Confringentur 2; a Madoka Magica / Fate/Stay Night sequel

Well, it depends on what view the Church gives on him. After all, Zouken technically counts as a Dead Apostle, but the Church has labelled him as basically 'too much trouble and benign anyways' and gave up, so depending on how he plays his cards, he might not have to deal with the Church at all; especially since the Church has even gone so far as to hire Dead Apostles before, including an Ancestor of all things.
I suppose that's a fair enough argument, but consider the size of the target that's already on his family's back. Both of his daughters are magical girls, and one of them is dating god. His entire city is a hotbed of magical what-the-fuckery basically every other week, and there's an entire unregulated branch of magic that's the dominant force in the city. Oh, and the Church's man on the ground has been conspicuously silent about the whole thing. I don't know how much trouble the Church might decide he's worth or not as one, but from Archer's perspective, the target's already big enough as it as.
 
Day 29 Chapter 20
[X] Plan: Release the Pigeons



An explosion silences any further conversation Saki and Mirai could have had. "That came from inside!" Mirai says, though the black smoke billowing out from the open door hole opened up in the side of the house.

"What do you think that was?" Saki asks.

"My bear probably wandered into some sort of trap," Mirai replies. "Damnit! I wish I could see what's going on inside there! Stupid Niko, couldn't be assed to sync my familiars up with my phone, could you…"

"If you'd like, I could offer up some assistance if you need to see inside." Mirai turns her head towards Lancer when she speaks, as if to say "Why didn't you say anything before?" but one look from Lancer is enough to keep her quiet. "However, I won't just give you the answer out of the goodness of my heart. You'll have to ask nicely if you want my assistance."

"Lancer~" you chide, "Don't be like that."

"She needs to learn to be polite when she asks for things from other people," Lancer says, placing her foot down firmly. "I'm more than willing to help, but she has to be the one to ask me for help."

Mirai rolls her eyes, and lets out an exasperated sigh, but that doesn't stop her from asking Lancer "Could you please do something to help me out here?" Lancer smiles; that's enough. "I'm not super picky, but if you've got something you can offer that'll help, I'd appreciate it. Especially if it means that my bears won't have to keep getting blown up."

"I'm glad you asked," Lancer says to Mirai. "Because I just so happen to have something that would work."

With her finger, Lancer traces a rune you've never seen her use before; several actually, used in quick succession. You aren't sure what she's up to at first, but the end result in unmistakable; it's a familiar. A bird, to be exact, some sort of white sea bird, but you don't know the first thing about telling one species of bird apart of from another. If you had to guess, it's probably a bird that's native to her homeland, but now isn't the time to be asking questions about it.

Lancer whispers something to her bird, and then she invokes another rune. This time, you see it reflect back in her eye as she invokes it, but the image fades after just a moment. "I've instructed this familiar to relay back to me anything that it sees inside the building," Lancer says. "This should give us a good idea of what we're up against."

Mirai is awestruck, and more than a little upset with Lancer, if you had to guess. "While I appreciate that you're willing to help us out," she says, "You mean to tell me that you could do that this entire time and said nothing?"

"You never asked."

Mirai is left fuming at Lancer's words, forcing Saki to step in to try and mediate. "All right, let's just calm down," Saki says. "Lancer, Mirai's got a point. You really should have said something sooner if you could do that." When it looks like Mirai is about to turn her anger on Saki, she continues, adding "And Mirai, you've got every right to be upset at Lancer for keeping something like that secret from us when we could have been making good use of it."

"So now what?"

"You're both in the wrong, but dwelling on it won't get us anywhere," Saki says. "So let's just keep going with the mission, and try to get as much done as we can for right now."

Lancer nods her head, and without another word she shoos her bird out of her hands and lets it fly off into the building. "Now, let's see what we're dealing with…" she says, more to herself than to anyone else. "Come on, what's going on in there…"

After several seconds pass with no new information, Mirai awkwardly steps forward, and asks Lancer "Hey, so, what happens if your familiar also gets blown up in there? What's it supposed to tell you if it gets blown up before it can make it back?"

It takes another several seconds for Lancer to respond. "That's not a problem," she says. "When I said I instructed my familiar to relay back to me anything it sees, I didn't mean that it would come back to me and tell me in person. I mean, it's relaying its visual feed directly to me." Lancer leans in close, showing Mirai the rune that's glowing inside of her eye. "The Ehwaz rune allows me to commune with animals; that includes familiars made in the shape of animals. Had your bear survived the initial explosion and made it back, I could have interpreted for you if it was somehow rendered unable to inform you for itself."

Again, you see Mirai's face turning pink. "You know, you could have just slapped that rune on my bears and had them wired up to relay back to me, couldn't you?" she asked. "Why take the extra step of making your own familiar?"

"Because-" Lancer's words are cut off by the sound of another explosion, coming from inside the building. "A more agile, aerial familiar is more easily able to dodge traps, and if there are familiars inside, it can observe them without being obtrusive enough to draw their attention. Your man-sized bear plushies are too conspicuous, and unable to avoid wall- or floor-mounted traps."

"Well, apparently your bird wasn't able to avoid that one," Mirai says.

"That's perfectly fine," Lancer says, wagging her finger in Mirai's face in an almost childish way. "Because I was able to get a good picture of what's inside."

"That's good, right?" Mirai asks, to which Lancer nods her head. "What did you find?"

"The entire building is rigged with traps, as far as I could tell," Lancer says. Well, there go any of your hopes for getting in any time soon. "Beyond that, I counted at least four familiars, and a massive concentration of black magic on the, uh…" Lancer's voice dies, and it takes her a few seconds before she recovers it. "On what I'd charitably call the upper floor. Somewhere, at least. I wasn't able to get an exact location of where on the upper floor the mass of dark magic was; maybe it's in whatever equivalent to a bedroom this place has. I could also sense something… Else, inside the labyrinth, but once my familiar had gotten that deep in, my connection became somewhat strained, and I wasn't able to get a clear feel for what it might have been. But whatever it was, it was definitely powerful."

"Do you think it could be the witch?" Saki asks.

Lancer shakes her head. "Doubtful," she replies. "If there's a witch, it's likely sitting where the dark magic is at its most concentrated. This was… This was something else, something I'd never felt before. I don't have any idea what it could be." Quickly, Lancer invokes her runes again, weaving them into the shape of another white sea bird. "We should proceed with caution. Since the entire inside is rigged with traps, I'd like for your familiars to accompany mine. Assuming the traps are all one-time-only, if we send in enough of your bears we can detonate them all and deal with any familiars we find once we've cleared the rest of the place up."

"Why do I have to sacrifice my bears for this?" Mirai asks. "Why don't you just make a bunch of your own familiars and-"

"Because your bears are already made," Lancer says. "The mana investment to create them has already been paid. Right now, they're just standing around doing nothing. They're a waste of your mana like this." Lancer leans down, and places a hand on Mirai's shoulder. "I know you place a high value on your teddy bears, Mirai, but there's no reason to let the mana you've already invested in creating them go to waste by having them stand around doing nothing."

It takes several seconds, but Mirai finally agrees. "Okay," she says to Lancer. "Let's get this over with so we can get out of here. Feels like we've been in here forever."
[ ] Wat do?
 
I know I said not to expect an update from me today, and believe me, I almost didn't. I almost let myself relax for a little while longer. But ultimately, I decided I'd get this out today, so that tomorrow's omake doesn't get overshadowed by a real update, like what happened the last time I posted an omake and a real update on the same day. So we've only got a short one today, meant to mostly bridge the gap between the previous update and our actual plan for home invasion, so that's what I'm looking for now. We know the place is rigged with traps, there's at least four familiars, a mass of dark magic, and something else, so what's our home invasion plan for dealing with all of that?

Now, I know the name of the plan called for pigeons, but I thought Scáthach would be better suited having white seabirds for her familiar of choice, to contrast he sister having black corvids. I hope you'll all forgive me for this egregious change to the narrative. In my defence, I never said that she'd have pigeons for familiars.
 
Is this something that necessarily needs a plan, or am I good? Because I don't entirely know what sort of plan to make here.

Edit: Well I guess I could have Kazumi force an entrance into it, but still.

Now, I know the name of the plan called for pigeons, but I thought Scáthach would be better suited having white seabirds for her familiar of choice, to contrast he sister having black corvids. I hope you'll all forgive me for this egregious change to the narrative. In my defence, I never said that she'd have pigeons for familiars.
As long as it is a bird, I shall continue to squeal in delight.
 
Can we exhaust the trap by repeatedly sending low cost familiar to trigger as many trap as possible?
I believe that is the current plan that we're already using. There's no lower cost than 0, after all, which is why Scáthach told Mirai to send her teddy bears in, since those are already paid for and won't cost anything extra to use.
Is this something that necessarily needs a plan, or am I good? Because I don't entirely know what sort of plan to make here.
Make whatever you feel comfortable making, or pawn the task off to somebody else. If you think there's something about what we're doing and what we're up against, then do it. If not, well, I mostly threw this together so that I could have tomorrow off and not have my holiday omake get overshadowed by a regular update. Since I'm still kind of salty about the last time an omake I put a lot of time into writing got overshadowed by the regular update.
 
"Do you think it could be the witch?" Saki asks.

Lancer shakes her head. "Doubtful," she replies. "If there's a witch, it's likely sitting where the dark magic is at its most concentrated. This was… This was something else, something I'd never felt before. I don't have any idea what it could be."

Well, that's concerning.

I almost want to suggest just blowing the place up, but whatever that is might survive. Plus fighting inside the twisted house might actually give us some shelter from the grief rain.
 
Well, that's concerning.

I almost want to suggest just blowing the place up, but whatever that is might survive. Plus fighting inside the twisted house might actually give us some shelter from the grief rain.
So then, in light of whatever this thing is that's concerning to you, what do you think we should do about it?
 
Non-canon omake - A Halloween Outing (Good End)
"Are you sure about this? It's a little… Revealing, isn't it?"

With a red paint marker in his hand, Archer was busy putting the finishing touches on Minako's costume. "Relax," he said, circling her collarbone just above her breast in red. "You look gorgeous. Besides, if anybody stares, that just means they're impressed by how good you look."

Minako smiled, touching her black-gloved fingers to the crimson serpent which was attempting to devour itself atop her breast. She stared at herself in the full-length mirror Archer had provided, marvelling at how everything came together. The black dress was slim, form-fitting, hugging her curves and accentuating her best features. The gloves, equally black, held firm just below her armpits by thin strands of clear, double-sided costume tape, and she gave them an experimental slide down the sides of her dress, letting the glossy red lines trailing down the length of her arms catch the light as she straightened everything out. She shook her hair, which Archer had curled for just the occasion, trying to swish it just so so it didn't completely cover her right eye.

"It's a shame this is just going to get carelessly thrown on the floor after we get back," Minako said, admiring Archer's handiwork. "Because I really do look good in this."

"If you like it that much, after we're done tonight I can iron the dress out, and I'm sure we'll find some occasion for you to wear it again." Archer smiled, placing his hands atop Minako's exposed shoulders, his warmth causing her to shudder at his touch. "Or maybe we could restrain ourselves just enough for you to put the dress away carefully before we start anything," he said. "Heck, we'll be out for a few hours. By the time we get back, we might even be too tired to do anything else."

Archer admired the handiwork he had put into his own costume as well; well, it was more coordination than handiwork, since the yellow jacket was the only thing he had made completely by hand. The shirt was just a regular white shirt, and the black pants only needed a single white stripe sewn down the right leg. But damn, if he didn't look good all the same; and with Minako by his side, he thought they looked even better as a pair.

"Let's get out of here," Archer said to Minako. "I'm sure the girls are just about dying to head out by now."

Archer and Minako exited their bedroom and turned down the hall towards the living room, hearing the muffled voices of their daughters growing louder with each step. "Well, I don't know why you couldn't have gotten one of your friends from school to be your partner," they heard Homura say. "I wanted to do something with Madoka as a couple."

"Yeah, well, you two hadn't gotten back together when we made plans, remember?" Kirika responded. "It's not like either of us knew she'd want to get back together literally a few hours ago today. It'll be fine, sis; relax."

Minako smiled, her two daughters coming into view as she rounded the corner into the living room. Homura wore an all-black suit, a royal blue shirt which matched her eyes, and a white tie; conservative, and in colours familiars to her, with the only unfamiliar addition being the wide-brimmed hat which fell down over her eyes, and the obviously fake beard that she kept scratching. Eventually, muttering to herself, Homura tore the fake beard off, letting it come to a rest on the living room table.

Kirika, on the other hand, had taken a much more dramatic approach. Her suit jacket was a bright bottle-green, and unlike the more traditional cotton fiber blend of Homura's suit jacket, Kirika's was made from a shiny velvet. Her shirt was black, her pants a light grey, and her tie, coloured a bright amber-gold, matched her eyes.

"Girls, are you ready?" Minako called out. "Did your friends say they were going to meet us here, or were we going to meet them once we'd headed out?"

"Oriko said she and Nurse O were coming here to meet us," Kirika replied. "Maybe Pinkie too. But the others said to meet them in Downtown in about an hour." A *Ding dong* was heard coming from the front door, causing Kirika to say "That's probably them now!"

Kirika dashed off, with the rest of the family following slowly behind. Kirika threw open the door, welcoming "Oriko!" and her cousin; though the full-force hug she threw herself into giving Oriko prevented anyone from actually being welcomed in. "Are you ready? We're gonna have so much fun!"

"I'm sure we will, dearest."

Behind the hugging couple, Caren coughed into her hand. "Just remember to keep your hands to yourselves when we're out in public, okay?" she said to the pair. "Not everyone is as okay with staring at your affection as the rest of us are."

Kirika stuck out her tongue at Caren, but to her credit she did in fact separate from Oriko, finally allowing Homura, Archer, and Minako to get a good look at the two cousins. Caren was dressed like a stereotypical nurse from the 1950's, save for the (hopefully fake) bloodstained bandages which she had wrapped and draped over her entire body. Her face was obscured, but what skin could be seen was covered in grotesque makeup, and it looked like she had hidden prosthetics under the bandages as well, to give her mouth some extra oomph. "Ooh, creepy," Archer said. "You're… One of the nurses from the Silent Hill games, right?"

Caren contorted her body until it looked painful, and shambled slowly towards Archer, asking in a low voice obviously meant to sound spooky "Was it that obvious?"

Archer nodded his head, and then turned to Oriko. Almost immediately, he felt ashamed to even be looking, because her every curve was on display in the black, form-fitting catsuit she had chosen to wear. Archer did everything he could to not compare Oriko's chest to Minako's, but with her suit unzipped to scandalous effect, the only other thing he could focus on was her hair. "Is that a wig, or did you really dye your hair?" he asked, focusing all his attention on the red-orange mop which cascaded down Oriko's shoulders, back, and chest. "Because if that's a wig, it's a damn good one. Looks like real hair, too."

"It's a wig," Oriko replied, running a gloved hand through her fake orange locks. "Let me tell you, it was a nightmare trying to fit my real hair inside this thing. I almost considered dying it, but Caren-san said she'd ground me until the holidays if I tried, so I stuck with it."

Archer remained silent, nodding his head and letting Minako take over. "You look… Good," she said, as the gears in her head ground to a halt thinking about her daughter being seen in public with someone dressed so. "Black Widow from that Avengers movie that came out in the summer, right?"

"Nope!" Kirika answered for Oriko, leaping forward and daring Oriko to catch her. Oriko did, of course, and Kirika proclaimed "Miné Fujiko!" as though it were the most obvious thing in the world. "Duh~!"

Minako gave a slight nod of her head, saying "I should have figured," as she looked at her daughter smiling in Oriko's arms. "Well, shall we be off, then?"

Moving east from Homura's apartment building, the first person the group caught up with was Madoka herself. She was wearing a frilly, pink-and-white outfit, with a plastic toy wand and a thick, red-bound book under each arm. Her hair, a light brown instead of her usual pink, was done up in a different style than her usual short pigtails. Finally, completing the outfit, a small stuffed animal rode on Madoka's shoulder, yellow in colour with curly white wings on its back.

"Homura-chan!" Madoka called out as the group came into sight of her. "I thought you were going to dress as Tomoyo-chan~" Madoka pouted, but it quickly faded as she added "You look good, though. That suit really fits you."

"Maybe if you two had gotten back together sooner," Kirika grumbled, making a big show of draping her arm over Homura's shoulder as though she were her property. Sticking out her tongue, Kirika added "But you didn't, so Homura went as my partner instead."

Homura, caught in the middle and feeling uncomfortable, asked "Don't I get a say in any of this?"

Smiling, Kirika lets go of Homura's shoulder and pushes her towards Madoka, saying "Go have fun with your girlfriend, sis," before taking a step back to claim Oriko. "I'll have fun with mine."

"You two look really good also," Madoka said to Oriko and Kirika. "Are you also on your way to meet up with the others?"

"Yes," Oriko said. "We all set out together, and I think an outing with everyone would be more enjoyable than spending the night with just Kirika." As Kirika pouted, despairing at the thought of losing her time alone with Oriko, Oriko gave her a knowing wink, and said to her "We can spend time just with each other after everyone else has gone to sleep."

"Oh, not you too," Minako said. "It's bad enough when it's only Kirika we have to deal with. I don't want to hear that kind of talk from you too, young lady."

Oriko could only laugh to herself, keeping in close contact with Kirika as she whispered sweet nothings into her girlfriend's ear; to which Kirika, always eager to drink in Oriko's affection, melted into her embrace, completely oblivious to Minako's ministrations. Caren looked to the exasperated mother, and could only shrug her shoulders and say "Don't look at me; I didn't raise her to be that way."

The late October sky over Mitakihara grew darker with each step the party took, but the street lights giving off their amber glow kept the sidewalks bathed in light. Even this far out, Homura could hear the sounds of Downtown, bustling as shops opened their doors to the eager, and stalls of food and games lined the busy streets. Halloween in Japan was a fairly recent celebration, only becoming big within the last handful of years, but Mitakihara, ever on the forefront, had thrown itself into the festivities.

Madoka's eyes went wide as the party approached Downtown, and she drank in the sights of festival stalls, and storefronts handing out candy to passers-by in costume. "Homura-chan, what should we do first?" she asked, grabbing Homura by the arm.

"I think we should try to find the others first," Homura said to Madoka. "I thought the plan was that we were supposed to meet up and do this as a group. We can figure out what we're going to do afterwards."

Madoka pouted, and Kirika slid up beside her. "Don't make that face, Pinkie," she said. "I'm sure Sis'll want to go off and do stuff with you later, right?" Homura's face went red at Kirika's insinuation; Kirika knew she had won. "I mean, I know me and Oriko were gonna go off and do stuff on our own later, but meeting up with the others first so we can hang out and do some stuff together first isn't that bad, either."

"I believe Tomoe-san said we could meet her by the stage over…" Oriko pulled out her phone, and used to bring up a map of Downtown, showing the location she had marked. "By this street. I imagine the others will be with her, or at least Sakura-san will be."

"If Kyouko's with her, then I imagine Sayaka will be too," Homura added.

Madoka nodded her head; "And if Sayaka-chan's there, then that's probably where Hitomi-chan'll be too," she thirded. "Unless Hitomi-chan made plans to go off with her boyfriend without telling us… I mean, I'd understand, but it'd be nice to see her for a bit before she went off to spend time with him."

"I'm sure we'll find them together, Kaname-san."

True to Oriko's prediction, the gang of four did indeed stumble upon the second half of their troupe; plus one extra, Hitomi's boyfriend, Homura recognised. All but Kyouko were dressed in similar fashion, of white, high-collared tunics, swords at their sides, and with coloured pants and trim which accented their hair colours; blue for Sayaka, green for Hitomi, yellow-orange for Mami, and white for the boy, save for the flowing red wig he wore which fell down his back and over his shoulder.

Kyouko, in contrast, was dressed much the same as she normally dressed; though how she wasn't cold despite not wearing her hoodie was anyone's guess. The only indication that she was in costume was the ornate black tattoo drawn on her right shoulder, and the pair of pistols which hung from holsters under each arm. Oh, and the scowl which she currently wore, directed towards Sayaka, who was scowling just as hard.

"What's eating them?" Homura asked of Hitomi and Mami.

"Stupid Blueberry was s'pposed ta dress up as my partner," Kyouko said. "Not theirs."

"Kyouko, I told you weeks ago that me and Hitomi and Mami-san were doing an Utena group cosplay for Halloween," Sayaka said. "Heck, I even offered to let you be Touga, 'cause you've got red hair. You're the one who wanted to be stubborn and not go along with it, so we had to get Hitomi's boyfriend to fill in."

"Yeah? And I never agreed ta that, 'cause I wanted us ta do something just fer us, idiot!"

"I really don't mind," said the boy in question, completely ignoring Kyouko's outburst, or Sayaka's counter-outburst which followed. "Hitomi said she had an open spot in her friends' group cosplay, and asked if I wanted to fill it. I wasn't doing anything else, so I said yes. I didn't know it would cause problems at the time." The boy leaned in, wrapping his arm around Hitomi's waist and drawing her in for a kiss. "Besides, when else am I going to get to see you dressed so dashingly?"

"Oh, Makoto-san, stop it," Hitomi said, doing everything she could to suppress her giggling. "You look plenty dashing yourself."

Mami nodded her head, and to Homura and Kirika said "You two look rather dashing as well, Akemi-san, Kure-san. I really like the choice of colours."

"It was Kirika's idea," Homura said, earning her an enthusiastic nod of the head from Kirika. "If I'd known Madoka would have asked me to get back together with her earlier today, I would have dressed up as her partner instead."

"But I'm glad she's dressed as one of my partners instead," Kirika said, wrapping an arm around Homura's shoulder. "'Cause it's not often that I get to do something fun with my sis." Kirika turned her gaze towards Sayaka; "And hey, Miki, I wish you'd have said yes to being our Goemon. Could'a had the whole crew if you didn't already have other plans."

"Yeah, well, Hitomi asked me first," Sayaka said. "Frankly, I just wish this wouldn't have caused a whole big thing with Kyouko."

"Have any of you seen anybody else we know?" Madoka asked. "You know, other classmates, teachers… Have you seen anyone else?"

"Well, I believe I saw a certain… Mutual enemy of ours," Mami said, though she spoke more to Homura, Oriko, and Kirika. "At least, I think it was her; it was hard to tell under the green skin-paint, but the eyes were definitely hers." Mami leaned in, whispering in a low voice to the three "Sakura-san and I saw her getting food at one of the nearby stalls before heading off in the direction of the haunted house one of the local shops set up. We can break off from the others so the five of us can go have a better look, if you'd like."

Homura nodded her head, and after making sure to catch Oriko and Kirika up on what was happening, made motion for Mami and the rest of her team to join her, before- "Homura-chan!" Madoka called out, causing Homura to stop. "Did I hear you were going to the haunted house? Can I come with you?"

Homura was caught. On one hand, this was an important reconnaissance mission, and she didn't want to put Madoka in danger; on the other hand, this was Madoka, and Homura wanted to spend as much time with her as possible. "Let me check it out first," Homura replied. "If I think it looks okay, I'll invite you to go through it with me. If I think it'll be too scary, we can find something else to do. How does that sound?"

"But, isn't being scared the whole point of a haunted house?" Madoka asked. "I wouldn't mind being scared if you were there with me, Homura-chan."

"Look, Pinkie, ya gotta understand," Kirika said, sliding in between Madoka and Homura. "Sis has been through some rough shit, haven't you?" Homura nodded her head. "When she says she's looking to see if it's too scary, she actually means she's looking to see if it's too scary for her." Kirika winked at Homura, adding "She cares about you, that's all. She doesn't want to see something that freaks her out, and she accidentally pulls a gun on it 'cause she thinks you're in danger."

"I wish you wouldn't put it like that," Homura replied. To Madoka, however, Homura added "But… I am worried, about you. I don't mind if either of us are scared; you're right, that's the point of a haunted house. But I don't want to see something that makes me feel like you're in danger. Even if you aren't."

At that, Madoka nodded her head. "I understand, Homura-chan," she said. "I'd really like to go through the haunted house with you, but if you don't think you can handle it, I'll understand. We can always find something else to do if that's the case."

Homura leaned in, giving Madoka a brief kiss. "I'll just be a few minutes," she said. "Hopefully it looks okay, and we can go together once I get back." "Archer, the team and I are heading to the haunted house to investigate a… Sighting. Can you and mom watch over the others while we're gone?"

"Understood,"
Archer replied. "Take care, Homura. We'll be here when you get back."

"She"
was easy enough to spot, because she was the only person in sight to be wearing green skin-paint. More obviously than that, she even had the nerve to go walking around dressed like a witch, wearing long black robes, a wide-brimmed hat which tapered into a point, and in her off hand she held a broomstick, while with her dominant hand she was casually eating a candied apple on a stick.

The Quintet saw her slipping in through the front doors of the haunted house, and they followed her in. As Oriko took the lead, Kirika, staring at one part of Oriko's person in particular which the form-fitting catsuit highlighted, grinned like a maniac. "Dearest, please keep your thoughts to yourself," Oriko said, immediately shutting Kirika down. "All right, there's… A few jump scares up ahead. Nothing too major. It looks like it goes in a fairly straight line."

"Right," Mami said. While none of the Quintet dared to change into their magical girl attires, they did all have weapons they could draw on if the situation arose. "Akemi-san?"

"We'll take it slow, one thing at a time," Homura said. "Be on your guard. Oriko, does it look like she's luring us into a trap?"

"It's hard to say."

The Quintet proceeded with caution. The air inside the haunted house was stale, and a low fog – fake? Real fog wasn't supposed to be purple-black, was it? – rolled across the floor. Occasionally, props meant to scare patrons would spring from the walls; plastic skeletons and cardboard cutouts of demons did little to scare the battle-hardened veterans, but the oversized spiders which dropped from the ceiling along with sticky webbing- "Augh!"

Webbing had fallen on Kyouko's head, and she tore at it. "Quick, get this shit offa me!" she shouted; "And get that fucking spider, too, before we all go deaf!"

Kyouko tore the spider from her head, tossing the oversized toy onto the ground and drawing the pistols from her underarm holsters. She fired, letting loose a storm of plastic bullets which shredded the toy spider. "Geez, what the fuck were these guys thinking?" Kirika asked as she surveyed the wreckage. "Seriously. Who'd put giant spiders in a haunted house when this city's been attacked by spiders at least twice now?"

"Three, actually," Homura said. "Archer and I fought some by ourselves down in their lair. I think we got them all, but…"

But getting the last of the spiders didn't stop the Quintet from staring at the toy spider that had fallen from the ceiling. "Let's move on, shall we?" Mami suggested. "There's still more to explore, and we haven't found her yet."

But the deeper the Quintet went into the haunted house, the stranger things became. The rolling fog grew thicker, the canned, pre-recorded sounds of bats were replaced by vastly more realistic-sounded wing-beats and screeches, as though a living animal were actually flying over their heads. When Homura turned her head up, she could have sworn she saw the shadowed outline of a creature wearing a bat's shape, but armed with sharp sickle-clawed limbs at its front.

A wolf howled; another sound that wasn't pre-recorded, and the Quintet came to a stop, a darkened window beside them. On the other side, the members of the Quintet could see the shadows of familiar figures; large wolves, creatures of man-shape with large wings and strong limbs, the thick neck of a hissing serpent.

"Oi, Big White, are you seeing this?" Kyouko asked. "D'ya think they're real?"

"Yes, Sakura-san, I'm seeing the same as you are," Oriko replied. "I… Don't know if they are real or not. The smaller ones very well could be, but the larger ones… If it's not Sidonia's work, then it's all a very improbable coincidence."

"Is it?" Kirika asked. "I mean sure, picking spiders is kind of a dick move, but vampires, werewolves, bats, snakes, and even spiders are all pretty common Halloween decorations, aren't they? It's not as big a coincidence as it seems if the people who set this place up picked them."

"Okay, but how do you explain the sounds?" Homura asked. "Those… Don't sound like recordings. They sound like Sidonia's actual familiars."

Familiars which, as far as their shadows gave away, were just on the other side of the darkened window. The sound of a creaking door, sliding open just a crack, caused the Quintet all to turn their heads, as a large black wolf bounded out from the darkness at them. Instinct took over, and Homura opened fire with a pistol of her own. But unlike Kyouko's toys, the one in Homura's hand was real, and she fired until every round in the revolver's cylinder had been spent. Her heart was beating almost to the point of bursting when the wolf, frozen in mid-pounce, was revealed to be a cardboard cutout when its wooden stand snapped and it fell over onto the ground, dotted with several bullet holes.

"Great job, Spooky,' Kyouko said. "Ya really killed the shit outta that one."

Kirika was there, clapping Kyouko on the back of her head with a chop. "Oh, shut up," she said to Kyouko. "Like you didn't act the same way with that spider?"

"Least my guns aren't real," Kyouko said. "Somebody's bound to have heard that."

"Indeed," Mami said. "We may be in trouble if we're caught standing around here with the… Smoking gun, still in Akemi-san's hand."

But someone had already caught the Quintet. This time, the scare lurking behind the creaking door was real, and she revealed herself to the Quintet then. "Oh, it's you five," said Sidonia, crossing her arms over her chest, as she stared with disdain at the members of the Quintet. "What a surprise. You can't leave me alone for one day, can you? Even when I deliberately try to avoid you, you come after me."

"Maybe we wouldn't have to keep doing this if you'd just behave yourself," Homura said. Her body tensed as she asked "What sort of trouble are you looking to get into tonight?" and she anticipated the worst. "How'd you get the people who set this us to agree to use your familiars?"

"Did I?" Sidonia responded to Homura's question with one of her own. "What proof do you have? For that matter, what trouble do you think I'm planning on getting into? All Hallow's Eve is the one day out of the year where I can be myself without fear of being persecuted for it by the ignorant masses. What reason do I have to cause trouble tonight, of all nights?" Sidonia snubbed the members of the Quintet, saying "Now go away. I'm trying to enjoy myself without causing any trouble for your little city."

"Guess that explains dressing up like the Wicked Witch," Kyouko said. "Bet you're the only person in the world who'd sympathise with someone like her." Sidonia glared daggers at Kyouko, who just kept on going despite the silent protests of her four companions. "You out looking fer Dorothy, and her little dog, too?"

"You shut your mouth," Sidonia barked. "Elphaba was framed, just like I was. She's a hundred times the woman you'll ever be." Still sneering, she added "Besides, those slippers belonged to her sister. She had every right to want them from Dorothy."

A look of "Huh?" and "What now?" spread over Kyouko's face, while her other friends thankfully cut her off before she could cause more trouble. "I apologise for Sakura-san's words," Mami said. "I know we've had our differences in the past, but if you really aren't looking to cause trouble, then we have no quarrel with you."

"Of course we do," Kirika said. "Just 'cause she's behaving now doesn't mean she'll still be behaving tomorrow. Tomorrow's the first, isn't it?"

"Yes, but…" Oriko's voice died off, as she looked back and forth from Kirika, to Sidonia, and to the rest of the Quintet. "If Sidonia is willing to be polite and non-violent tonight, perhaps we could take advantage of that, and enter into talks with her about settling our differences without hurting anyone," she said. "You done so much harm over the past month, but I refuse to believe that you are wholly evil or irredeemable. There must be a way we can reconcile our differences and reach a peaceful conclusion."

"You think of one that addresses my grievances with the muggle world, and I'll gladly listen," Sidonia replied. "But so far, you've failed to give me any substitute that could serve as recompense for the harm they've done to our kind."

"I see we're still stuck on 'agreeing to disagree'," Homura said. "As long as you're behaving, I suppose leaving you alone to enjoy the night won't hurt any." Under her breath, Homura added "It's not as though we could do anything to stop you before tomorrow anyway."

"Then if you'll all excuse me, I'd very much like to be moving on." With a dramatic flourish of her legs, Sidonia pushed herself past the Quintet, reluctantly offering a handful of candy to each of the five girls. "I promise they aren't poisoned," she said. "Regardless of our differences, today is the one day of the year that I don't want to cause trouble on. So enjoy yourselves, for now."

With equal reluctance, the members of the Quintet took the offered candy. "Thank you," Mami and Oriko said, almost in unison. "It's… Unexpected, but your goodwill is appreciated all the same." Nudging her girlfriend with her elbow, Oriko added "Dearest, what do we say when someone gives us a gift?"

Mami gives the same encouragement to Kyouko, and together the pair offer up reluctant "Thanks for the candy" to Sidonia. Only Homura remained silent, contemplating the hard candy which had been bought with her family's lives in peril.

"I see not all of you are as grateful as the rest," Sidonia said, noticing Homura's silence, and Kyouko and Kirika's reluctance. "No matter. We'll settle things tomorrow, one way or another." Sidonia mounted her broomstick with a flourish, and kicked off, hovering gently above the ground, before gliding off down the hallway to the tune of "I think I'll try~ Defying ~Gravity~ And you can't hold me~ Down~"

Not a minute later, the members of the Quintet stumbled outside, as the sound of voices coming up behind them echoed in their ears. "Sorry," called out Archer, as he ran behind Madoka, Sayaka, and Hitomi. "I tried to keep them away as long as I could while you girls were… Talking. But once I saw her taking off, I knew I couldn't keep them for much longer."

"Homura-chan, are you ready?" Madoka asked, as she lunged forward and latched on to her girlfriend. "Did the haunted house look like fun?"

But Homura had to shake her head. "I'm sorry, Madoka," she said. "I don't know if I'd be able to go through that." Madoka pouted, but she understood. "Let's see if we can find something else to do instead, okay?"

"How about the cosplay contest they're having down in the town square?" Sayaka suggested. "The grand prize is, like, a whole bunch of candy and ten-thousand Yen. I don't know about you girls, but the four of us look great. We'd be shoo-ins to win this year."

Kirika glared at Sayaka, which only caused Hitomi and Mami to laugh. She wrapped her arms around Homura and Oriko, pulling them close as she bragged "Oh yeah? Bet you ten-thousand Yen we win instead!"

"You're on!"​
 
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Homura - Jigen Daisuke (Lupin III)
Madoka - Kinomoto Sakura (Cardcaptor Sakura)
Sayaka - Miki Kaoru (Revolutionary Girl Utena)
Hitomi -Saionji Kyouichi (Revolutionary Girl Utena)
Mami - Arisugawa Juri (Revolutionary Girl Utena)
Kyouko - Revy (Black Lagoon)
Oriko - Miné Fujiko (Lupin III)
Kirika - Lupin III (Lupin III)
Archer - Scar (FMA, specifically the '03 version)
Minako - Lust (FMA)
Hitomi's boyfriend - Kiryuu Touga (Revolutionary Girl Utena)
Sidonia - Elphaba/the Wicked Witch of the West (the Oz universe, but the stage musical of Wicked specifically)

This is, if I'm correct, the single longest anything I've written for either the previous quest or the sequel. That's because I was trying to fit an entire afternoon into a single omake, because things got so nightmarish in Mitakihara that I couldn't have us actually doing the fun Halloween stuff I had originally planned for us to be doing today. So instead we get this omake, and hopefully that's enough to make up for the lack of anything actually enjoyable for our girls to be doing this afternoon.

Since this turned into an omake, rather than being part of the regular canon 31 October like it was originally supposed to be, I decided I could afford to let loose and have a bit more fun with things. Like having Sidonia not be on sight, or having Madoka and Homura not being apart, or even just letting the city be whole again and full of people going about their holiday.

Fun fact, I initially went through several different iterations of the Sidonia scene. The first version involved the Quintet finding her out on a date with Bathory Erzsébet, who was going to be dressed up as Galinda/Glinda/the Good Witch to go along with Sidonia. That version went on for far too long, and ended up going nowhere, so it was scrapped. Then I decided I needed the Quintet to actually be doing something Halloween-related, so I had them intercepting Sidonia in the haunted house, rather than having the haunted house be something the cast went through after intercepting Sidonia, like it had been in the original version. Somewhere along the way, part of the original idea came back to haunt me, and the Quintet were then slated to catch Sidonia in a... Compromising position, with another lady (just some random stranger Sidonia found attractive) inside the haunted house. But that really only proved to be "scary" for Homura, since she's the only one who's afraid of intimacy, and it didn't fit the tone I was going for. So I changed it again so that the haunted house was made to feel like Sidonia's familiars had infested it. That's the version you see here.

Part of me still wishes I could have made this longer in order to show more of the girls going through the festival, but this is already at 5k and I just didn't have the time or the energy to put into doing any more than this. So I hope people enjoy this.
 
Fun fact, I initially went through several different iterations of the Sidonia scene. The first version involved the Quintet finding her out on a date with Bathory Erzsébet, who was going to be dressed up as Galinda/Glinda/the Good Witch to go along with Sidonia. That version went on for far too long, and ended up going nowhere, so it was scrapped.
Aw, that sounded cute. Shame, but I understand why it was scrapped. Also, Sidonia projecting a bit on the Wizard of Oz is pretty funny. All in all, good omake. Happy halloween!

Also thanks for the cheat-sheet, aside from the Bubblehead Nurse, I know basically none of those characters outside of names.
 
Aw, that sounded cute. Shame, but I understand why it was scrapped. Also, Sidonia projecting a bit on the Wizard of Oz is pretty funny. All in all, good omake. Happy halloween!
The reason I said the stage musical of Wicked specifically, aside from being the best installment in the entire Oz franchise, is because Elphaba actually was framed by the Wizard. The short version is, she's labelled a domestic terrorist because she doesn't want to go along with the Wizard's schemes, and that's how she gets saddled with the title of "wicked witch" that we all know her by come Wizard of Oz proper. She's not projecting, because she's right. Elphaba was framed.
Also thanks for the cheat-sheet, aside from the Bubblehead Nurse, I know basically none of those characters outside of names.
Thank you for reminding me that I skipped over Caren in my cheat sheet. But the ironic part of that is that the nurses are the only ones I didn't know the name of.
 
Cute little side story. Well, not exactly little.

"Guess that explains dressing up like the Wicked Witch," Kyouko said. "Bet you're the only person in the world who'd sympathise with someone like her." Sidonia glared daggers at Kyouko, who just kept on going despite the silent protests of her four companions. "You out looking fer Dorothy, and her little dog, too?"

"You shut your mouth," Sidonia barked. "Elphaba was framed, just like I was. She's a hundred times the woman you'll ever be." Still sneering, she added "Besides, those slippers belonged to her sister. She had every right to want them from Dorothy."

Sidonia, you're referencing a novel from a different author. No one's going to know what you're talking about.

Admittedly had to google the name Elphaba, myself. I initially thought she was referencing the original books the movie was based on.
 
Sidonia, you're referencing a novel from a different author. No one's going to know what you're talking about.

Admittedly had to google the name Elphaba, myself. I initially thought she was referencing the original books the movie was based on.
Slight correction- While the novel came first, it's actually the stage musical version of Elphaba that Sidonia is dressed as. In the musical, Elphaba is framed by the Wizard. In the novel, however, she actually is the domestic terrorist she's made out to be. I don't like the novel, and I don't think Sidonia would like it either. I'm confident that the musical, where an otherwise well-intentioned witch gets fucked over by an uncaring and exploitative system, would resonate with her much more strongly than the dreary, doom-and-gloom of the novel where the witch is just as much a villain as the people she's fighting against.
 
Day 29 Chapter 21
Several intense minutes of waiting creep by, with each minute that passes feeling like an eternity as your ears are punctuated by the echoing boom of explosions coming from inside the inside-out building, before Lancer finally says "All right, that should be the main entrance cleared. We can safely move in now, if we'd like to get out of this rain."

You're just grateful that the explosions have stopped, that something is happening to break up the monotony of waiting and to get you going one step closer to completing your mission, but not everyone on your team sees it that way. "You mean to tell me, that after all that, we've only cleared out the main entrance?" Mirai asks, raising her voice as she stares down lancer. "Are you insane? Just how long were you planning on this taking, anyway?"

"You are fortunate to be out here," Lancer says, "That you can complain about how long this operation is taking." Lancer counters Mirai's stare with one of her own, forcing the shorter girl to take a step back towards Saki. "This building is far greater on the inside than it appears. We are lucky it took only that long to disable the traps in the main entrance."

"Lancer's right," says Saki, placing her hand onto Mirai's shoulder. "We don't know what's going on in there. Lancer does. I know it sucks that we've only gotten this far, but that's just how this whole place has been."

Lancer nods her head, and she turns to you, asking "Well, master? Shall we move in out of this rain, and continue our work from inside?"

You think back to what Lancer described to you earlier, when she sent her familiar inside to scout around. The something she identified, but could not identify, doesn't sit right with you. There's a part of you that just wants to blow this entire building up, with the traps, familiars, the witch, and whatever the heck that something is, but there's something holding you back.

The thought that it might survive.

"Yeah," you eventually say. The thought of whatever that something is unnerves you, but at least if you're inside, you'll have better shelter from this rain of Grief than these umbrellas are providing. "Let's move in."

The world-​

-Rights itself as you cross the threshold into the twisted, inside-out house, forcing you to stop for a few moments as your eyes recalibrate to the world no longer being upside-down. Beside you, "Geez, when it this going to end?" Saki rubs at her eyes as she readjusts. "Will somebody tell the witch that made this place to stick to just one orientation, please~"

"At least we're back to seeing things the right way again," Mirai says, tossing her umbrella aside as she surveys the damage that's been done to the main entrance. "For however long that's going to last."

"Hopefully this'll be the last time reality flips on us," you say. "We're in the home stretch now, aren't we? This is the place. We've just got to stop the witch and whatever the heck that other thing was that Lancer found, and we're done." You can see Lancer straining to keep her words to herself, and against your better judgement, you ask her "What?"

"Nothing, master. "It's obviously not nothing. "I was just trying not to say that we shouldn't expect the Otherworld to behave the way we'd like it to," she says. "But I've said that enough times today."

"So-?" asks Saki, looking around the main entrance, "Where should we go from here?"

"From what I could tell, this building has three storeys to it,' Lancer says. "This floor, a basement, and another above us. I didn't bother having my familiar get a read on the basement because the dark magic and the other are both upstairs from us, but getting there won't be easy." Above your heads, the sounds of further explosions ring out. "This floor is… Not laid out like I would have expected a house to be. It winds, and the building itself climbs backwards-like. We'll have to move room-to-room, clearing up whatever familiars have sprung up since our own made their most recent pass."

"Got it." There's enthusiasm in Mirai's voice as she draws her sword, and as flames lick up and down its length, their flickering shadows dance across her grinning face. "Time to make this place pay for what it's put us through."

"Whoa, easy there, Mirai," Saki says, placing a hand on Mirai's shoulder. "Let's not get ahead of ourselves, okay? Fire in a confined space is… Not the best idea in the world, not to mention we don't want to risk burning this place down while we're still inside it. There's no telling what that other thing could do if we burn down its home with it still inside."

"That's why I didn't want to just blow this place up," you say. "What if it survived?"

"That's why I'll be taking point," Lancer says, as she rallies the rest of you to form up behind her in a line. "Not only do I know the way through this place where none of you do, but I'm the only one with a close-range weapon that won't also risk bringing this place down on our heads. Now…" One by one, Lancer counts off, her finger bouncing over each of your heads as she says "Master, you and Saki take the rear. Mirai, you're in the middle. Your familiars are going to be more useful to us in these close quarters than your flames will, so the rest of us are going to form up around you and keep you safe."

"Got it," you and Saki say, almost simultaneously. "So, what's the plan, then?"

We'll advance slowly, using the path my familiars have scouted out," Lancer says. "If we encounter anything, I'll stab it with my spear. Mirai, if we need more familiars, that's on you. Master, you and Saki shore up our rear. Anything tries to approach us from behind, beat it to death with your staff."

The thought of beating anything to death, familiar or otherwise, doesn't sit right with you. It still doesn't sit right with you that you were the one who killed Satomi. If Niko decides not to bring her back, is that a weight you're going to have to carry for the rest of your life? But you steel yourself, and give Lancer an "All right."

It's slow work, moving room to room in the footsteps of Mirai's familiars, made all the more harrowing by the occasional shaking and terrible noise of explosions going off above your head. Was this place really rigged up with so many traps that just about every step causes another one to go off? A familiar appears in front of your party; it's not one if Mirai's, and Lancer quickly stabs it with her spear. One thrust, and a quick tearing flourish, are all it takes for Lancer to cut the familiar down to size.

It almost looked like a person. Like a little, helpless person, just as lost and trapped in this labyrinth as you are.

You'd feel bad for it if it hadn't been trying to attack you.

You still feel bad for it.


As Lancer withdraws her spear from the shredded familiar, there's another explosion. It rocks the building, sending shards of ceiling dust to come down all over you. "Mirai, I need more familiars," Lancer says without missing a beat. "That explosion wiped out the last one."

"Got it."

There's nothing positive in Mirai's voice as she acknowledges Lancer's orders, but she does her job all the same, tapping her heel against the floor. You wonder if that gesture is some integral part of summoning her familiars, like knocking on their "door" to let them know that it's time to show up, or if it's just something she does as a morale booster, like how Niko claps her hands together before using her magic.

You wonder where these familiar will come from.

Surprisingly, or maybe it's to be expected since things are at least mostly right-side-up inside this building, Mirai's teddy bears actually do come from the ground this time. "All right,' Mirai says, as her bears line up in single-file. "You've got bears. What now?"

"Have them head out in the same direction as the previous batch," Lancer says. "I'll have my familiar catch up with them, and they'll continue on from there."

Mirai keeps her sneer to herself, saying under her breath "Funny how it's only my familiars that get blown up," as she directs her bears to follow Lancer's instructions.

After that, your party of four continues on as you had been, slowly, steadily, surely, clearing out each of the rooms in the downstairs of this inside-out building, which doesn't actually feel that inside-out now that you're actually inside it. Sure, it's a lot bigger than it looked on the outside, but it's also making significantly more sense, despite Lancer's earlier warning that the building climbed 'backwards-like', whatever that means. Does it mean you're actually going backwards? Have you been going backwards this entire time? Are you going to find out that your entire team has just backed themselves out of a window when you think you've made it to the exit?

You don't want to think about that, because the more you think about how little this place makes sense, the more your head hurts.

But eventually, you do make it to the end, and find yourselves climbing up a staircase towards the upper storey. "Both the source of the dark magic, as well as the other that I sensed, are both on this floor," Lancer says. "The dark magic is too thick, and I was unable to tell if there was a witch hiding its presence inside, but the other…" Lancer's voice trails off, and she shakes her head. "I still can't get a read on what it could be. My familiar can't get close enough to it without my connection to it going haywire, but it… It looks like a glowing mass of light, almost like staring straight into the sun."

"If it's so bright your familiar can't even look at it without blinding you, then what are we supposed to do about it?" Mirai asks. "It kind of feels like we've just been set up for failure here."

"Doubtful," Lancer replies. "Whatever is going on… Has some sort of purpose to it. It may be an alien purpose, but none of this is by coincidence or random chance. We just don't know what we're looking at."

"Okay, that's all well and good," Mirai says, "But what are we supposed to do about it? Which one should we hit first?"

[ ] The mass of dark magic
[ ] The other
[ ] And what's your plan for hitting it? (write-in)
 
All right, we're back in a world where our sense of direction makes sense, and we're sheltered from the rain for the time being. What's next? We need to decide what we're going to try tackling first; the mass of dark magic that might be hiding the witch, or the other, whatever it might be. Not a lot else to say about this one. It's shorter than normal, but I was kind of struggling to get us to this point given the lack of a clear direction or focus other than "advance through the labyrinth". So, sorry about that. Hopefully tomorrow goes easier for me.
 
Almost surprised we didn't have to travel through the basement to get to the upper floors.


[x]Plan Controlled Explosions.
-[x] The mass of dark magic, because at least you have some idea of what that is.
--[x] Ask Lancer to make barrier around, with like holes in it or something so you can keep it trapped and actually use your squads magic on it without destroying the rest of the house.
---[x] If she can't, maybe you could lure it to one of the traps that haven't been set off yet?
 
All right, I've got the update all typed and we're about to deal with this big ball of black magic, but first, I was hoping I could get the help of @PlaguePaladin, @NMS, @K4lepo, and @Riku_Furude to help me fill in these last three posts before the page turn.

So I'll start us off by asking, what do you think the other is?
 
Maybe, just maybe, that ball of light has something to do with Madoka? The darkness could be all the grief that was infecting her before we gave her Avalon?
 
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