Anderson Quest: Killing Vampires and Werewolves and Leprechauns (Hellsing/Bloodborne)

He's scottish, not irish.
I read somewhere that Original!Anderson is Scottish and Abridged!Anderson is Irish, but it's not like I can figure out accents anyway.

"Why'd ye burn the Workshop?" you grunt. You ran out of patience for Dollar Store Crypt Keeper monologues hours ago.

His smile shakes, but stays moored. "Oh, that? It'll come back. It always does. It's more symbolic than anything else."
Huh. So every time there's a Hunt he burns his house down. I guess it gives him something to do.
 
[X] Refuse
-[X] "Ah, but this life is tha LORD's, old man. If He saw fit to keep me going, then ah suppose he still has a use for me yet. The one who appoints mah final hour ain't ye, nor me, but the Father tha' saw fit ta bring me into this world in the first place. The night is young, it's too early to rest when there's still the Lord's work ta be done."


Huh. So every time there's a Hunt he burns his house down. I guess it gives him something to do.
It's probably his go-to for any celebration.
A Hunt ending? Burn the house down!
His birthday? Burn the house down!
Hope's birthday? Burn the house down!
 
[X] Refuse
-[X] "I'll go when I'm called or ripped away, and no sooner. I still have aMission, after all! A whole world of souls are cryin' out for Salvation, and I'm not goin' anywhere until they've had their chance!"
 
[X] Refuse
-[X] "Ah, but this life is tha LORD's, old man. If He saw fit to keep me going, then ah suppose he still has a use for me yet. The one who appoints mah final hour ain't ye, nor me, but the Father tha' saw fit ta bring me into this world in the first place. The night is young, it's too early to rest when there's still the Lord's work ta be done."
 
[X] Refuse
-[X] "Ah, but this life is tha LORD's, old man. If He saw fit to keep me going, then ah suppose he still has a use for me yet. The one who appoints mah final hour ain't ye, nor me, but the Father tha' saw fit ta bring me into this world in the first place. The night is young, it's too early to rest when there's still the Lord's work ta be done."
 
[X] Refuse

[X] "Was this what happened to Eileen, Djura and the others? Ye burn yer shop, send them away, put up ah tombstone, rinse and repeat?"
[X] Look around and appreciate just how many graves there are in this Dream.
[X] "Nay. Abandoning ye here in this endless limbo...wouldn't be very Christian-like."
 
[X] Refuse

[X] "Was this what happened to Eileen, Djura and the others? Ye burn yer shop, send them away, put up ah tombstone, rinse and repeat?"
[X] Look around and appreciate just how many graves there are in this Dream.
[X] "Nay. Abandoning ye here in this endless limbo...wouldn't be very Christian-like."
 
You gape at Hope. Neither she nor Ebrietas can meet your gaze.

"The Hell are ye talkin' about? Ebrietas, what's goin' on? Why's the damn Workshop on fire?"

Hope's gaze sinks further down and Ebrietas curls further in on herself. As the flames roar behind you, you switch tactics.

"Gettin' along like a house on fire is supposed ta be a metaphor. I should know; the Pope told me himself after-"

"Gehrman set the flame," Hope interrupts. "It is how he marks the end of a Hunt. Go to him, Hunter Anderson. He has your reward for your long struggle."

You bite your lip and cast your gaze between her and the fire, which writhes and warps as its feast dwindles. Blackened pages slip through growing holes, reduced to ash before they hit the ground. You reach into your sleeves to pull out a fire extinguisher, only for Hope's wooden fingers to fall around your forearm. Her grip is not uncomfortable, but there's an authority to it, as though her feet hide roots as thick as telephone poles beneath them. She stares directly into your eyes, seeing everything behind them while you struggle to read even the surface of hers.

You match her stare for several moments before turning to you only disciple present.

"Ebrietas?"

Hope said Gehrman will explain, she says in her version of a mumble. She said this is all for you.

You take a deep breath, count to five, and sag as you let it out. Hope releases your arm and clasps her hands together once more. As the roof sags and shatters, you turn towards the open gate and walk into a field of white that the ashes refuse to sully. The adrenaline your shock granted you is gone, your legs sagging and stumbling as you walk up the slope. Gehrman sits smiling in his wheelchair, the flowers around him untouched. You have no idea how he got there. You're so Goddamn tired.

"Good Hunter," he says in the same monotone as Hope, "you've done well. The night is near its-"

"Why'd ye burn the Workshop?" you grunt. You ran out of patience for Dollar Store Crypt Keeper monologues hours ago.

His smile shakes, but stays moored. "Oh, that? It'll come back. It always does. It's more symbolic than anything else." He crosses his arms on his lap and leans forward. "I can't even imagine what you've been through tonight, Father Anderson. What you've accomplished is nothing short of incredible. Now, I offer you a reward:

"The peace of death that was stolen from you."

[] Submit your life

[] Refuse
[x]What about the weapons inside? If you're just gonna burn em, you could have -ahem- donated them to the service of the Lord's will.
 
Boss Battle: vs. Gehrman, the First Hunter
A cocktail of confusion and anger shoves your exhaustion aside and plops itself down in the hole left behind by your adrenaline dump. Your legs lock and your fists clench, soreness kept at bay through sheer moxie.

"What? No. Fuck that and fuck you." You straighten up to your full height, looming as hard as possible. "Ye know me. Ye really think I want peace? I've still got work ta do, ye one-legged git."

His smile crumbles, replaced by the purest agitation you've ever seen on his face. Every part of the tableau, from his crumpled hat to his peg leg, says that this should be amusing. Instead, it's inching towards terrifying.

"You've done your job, Anderson. The Nightmare's gone and your disciples can lead Yharnam through whatever comes after. I am giving you the opportunity to rest."

"Like Hell. I ain't restin' 'til the LORD Himself comes down and tucks my arse in." You turn around and storm back towards the gate. "I'm takin' Ebrietas and goin' ta the Chapel. We'll come back when ye're ready ta cut the bullshit and just talk ta me like a normal Goddamn human being."

As you march down the slope, grumbling about the old man's AARP Morpheus routine, a heavy chime stops you in your tracks. You look back, half-expecting Hope to be standing next to him for a musical number about the desirability of death, and your eyes widen.

Gehrman's on his feet. Foot. In his hand sits the most twisted, overcomplicated bell you've ever seen, the sort of thing you'd get if St. Paul's Cathedral got hit with a mortar and five drunkards tried to twist the debris together into a single bell with their bare hands. You can't even pinpoint the note; it seems to run through the entire spectrum of hearing, plus a few frequencies reserved for bats and sound technicians with delusions of grandeur.

"Do you recognize this, Anderson?"

"No, but I think the more pressin' issue is the fact that ye're fuckin' standin'."

"You should," he says, crushing your attempted aside beneath his oratory heel. "It's how I brought you here.

You think you may have heard a bell of some kind before you died but that could easily have been the sound of the butler's heel shattering your face.

You walk back through the doorway as Gehrman begins organizing the dresser, rearranging a few vials and bells.

He returns the black blade to a shelf alongside a trio of small ornamental bells.

He stretches to place a trio of bells and some tools back on the upper shelves.

The man in question wheels himself around at your approach, placing the streamlined chunk of Amygdala he was tweaking on a shelf beside some bells.

Your mouth bobs up and down. The portions of your brain dedicated to quips and one-liners put up "Back in 15 Minutes" signs and run for the liquor cabinet.

"You've been useful," Gehrman continues. "And you have one last chance to keep being useful."

You pull out your bayonets and take a fighting stance. "I don't want ta do this."

"It doesn't matter what we want. Only what's required of us." He raises his beloved black blade and connects it to the wooden handle on his back, resulting in a massive scythe that he holds with the ease and care of a lifelong violinist. "Tonight, Gehrman joins the Hunt."



[] Write in...
 
I feel like we should bring up Maria here.

Hm, and point out that he said "doesn't matter what we want" instead of "you".
 
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You know, I never realised violinists had such proficiency with the war-scythe...
[X] It's just been one cheeky bugger after the next, but you look to be the cheekiest of the lot.
 
[X] It's just been one cheeky bugger after the next, but you look to be the cheekiest of the lot.
-[X] Bayonets. Everywhere. Open your fucking sleeves, and fill the ground with steel!
--[X] As soon as you're done throwing draw out the Club of Righteousness and get ready for the fight of your life, death, whatever the fuck this is.
---[X] Laser where he's going to be, not where he is. Space Invaders Logic!
 
Just a comment before I go to bed: the fight has begun. If you go in there with just a quip and no strategy, Gehrman will cut you in half.
Too good for us I say!

Nah more seriously, Gehrman's strengths are his speed, ability to teleport, experience, and that his scythe is really good at carving people into pieces. Which is why I think bayonet spam won't work. Anderson might be the most powerful hunter Gehrman's encountered, but he's not the first. The spam ranged projectiles attack thing is not going to surprise him.

Soooo I guess this is my plan, for however it's worth.

[x] Get In close, be aggressive, don't give him a chance to breathe. Use they bayonets to parry and catch his weapon as needed. Keep pushing until he teleports to get space. Pull out Laser Club, set everything on fire. Find Gerhman again and keep pummeling him.
 
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