The world of Middle Earth is explicitly magical; there is magic in the earth, air, and water. There is magic in names and words. But magic in the Second and Third Ages (and even before) is often less about flashy spells then about putting power into objects or locations. It's what ring-craft is all about.
 
Yes, there is magic everywhere, but I wasn't talking about the existence of magic or its "flashy bits", but rather the existence of fantastical things, such as a group of beings that live in the misty mountains and whom roll boulders down the slopes for fun, or if most of the fantastical has passed on, and things portrayed in the Hobbit was made up by Bilbo to make the story more interesting. Because, Tolkien explicitly stated that the Hobbit and the lord of the Rings, was also made in universe, which means its also subject to the problems in universe, such as misrembering details so that they may not have been, exactly as true as the whole event really was. Now, some of them we now for certain did happen, but that's mostly from the main 4 Hobbits, which even than, doesn't stop it from being misrembered or thought of in a different light, we can't be 100% for certain did happen. But that's besides the point, I'm just saying that, if at least the mountains were indeed made up by Bilbo to make it interesting, than does that mean that there is still some level of dread and malice in those mountains, or was that more of something done by the Balrog Durins Bane, who lived in those mountains for a good couple hundred odd years, and so left it as a mark of its passing by tainting the very mountains themselves to being hateful to all those that dare tread on its grounds?
 
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Both Elrond and Galadriel seem to have a mastery over their own realms which means they are essentially unconquerable by force of arms, for so long as they possessed their Rings and Sauron did not possess the One. (Or come personally.) The power of the Three tended more towards healing and preservation, rather than domination as with the other Rings, but this seems to have also allowed for protecting the user's realm from attack.
This is confirmed by a few source, Nenya's ability to make Lothlorien great and beautiful is mentioned in the Unfinished Tales but the power to preserve the land against Sauron is mentioned specifically:

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Three times Lo´ rien had been assailed from Dol Guldur, but besides the valour of the elven people of that land, the power that dwelt there was too great for any to overcome, unless Sauron had come there himself. Though grievous harm was done to the fair woods on the borders, the assaults were driven back; and when the Shadow passed, Celeborn came forth and led the host of Lo´ rien over Anduin in many boats. They took Dol Guldur, and Galadriel threw down its walls and laid bare its pits, and the forest was cleansed.
Source: “LoTR 50th Anniversary ed JRRT p.1094”


The power in question is not explicitly stated but would be sensible to interpret as referring to Galadriel wielding Nenya.
 
Magic, as it is known to the foolish of Middle Earth, is the manifestation of the song of which Eru Illuvatar sang all of creation into existence, to make incredibly long story short, any one that knows the music (i.e the elves of valinor such as the noldor) can try and recreate at least in part this music, however, this is no small feat, and for all the study the men of the world have made of it, at best amongst the wise of the free people, it is a kin to a distant hum of the original song, with those under morgoth usually instead, creating a horrible distortion or screech, that to any who has actually heard the real thing, actively makes them want to cut off their ears from the pain it would bring to them at the discretion of such wonder and beauty. Hence, why only the truly powerful and wise of both the elves of Middle Earth and the Valar and their servants the maiar, both good and evil, can ever hope to try and say for instance, make a fireball the size of a horse, where as men could at best only make them the size of a fist to a shield of the same thing.


Tl;dr: magic in tolkiens works is all about singing the song of creation, if who know it and Eru has deemed it time to have a man sing, than Gandalf Expies will be all over the place, if they know it, understand it, have the will and power to do it, and Eru deems one able to sing it, then yeah lighting, ice and fire galore, but if you don't meet the criteria, than no fire works for you.


Note: This is an incredibly brief and bastardize explanation of the real thing, so until Telamon can explain it himself in a far better light than I ever could, than this is all of what I've got to tell you about the "magic" of Middle-Earth.
 
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Interlude: The Travels of the Seastrider, Part II


Gil-galad was an elven-king.
Of him the harpers sadly sing;
the last whose realm was fair and free
between the Mountains and the Sea.


High rose the mountains of the north above her, blue diamonds against a blue sky, and the Sea-Strider looked out with clear eyes upon the shores of Lindon, and beheld the Grey Havens.

Once, in ages gone by, this whole land had been the easternmost portion of the great western continent of Beleriand. The Ered Luin, the Blue Mountains, had formed a great fence between that land and the rest of Middle-Earth. But a war undreamt of had come to Middle-Earth in Elder Days, and fair Beleriand had been burnt and shattered and at the last drowned broken beneath the waves. Lindon, in the east, had been all that survived -- but even this land had not escaped the Great War unscathed, for the oceans had been driven up over the land until they broke through the Blue Mountains, splitting the land in two. The great bay which had formed there in the heart of broken Lindon had been known ever after as the Gulf of Lune.

At the dawn of the Second Age, the last elvish survivors of that ancient strife had come to Lindon, and there they remained. They were refugees of Gondolin and Nargothrond, who had ruled and warred in Beleriand long eons before the fathers of men awoke, and were unwilling or unable to abandon what little remained of those lands for which they had suffered so dearly and for so long. Three shining harbors they had raised on the shores of the Gulf of Lune -- Forlond, Harlond, and Mithlond -- that became known in later years as the Grey Havens. The lands about the Havens had grown in the long centuries since into a realm of wonder and plenty, a refuge for the dwindling eldest of the Eldar, a fading echo of greater glories.

And all that wonder, all that lost power, all that ancient craft, all that memory -- all of it had been centered, here, in Mithlond. Even in far Númenor they whispered of this city, and for good reason. The entire city was bathed in a white mist that wreathed the towers and bridges and halls. The city gleamed in that gloom, an unearthly mirage of some forgotten splendor, and every part of it recalled in Inzilbeth's mind the stories of her girlhood. Seven towers of glittering white stabbed the sky, as pillars of diamond, and they might have been the spires of lost Gondolin, or the snow-capped towers of Himring the Evercold. Lamps of crystal pale as glass hung above bridges of adamant that stretched as if held by air, and they seemed a faint echo of the lamplit towers of Tirion on Tûna, or those bright lamps which had lit the stone halls of Nargothrond long ago. These lamps burned with no flame, but instead held quenchless globes of pale light which shone brighter than any flame, so that the whole of the city was bathed always in a glow that was somewhere between silver and gold, and the glow stirred fading memories of endless and deathless years in the West. In the harbor stood a hundred hundred ships as white as ivory, carved in the shape of swans, with tall sails and silver lanterns, and their banners burned with a living light, like the ships of the Teleri that had burned before the sun.

Such was the city of the Noldor, and the King's Men hated it above all other places of the elves.

The Pillar sailed gently into the great harbor. She stood head and shoulders above the ships of the elves, and should have dominated it — yet she did not. Small, she seemed almost, though Inzilbeth could not name how or why. Her crew strode onto the wharf, and the elves of the Havens came to meet them. Tall were they, as tall as the Kings of Men, and many among Inzilbeth's crew (some for the first time in their long lives) had to look up when they greeted them. Their eyes were old eyes, and there was a light in them that seemed to burn. The elves of Edhellond had smiled and sang and cheered to see them — but the elves of the Havens reminded her more of Galadriel. They were tall and grim and fair, and when they smiled it was sad. Many, after the greetings were done, sat upon the shores of the harbor and stared out at the sea, and there was something in their faces Inzilbeth could not begin to name.

As the crowd melted about them, an Elf approached along the harbor. He was tall — they all were — but he was also bent with age, and walked slowly. A great white beard hung from his face. Inzilbeth broke into a smile at the sight of him, and rushed forth into an embrace. The old elf clasped her tightly, and his old eyes twinkled like stars.

"Telconairë. You are a wonder. It has been too long, my friend. I had wondered if some other port or sea had captured thy heart."

She broke the hug and bowed deeply.

"Not now, not ever. Long have I sailed, and far, since last we parted, and yet no fairer harbor have I beheld in all the earth than the Havens of Cirdan. I humbly ask permission of the master of the Haven to winter in his port."

The old elf laughed, and it was as the breaking of a tide. "A flatterer, as ever. The Havens welcome you, as they always have. You are a friend of the harbor and the harbor-master, and may go where you will."

Inzilbeth rose and smiled again, but sadly. "I am afraid, Lord Cirdan, that it is not friendship which brings me here. Is he in the city?"

The oldest mariner in Middle-Earth nodded. "He is in the White Square, entertaining the people as has been his wont of late. He has been troubled, as am I."

"It seems it is a time of troubles, my lord. I worry for all the north."

Cirdan smiled, and it was sad, as were all the smiles of his people. "Troubles come and pass and come again. Even the greatest darkness is but a passing thing. I will not tell you not to worry - but do not despair, for despair is ever and always our enemy's foremost weapon, by which he lays low his foes from afar."

Cirdan paused a moment and stared out over the sea. Something nameless flickered in the ancient eyes.

"Now come," he rumbled. "The king awaits."

Cirdan turned and strode away, and Inzilbeth followed.

The city and the mist swallowed them quickly, and as Inzilbeth walked through the streets, she felt almost as if she was stepping back in time. Elves sat gathered in small courtyards or beside glistening fountains. Sometimes they sang, but the songs were low and somber, and the words she understood tore at her heart. Mostly, however, they were silent. They dreamed or meditated or walked aimless along the golden streets, and stared through Inzilbeth as she passed, and they were silent. The whole of the city was steeped in an old and endless silence.

Even many among the Faithful did not tarry overlong in Mithlond, and Inzilbeth understood why. The city was fair and high and beautiful, but there was a terrible longing in the air. It was a city in mourning, or a city of mourners, or a city to be mourned — perhaps all three. One could almost feel the weight of fifty thousand years pressing down upon every stone and every step. If Edhellond had felt frozen in time, then Mithlond was paralyzed in it. Time stretched on and on and on here, and the Elves stretched with it.

After they had been walking for a while, Inzilbeth began to hear a music, faint yet clear, rising above the mist. It was a high voice, and strong, but the sadness in it might have brought the mountains low. It rumbled and shook and bent as it sang, and the words it sang were sadder yet. The song told of the elven-king Finrod, who had been the lord of Nargothrond long ago. Golden had been his hair, and golden his halls, the song went, fair his face and fairer his folk. Kind and noble and strong above all else was he, a flower of nobility, most beloved of all the princes of the elves, a friend to dwarves and elves and men alike. But long ago, the singer said, now almost weeping, his golden star had sunk on the Black Isle of Tol-in-Gaurhoth. Long ago and far away, for the sake of love and friendship, he had wrestled with that dark and terrible spirit known as Sauron — and long ago and far away, alone in the dark, Finrod Felagund had died. Gone was the golden lord and gone were the golden halls, gone down in the west into shadow.

As the final strains of the song played, Círdan and Inzilbeth stepped into a wide court marked with pale white tiles. A great crowd was gathered here, sitting or standing upon the white stones, and before them all, kneeling in the center of the court beneath the boughs of a mighty mallorn oak, was the singer. The last notes of the song dropped from his lips as he lowered his harp. His golden hair fell like water about his waist, and he wore a plain off-white shift, the color of sand.

The crowd did not clap, or cheer, but the silence which filled the air when the music stopped was applause enough. Some wept. Some smiled, and it was sad, as were all the smiles of the Noldor.

The singer rose and bowed deeply before the crowd. The slim face was beautiful and fair, with high cheekbones and deepset eyes. The eyes were perhaps the most arresting of all — they were the cold blue of a crashing sea, and gleamed like dark pools. There was a light in them, and it was as starlight.

Inzilbeth approached slowly, and the crowd parted silently before her.

The tall singer saw her coming, and bowed deeply as she entered his presence.

"An unexpected audience, but not an unwelcome one. I bid you glad greetings, friend of the elves. It is an honor to see you once more."

Inzilbeth dropped to a knee. "The honor is mine, Gil-Galad."

"Please, Inzilbeth, call me Ereinion. I will not hold myself to titles in my own city. And rise. No king am I of Elros' people."

Inzilbeth arose. "You go by your mother-name now, my lord?"

"Such as it is: Ereinion, 'child of kings'. I am a child of many kings who have passed into the west, and their memories have hung heavy over me of late. Gil-Galad is a high name, for a higher day — and these are not high days."

He fixed her with a long look. "I expect I know already the purpose of your journey, and perhaps even more of what you intend to tell me: A city of the High Men stands on the Angren, shadows awake in the lands of men, and foulness in Gundabad."

Inzilbeth blinked away her shock. "Aye, lord, all that and more, but—"

"How have I come to know these things? Riders from Rivendell, scouts in the wild, eagles on the heights — I have many eyes and friends in the north. They tell of things done in the lands of men both great and terrible. One thing they tell above all else: one of your own has struck deeply against the power in Gundabad."

"Struck? I did not think Imrazôr would move so quickly to action."

"No marching host or great battle was this, but an act of mercy and love, the echoes of which may be long felt in these lands. The Black Mountain itself has been assailed, and robbed of the fruits of it's plunder. It is a noble act, and one worthy of song, but I fear that whatever enemy lies within Gundabad may now be moved to greater action. Their inactivity has been a caution — and if they understand now that the time for caution is past, then they may cast subtlety aside."

"You speak as if you are familiar with this enemy, my lord."

The High King frowned, a cloud over a fair plain. "Familiar may be too strong a phrase. But I see in this hand that moves about Eriador echoes of familiar things. Control, planning, caution — and an avoidance of this land and of my eye in particular which is too practiced to be fear alone. Once I believed it to be but the signs of the direction of Sauron, but now I begin to wonder. The Enemy is turned to the south — yet whatever moves against us now moves with all his guile and cunning."

Inzilbeth felt a chill run over her at that. The High Elves had been fighting the Shadow for millennia. If they recognized such a terrible malice in Gundabad…

"So you will aid us, should it come to it?"

Ereinion hesitated. "If I am forced to act openly, then this enemy of ours may act in kind. If all their actions thus far have been made with the intent of avoiding my notice, I dare not imagine what evils we may wake them to by acting too early. "

Inzilbeth understood, but still the nervousness would not quiet within her. "And if the enemy moves against us? What then? Can we look to the north for the white ships?"

Ereinion fixed her with a heavy gaze. "The hosts of Númenor have grown vast and strong, I hear, and their kings clothe themselves in gold and splendor. They do not love the elves, or this city — but if I have heard true, they fear the Host of the Noldor. Men act quickly and rashly against that which they fear. How would your great king react, I wonder, should he hear that Gil-Galad has landed upon the Gwathlo — his Gwathlo — with ten thousand spears? I have no wish to make war on the sons of Elros, but your people are foolish and quick to anger, and count themselves no more among the elf-friends."

Inzilbeth understood, at last. "And so you weigh the risk of contending with both Gundabad and Númenor."

The elf-lord nodded. "My people still have not recovered from the war of Sauron. I am loath to thrust them into another such conflict. What is more, I do not think you grasp fully what you ask of me, Sea-Strider."

The bright eyes shone, like noon-stars in the day.

"The Noldor have not marched for four generations of the High Men. You have forgotten the wrath of the elves, save in song and story — and your people tell no songs of the Noldor any longer. Understand now that it is not fear or caution which stay my hand, or give me cause to suffer the thousand insolences of 'Ar-Belzagar' in silence. I love this land. I have grown fond of this wild north and the men who people it."

The star-bright eyes were so sad, and so old, but there was ice in those pools of blue. "I would not like to see it all burn."

There was a long silence in the air again, and it was terrible.

A snippet of a book, long read and long forgotten, rose unbidden in Inzilbeth's mind.

...for so great was the fury of those adversaries that the northern regions of the western world were rent asunder, and the sea roared in through many chasms, and there was confusion and great noise; and rivers perished or found new paths, and the valleys were upheaved and the hills trod down…

She looked at the elvenking again. He did not look terrible in his power, as his kinswoman Galadriel had, nor did he loom above her. He was of a height with Inzilbeth herself, shorter even than some Númenóreans. But those eyes — those bright eyes like icy stars! Child of kings he was, heir of Finrod the fair who grappled Sauron, of Fingolfin who made Morgoth bleed, of Fëanor that had mocked heaven and defied Doom. Child of kings, yes, and child of legends, too — but a child of kinslayers also.

No, she thought to herself, she had not grasped what she asked of him.

She made answer. "The men of the north shall hold the north, then. Gundabad will break upon our walls as Zigûrun broke so long ago."

Ereinion smiled, and it was sad, as all the smiles of his people. Yet the ice passed, and the bright eyes did not shine so clear or cold. "And well that they should. I will aid them as it is in my power to do so. Yet…mind this: I welcomed the Númenóreans in friendship, once, when they returned to the shores of Middle-Earth. They landed in this harbor, walked these streets, pledged friendship eternal. Now the north is cold, and the forests are gone, and gone are the Ents, and the Entwives, and the small men who smiled to see the sun. My lands have grown silent, and lonely, and it is no work of Sauron."

"The old bonds have been broken, my lord, but there are some left who strive to mend them."

"Not enough, I fear. And there are some things which may not be mended, nor undone. But heed: the warning was not for myself alone. These lands have other guardians, and older masters. They have no love lost any longer for the tall men of Elenna. Be wary. Dig not too deep, nor cut too far, nor lord too high. The Men of the West have come to believe that none may challenge them — but there are things they remember not, which should never have been forgotten."

The High King's warning was sadder and more terrible than any line of his song had been, and the words rang in Inzilbeth's ears as she bowed.

"Thank you for this audience, my lord."

He bowed in return. "Now, let us speak no more of dark things. Sit, instead, and listen."

Inzilbeth obeyed, finding a clear spot in the wide courtyard to sit down. The mists swept in overhead as Ereinion Gil-Galad, scion of many kings, picked up his harp. He stood, breathed in, and began to sing. Each note of his song was bright and clear and sharp, and fell like the rolling years.

Men cenuva fánë cirya
métima hrestallo círa,
i fairi nécë
ringa súmaryassë
ve maiwi yaimië?
 
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I assume it helped that it was in the Third Age, at their weakest, while they had no time to prepare any defenses against a Balrog that was inside their realm.

Don't think of the diminishing of Ages as a literal thing -- i.e, the Dwarves are 'weaker' in the Third Age than the Second. The 'lessening' of the glories of the world which Tolkien described was gradual and overarching. That which once was great was still so, could even be so again, but would either fall or trend towards ruin. Khazad-Dum in the days of it's glory in the Third Age was as great as at any time since the fall of Eregion -- it is it's fall to Durin's Bane which is emblematic of the diminishing of the Ages. Another great kingdom is lost, another high thing undone, another glory lost to time.

As for the Balrog, well...the Balrogs of Morgoth -- the demons of fire -- are the strongest creatures of darkness that have ever existed in Arda.

"... in Utumno he gathered his demons about him, those spirits who first adhered to him in the days of his splendour, and became most like him in his corruption: their hearts were of fire, but they were cloaked in darkness, and terror went before them; they had whips of flame."

Note that description: "most like him in his corruption". The Balrogs were the greatest of the servants of the Iron Crown. They slew two of the kings of the Noldor. They drove off Ungoliant, who threatened the life of Morgoth himself. They have broken entire armies and driven kingdoms to ruin. All together, there was nothing mortal or immortal which could oppose them. Even alone, there were only a handful of creatures in existence which might match even one of the demons of fire.
 
Well, that was simply masterful, thankyou you. I've only read Lord of the rings once and know the Silmarillion from wiki walks and what not. So to see them brought to life is just *Chefs kiss
 
@Telamon

If you'd be willing I'd love and appreciate some information on Magic and lore and how it works.

Magic in Tolkien is…weird. Or rather, it is, like everything else in Tolkien, attempting to create the feeling of a mythology like Greek or Norse, where magic is not a codified or institutionalized system, but just a fact of existence, a natural part of the world. Magic in Tolkien's world is sometimes almost indistinguishable from being very very good at something. He tells us the elves speed through the forests because of their wood-magic. Great smiths and craftsmen make impossible weapons with their 'forge-magic'. Shadowfax is not explicitly called 'magic', but what would you call a horse that can run a thousand leagues in a day? So there is horse-magic and wood-magic and crafting-magic and all sorts of magic.

Now, of course, there is also The Music. The greatest feats of magic we see in the Silmarillion are musical acts. Luthien sings her hair into a rope with which to climb and escape from Doriath, and later sings the entire Host of Morgoth, including Morgoth himself, into sleep. Finrod's duel with Sauron is entirely in song. And this magic is an older, deeper sort of magic — they sing of concepts and realities until their music shapes the music that is the world, and the world bends to suit their song. But while it is the most powerful of magics, it is by far not the only.

Crafting-magic is the most common and widely known use of magic in the Legendarium. There are enchanted blades, enchanted armors, magical rings, magical boots, anything and everything. Crafting is something which seems to go hand in hand with magic, and which is sort of implied to be inherently magical. The greatest of works, like the Silmarils and the Ring, are said to 'contain something' of their creators — Sauron and Feanor both literally put their souls into their great works, and it is not possible for either of them to repeat the feat.

Then we've got the even vaguer spells and runes. Gandalf mentions that he set a spell of warding on the doors of the Fellowship's chamber in Moria, and that it is broken by the Balrog's counterspell. We know the sword Merry stabs the Witch-King with was laid with spells for the 'destruction of Angmar', and so was one of the only blades that could have cut him. There are 'spells' laid on the blades Glamdring and Sting which make them glow at the presence of orcs. How and why is vague…which is sort of the point.

Tolkien takes a lot of inspiration from Norse mythology, and in Norse mythology, magic is just…a thing. Something might be enchanted, this boat might have a magic on it to make it sail without wind, this land might have a magic laid over it. Gods are generally stronger at it, but it is fundamentally a natural thing, partly intrinsic and partly learned, harnessed sometimes in a very good song or in entirely unexplained 'spells' and 'runes'. And Tolkien takes this feeling and runs with it. You're never supposed to be clear quite how it works, but it is clear who's got it and who doesn't. It's very powerful, but also very bound up in nature and music. You don't 'create a storm', you 'sing to the clouds and they answer'. You 'ask a tree to grow' or 'sing to your tunic to be stronger than steel'.
 
Note that description: "most like him in his corruption". The Balrogs were the greatest of the servants of the Iron Crown. They slew two of the kings of the Noldor. They drove off Ungoliant, who threatened the life of Morgoth himself. They have broken entire armies and driven kingdoms to ruin. All together, there was nothing mortal or immortal which could oppose them. Even alone, there were only a handful of creatures in existence which might match even one of the demons of fire.
The fact that it appeared inside the defenses and as a surprise didn't help either.
Incidentally, speaking of Balrogs, I hope Imrazor meets Glorfindel at Rivendell. Since Imrazor is of the Wise he'd be able to notice how different Glorfindel is.
 
What a beautiful and sad update. Absolutely stunning stuff.

Honestly, I would almost be tempted to say it is too sad - the land of Lindon under Gil-Galad's reign was always said to be one of joy and song, and even at the end of the Third Age, Gildor and his band of wanderers found more good cheer than this! But I suppose Sauron still walks the world incarnate, and many of the Elves may look forward to that inevitable contest as much as they look backwards. Mithlond also seems to be where a large concentration of the eldest Noldor hang out, and while Sauron walks there can be no Ring there to shield them from their wearying of the world.

Really moving stuff, and god, Gil-Galad* Erenion, was there ever a better king? The image of him, young, beautiful, a last undiminished bloom from a vanished garden... simply playing the harp to his people, no pretence, no self-aggrandisement, kind and humble, is absolutely one of the best renditions of the notion of Tolkienic kingship I've ever seen in fiction.

The tragedy is coming, and you can almost see it from here, but there is still so much beauty.

*(He may disdain to glorify himself with his proper title. I do not.)
The fact that it appeared inside the defenses and as a surprise didn't help either.
Incidentally, speaking of Balrogs, I hope Imrazor meets Glorfindel at Rivendell. Since Imrazor is of the Wise he'd be able to notice how different Glorfindel is.

Fans sometimes tend to differ on when Glorfindel came back. After coming up with the idea of his resurrection some years after writing LotR to link the two Glorfindels together, Tolkien originally thought he would travel with the Istari, in the Third Age, as a kind of servant/bodyguard. But then he realised that this would technically violate the ban on Elves coming back from the Blessed Lands after the Downfall of Númenor. So he then moved Glorfindel's arrival much earlier, around the S.A. 1600, and moved the arrival of the Blue Wizards back then as well; Glorfindel's role was then to aid Gil-Galad and Elrond in their war against Sauron with his now almost-angelic power.

The only fly in this soup is that because Tolkien conceived of different parts of his legendarium at different dates, there is no mention of Glorfindel in any of the War of Sauron and the Elves, or the War of the Last Alliance. His role, if we take the view that he was around at this time, must have been as a secretive helper, using his power discreetly to tip the scales where needed, and largely unrecorded in history.

Could someone please translate Gil-galad's song at the end of the chapter? Many thanks

It's from "Olima Markiya", translated to the "Last Ark", and the poem is essentially the Elvish singer's sad contemplation of the future where the last ship must inevitably sail into the West, as well as the diminishment their people shall suffer from time. (Although from the reader's perspective, it is a lamentation of events the ancient past.) It's also one of the biggest long-form pieces of writing in Quenya we actually have.

There's a translation here, as well as a choral rendition set to harp which I found.
 
Note that description: "most like him in his corruption". The Balrogs were the greatest of the servants of the Iron Crown. They slew two of the kings of the Noldor. They drove off Ungoliant, who threatened the life of Morgoth himself. They have broken entire armies and driven kingdoms to ruin. All together, there was nothing mortal or immortal which could oppose them. Even alone, there were only a handful of creatures in existence which might match even one of the demons of fire.
I love the way you word your OOC posts, the prose is just so fitting. Anyways, was Ecthelion a case of special circumstances than? Or did he just face them one at a time?
 
So since he's blond here, I assume Gil-Galad in this quest is the son of Orodreth? He has conflicting parents in the Silm and Unfinished Tales I think.
 
I love the way you word your OOC posts, the prose is just so fitting. Anyways, was Ecthelion a case of special circumstances than? Or did he just face them one at a time?

I just can't talk about Tolkien without slipping into that style, not sure what it is.

Anyhow, Ecthelion was Warden of the Gate of Gondolin. Remember that Gondolin was the Hidden Realm, doomed to fall last of all the kingdoms of the elves. It was incredibly well hidden and heavily protected, with wardens and eagles protecting all the approaches for miles around. If something — anything — could make it to the front gates of Gondolin unimpeded, it would be a significant threat indeed. It stands to reason from this that Ecthelion was at the least very very skilled in arms, to be chosen to be this city's final line of defense.

That sets the stage for the Fall of Gondolin. What Ecthelion and his people, the House of the Fountain, did during the siege of Gondolin is unmatched in the history of all Middle-Earth. Tolkien tells us that Ecthelion led his people to battle with the music of their flutes rising above the swinging of their swords, and that they were held in reserve until things grew most dire. So terrible was the sound of his voice that the entire host of Morgoth trembled and were afraid, and that in that battle the people of Ecthelion killed more orcs than had ever before been killed in all the First Age of the Sun. The Dagor Bragollach, the Unnumbered Tears, the Battle Under The Stars — the House of the Fountain outstripped them all.

This was a city of High Elves. Every single one of them had fought Morgoth for centuries, had crossed the Helcaraxe. Some were older than the sun. But the House of the Fountain was their reserve, and Ecthelion of the Fountain was their door-warden. They didn't fight alone, either — Tolkien tells us they fought together, as a House, and the shine of their swords was as stars on the sea. This was their city, they knew it incredibly well, and the orcs…well, Tolkien says that the orcs still fear the name of Ecthelion nine thousand years later, and the Elves use it as a war-cry.

So do I find it impressive that Ecthelion himself died killing Gothmog?

No. No I don't. I'm shocked he didn't kill more. :V

More seriously, Gondolin was explicitly the greatest of the realms of the Noldor. In the Lost Tales, twelve Balrogs are slain taking Gondolin, Gothmog among them. In the published Silmarillion, the number of Balrogs total is greatly reduced to seven, but two (Gothmog still among them) fall against the Gondolindrim, the first ever slain (and the only ones ever slain by mortals), a fact which the host of Morgoth is quite literally terrified by. We can rightly count Ecthelion and Glorfindel as the mightiest warriors among the Noldor, if not the greatest in Arda.

Put politely: they are the exception to the rule.
 
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Could someone please translate Gil-galad's song at the end of the chapter? Many thanks
1) Men cenuva fánë cirya
Who shall see a white ship
2)métima hrestallo círa,
leave the last shore,
3) i fairi nécë
the pale phantoms
4
) ringa súmaryassë
in her cold bosom
5) ve maiwi yaimië?
like gulls wailing?

The source for the above is actually a neat little look at how translating the Tolkienic languages works and a great way to glimpse some aspect of how and why elvish is a beautiful language to read but an awful language to parse into modern English.

Source: The Markirya Poem
 
The greatest of works, like the Silmarils and the Ring, are said to 'contain something' of their creators — Sauron and Feanor both literally put their souls into their great works, and it is not possible for either of them to repeat the feat.
For completeness's sake, this is true of the Valar and their works as well - Aule could not make again the great Lamps, and while they might have healed them, Yavanna and Varda could not replace the two Trees. Morgoth's Ring has been mentioned already.
 
I just can't talk about Tolkien without slipping into that style, not sure what it is.

Anyhow, Ecthelion was Warden of the Gate of Gondolin. Remember that Gondolin was the Hidden Realm, doomed to fall last of all the kingdoms of the elves. It was incredibly well hidden and heavily protected, with wardens and eagles protecting all the approaches for miles around. If something — anything — could make it to the front gates of Gondolin unimpeded, it would be a significant threat indeed. It stands to reason from this that Ecthelion was at the least very very skilled in arms, to be chosen to be this city's final line of defense.

That sets the stage for the Fall of Gondolin. What Ecthelion and his people, the House of the Fountain, did during the siege of Gondolin is unmatched in the history of all Middle-Earth. Tolkien tells us that Ecthelion led his people to battle with the music of their flutes rising above the swinging of their swords, and that they were held in reserve until things grew most dire. So terrible was the sound of his voice that the entire host of Morgoth trembled and were afraid, and that in that battle the people of Ecthelion killed more orcs than had ever before been killed in all the First Age of the Sun. The Dagor Bragollach, the Unnumbered Tears, the Battle Under The Stars — the House of the Fountain outstripped them all.

This was a city of High Elves. Every single one of them had fought Morgoth for centuries, had crossed the Helcaraxe. Some were older than the sun. But the House of the Fountain was their reserve, and Ecthelion of the Fountain was their door-warden. They didn't fight alone, either — Tolkien tells us they fought together, as a House, and the shine of their swords was as stars on the sea. This was their city, they knew it incredibly well, and the orcs…well, Tolkien says that the orcs still fear the name of Ecthelion nine thousand years later, and the Elves use it as a war-cry.

So do I find it impressive that Ecthelion himself died killing Gothmog?

No. No I don't. I'm shocked he didn't kill more. :V
Did not Ecthelion kill three Balrogs though?
 
wow what a amazing bitter sweet update truly shows how the elves and men of the west have fallen far. Sadly it appears that this fight men will have to fight without the aid of noldor
 
wow what a amazing bitter sweet update truly shows how the elves and men of the west have fallen far. Sadly it appears that this fight men will have to fight without the aid of noldor
Not quite. Men will have to hold the lands claimed by Numenor without the aid of the Noldor, because of the rift that has grown between the King of Lindon and the King of the Sea. Gil-Galad is capable of mighty offensive operations, however (he explicitly told us at least how mighty - he can transport ten thousand Noldorin heavy infantry, "a host of Elves in armor of the Elder Days," by sea, and may be able to march more overland). Should we be able to hold, and then sally north from, Tharbad and the Beraid Rhaw, our host may meet his on the road, and be glad of it.

EDIT: Do we know just where the Beraid Rhaw are? They are described as being watchtowers, near the sources of the Isen tributaries (of which the Adorn is the only one to be named and mapped, but of which there must be others). In the way of such things (c.f. Amon Sul on Weathertop and the other Arthedainian watchtowers on the crest of the Weather Hills), I would expect them to be on the crest of the hills around the Gap of Rohan (sic.), and not guarding the valleys on the east side the way Angrenost and Aglarond later will.
 
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Now, of course, there is also The Music. The greatest feats of magic we see in the Silmarillion are musical acts. Luthien sings her hair into a rope with which to climb and escape from Doriath, and later sings the entire Host of Morgoth, including Morgoth himself, into sleep. Finrod's duel with Sauron is entirely in song. And this magic is an older, deeper sort of magic — they sing of concepts and realities until their music shapes the music that is the world, and the world bends to suit their song. But while it is the most powerful of magics, it is by far not the only.

Don't forget the influences of Finnish mythology which are very strongly in this direction. The Kalevala treats music almost identically to the way you describe, and Tolkien had to have been intimately familiar with it.

He even took the part about Turin accidentally marrying his sister from the Kalevala!
 
My interpretation of Gil-Galad's words is that he feels that moving any great force south of the Gwaltho would scare the shit out of the King's Men, and force an overreaction. (It probably would.) However, this still leaves the option of cooperating with the forces in Rivendell while we're north of the Gwaltho, so long as we do so quietly, I think. An alliance we may be able to lay the foundations of when we're visiting there with Hazraban.

This line also interested me greatly:
"Not enough, I fear. And there are some things which may not be mended, nor undone. But heed: the warning was not for myself alone. These lands have other guardians, and older masters. They have no love lost any longer for the tall men of Elenna. Be wary. Dig not too deep, nor cut too far, nor lord too high. The Men of the West have come to believe that none may challenge them — but there are things they remember not, which should never have been forgotten."

This is definitely a warning, but I wonder what it concerns. A warning that we should avoid conflict with Ironbark, perhaps? Seems plausible. He could likely destroy our fledgling colony, if he wished to. But the lines about "dig too deep" and "lord too high" are interesting. Perhaps a warning that something best left undisturbed may be waiting in the abandoned Dwarven manses at Nargil-Dûm or Nelchrost? Eregion itself?

The Balrog cannot be active yet, even if Gil-Galad may have some glimmer of foresight of it, and it seems implausible that our activities could unearth it early given how deep it is buried. But there are other ancient beings left over from Elder Days within the shadow of the Misty Mountains. Perhaps we may meet them.
 
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