That thing with the human form is a very tenuous connection when you literally have her making Buddhist/Hindu gestures and drawing her most significant features from the same.Before I sleep, an argument for my design - abandoning human form completely is a thematically wrong choice, from both parts of the crossover:
1) From bible lore, humans are made in the image of god. Angels aren't.
2) All the greatest exalted beings have some sort of human like shape. Ligier is a green sun, but is also a four armed man. Malfeas is both a demon city and a brass dancer. Etc. Devil Tigers are transprimordials without abandoning their humanity and exaltations.
3) We fight with a sword. We open doors, swing a forging hammer, make sorcerous gestures with hands. We speek with a mouth. Some concession to practicality should be given.
4) This is Molly building upon herself. Her charms, her choices, I feel should be reflected in her godbody.
Which are all the reasons I went with my design. It's supposed to be transhuman and divine. I sprinkled the following references in there:
1) Colorless flame crown - Theion had colorless flames
2) Dragon Hair - reference to twin dragons in Sanctuary
3) Eyes that always look back - "gazing into the Abyss" saying. Five irises - imagine that the whole of Sanctuary is an eye, the window of the soul
4) multiple limbs is fairly obvious
There are more, but I really want to sleep
Those are some nice themes, but not really the idiom of Molly's soul.
On the other figures; most of them have multiple forms they take. Molly isn't giving up her human aspect if that even matters in the first place.
I don't understand why it's a problem for a devout Christian experiencing a revelation about reality from seeing how Angels Fall to carry an echo of that.
Certainly it seems irregular for Bertie Bott's every flavored eastern spiritualism to make it in and none of her own.