more demons I'm not sure anyone can actually use! Kudos to
@TenfoldShields for helping me hammer this thing into a usable state.
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Rogandem, the Artworks in Motion
Demon of the First Circle
Progeny of the Unrestful Savant
Yyrizesh is a firm believer in art as a means of discovery, and preaches the ideal that when done properly, it can convey the innermost details of both its subject and the being which creates it. This appeals greatly to his quest for understanding, but it also carries an intrinsic flaw. His ultimate goal lies in escaping his current state of gross imperfection through analysis of himself and the world around him – but if he himself is imperfect, how can he trust any conclusion he draws?
To address this flaw in his plans, the Palsied Sage turned to his own body of work. Over the course of a century he reviewed each individual piece, and finally set aside two hundred which he felt to be uniquely insightful and emotionally potent. Using the blood, sweat, tears, and other of his ichors which had made them, Yyrizesh quickened life in these chosen masterpieces, birthing a race of demon who could serve as critics, analysts, and external observers for his work – the first of the rogandem.
As befits their name, the Artworks in Motion are appealing in both form and action – they are perfect likenesses of the masterpieces from which they were born, formed of exquisite glass. The contours of their transparent skins reflect light to create dazzling patterns of iridescence, while smears and droplets of their maker's paintlike Essence twist and whirl beneath the surface, assembling to create exquisite poetry or achingly beautiful paintings before scattering again after the briefest of instants. A rogandu's pride in their appearance is often only second to their fear of injury, for the idea of their craftsmanship being damaged or marred horrifies them nearly beyond all reason.
However, even this neurotic preoccupation with themselves pales before the all-consuming mania to critique and investigate. Most rogandem are reclusive and voyeuristic, self-proclaimed scholars of behavior, emotion, and creative thought who spy on others' lives from afar; in hidden alcoves, they record their findings in vast treatises, peeling apart and dissecting every detail of their subjects gleaned from their observations. Their greatest fixation lies in divining the inner motives and essential nature of things – what makes one man become a general while another contents himself to a life of asceticism, the precise manner in which a decorative pillar's engravings convey a story, how the craftsmanship of a clay urn reveals its maker's state of mind while he formed it.
This obsession often takes a darker turn when a rogandu applies it to themselves, engendering a perverse desire to take themselves apart as a "reasonable" means of truly determining what they are and how they work. Such an act, however, would mean destroying an example of Yyrizesh's handiwork, and so it is taboo. This does not always stop the more unhinged members of the breed, and once in a great while one of the Artworks in Motion will conduct an elaborate performance piece of their own dismantling, seeking to grant a true understanding of themselves to onlookers.
Summoning and Use: (Obscurity 2/3) Neurotic, self-obsessed, and intrusive as they may be, the Glass-and-Ichor Pundits are exceptional in their ability to analyze objects, and to a lesser extent, people: a rogandu can tell a Shogunate firewand from a forgery with a few moments of examination, explain the motives and beliefs of a painter by perusing a few of his works, translate the esoteric meaning of an ancient mural into terms a child could grasp, or work out the age of an Eastern temple to within a year or so of its founding. More learned scholars of the occult may call upon them to drain off portions of their Essence-thick ichors (which serve well as ingredients for talismans, Artifacts, or sorcerous workings which involve insight, artistic ability, or observation), and a rare few even bring rogandem forth for purely aesthetic reasons, using them as walking art pieces or sources of creative inspiration.
For all their prowess in providing criticism, however, the Artworks in Motion have little ability to accept such treatment of their own work – they must roll for Limit whenever the accuracy of their conclusions is flatly denied (the occasional gatherings of rogandem who come together to share their discoveries are notoriously fragile affairs for this very reason, with each member scrupulously phrasing their reviews to avoid even the perception of offering offense). More prosaically, the Glass-and-Ichor Pundits are quite lacking in martial skill; they are certainly more durable than they look, but the average rogandem can do little that a well-fed peasant could not, and their insane fear of being disfigured means that even the Surrender Oaths cannot make one take up arms unless they literally have no other option.
When a mediocre artisan nevertheless gathers a great number of admirers and sychophants, a rogandu may tear its way out of Hell through the least execrable of the works he has on display to address the offending artist's insulting lack of talent.
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So yeah, have at it.