Confringentur 2; a Madoka Magica / Fate/Stay Night sequel

Personally, I like coffee-flavored ice cream, or if I'm not looking to give myself a massive rush during the night, then I usually stick with either rocky road or mint & chocolate chips.
It appears that even in this, we cannot agree. A shame.
Man, it's been a long time since I had ice cream. Chocolate was my go to. I'm simple like that.
I'm more of a chocolate cake or apple pie person myself, but ice cream is cheaper than a slice of cake, and takes less time than baking a pie. Though, I can't say I ever understood the appeal of chocolate ice cream. I've never had a chocolate ice cream that actually tasted like chocolate; not counting the stuff that has actual chocolate chips in it, that is. We're just talking regular chocolate ice cream here. Meanwhile, if I order two scoops of apple pie ice cream, it actually tastes like apple pie. What gives?
 
Day 27 Chapter 29
[X] Plan: The Sweetest of Hearts (part 1)



Ramesses rises to his feet, and with his own arms spread equally as wide, he proclaims "You have not won yet, oh King! Now, I bid you face my final Noble Phantasm! Ramess-!"

"That's enough, Rider!"

Ramesses brings his declaration to a halt immediately upon hearing his master call out to him. Wakaba Mirai has, it seems, thrown in the towel, and the Grief Seed that was clutched in her hand she now holds tight against her Soul Gem. "That's more than enough," she says. "You don't have to do any more."

Ramesses nods his head. "It is as you wish, master," he says to Wakaba Mirai. Then the battle is over.

You let go of a breath you didn't know you were holding in, as both Caster and Ramesses return to the sides of their masters. You don't know what you should have been expecting from Ramesses' final Noble Phantasm, but you can expect that it would have been more than what Wakaba Mirai could have taken; or else something so cataclysmic that Wakaba Mirai had to put a stop to it before it vaporised Caster. You do recall her warning her servant against doing exactly that right before the match. Maybe that's something you should be concerned about?

Or maybe it's something you should tell Wakaba MIrai to keep in her back pocket for the fight against Sidonia.


As you're mulling over your thoughts concerning Wakaba Mirai and her servant, a tinny, metallic call of "I kissed a girl and I liked it~" rings out, and your head is on a swivel as your ears search for the cause. Sitting behind you is Oriko, wearing a dopey and embarrassed smile as she holds her phone to her ear. "It's Kirika," she whispers, giving you just enough of an answer as Oriko returns to her call. "What is it, dearest? … I… Don't know? Soon, I hope. I'll let you know as soon as I have an answer. … Uh-huh, I love you too, dearest."

"That's, uh, quite the ringtone you've got there," Asami Saki says. "Did Kure pick it out for you?"

"She did," says Oriko, still wearing that dopey smile. "We were fooling around trying to pick out ringtones for each other, and it… Just kind of stuck." That dopey smile only grows more luminous as Oriko adds "Not that I mind, of course. But it is… Something, when you're not expecting it." It takes Oriko a few seconds to wipe that look off her face – you aren't complaining, because she at least looks like she's enjoying herself – but when she does, she says "Anyway, Kirika was asking me how much longer we had, and whether or not you and I would be heading home anytime soon."

"Has it really been that long?" you ask, not sure yourself how long it's been since Kirika left. "Um…" Obviously, you knew you wouldn't need everyone for this demonstration. Tomoe-san and Wakaba Mirai were obvious necessities, as their servants were the ones putting on the show. AsamI Saki stuck around to provide moral support for her girlfriend. Hitomi and Oriko stuck around in case Wakaba MIrai's Mystic Code needed tweaking. Maki Kaoru and Misaki Umika only stuck around because you needed them present to help feed mana into Wakaba Miria's Mystic Code, but they could just as easily leave now that the demonstration is over. But somehow, the question still catches you by surprise.

Maybe it's because you'd lost track of the time.

"How did you think that went?" you ask Wakaba Mirai. "Did you think the amount of mana you were getting was adequate?"

It almost feels unfair to ask. Wakaba Mirai's Mystic Code is programmed to draw in mana from the transmitters being worn by each of her teammates – the same way that your own transmitters feed mana into Hitomi's Mystic Code whenever she uses it – but of her teammates, Kazumi, who has a store of mana that's almost comparable to Oriko, is absent, which severely limits how much mana Wakaba Mirai could have been pulling in. That probably impacted the results of the fight; with Kazumi present, maybe Wakaba Mirai could have held out for longer.

Maybe she could even supply Ramesses with the mana he needs to activate his final Noble Phantasm. You'll need to take that into consideration when coming up with battle formations in the future.

"I… Guess it went okay… Ish?" Wakaba Mirai sounds unsure of herself, and you don't think you can blame her. She was babysitting that Grief Seed pretty hard throughout almost the entirety of the fight. "I mean, I managed to hold out until the very end, even if it got kind of… Rough, I guess, towards the end there."

You nod your head, and find yourself agreeing with her assertion in spite of your concerns about her overall performance. "Are you sure?" You just want to make sure. "I noticed you were holding onto that Grief Seed pretty hard. Are you sure you're okay now?"

Asami Saki slides up beside her girlfriend, and reaches her arm around to give her hand a squeeze, a gesture which Wakaba Mirai eagerly reciprocates. "Yeah, I'm sure," she says. "Like I said, it was kind of rough there towards the end, but at least I can keep Rider going now, and for a lot longer than I used to be able to."

You direct your attention to Hitomi and Oriko next, nodding your head in their direction and bidding them to speak up with their observations. "I think Kazusa-san's absence might have negatively impacted the results of the fight," Oriko says. "If she were here, then Wakaba-san would have had a larger reserve of mana to draw from."

"I was thinking the same thing," you say. "So, do either of you think Wakaba Mirai's Mystic Code needs to be tweaked any, or do you think it's sufficient just the way it is?"

"I think, in light of what you and Mikuni-san are in agreement on, that it's fine for us to leave Wakaba-san's Mystic Code the way it is," Hitomi says. "Having Kazusa-san around is a better way to get the most out of Wakaba-san's Mystic Code than trying to tinker with its performance, I think." That's a good enough answer for you, and Oriko seems to agree, nodding her head along with Hitomi's words, but Hitomi has one more thing to add. "I do, however, think we should test Wakaba-san again another time, when Kazusa-san is actually present. I'd like to see by how much her presence enhances Wakaba-san's abilities."

Three pairs of eyes all turn towards Wakaba Mirai. But it isn't any of you who speak up; it's AsamI Saki. "Well?" she asks her girlfriend," Do you think you'd be up for trying this again tomorrow when Kazumi's around?"

"Yeah, I guess," Wakaba MIrai replies. "I don't know if Rider'll want to fight their Caster again, or if their Caster'll even want to rematch with Rider, but I guess I can try again tomorrow."

"All right, we'll come back and try again tomorrow when Kazumi is around," you say. "With that… I think we can call it a wrap. We managed to get a lot of work done, despite the… Setbacks," If you can call being brutally interrupted by two waves of familiars as your two teams were trying to lay important defensive foundations 'setback's; "And unless anyone else has anything they'd like to address, I think we're safe to be dismissed."

The four Pleiades Saints who stuck around don't have far to go to retire to their temporary base; Hitomi, Tomoe-san, and Oriko all have different direction they have to go to return to their homes. You hope Hitomi is okay; she's all by herself in her house now, isn't she? Maybe you should see about moving her somewhere safer. Maybe Tomoe-san would take her in until this is over. That way she wouldn't have to be alone.

But you have somewhere else you need to go now. Somewhere you've been putting off going.

You rap your knuckles against the front door of the Kaname house.

In the slow seconds before Kaname Junko opens the door, you pace back and forth, wondering if this was even the right decision. You and Madoka aren't dating anymore. In fact, you can barely stand to look at her without it hurting, and after seeing the state she was in earlier in the day, you know it'll just hurt even more. But do you have to be dating in order to be concerned for her? Madoka is still your friend, right? Even if you aren't dating…

"Homura?" Kaname Junko clearly was not expecting to see you standing outside her house. "What are you doing here…? You came to see Madoka, didn't you."

It isn't a question. You know it isn't a question, and you know Kaname Junko didn't intend for it to be one. "Yeah," is all you can bring yourself to say.

You take your shoes off as you step into the Kaname home, letting your eyes dart back and forth, taking in the familiar sights. The last time you were here, you and Madoka were still together. "How have you been?" Kaname Junko's question tears you away from your emerging despair. "I mean, since Madoka… You know." Kaname Junko shakes her head, and adds "Listen, kiddo, I'm real sorry about the way my daughter's treated you. You've been nothing but an angel to her, and she… I can't believe she'd do something so mean-spirited to you at a time like this."

You can't admit to her that Madoka was right to leave you. "I've… Been managing," you say. That's a lie, and you know Kaname Junko knows that's a lie.

But Kaname Junko never calls you out for it. Instead, she just smiles, and says "Listen, your dad came by earlier today with Mikuni's cousin to drop Madoka off. They, uh… They told me a bit more about what's going on with my girl, and… I gotta say, Homura, I always knew my baby girl would amount to something, but I never would have guessed in a million years that this is what was special about her."

"It's… Something, isn't it." It's all you can say. All you can say to avoid telling Kaname Junko the truth; that your meddling in Madoka's destiny across countless timelines is what turned her into a living leyline of limitless potential. "Personally, I'd be happier knowing that Madoka were a normal teenage girl; and not… What she really is."

"You and me both, kiddo." Kaname Junko comes to a stop in front of her daughter's bedroom door, and she gives you a playful clap on the shoulder. "Well, this is your stop," she says. "If you two want to get back together after all this, just… Uh… Just try to keep your voices down if anything happens, okay? I've still got a meeting going on my laptop in the kitchen, and I'd rather not have to explain to your mom why those strange noises sound like her daughter. Okay?"

"I can assure you, Kaname-san, that won't happen."

"Oh, don't put all your money on it, kiddo," Kaname Junko says. "You're young. You and Madoka'll get the urge to experiment with each other sooner or later."

Preferably later. You don't think your heart could take it.

So of course, the miniature Kirika who lives on your shoulder and taunts you in her voice is screaming in your ear "Do it!" Why your shoulder devil takes the form of your sister is a question you'd rather not dwell on, nor any of the wider implications therein.

Does that mean your shoulder angel is Oriko? Kirika does whatever Oriko tells her to, so wouldn't that actually be a good thing? But what if they start making out while they're trying to help you make a moral decision? What if they don't stop and go even further? Why are you even imagining your sister and her girlfriend being intimate on your shoulders?

Argh! Stupid big sis!


"Anyway!" Kaname Junko cuts right to the chase, opening her daughter's bedroom door and gently pushing you inside. "You two call me if you need anything, okay?"

Before you can protest, Kaname Junko has closed the door behind her; and just like that, it's you and Madoka, alone in her bedroom, with the door shut behind you. For several agonising, awkward moments, neither your or Madoka have anything to say, and all you can do is stare at each other. At least Madoka is looking better than the last time you saw her. Her eyes is back to its normal pink, and the black veins creeping up her face are gone too, courtesy of Avalon hard at work to keep her safe.

But you'll still have to keep Madoka safe from Sidonia's hand if she tries anything.

"It sounded like mama was really giving you a hard time," Madoka finally says. "I'm sorry, if she made you feel embarrassed."

"It's fine." It's no worse than what your sister puts you through on a regular basis. "I'm just glad to see that you're looking better." Madoka's smile is painful, but you have to hold yourself back from going over to comfort her. "How… How are your parents taking this?"

Pretty poorly, you imagine.

"I think mama and papa are still trying to process everything that's going on," Madoka replies. "Mama's still talking to other people at her job, so I think she's trying not to think about it until later, but papa's really taking it hard. First it was Takkun, and now this…" Madoka shakes her head. "I don't think I've ever seen papa drinking during the day before…"

"If it means anything, I'm truly sorry that this had to happen to your family," you say. "You, and Tatsuya. I never meant for any of this to happen."

"I know…" A silence falls over you and Madoka, and it lasts until Madoka says "I'm really sorry about breaking up with you, Homura-chan. I hope you can forgive me." Her lip quivers as you fail to come up with any better response than an "I know," and Madoka asks "Do you… Do you still want to be my girlfriend, when this is all over?"

You don't even need to think about your response. "I do."​
 
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Do you people know how close I was to having Homura and Madoka get back together in this update? The gay is strong with those two. The only reason they don't, the only reason this update doesn't end with Homura and Madoka furiously making out on Madoka's bed in a passionate act of makeup cuddling is because I didn't think Madoka would want to risk Homura catching Grief from her like some kind of STD. That, and, I mean, it would suck all the remaining emotional weight of the breakup away if they got back together before the end. But still. I was this close to having them get back together in this update.

Where do you get apple pie flavored icecream? That's a thing?
Yes it is a thing, for which I am very grateful because it's the best damn ice cream in the world. I'd only ever seen it once before, before seeing it again this year for the first time in over a decade, but damn is it still as good as I remember. I will not tell you where I get it, because if I did that I would not only be giving away my location, but I would potentially be introducing competition for the limited supply, and I refuse to share the source of my secret stash with anyone.

But if you can find it for yourself, then good for you.
 
Ah yes, lesbians. The strongest sub-race of humanity.

Also, while I don't like apple-flavored ice cream, apple pie flavored ice-cream sounds good. Actually, pumpkin pie ice-cream sounds like it would be excellent. Never seen it before, though.

Also good to know that SVS is a Moid character.
 
Ah, due to the wording, I assumed that back then you meanth that she was working on it. I actually found the pairing list during the training session this was happening during, and:
Gilgamesh, Ramesses & Diarmuid's Group
- Akemi Homura
- Asami Saki
- Kanna Niko
- Mikuni Oriko
So she was actually working on learning how to fight during that time. That's my bad; but regardless, that means she probably hasn't done it yet.
 
Ah, due to the wording, I assumed that back then you meanth that she was working on it. I actually found the pairing list during the training session this was happening during, and:

So she was actually working on learning how to fight during that time. That's my bad; but regardless, that means she probably hasn't done it yet.
I recall it being mentioned somewhere previously, I just can't remember how far she got. I'll keep checking.
 
Day 27 Chapter 30
[X] Plan: The Sweetest of Hearts (part 2)



"Mom, dad, I'm gay, and Kazumi is my girlfriend."

You stare at Niko as she stands in the foyer of her parents' house, confessing to them the truth about her relationship with you. For several moments – moments which feel like an eternity – Niko's parents say nothing. They don't make any sound which would betray their thoughts on what their daughter has just told them. Finally, the silence becomes too much, and Niko asks "Are you… Are you upset with me?"

"We had our suspicions when you ran out after we'd said those things about your friends," Niko's dad says. "We won't hold it against you, but…"

"To be honest, we're still… Not sure what to think," Niko's mom says, finishing her husband's sentence. "But, we are sorry for the things we said about your friends. You were right; it's no business of ours how they choose to live their life."

Niko's dad nods his head; "And while we are going to be concerned for how society will view you, and your relationship with Kazumi, we're just glad you've found someone who makes you happy. It's…"

"It's been far too long since the last time we saw something make you happy."


With Niko's parents' blessing still ringing in your ears, you accompany Niko on the long – it's not really that long; barely more than an hour; but still – journey back to your team's makeshift base. But the journey would have been a lot shorter if you didn't have to evacuate the base in Asunaro. With time all but lost to you, you were expecting to return to the base and find it empty, but when you open the door- "Kazumi, Niko, welcome back!"

It looks like, contrary to what you initially thought, the entire team is back. Mirai is sprawled out across three chairs, while Saki sits beside her occupying a fourth. You hear sounds coming from Kaoru's room; you'd guess she's working out, or something. You don't see or hear any sign of Umika, but you imagine that's probably because she's working on one of her manuscripts, or else she's just making herself scarce so she doesn't run the risk of someone breaking any more of her bones.

Really, she wouldn't have to worry about that last one if she'd just learn to respect people's boundaries a little bit better.

"Hey~" you respond to Saki's greeting. "How'd the rest of the meeting go after we left?" you ask; "And why's Mirai taking up so much space?"

"Akemi had me test out what I could do with Rider, since Mikuni and… Crap, what's her name; the one with the seaweed hair-?"

"Shizuki?"

"Yeah, that's the one," Mirai says. "Anyway, since those two finished work on that magic code-whatever-thing, Akemi wanted to see how I'd go commanding Rider." Mirai's reclined posture says a lot about how that went. "I was able to keep him going for a pretty long time, actually."

"But it still took a lot out of her," Saki adds. "Akemi and the others were theorising that Mirai might have an easier go of it next time if you're around, since the way this thing works is that is draws in mana from the rest of us when we're wearing the corresponding transmitter. Since you've got such a massive store of mana, they thought that you not being there was negatively impacting Mirai's ability, and Akemi wants to have her try again tomorrow when you're around."

"Oh," is all you can say. "That's not a problem. But, what happens if they're wrong?"

"Then I imagine Mikuni and Shizuki go back to the drawing board, and try to tweak the system so it's smoother," Saki says. "I don't know. I'm not one of the eggheads of their team." But Niko is one of the eggheads. You're so proud of her~! "Anyway, how did things go with Niko's parents?"

"Poorly, at first," Niko says. She spares Saki the worst of it, and only says "They eventually came around, and I was able to come out to them without it being an issue, but…"

Niko looks to you, expecting you to finish her thought for her. "But I think her parents are still having a hard time getting used to it," you say. "As well as, you know, getting used to having this whole 'magic is real' thing shoved in their face. But they said they were going to try."

"That's good to hear," Saki says. "I, uh… My parents have known I was a lesbian for a while, now, but I haven't told them that Mirai and I are dating, But I guess I wasn't also trying to get them up to speed on the fact that I was a magical girl at the same time, so it probably wasn't anywhere near as rough a go of it as you two had. Though, I think my mom and dad are still upset that they'll never have grandchildren, but I mean…"

Saki shrugs her shoulders. Aren't things like adoption or using a surrogate also options? You don't press the matter any further. Saki looks down, staring at the girl whose head is nestled in her lap, and she asks "What about you, Mirai? Do your parents know you're gay?"

With a heavy head, Mirai responds with a negative. "I haven't told my parents anything," she says. "They're already used to thinking that I'm weird, so hearing that I'm gay probably wouldn't surprise them too much, though."

"I don't think you're weird," you say. "I think you're fine just the way you are."

"Yeah, well you only know what I'm like now," Mirai says. "But, back before I met any of you, I was… I was a mess. Probably only Saki remembers enough of what I was like back then to say anything, but…" Saki nods her head. "I had no friends before I met any of you; well, I mean, my teddy bears were my friends, but I didn't have any people friends. People thought I was weird, 'cause I talked like a boy and I was more into teddy bears than whatever was popular."

Mirai reaches her hands up, draping them over Saki's shoulders like she's going to pull her in for a kiss, and she says "That's one of the reasons I love Saki; 'cause she's the first friend I made that didn't judge me for being weird."

Saki relents, and leans in to give Mirai the kiss she's clearly expecting; "And you were just so persistent about it," she says. "How could I not come to love you back after everything you've done for me?"

Fortunately, the pair don't end up dragging their affections out in front of you for much longer. As soon as they remember there are other people in the room, they stop, and Saki says "Well, we should probably get out of your hair if we're going to be like this." You'll say! "I bet Niko's got a lot more work she wants to get done, and Mirai and I are just going to be one big distraction if we stick around while you two are trying to get work done."

With great difficulty, Saki picks Mirai up, and drags the tired, uncooperative girl into the bedroom they share. You're glad Akemi remembered to have the walls and partitions soundproofed. You can't imagine how awkward it must be for her, having to listen to her parents, or her sister and their girlfriend, being intimate from down the hall.

That just leaves you and Niko, but when Niko goes over to grab her laptop, you stop her. "Come on, Niko," you say to her. "You don't really have more work to do, do you?"

"No, I… I really do," Niko replies. "It's important that I get this done first. We can relax, or do whatever else you'd like to, after I'm done."

"Is it important? Or are you just using busywork as a way of avoiding dealing with someone you don't want to?"

Though it looks like you've hit the nail on the head with your claim, Niko says "No, it actually is important. I need to finish writing the program that'll allow the familiars that Akemi's teammates are building to sync with their devices," she says. "Similar to the program I was writing for our own static defences, before we had to evacuate Asunaro."

"So… How long will that take?" you ask. "Can't you just copy the program you already made?"

Niko shakes her head. "The program I made for our own sentries was written with those sentries, specifically, in mind," she says. "It won't work for just anything. I need to code it to work with the familiars that Akemi's teammates have made. I can do most of the work today and into tonight, but I'll need to speak with Mikuni and her cousin tomorrow in order to get the specs for the familiars their servants are making."

Okay, so despite your concerns, this does actually sound like something that it's important for Niko to do. But you aren't just going to let her do whatever she wants. "I'm going to insist that you take frequent breaks," you say. "If you need to get work done, that's fine, but I'm not going to let you go without eating dinner. We already skipped having dinner with your parents, so we're going to eat first, and then you can get started on your work; but only if you're willing to take breaks."

"I suppose I don't really have a choice in the matter," Niko says. "Not when our illustrious leader is issuing the order to my face." You beam at the compliment, and Niko asks "What's for dinner, in that case?"

"You." The words leave your mouth before you even realise what you've just said. You clam up, but the damage is already done. "I mean, I was going to try cooking something from one of Umika's cookbooks," you say. "But, uh... If it looks like we've still got some time before we need to start, I wouldn't mind is we kissed for a bit… Especially if you were willing to kiss me like you did back there…"

"I shouldn't," Niko says. "We're moving too fast, Kazumi. I… I shouldn't have slipped my tongue in your mouth like that, not when we've barely been dating for a full week. I just… Let my emotions get the better of me then, that's all. We should really wait until we've been dating for at least a month or two before we start kissing like that."

"I liked it," you say. "It felt good."

"Still, we shouldn't be doing that. You… The current you, that is, is barely a month old. I feel like I'm taking advantage of you when I do things like that."

"Well, I don't feel like you're taking advantage of me," you say. "Not when I'm the one who kept pushing for us to start dating in the first place." If anything, you're the one taking advantage of Niko, using the fact that she's broken and in desperate need of emotional closeness with another person for your own advantage just because you think she's cute. That's not true. That's not true at all.

But you won't deny that someone could easily think as much.


"But, okay," you say. "If you're not comfortable with us kissing like that for a while, then I won't make you do anything you aren't comfortable with." Not when you've already pushed her this far out of her comfort zone? You approach Niko, leaning in on your tiptoes until you're at eye level with her, and you draw her in close with your hands on her hips. "But I still want to kiss you."

Your kiss only lasts for a few moments, and Niko doesn't try to slip her tongue into your mouth this time. When you break your kiss, Niko immediately lunges into business. "What's for dinner?" she asks. "Hopefully I'm no longer on the menu?"

"What about dessert?"

It's rare to see a genuine smile on Niko's face, but when you see them, they're worth more than all the gold in the world. "If you're still hungry after dinner, I'll consider it," she says. "But really, you have to stop hanging around Kure. I think she's ruined you."

"It was only twice!" you protest. "There was that one time we got partnered together on a patrol, and then when we were doing combat practice together! Honestly Niko, stop being so serious all the time~!"

"Still, the damage is clearly done."

You pout, but you've clearly lost this one. "Anyway, it's like I said, I was going to look through Umika's cookbooks to see if anything struck my fancy. But I'll probably settle on something simple, maybe something that you could help me with." You stop yourself, and quickly add "But only if you wanted to, I mean. It would be a nice way to spend time together."

"I think that would be nice."

But once in the kitchen, a "Huh," escapes you, as you and Niko take a look through Umika's cookbooks. "There's a recipe in here for strawberry risotto…"
 
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Ah, due to the wording, I assumed that back then you meanth that she was working on it. I actually found the pairing list during the training session this was happening during, and:

So she was actually working on learning how to fight during that time. That's my bad; but regardless, that means she probably hasn't done it yet.
I recall it being mentioned somewhere previously, I just can't remember how far she got. I'll keep checking.
I checked. It wasn't yesterday, but the day before, that Niko mentioned it. So she's probably gotten at least part of the way there, which means that we've got time to cook, since she's probably done enough by now that the rest of whatever she needs to program can wait until after dinner.

But that's going to be something we need to address tomorrow, having Niko working with Oriko, Caren, and their servants, to get her program set up so we can sync the feed from the familiars Lancer and Assassin have been making into our devices.

Also, last call for anything anybody might want to do today. Homura, Archer, Kazumi, or Scáthach; @PlaguePaladin @NMS @K4lepo, if you think we've missed anything important, now is the time to speak up and have them do it.

In case you're wondering what Mirai meant when she said she "talked like a boy" in her youth, it's something that doesn't translate very well into English. According to the manga, as a child Mirai would use the "boku" pronoun to refer to herself, so she'd come across as being boyish because "boku" is typically used by boys. Saki admits to Mirai that she used to use "boku" to refer to herself as well, so she says that she doesn't mind if Mirai talks like a boy. I did the best I could without having Mirai launch into an explanation on Japanese pronouns that Kazumi would probably already be familiar with, so having her say that she "talked like a boy" is the best I could do to translate the idea into English.
 
One thing I dont understand is why Homura had no power development over the one and a half year break between prequel and sequel. Or her lack of actual improvement herself with like a billion directions she could develop even with just Archer, or later with a bunch of servants available for training. I even cheatsheeted the character sheet and it's the exact same as before, unless it hasn't been updated at all since the beginning she hasn't gotten better in the slightest 1.2 million words and a timeskip. Hell, she even lost her timestop, so she's probably even weaker than before.

I'm 9~ days in. Does this ever change? The stagnation and complacency bothers me, where the hell is the sense of urgency? Everyone else seems to be training and improving too, just not her, which makes it even weirder. Especially since there are Servants about that can crush her like a bug, and QB still at large. Even odder, Homura is innately a weak magical girl, who relied heavily on her timestop and mundane weapons to do anything of consequence until she started learning Projection, and now she lost both. If anything, she'd double down on magecraft and runes, because Madoka's safety is paramount, and she lost her biggest safeguards (time travel, and timestop). She doesn't even try to shore up her weaknesses, which is OOC for someone who fought a forever war, that hasn't truly been won yet, merely delayed, since Madoka still infinite potential.

This is a huge divergence from the original that had some level of progression. I've also noticed that Homura feels increasingly sidelined (is she even still the protagonist?) for other characters, primarily the Servants - Archer, Scathach with Kazami (who actually is training, hah), etc. because she simply can't compete at that level, even as support, because again, she hasn't made any actual improvement. MGs might not be servant level, but they aren't human, so you'd think she could fight a low level servant at least by now, or at least briefly fight off a top servant. I mean, shit Emiya Shirou killed corrupted Hercules and a corrupted Saber that didn't use her NP as a literal baseline human with a servant arm. Homura doesn't have the same level of advantage, obviously, but she isn't human and has (or should have) been training with Archer and later, the other Servants, so she should be able to manage something by now. Even Rin, as a mage had a giant 'fuck off' ruby for Hercules.

Ugh. I just feel like this is missing most of the magic of the predecessor. Kazami basically hijacked the entire story and it's missing the elements I liked about the original.
 
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Again, this is another case of 'we know, it's been said a thousand times, the people that are still here mostly want to see this through'. Not to say that you aren't right. You absolutely are right. But to answer your question, it only improves when the collective aggravation in the thread reached a boiling point here, which is about 2/3 of the way in, so it might not be for you, or maybe you'll be cool going forward knowing that it will get better way later. Though some things can't be saved this late in the game.
 
Ugh. I just feel like this is missing most of the magic of the predecessor. Kazami basically hijacked the entire story and it's missing the elements I liked about the original.
Part of the problem is that I developed a pretty big chunk of the sequel with Kazumi in mind as the protagonist, but then tried to stick with keeping Homura as the face character because she was the star of the show last time, despite not having anywhere near as much in mind for her to do. Obviously, it didn't work, and I've spent every day for the past 17 months regretting my poor planning and poor execution. I know.
 
Omake, side Sidonia - In the House of the Mad Lady Klossner
1578, Stettin, Duchy of Pomerania

"Halt! State your business."

At mid-day, a lone figure walking unaccompanied through the front gate would have drawn suspicion anywhere in the world; a lone woman, dressed in an assortment of all-black fineries, even more so. The man at the gate held a spear with a long, wooden handle, but he held it loosely, clearly without intention to use it unless provoked. So, no reason to give him reason, in that case.

The lone woman removed her wide-brimmed hat, and held it at her side so the guard could get a good look at her face. Sharp, pointed features framed by short, pale pink hair greeted him, and equally sharp lime-coloured eyes stared back at him.

"I happen to be looking for someone," Sidonia said to the guard. "A woman, whom I have been led to believe resides, or once resided, here. Perhaps you can help me?"

Her hair was cut short, decidedly un-feminine, and her features more sharp than beautiful, but her words were like honey to the guard's ears. "Perhaps, ma'am, I could be of some assistance in helping you locate her, then," he said. "Could you tell me a bit more about her? What do you know? An address, perhaps?"

"None, I'm afraid," Sidonia replied. "I have a name, courtesy of letters exchanged between her and my father, but those letters give no indication of where in this city she lived." Before the guard could prompt her further, Sidonia had reached into one of the deep interior pockets of her dress, and produced a piece of parchment, neatly folded, but showing its age of many decades readily. "Nino Klossner is her name," she said. "I don't know what business my father had with her, but they appear to have been friends."

"Is that where your interest in finding her comes from?" the guard asked. "I've never heard the name myself, but then, I don't know the names of every person in Stettin. Perhaps one of my superiors might recall the name."

"While I would greatly appreciate the assistance your superiors could provide in helping me locate this woman, that isn't why I am looking for her," Sidonia said. "I was told by an associate of mine that she might once have had in her possession a rare book or two which I am interested in obtaining. It was only by happy coincidence that she turned out to be an old friend of my father's."

The guard, still spellbound by her words-like-honey, was compelled to obey. "Of course," he said, nodding his head. "I'll go find my superior right away."

Sidonia stood patiently, waiting as the spellbound guard raced off to find his superior. She kept her laughter to herself; had she ill intentions, she could have strode into the city through the now-abandoned gate without anyone to stop her. She did not, of course; she had not come here to cause trouble, least of all not for the poor guard who would certainly be punished for abandoning his post. But it was so easy to bend to her will those who could not do what she could.

The guard returned after a time, bearing with him his superior, a grizzled, older man with a roughly-aged face and an eyepatch over his right eye. With his one remaining eye, he stared down Sidonia, before turning to his junior and saying "No wonder she was looking for mad Nino Klossner; this girl's practically her spitting image."

The old guard's words piqued Sidonia's interest, until the guard shot down whatever she had been thinking to say "But, that doesn't make any sense. Lady Klossner's been dead for thirty years, but you don't look a day over twenty."

"I was unaware that she had died so many years ago," Sidonia said. "I take it by the… Rather unflattering epithet you've given her, that you knew the woman I'm after?"

"I was barely a young man when she died, but yes, I knew Lady Klossner," the old guard said. "Or rather, I knew of her, like most people did back then. She was a fairly secretive woman; we all knew of her, but she kept to herself and stayed outside the edge of town most of the time. The fact that you say your father was a friend of hers is a surprise. I was unaware she'd had any friends, let alone ones who could afford to dress their daughters so lavishly."

As the old guard finished sizing up Sidonia's wardrobe, he asked her "If you don't mind sating my curiosity, who is your father? What sort of man was he, to be friends with the mad old lady?"

"My father was Otto von Borchk zu Stramehl-Regenwald," Sidonia replied, curtseying for the old guard. "I am his youngest daughter, Sidonia."

An ill silence fell over the old guard, and he looked to his younger subordinate. "Get you gone," he said to the younger man. "Find some other gate to watch, or go to the barracks and take your break." Not even a "Sir, is something the matter?" in protest could change his mind. "The matter is beyond you. Go."

The younger guard fled, the act only piquing Sidonia's interest further. "There's a story here," she said to the old guard; "And something you aren't telling me. Just who was Nino Klossner, anyway?"

"That isn't a story whose responsibility is mine to tell," the old guard replied. "Suffice it to say, neither your father nor the mad Lady are who you think. I cannot take you to the Lady's residence, but I can tell you where you might find it." The old guard's arm was long as he pointed Sidonia over the walls of the city. "On the other side of the Oder, you'll find a wooded area just over a hill. The mad Lady's house is somewhere in those woods. Tell no one of what you see when you are inside, and do not linger for very long, assuming it even allows you to enter in the first place."

Night had fallen by the time Sidonia had made is across the city, across the Oder, and arrived at the wooded area just over the hill. Off in the distance, she could hear the faint howling of wolves. She scowled to herself, and proceeded to set alight two small flames at the tips of her fingers, holding them at arm's length to give herself some light. Not that she needed the light, that is to say, for even as she walked through the heavily-wooded area, it seemed to her that the forest itself was parting to allow the moonlight to shine through the canopy from above.

No, it didn't just seem that way. As Sidonia ran her hand up the length of a tree's trunk, she could feel a quite noticeable bend where it had parted, seemingly as if just for her sake. She turned her head back in the direction of Stettin, musing to herself "That old man's mind was tougher than I thought. Or else, whatever secrets he keeps are so closely guarded I would ill have pried them loose so casually."

"Now then, forest, tell me what secrets the old Lady Klossner has hidden within you…"

Another distant howl came over the hill, causing Sidonia to scowl again. She spun herself around, pointed her lighted hand towards the source. Nothing. Nothing but the sounds of cracking branches and fallen leaves as she stepped over them. No. Those weren't her footsteps she was hearing.

Again Sidonia turned, pointing her hand towards the source of the noise; and there she saw it. A black wolf, it was, or something else wearing a wolf-shape, for it was bigger than any wolf Sidonia had ever seen before: it had four glowing, red eyes, deep-set in a head whose fur was rough and stood like spikes. It stared at Sidonia, and she readied flame on the rest of her hand. If it was a fight this wolf wanted, she would oblige to its death.

But the wolf did not attack; did not pounce with its great jaws spread wide. It approached, slowly, keeping its eyes on Sidonia all the while, until stopping just in front of her face. It sniffed the air around her, and then stood down.

"Whatever you are, at least your owner trained you well," Sidonia said. "Your appearance now, after the warning the old guard gave to me, cannot be a coincidence. Surely, you know the way which I am bound?"

The wolf turned, wagging its short tail to ask Sidonia to follow it. For a brief moment, the thought that this might be a trap crossed Sidonia's mind, and she held her flames close as she followed the wolf. But no trap this wolf's guide proved to be, and in no time at all it had led Sidonia to the aged ruins of what once looked to have been a lavish retreat. Seated in the middle of a clearing ringed by the long-dead stumps of trees and decorated with a procession of strange images drawn in long-faded paints, the retreat's wooden sidings and roof had clearly seen better days, and at least from the angle at which Sidonia stood, part of the roof had caved in somewhere in the back.

But it was still standing, and as Sidonia pressed her hand against the siding to marvel at its construction – derelict as it was, the fact that it still stood after thirty years without maintenance was no small miracle – she whispered to its walls "Incredible…"

"Well, dog, you've done well to lead me here," Sidonia said. But when she turned her head, the wolf was gone, and in its place was a bundle of sticks in wolf-shape, held together by some black substance. Sidonia touched it, running the warm, black goop between her fingers, and scowling at the way it stained her fingertips, like the stains on the fingers of a habitual pipe-smoker. She brought it up to her nose to sniff at it, but found its smell to be unlike anything she had the words to describe.

Disappointed at finding no answer, Sidonia flicked the goop from her fingers, and took one final look at the exterior of the retreat before pressing onwards through the front door. "Lady Nino Klossner, your guest has arrived," Sidonia said to herself. "Presenting, in all her majesty, the witch of Stramehl, Sidonia von Borchk."

Sidonia took her time scouring the retreat, but in each room she looked, she found little; certainly not the books she had come for. "That would make sense," Sidonia mused, as she returned to the shelf a book which was not what she had come for. "The old man said that Lady Klossner died thirty years ago. There's no way she'd have a copy of Twardowski's Mirror, not unless Twardowski had given her a copy before becoming King Sigismund's courtier…"

She seethed through her teeth, saying "That bastard lied to me. When I get my hands on you, Zolgen I'll…"

Another room failed to give up its answers, and Sidonia continued, growing in frustration, until- "What's this?" Her hand stopped, hovering over a small metal pendant. She picked it up, studying it closely. "A ram's head?" she said to herself, turning the pendant over in her hand to examine the opposite side, only to find nothing but the mark of an upside-down "A" which matched the contours of the ram's head.

Her anger at being misled had not vanished, but a new curiosity had taken over Sidonia's mind. "Just what are you?" she asked, as though the pendant could offer up a response. A door, which Sidonia was sure had not been there before, stood before her, embedded in the wall right where she had reached to pick up the pendant. This was it, Sidonia knew, and she reached for the handle, twisting it and pushing open on the door.

A dark staircase led down into the yawning darkness, but with her fingers alight with fire, Sidonia made her descent, finding, as she reached the bottom, that she had just entered what was clearly the workshop of a fellow witch. A long table stretched along the far wall, and the side walls were rife with books upon shelves, the collection almost enough to rival her own, waiting for her back at the manor; and assuming Ulrich had not disposed of them during her prolonged absence over the past two years.

Ah, but if she could locate Twardowski's Mirror, then she would gladly pay the price of all her other books.
That rarest of magical tomes, with scarcely more than a handful of copies in circulation, and the original seemingly vanished from the face of the earth with the disappearance of its author following the passing of King Sigismund II six years prior. It was worth more than the value of the entire von Borchk estate, the land, the manor, and all their holdings and possessions, combined.

But back to the task at hand. Sidonia marvelled at the collection that had been stored away in Lady Klossner's workshop, and her fingers danced from tome to tome as her eyes scoured their contents for anything that could make this trip worth her while.

Well, those certainly looked interesting.

Seated on the table at the far wall, Sidonia spied four effigies of unknown persons or figures. A man on horseback who wielded a spear; a man with a red face and a beard like fire; a woman wearing white and decorated with painted beads; and a seated figure playing a lyre whose head was the same ram's head that decorated the metal pendant. One by one, Sidonia picked the effigies up, studying them, reading to herself the names carved into their bases.

"Perun… Svarog… Marzanna… Veles…" Sidonia looked at the ram's head pendant she had picked up, comparing it to the head of the fourth effigy. "So, your name is Veles, is it?" she asked, as though either the pendant or the effigy could respond. "But that doesn't tell me much of anything. Who is Veles? Who is Veles?"

Sidonia set the effigy of Veles back down on the table, still holding the pendant in her hand. She didn't know why, but she found that she couldn't put it down. The pendant called to her. In fact, everything in this workshop called to Sidonia. It was as if she were meant to be here. She reached her hand out to a book on the nearest shelf, tugging at it and scanning her eyes across the hard leather cover.

"The Book of Veles" Sidonia read to herself. Her hands moved delicately as she opened the thick tome; the book appeared to be several hundreds of years old. "To Veles this book we devote…" Sidonia read the passage on the first page, gently flipping each page as her eyes skimmed the book's contents. By the time she reached the eleventh page, she was engrossed.

"It's a religious text," Sidonia said to herself, gently closing the book on the eleventh page and setting it aside on the long table. Her hand reached out for the effigy of Veles once again, feeling it call to her. "It's describing… The religion that was once practiced in this area before it was Christianised… These are…"

"These are the gods of my ancestors. The ones they worshipped before the Church came in and persecuted them until they converted… Back when magic was not seen as an evil thing…"

It was not Twardowski's Mirror, but Sidonia would take the book with her all the same. Something about it called to her, as if she were meant to have it. The pendant, too, Sidonia held in her hand. A mirror stood in the corner of the workshop, that had somehow avoided Sidonia's gaze until just now. She approached it, carefully, called to it by the same force that propelled her to stay for longer than the old guard had advised her to. "Tell me your secrets," she said to the mirror. "What message did you leave for me, Lady Klossner…?"

At first, Sidonia saw nothing; her reflection staring back at her. But, in her reflection, she did not see the workshop was it was now, ramshackle and rundown. Instead, she saw it as it might have been thirty years ago, well-kept and organised. At first confused, Sidonia turned her head, but saw in the flickering light of her flames the same rundown appearance as before.

When she returned her gaze to the mirror, she saw her reflection once again, as it busied itself going about its work; studying ancient tomes, perfecting spells, paying tribute to the effigies on the long table. Unconsciously, Sidonia touched her collar, when she saw that her reflection was wearing the pendant of Veles around its neck; but her fingers touched only bare fabric. The pendant was still in her other hand.

"is this… The future, then?" Sidonia wondered. It would make sense; if she cleaned up the place, she could see making herself at home here, away from her brother and his expectations. "No…" The words escaped Sidonia's mouth, as future became past, and Sidonia saw her father's reflection appear at her side. She had been only three years old when she lost him, but there he stood, unchanged from the lavish portrait her mother had kept in the main hall until her death.

"The past, then…? No… No, how could this be the past…?"

The image of her father was joined by that of her mother, until both vanished and Sidonia saw herself reflected in the mirror again. The clothes she wore melted away in flames of her own making, revealing a second set of clothes underneath which were starkly foreign to her, striking, unrecognisable, even scandalousthat is an unacceptable amount of skin for any decent woman to be showing, even to herself – save for the pendant of Veles her reflection still wore around its neck. "Blasted thing…" Sidonia said. "Just what are you trying to tell me? Do you want me to put this thing on? Is that what you want from me?"

As if to further taunt her, her own reflection nodded its head, and gestured to the real Sidonia with the hand that in reality still held the pendant of Veles. "Fine, then, if that's what you want from me," Sidonia said, unclasping the pendant from its metal chain and slipping it around her neck. "There? Are you happy now, Lady Klossner? I've got your pendant, your books, and your effigies. What else did you leave for me?"

At those words, a spiderweb of cracks spreading across the mirror surface splintered her reflection into a million pieces, and in that moment, it was as if the spell was broken. "Did you set all this up for me, Lady Klossner?" Sidonia asked. "Or was this all just a coincidence?" When no response came, Sidonia said "Very well. You've convinced me."

Sidonia could not take everything with her. There were too many books in the workshop, and she had the effigies to carry as well. She packed what she could into her travel case; the effigies, the Book of Veles, and several others which Sidonia judged to be the most important tomes; the ones that appeared the oldest, appeared to have the most useful or most valuable magical knowledge, or that, like the Book of Veles, described the religion and deities of the ancient Slavs of Pomerania. Miraculously, a total of seventeen books, plus the four effigies, were able to fit inside Sidonia's travel case before she could fit no more.

Hardly miraculous, Sidonia thought to herself. The work of Lady Klossner from beyond the grave, more like. She clearly wanted Sidonia to possess the wealth of knowledge that had once been hers.

Without another word, Sidonia closed up her travel case, paid one last, longing look at the aged workshop, and headed back up the stairs to make her exit from this place. She had not found what she had come here searching for, but she felt that she was leaving with something valuable – valuable to her, personally, if nothing else – all the same. As Sidonia stepped outside into the moonlit forest, she took one last look back at the old retreat.

But a wooded clearing was all that stood there now.​
 
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This is a big one, and while I didn't intend for it to be - I originally only intended for this to be about half the length, but you can see how well that worked out - I concede that it ultimately needed to be this long to convey what I wanted to convey. Now sit back, because it's time for a history lesson.

First, the name. I didn't want to just pick any random name for the woman in question, so with a bit of direction from Plague, I went looking, eventually settling on the name Nino Klossner. Nino was the name of a 4th century Georgian missionary who introduced Christianity to Georgia. One of her most famous converts was a Jewish woman by the name of Sidonia, who along with her father Abiathar were the first people Nino converted to Christianity. For the woman responsible for converting Sidonia to Slavic paganism, I thought the name was an appropriate one. Her surname, Klossner, is German, and comes from an old German word meaning "Hermit"; again, for a woman who lived by herself in the middle of a spooky enchanted forest, I thought it was appropriate. Incidentally, "Sidonia" is itself a Georgian name in origin, while the rest of Sidonia's family have names which are either German in origin (her father Otto and her half-siblings Ulrich and Clara) or in use (her step-mother Anna), which is something I appreciate, as it subtly sets her apart from the rest of her family.

Next, the Book of Veles. The actual Book of Veles is a confirmed forgery which purported to describe ancient Slavic religious practices and history, allegedly dating from between the 7th and 9th centuries, but actually only probably dating from between the 19th century to the mid-20th century. The actual historic text describing Slavic religious practices and history is The Primary Chronicle, which is an history of the Kievan Rus and is also one of the most important sources for reconstructing the Slavic pantheon. For our purposes, however, the Book of Veles is the real deal. Also worth noting is that the real Book of Veles was written on wooden planks, but here, it's an actual book instead.

Third, in case you were wondering - and if you actually were wondering this before I said anything, pat yourself on the back and take a spoonful of apple pie ice cream from the pint in the freezer - the image Sidonia sees in the mirror that she describes as looking scandalous is actually a nod to her appearance in the meet&fuck fangame, Empire of Dirt, where she plays the role of the main Caster servant. I could have picked anybody who had been executed for witchcraft as the main antagonist for the sequel, but I specifically picked Sidonia because I thought her name sounded cool as all heck and because I really like her design in EoD. If you look at it, you can even see the elements that I borrowed from it; the pink hair and lime eyes combination, the hat, the ram's head pendant, and the all-black colouration of her outfit, though the outfit itself isn't the same as what you see here. If I could draw faces I'd draw her wearing the high-collared jacket and black duster I've described her wearing, but still. Her EoD outfit is pretty cool, and being the reason I chose Sidonia, I thought it deserved to get its own little nod somewhere.

EDIT: I made one small change to a description in the above omake. Previous, the Veles pendant was marked with a "V" on the reverse side, but this was changed to the upside-down "A" mark used by modern worshippers to represent Veles. While I'm at it, can I just remark how very similar the modern Veles mark is in shape to a ram's head? I just think that's neat.

28-1 will be coming later today, since nobody else spoke up about anything they wanted to do yesterday to close out Day 27.
 
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Day 28 Chapter 1

*Bzzt*

*Bzzt*

*Bzzt*


The buzzing of your phone as your alarm goes off wakes you from your slumber. Your sleep had been a poor one, restless, your dreams dark and hazy, and you're glad to be awake. Less so when you remember that today is Tuesday, a school day, and you have an hour-plus-long commute ahead of you if you plan on attending school today.

Should you?

Hitomi and Nurse Ortensia aren't finished hypnotising the school yet. Maybe you should go to continue helping them.

But Madoka probably won't be going to school today. Maybe you should skip school and go visit her instead. Just to make sure she's okay.

Not that skipping school to visit Madoka would save you your commute any.


You shake those thoughts from your head, and focus your attention to the time on your phone; it's still early, thankfully. But now you notice that your alarm wasn't what you thought it was. Rather than telling you what time it was, your phone was alerting you to the fact that you have an unread text message. From Kazumi. Curious, you unlock your phone, and open up the message she sent to you.

<Kazumi: Hey akemi, just want 2 let u no that nikos finished with smthng she was working on b4>
<Kazumi: Tell mikuni & her cousin that niko wants 2 speak 2 her abt it>


You check the time on your phone again, re-confirming that you still have time before you need to seriously think about getting a move on if you don't want to be late for school. Your parents are gone, and you can smell breakfast cooking downstairs, so you don't need to worry about disturbing them as you shuffle into a seated position. You study Kazumi's tests again, just to make sure you've read them correctly.

Kanna Niko was working on something, and that something is something for which Kanna Niko needs to speak with Oriko about, later in the day. You wrack your brain for what it could be, but only come up with vague possibilities. Not just Oriko, but Nurse Ortensia as well. What could it be? You think harder, and drag yourself up and out of the bedroom as you continue to wrack your brain for what it could be.

You recall something Kanna Niko mentioned she was working on earlier, a program that would allow her to sync the audio/visual feed from static sentries to her device. If Oriko and Nurse Ortensia have their servants working on making familiars for your team, and they're the ones Kanna Niko wishes to speak to, perhaps it's about adapting that program to work with the familiars Lancer and Assassin are making.

You move slowly, shuffling down the hall towards Oriko's bedroom. As you move closer, passing the point in the wall where Oriko's bedroom begins, but where you haven't quite reached her door, you hear muffled voices. You can't really make out what's being said, but you can hear Kirika saying something, followed shortly by Oriko, apparently rebuking whatever offer Kirika had made by the tone in Kirika's voice afterwards. You knock, and announce yourself. "It's Homura," you say, hoping to give the young couple enough time to bring whatever activity they were or weren't engaged in to a close before opening the door and embarrassing you. "Can I come in?"

You hear Oriko's voice call out "Just a second, Akemi-san!" which is followed mere moments later by an inglorious sound. *Thud* Something hits the floor; whatever it is, it's big, but neither hard enough to shake the mansion, nor soft enough to avoid making a sound as it fell. It sounded like a person, actually.

"Oriko?" you call out again. "Kirika? Are you two okay?" If one of them fell, you'll brave the embarrassment if it means lending a helping hand. "I'm coming in."

As you push the door in, you are greeted to the unceremonious sight of Oriko, and Kirika, tangled on the ground in a very unflattering position. They're both fully clothed in their sleepwear of choice, thankfully – not that it matters much when your sister practically sleeps in the nude to start with – but their inelegant position makes the situation appear more intimate than it probably is for either of them in actuality.

"So…" The three of you all stare at each other, all of you at a loss for words. "How did this happen?"

"The short version is, I had my arm slid underneath Oriko's PJ top when we were sleeping," Kirika says. "Didn't realise it was still stuck there when you called and Oriko tried to get up."

"So, when I go to get up, I accidentally pulled Kirika with me," Oriko adds; "And, well… This was the result. The two of us, tangled up on the floor."

"Totally worth it, though," Kirika says.

You give the couple a moment to untangle themselves, and after Oriko straightens out her pyjamas they takes seats on either side of Oriko's bed; Oriko, closer to you, with her seat near the rumpled pillows; while Kirika sits by the edge , absentmindedly toying her finger through a hole in the seamline of her black tee shirt. Oriko reaches a hand over, taking Kirika's into her own to get her to stop playing with the hole – "I'll ask Minako-san to sew that up for you later, dearest," – and she asks you "Now then, Akemi-san, what was it that you needed from me?"

"I got a text from Kazumi just a few minutes ago," you say. "She said that Kanna Niko was working on something, and that she wants to speak with you and Nurse Ortensia later." When Oriko nods her head, you continue. "I think it has something to do with a program Kanna Niko was writing, that would sync her devices to the feed from static sentries. If I'm right, she might have repurposed that program to work with familiars instead, and she needs you and Nurse Ortensia to be her middlemen with respect to the familiars Lancer and Assassin are working on."

"That shouldn't be a problem, Akemi-san," Oriko says. "But, I suppose that does raise a rather important question; are you planning on skipping school again to get this done?"

"I was still debating that myself, actually," you respond. "I still need to help Hitomi and Nurse Ortensia hypnotise as many people as we can, but if I don't go to school, I can check in on Madoka to see if she's doing any better than she was yesterday." The image of an eye, stained pale gold and dressed in fear and ribbons of black, still haunts your waking thoughts. "What about you? Were you thinking of skipping school to get this taken care of sooner?"

Kirika shuffles over to Oriko, and wraps her arms around her girlfriend from behind. "Come on, Oriko, let's skip school today," she coos into her lover's ear. "It'll be fun~"

"Dearest, when you talk like that, it almost makes me believe Uncle when he says you're a bad influence on me." As soon as the words leave her mouth, Oriko clams up. "I'm sorry, dearest, I didn't mean to say something so hurtful. But… School is important, even if it's not enjoyable, and you shouldn't be happy about looking for chances to not go."

Once Oriko is finished admonishing Kirika, she leans over, giving her a kiss as though nothing had happened, before returning her attention to you. "That being said, Akemi-san, I leave it to you to decide the best course of action for us. What do you think we need to do in order to best accomplish our goal?"

You feel like you've been in this situation before; there's Oriko, expecting you to do the right thing; and Kirika, hoping you'll tell her to skip school. They really are the angel and devil on your shoulder, aren't they?

Do you
[ ] Decide to skip school
-[ ] Ask Oriko and Nurse Ortensia to skip school with you as well, so they can speak to Kanna Niko
-[ ] Just you skip school; you can
--[ ] Check in on Madoka
--[ ] Have Wakaba Mirai do another test of her Mystic Code while Kazumi is present
[ ] Don't skip school
-[ ] Let Nurse Ortensia know that Kanna Niko wishes to speak with her
-[ ] Let Oriko deal with keeping her cousin up to speed on Kanan Niko's plans
[ ] Put it to Oriko; what does her precognition think is a better use of your time today?
[ ] Hold off on making your decision
-[ ] You want to speak to Archer first, to see if he has any input on what the best use of your time might be
-[ ] You need a bit of time to consider the matter for yourself (but ultimately pick one or the other)
[ ] Other (write-in)




Tuesday, 30 October, 2012

Major objectives:
- Keep Everyone on your side alive.
- Solve the mystery of the fake Witches
- Win the Great War against the Pleiades Saints

- Stop Sidonia von Borchk's genocidal plan
- Find a way to deal with the corruption Walpurgisnacht's Grief Seed is leeching into the city
- Keep your mom alive
- Try not to think about how Madoka broke up with you
[ ] Do you want to set additional objectives?
- Protect your family
- Protect your allies
- Find a way to incarnate into a real body
- Find a way to deal with the corruption Walpurgisnacht's Grief Seed is leeching into the city
- Keep Minako alive
- Help Homura get over her breakup with Madoka
[ ] Do you want to set additional objectives?
 
We've got three things we need to get done today; we need to finish hypnotising everyone at school, we need to work with Niko to get this sentry program of hers up and running, and we need to do another test of Mirai's Mystic Code to see whether Kazumi's presence impacts her performance or not (and maybe tweak it as needed, if we feel like it needs to be) Not sure what tomorrow is going to hold.
 
[X] Decide to skip school
-[X] Ask Oriko and Nurse Ortensia to skip school with you as well, so they can speak to Kanna Niko, unless they think they have anything left to do at school

If I need to add more, I can.
 
If I need to add more, I can.
I guess one thing comes to mind: what do we tell Hitomi? If we pull Caren out of school to come with us, she'll be left to deal with hypnotising people by herself. Do we tell Sayaka and Kyouko to help? What about Minako? If we skip, and Oriko skips, you know Kirika is going to want to skip with us, so do we tell Minako our plan and hope she doesn't get angry? Do we not tell her anything? Do we tell Archer and hope that he won't tell Minako? Do we make Kirika go to school while we skip, or do we let her tag along and deal with the consequences later?
 
I guess one thing comes to mind: what do we tell Hitomi? If we pull Caren out of school to come with us, she'll be left to deal with hypnotising people by herself. Do we tell Sayaka and Kyouko to help? What about Minako? If we skip, and Oriko skips, you know Kirika is going to want to skip with us, so do we tell Minako our plan and hope she doesn't get angry? Do we not tell her anything? Do we tell Archer and hope that he won't tell Minako? Do we make Kirika go to school while we skip, or do we let her tag along and deal with the consequences later?
We can just have Sayaka and Kyouko do what they did yesterday, I suppose. Oriko can also just tell Kirika to go to school and she will. As for Minako, she should probably be aware that every part of the school faculty is going to be hypnotized anyways, so it's not like school is going to be productive at all today. But I think that she should go to school, if only so that Hitomi doesn't have to deal with any possible threats with just herself and Caren, and possibly the Servants they have.

On the topic of Caren; I figured out that the definition of a Saint is someone who is close to God, so by virtue of Barbara's arm, Caren does technically count as a Saint.
 
As for Minako, she should probably be aware that every part of the school faculty is going to be hypnotized anyways, so it's not like school is going to be productive at all today. But I think that she should go to school, if only so that Hitomi doesn't have to deal with any possible threats with just herself and Caren, and possibly the Servants they have.
I think you might have gotten that mixed up. Kirika goes to school at Shirome High. Hitomi goes to school at Mitakihara Junior High. Even if we send Kirika to school today, it's not as if she'll be able to back Hitomi up in the event that something happens.

Unless I'm reading this wrong and you're actually advocating for Homura to go to school? I admit I'm not entirely sure I'm reading this right.
On the topic of Caren; I figured out that the definition of a Saint is someone who is close to God, so by virtue of Barbara's arm, Caren does technically count as a Saint.
You want to make that argument around Homura so she can claim to be a saint by merit of being close to Madoka?
 
I think you might have gotten that mixed up. Kirika goes to school at Shirome High. Hitomi goes to school at Mitakihara Junior High. Even if we send Kirika to school today, it's not as if she'll be able to back Hitomi up in the event that something happens.
That is my bad. Still, maybe we should send her over there with a hypnosis tool so that they can get them out of the way? Idunno. In this case, sending Kirika to school might still be a good idea. Also, you were reading it right, I just got confused for a bit.

You want to make that argument around Homura so she can claim to be a saint by merit of being close to Madoka?
With how Madoka's powers should work, simply being loved by her might increase Homura's luck manyfold as an instinctive act of using a Marble Phantasm to alter chance. If she actually knew how to use her powers, Homura would be less a Saint and more like what Metatron is to God.
 
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