2.5 Sisters
Muphrid
Star of the Lancer
11. Sisters
Why did you become an Eva pilot?
I've heard that question a lot—sometimes even from my own lips.
Some people want to hear that I chose to save the world. Nothing could be further from the truth. There's a huge difference between knowing what the right thing to do is and having the courage and temerity to do it. And even if it's right to be an Eva pilot, right to try to save the world, that doesn't mean it's wrong not to be one. Or at least, it's no so wrong. If there's someone else who can do it almost as well, and if they want to do it more than you do, then why not?
But I did become an Eva pilot. Maybe I would've felt like scum if I made someone else do it instead—especially if that person were bloodied and weak. But, looking back on that, I realize now I was manipulated. You see, my father may have needed me to be an Eva pilot, but that's not the same as wanting me. When you're wanted, people try to please you and validate your efforts. When you're only needed, validation like that is just a tactic that can be employed. When that need is merely material, there's no way you can feel wanted, and if you refuse to do what's asked of you, those people who need something will find a way to make you give it up.
Children can't always recognize that. No, adults don't always recognize that, either. It's one of the easiest ways to manipulate someone, though: if you can convince someone they're wanted even when they're not, they'll do anything.
They'll climb into a monstrous machine and fight for you.
They'll face horrors from beyond and expose their souls for you.
And the worst part of all that?
If they think you want them badly enough, they'll do all of this with a smile on their face. If you call them up and just say, "You did a good job," they'll take on ten time that much suffering in a heartbeat.
My father, you see—he was a master of that.
And maybe that's just the nature of people: we often invest ourselves in others without getting back exactly what we want.
"Isn't that a bit warm?"
Such were the first words from Hikari Horaki's mouth when I showed up on her doorstep.
I can't blame her for them, really. It was thirty degrees outside, and there I was in a green hood, with sweat running down my face.
The only solace there was the long shadow the building cast over me. The Horaki home was a large, squareish building with thin, white, painted blocks making up its facade. It stood clean and pure on a street corner while the house across from it bore the scars of time: broken windows, peeled paint, and more. Most of the houses in Azumino were like that one, not like the Horaki family's.
Then again, I expect most homes weren't maintained by people like Horaki.
"Ah, forgive me," she said, a little color coming to her cheeks. She stepped aside, making the doorway clear. "Please, come in. Nozomi's gone out, so it should be just the two of us. Sister won't be off work for an hour at least."
I peeled off my hood and sunglasses and stepped in. The wooden floor of the entryway gleamed, and my hand left fingerprints on the steel door handle. All that could only be the former class rep's work, and when I reached the main room, I saw more of the same: spotless white carpet, seat cushions that were perfectly circular, and framed sketches and photos that lined up level within fractions of a degree.
Her sister Kodama may have been the breadwinner of the house, but the middle sister maintained it with meticulous care. Indeed, no sooner did I sit down than Horaki had ducked into the kitchen and returned with a tray of tea, traditional sweets, and a warm, damp towel.
"Sorry, Ikari, but you're bleeding." She scratched at her own neck and offered the towel.
Frowning, I wiped up and down my throat and found the cloth stained a faded red. I folded up the used towel, which she took away just as quickly.
"Did you cut yourself?" she asked from the kitchen.
"I must've," I said, feeling the smooth skin of my cheeks. "Sorry about that."
"Don't worry about it. It means you're ready to help Nozomi, right?"
Indeed, as soon as she came back from washing her hands, she bombarded me with a barrage of thoughts on the matter:
"So, where do we begin?" She pulled a notepad from under the table. "I know Nozomi is stubborn, but she does listen to reason. Just knowing that you've come here should help convince her you're serious about this. She needs to understand that people can have a tough time coping with this sort of thing." She nodded to herself, proud of her own thoroughness. "If Nozomi can grasp that, then I don't think there should be any problem with you two working together again."
I sat frozen, eyes wide, holding my teacup a centimeter from my lips.
"No?" Horaki blinked, and she put the notepad down. "You don't think so?"
I cleared my throat and set the teacup aside. "Sorry, it's not that. I'm not here to talk about getting back in Nozomi's good graces—though I do think I'll need to do that, at some point."
She closed the notepad and slid it under the table, eyeing me curiously. "What did you want to talk about, then?"
"Do you remember the last battle—the one in Germany?"
"Of course."
"The Angel paralyzed Nozomi with something—some sort of vision, something that penetrated her mind."
Horaki looked to her left, and she scooted a couple centimeters away from the table.
"Do you know what that could be?" I asked.
Her eyes locked on me. "Why do you want to know?"
"It's something the Angel could use against her again," I said, leaning forward, "or it's something another Angel could use against her, too."
Horaki pressed two fingers to her temple and closed her eyes. "Yes, and?"
I glanced aside, and I said, "Nozomi told me you had something to do with it."
"She did not!" Horaki's eyes snapped open, and she sat straight and tall. "She absolutely did not! She wouldn't."
I stared back at her, saying nothing, and Horaki let out a breath, composing herself. "Honestly…" she muttered, shaking her head. "Is this really what you want to do?" Her eyes hardened, and she stared me down. "You want to come into our house, take the unpleasantness we've buried in the past, and put it all out on the driveway for everyone to see? Is that what Nozomi wants to do?"
I winced. "Okay, no, not exactly…"
"It isn't?"
"No. I mean, I don't know. But she didn't do anything to make me think so."
Horaki eyed me through a narrowed gaze, raising an eyebrow. "If you hadn't said that, I'd have thought you were taking after your father."
I winced at that, and I looked away. Horaki refilled our cups, and for a while, that was all to be heard between us. I looked anywhere but her, really. I rubbed at a strip of stainless steel on the table, smearing a spot away. The lights in that room were so very white—blue, I think they say, but only to mean that it's not yellow, not like the sun.
"Is it cold in here?" I remarked.
Horaki put her cup down and nodded. "It is, a little. It's the way it was when we got here, unfortunately. Not a lot of people around who can fix a thermostat without making a bigger mess."
"You might be able to find a working one elsewhere."
"Perhaps." Horaki sipped her tea, thinking for a moment. "But that's a bit unseemly—crawling through other people's houses trying to take what they don't use anymore. It's not so bad. We make do with what we have."
I nodded. "You could say that about a lot of things."
At that, she let out a small laugh. "I suppose so. A home, family, friends—sometimes you end up with things you didn't expect."
"Like you and Asuka?"
A tinge of color came to her cheeks. "I wouldn't say that. We're not so different."
I raised an eyebrow and stifled a smile. "So you don't know anything about 'thermal expansion'?"
Her gaze hardened. "Don't you start, Shinji Ikari."
A shiver went down my spine, and I straightened up in my seat. "Yes, ma'am."
"Good." At that, she smiled slightly, and she relaxed. "I admit, Asuka throws me off sometimes, too. I don't know if her behavior is a Western thing or just an Asuka thing, but Asuka is like a small bird—she chirps for attention if you're not giving it to her, but if you do, she's fine.
"I remember, when she came to our house in Tokyo-3 before, she shut herself in my room and played videogames all night, and she was…well, not completely all right, but she was normal, I think. Asuka has a tendency to act larger than life, but that week, she was more…" Horaki pursed her lips and glanced at the ceiling. "She acted within herself. She was no more—and no less—than what you'd expect from a fourteen-year-old girl."
"That's rare for her."
"It is. I hadn't seen that from her in quite a while. She changed. Even over that short time, those weeks and months, she changed."
"We all did."
"Yes, yes you did." Horaki glanced at one of the sketches on the wall. "So," she said, "I guess we should do something. We don't exactly have a lot of time."
"We don't?"
"Nozomi will probably be back soon for dinner. I have enough for an extra plate. It's not much, but—"
I winced. "Ah, no, this is more than enough. I couldn't."
"Of course you can. It's no trouble."
"No, that's not what I mean." I rose, tugging at my sweater to keep it from bunching up. "Thanks for the tea, but I don't think I'm needed any longer. You know there's something wrong. You and Nozomi can work it out. I just needed to make sure you understood."
"Really?" Horaki frowned, and she slid her teacup aside. "All right. I'll do my best, then, to make sure Nozomi is ready for this. After that, I'll be trusting her to your care again."
I shook my head. "I'm just here to nudge her in the right direction every once in a while. That's all."
At that, Horaki rose as well, and she eyed me with a steady stare. "What happened that day? In the control room?"
I glanced aside. "I'm not asking about what's between you and Nozomi."
"No, you're not." Her stare broke, and she looked at the teacups on the table. "I appreciate that. It's easier that way, isn't it?"
"It is," I said, nodding. "Thank you for the tea."
Horaki pressed a hand to her face, with one eye shut. She didn't look at me, so I drifted to the entryway, left the guest slippers at the edge, and made for the door. I was halfway there when a voice called after me,
"It happened in October."
I turned around. Horaki was there, watching me from the threshold to the rest of the house.
"It happened in October," she said again. "October, two years ago."
I looked aside. "I don't need to know this."
"I know. It would be easier if you didn't, but…" She smiled. "There's still some tea, you know."
I turned my back on her. I sped for the door and flung it open. A wave of heat engulfed me; the sun glared at me from across a weed-ridden field.
And all I had to do was take one step—one step into that unmaintained wild, where rain had washed away all the tire tracks on the gravel road, where overbearing light had peeled the paint of the house across the way.
That was the nature of man's struggle, you see: the struggle against nature, nature that was ever-encroaching on civilization. And there, at the Horaki home, they had built up an island fortress of civilization to hold nature at bay. They defended that fortress with metal shaped by machines—the sharp, angled door handle, the strips of steel on the dining room table, and the like. Everything about that place was artificial, with the lights too blue to feel cozy, the corners too pointed to feel at ease.
And yet Horaki stayed there anyway. She wasn't one to be satisfied with how that house was.
And though that place was still inhospitable, though it was still cool for my taste, I closed the door in front of me, shutting the warmth and light of the outside away. I bowed my head, watching her from the corner of my eye, and said,
"Would you tell me about it—about October?"
Horaki smiled. "Okay."
By the dining room table, Horaki told me her story. I'll try to keep it as much in her words as possible.
"It happened in October," she said, sitting straight and tall, "but I didn't realize it until later.
"The day I understood it? That was a cooler day. Overcast, as I remember it. I was taking a walk by the rice paddies. I needed to get out, you see. We shared the house with another family at that time. They were difficult people. Their things were theirs, and our things were theirs, too, if they wanted it that way. We didn't have a lot of choice in the matter. Where else could we go? That's what we thought. So when a cooler day came, without the oppressive, overbearing sun, I took the opportunity.
"I was about a kilometer down the road when I heard the screams. At first, it was just one girl running by the train tracks. She was so far away, it was a faint cry, but no less shrill or upsetting. That's when I really noticed how empty the whole area was: there was no traffic, and except for that girl, there was no one else walking around, either.
"I hurried home, but the door was locked when I got there. I pulled on the handle; I rang the bell and cried out for someone to answer, but no one came. I thought about going around to the back, maybe to tap on a window or something, but someone stopped me: my mother."
"Your mother?" I scanned the decorations about the room: the photos and sketches and such. "Is she…?"
Horaki shook her head sadly. "No, she's not. And that should've tipped me off, right? In my head, I knew there was something wrong, but there she was. She was smiling. Her arms were wide and open. I have her freckles, you know. Father used to say that all the time.
"My mother beckoned me, and I felt drawn to her, like a compass needle to the north pole, like a moth to light. I felt only love coming from her, so I hugged her, and…well…"
"That's when you found out," I said, "about Nozomi?"
Horaki nodded, casting her eyes down. "I found out about a lot of things. I found out someone used to wish I hadn't been born. That explained a lot. I found out someone didn't feel quite the same way I felt toward them, but they were willing to see things change between us. That was good. It was hard to keep secrets there, wasn't it?"
"Impossible," I said, looking at my own reflection in the teacup.
"Impossible." Horaki nodded, and she sipped her tea. "I think so, too." Horaki put the cup down and stared at it, too. She felt along a line that ran down the cup's side, and she turned the cup in place, putting that line out of view. Still, she rubbed her thumb along the cup's surface, where the line should be, with an intense expression.
"Horaki…," I said.
"It happened in October." Her eyes—steady and brilliant—locked on to mine. "I only just realized it months later. Right?"
I nodded, and Horaki went on, letting her eyes drift away from me.
"I saw, in that dream, what happened from Nozomi's view. I was in the kitchen. I had been for most of the afternoon. There was something I needed to do, you see. It was a silly thing, right? You think if you do things for people without asking them what you really want, they'll just give it to you? But that's how we all were back then. We hoped for a lot.
"I was in the kitchen, but I wasn't cooking. I stared out the window in a daze, and the phone lay on the counter beside me, buzzing with that incessant sound. Nozomi heard it, you see. She found me there, by the dirty pots and pans, by the stack of four lunchboxes with no one to take them all.
" 'Hey, Hikari?' That's what she said. She looked into the kitchen and called to me, but I didn't answer. I just squeezed the edge of the countertop. I squeezed it so hard that part of the surface snapped off underneath, but I kept holding it anyway.
"So Nozomi—she came into the kitchen and poked me. She poked me! With the eraser end of a pencil. She poked me on the end of my shoulder, and I jumped half a meter into the air!
"She scampered back, the way a small dog might run away if you yell at it. She hovered by the door, looking at me from the side, and said, 'Sis, what's wrong?' " Horaki wiped at her eye. "Do you know what I said to her?"
"Not what you wish you would've said, I guess."
"Aha!" Horaki laughed. "No, definitely not. I, um, I stood upright, and I smoothed out some wrinkles in my apron. It wasn't wrinkled—not one bit—but I smoothed it out anyway. And I asked her, 'Are you finished with your homework?'
"She said, 'I don't see how that's important right now….'
"I put my hands on hips and said, 'You can't afford to slack off, you know. It's going to be hard, getting into a good high school around here. Make sure you take the washroom trash out before dinner, too. You understand?'
"Nozomi stared at me open-mouthed, saying, 'Are you really doing this?'
"And I said, 'Homework. Washroom. Go get it done before dinner.'
"She watched me for a long time at that, with small eyes and a cold expression, and all she said was,
" 'Okay, Hikari.' And she left, and only then did I lean against the counter and cry.
"But those words stuck with me. I heard them a lot from Nozomi, in the weeks to come. I'd ask her to come to dinner, and she'd say, 'Okay, Hikari.' I'd ask her to be careful on the road to school, and she'd say, 'Okay, Hikari.' And she'd always show me the same face, too: blank and hard, like a slab of rock.
"I saw that over and over—in the real world, and in the time after 'Mother' came to me. That horrible movie reel played in front of my eyes without end, and each time I heard those words again, it was like getting stabbed in the gut. It all made me want to curl into a ball and run away from people, run away from everyone else.
"But then, after hours or days or I don't even know how long, someone came to me in that dream: Nozomi. I tried to apologize to her, but Nozomi didn't want that. She wanted to know if I would go back.
" 'Do you dare seek the hope that we can understand each other?' she said, 'even though one day, you might be betrayed, and that hope may yet abandon you?' "
I twitched, and some drops of tea spilled from my cup. " 'Betrayed'? She said that?"
"I remember it very well," said Horaki, nodding with her eyes closed. "It was strange enough to hear that I can't ever forget it."
I glanced at the ceiling, but there was nothing there: just a smooth, white surface, with a soft gradient of light from the lamp in the corner. Horaki went on.
"Nozomi came to me, asking me to meet her again, and I accepted. I came back. I found myself in the ocean, and it took weeks to get back inland. But when I got here, there they were—my sisters. We'd lost some things in that time, but we still had a house to call home, and a family to keep it together. And I—I tried to make sure it would stay that way."
"Is that so?" I asked. "I mean, after all that, after what Nozomi asked you to do, didn't you…?"
Horaki gaped at me. "Ikari, what kind of person do you think I am?"
"I'm sorry."
"No, no, it's all right." She poured me another cup of tea. "I did make my apology to Nozomi, you see. It was the first thing I did when I could get her alone."
"And she accepted it?"
"I thought she had." Horaki frowned. "The way she's been acting toward me lately, I'm not as sure anymore. I hoped it was something else, or that if she were angry with me, she would say so instead of stew about it." She met my gaze. "Stuff like this should be in the past by now, right?"
Maybe not for Nozomi. Maybe she was the kind to isolate herself and be angry, to wait day after day for the person who'd wronged her to realize it, the kind to take yearning for love and affection and twist it into hatred and displeasure because what she sought wasn't being given, and while she was needed, she wasn't needed the way she wanted to be.
I thanked Horaki for telling her story, and I left. Horaki offered to make me a place for dinner, but I declined, and Horaki showed me out. When that heavy steel door shut behind me, and I stood on the stoop alone, I shaded my eyes from the setting sun and looked out, over the weed-ridden rice paddies and untilled fields.
And I sat down.
I sat down and winced, for the rough concrete of the stoop wasn't too pleasant to sit on, but it was what it was. I sat there, eyes closed, until the sound of gravel crunching underfoot roused me.
"What are you doing here?"
That was Nozomi. She kept her sketchpad tucked under her arm, and her foot dragged on the driveway only a little. She stopped in front of me, looking me up and down, and said,
"You look like you're ready for a ski trip in Hokkaido."
I pulled my sunglasses off and took my hood down. "Most people at least do a double-take when they see me like this."
Nozomi rapped a pencil on her sketchpad's binding. "I'm not most people."
"No," I said, laughing to myself, "no you're not."
"Ikari." She tapped her foot, frowning. "What are you doing here?"
"I—well, that is, uh…"
My gaze drifted off her, but I found something else that was impossible to ignore. Behind Nozomi, at the edge of an abandoned rice paddy, the red-eyed ghost of a girl stood, watching us both with her unblinking gaze. Stoic and unblinking she was, unwavering in her gaze.
I cleared my throat and started again. "I came because I hoped we could understand each other, even knowing that someday I might be betrayed, and that hope would abandon me."
"What are you talking about?" asked Nozomi, raising an eyebrow.
The red-eyed ghost didn't move, either, and I smiled to myself, going on.
"I spoke with your sister," I said. "We talked for a long time, about your problems with her."
"You did?"
"Yes."
Nozomi turned her head slightly, eyeing me askance. "Because of me?"
"That's right."
Nozomi's eyes narrowed, and her lips pressed together tensely. With the sun setting behind her, she was like a magnifying glass for all that light and heat, intense enough that I pulled on the neck of my sweatshirt for relief, and I blurted out,
"Nozomi—"
"Ikari—"
We stared at one another, blinking, open-mouthed. I bowed my head. "You go first."
"All right." Nozomi tucked her pencil behind her ear, and she flipped through her sketchpad, not watching me. "You know, Ikari—I got pretty pissed at you yesterday."
"You don't say."
Her eyes flickered to me, even as she kept shuffling through the pages. "You're not funny," she said, even as the ends of her lips curled upward in a smile. Her eyes went back to the sketches. "You were really acting like a wimp, you know."
"I've been called that a lot," I said, looking away.
"I bet." She ripped a page out of the sketchpad, and she offered it to me. "But I never asked you not to be that way before."
The pencil drawing showed a boy facing a TV screen, putting his back to the girl who sat across from him. Even as she slammed her hands on the table, the boy looked only at the screen. Who knew what the boy was feeling in that moment? The sketch depicted his face wholly in shadow.
"I'm sorry," said Nozomi. "Really."
I took the sketch by the corner of the page, and Nozomi let it go. She sat beside me on the concrete stoop, and her whole body sagged as she came down.
"Feeling relieved?" I asked.
"A little." The fire came back in her eyes, though, and she said, "But let's not get complacent—not you and not me. You've gotta hold on to that sketch, Ikari. Hold on to it, so we can look back on it later and say, 'I'm glad we're not like that anymore.' Got it?"
"Yes, ma'am," I said, and I touched my hand to my forehead in salute. Nozomi huffed at that, but she said nothing.
We sat there in silence, for a time. I smoothed out the wrinkled piece of paper in my lap, admiring the level of detail. She even got the grain of the wooden table right. I could tell because there was a visible knot on one of the legs that I'd long been bothered by. More than that—it was a knot on my side of the table.
"You're making me feel guilty," I said, laughing a bit. "All I did was get the security people to take me up here. As an apology, this is a lot better than anything I could do."
"You don't have to apologize for anything. I get it."
"You do?"
"Yeah." Nozomi held up her head up with one hand, using her knee as a support, and those cool, dark eyes locked on to me. "You hate the person you used to be, don't you, Ikari?"
"Ah—uh—" I choked on these half-formed syllables, and I stared into the trees that surrounded the driveway.
"And I get that," said Nozomi. "You just need to find a way to change yourself into something you'd like."
I hissed at that. My hands came up on their own, like signal flags, broadcasting what I couldn't say. "I don't—I don't really—I'm just trying to help you get through this. That's all. Really."
Nozomi laughed and shook her head. "Well, I guess I'm okay with that. For now." She put one shoe to the concrete and rose, and I scrambled to my feet, too.
"Ah, wait!"
"What?"
"I'm trying to help you with all this—that means you need to know."
She eyed me askance again. "Know what?"
"Your sister told me what happened between you."
Nozomi pulled her sketchbook closer to her body. "She did?"
"Yeah—about October, about how she tried to reconcile with you when she came back, all of it."
"Oh, that." Nozomi brushed a couple stray hairs from her eyes. "Is that what she told you?"
"It is. So, Nozomi…." I climbed to the top step, watching her the whole time. "Is that what's been bothering you??"
Nozomi shook her head, pressing her pencil eraser against her temple. "Look, Ikari—"
"It's okay if you don't answer right now," I said, smiling. "I just might need to know. Sometime."
"No, no, look—I forgave Hikari for that a long time ago."
I raised an eyebrow. "You did?"
"Yeah. It was a tough time. She was stressed out, and people make mistakes when they're not really thinking about other people, you know?" She closed her sketchpad cover and tucked the book under her arm. "I know that. You know that. I'm not holding that against her."
"Then what is it that you saw from the Angel?"
"I saw…" Nozomi looked aside. "I saw myself."
"Yourself?" I said, frowning.
"Yeah. Do we have to do this now?" She drummed her fingers on her sketchpad's binding, and she leaned on her left foot.
"No," I said. "One step at a time, right?" I moved aside, clearing the way to the door. "We don't have to figure it all out now."
"Thanks for that." She stepped inside. "So, that means we're working together again, right? There's still an Angel to kill."
I glanced to the horizon and the setting sun. "Yeah. Count on it."
Nozomi looked at me from the side. "You sure? For real this time? I don't want to find you moping around again, Ikari."
"I—" I frowned, and I bowed my head. "It's hard for me, but—" I met her gaze. "I'm going to keep trying. I mean that."
She gave me a slight nod. "I understand. Night, Ikari."
"Good night, Nozomi."
The door closed, and I folded the sketch into quarters to keep in my sweatshirt's pouch—it was either that or let it flap around and bend in the wind, so that was an easy decision. I left the front steps and headed down the gravel driveway, with the sun casting the shadow of the mountains before me—a dark void that swallowed the cities and towns beyond.
But from that void, spots of red shined at me: a pair of spots from the red-eyed ghost who looked like Rei Ayanami.
And in her shadow stood the figure in white and gold, hooded so that their eyes couldn't be seen at all.
From the edge of the overgrown rice paddy, they watched me—and the Horaki family as well.
More and more, I began to feel that we were pawns to them—too small to appreciate their motives, too simple-minded to understand their plans.
The hope that we can one day understand each other.
To many of us—to me, and to Horaki—that was a hope we had no choice but to pursue. To refuse it would be nothing less than losing ourselves to a dream.
So I walked the road under their watchful gazes. I walked it, knowing different person would finish that journey.
And unlike a boy I'd known in the past, I was determined to come to love him, knowing I would accomplish nothing if I did not.
Why did you become an Eva pilot?
I've heard that question a lot—sometimes even from my own lips.
Some people want to hear that I chose to save the world. Nothing could be further from the truth. There's a huge difference between knowing what the right thing to do is and having the courage and temerity to do it. And even if it's right to be an Eva pilot, right to try to save the world, that doesn't mean it's wrong not to be one. Or at least, it's no so wrong. If there's someone else who can do it almost as well, and if they want to do it more than you do, then why not?
But I did become an Eva pilot. Maybe I would've felt like scum if I made someone else do it instead—especially if that person were bloodied and weak. But, looking back on that, I realize now I was manipulated. You see, my father may have needed me to be an Eva pilot, but that's not the same as wanting me. When you're wanted, people try to please you and validate your efforts. When you're only needed, validation like that is just a tactic that can be employed. When that need is merely material, there's no way you can feel wanted, and if you refuse to do what's asked of you, those people who need something will find a way to make you give it up.
Children can't always recognize that. No, adults don't always recognize that, either. It's one of the easiest ways to manipulate someone, though: if you can convince someone they're wanted even when they're not, they'll do anything.
They'll climb into a monstrous machine and fight for you.
They'll face horrors from beyond and expose their souls for you.
And the worst part of all that?
If they think you want them badly enough, they'll do all of this with a smile on their face. If you call them up and just say, "You did a good job," they'll take on ten time that much suffering in a heartbeat.
My father, you see—he was a master of that.
And maybe that's just the nature of people: we often invest ourselves in others without getting back exactly what we want.
"Isn't that a bit warm?"
Such were the first words from Hikari Horaki's mouth when I showed up on her doorstep.
I can't blame her for them, really. It was thirty degrees outside, and there I was in a green hood, with sweat running down my face.
The only solace there was the long shadow the building cast over me. The Horaki home was a large, squareish building with thin, white, painted blocks making up its facade. It stood clean and pure on a street corner while the house across from it bore the scars of time: broken windows, peeled paint, and more. Most of the houses in Azumino were like that one, not like the Horaki family's.
Then again, I expect most homes weren't maintained by people like Horaki.
"Ah, forgive me," she said, a little color coming to her cheeks. She stepped aside, making the doorway clear. "Please, come in. Nozomi's gone out, so it should be just the two of us. Sister won't be off work for an hour at least."
I peeled off my hood and sunglasses and stepped in. The wooden floor of the entryway gleamed, and my hand left fingerprints on the steel door handle. All that could only be the former class rep's work, and when I reached the main room, I saw more of the same: spotless white carpet, seat cushions that were perfectly circular, and framed sketches and photos that lined up level within fractions of a degree.
Her sister Kodama may have been the breadwinner of the house, but the middle sister maintained it with meticulous care. Indeed, no sooner did I sit down than Horaki had ducked into the kitchen and returned with a tray of tea, traditional sweets, and a warm, damp towel.
"Sorry, Ikari, but you're bleeding." She scratched at her own neck and offered the towel.
Frowning, I wiped up and down my throat and found the cloth stained a faded red. I folded up the used towel, which she took away just as quickly.
"Did you cut yourself?" she asked from the kitchen.
"I must've," I said, feeling the smooth skin of my cheeks. "Sorry about that."
"Don't worry about it. It means you're ready to help Nozomi, right?"
Indeed, as soon as she came back from washing her hands, she bombarded me with a barrage of thoughts on the matter:
"So, where do we begin?" She pulled a notepad from under the table. "I know Nozomi is stubborn, but she does listen to reason. Just knowing that you've come here should help convince her you're serious about this. She needs to understand that people can have a tough time coping with this sort of thing." She nodded to herself, proud of her own thoroughness. "If Nozomi can grasp that, then I don't think there should be any problem with you two working together again."
I sat frozen, eyes wide, holding my teacup a centimeter from my lips.
"No?" Horaki blinked, and she put the notepad down. "You don't think so?"
I cleared my throat and set the teacup aside. "Sorry, it's not that. I'm not here to talk about getting back in Nozomi's good graces—though I do think I'll need to do that, at some point."
She closed the notepad and slid it under the table, eyeing me curiously. "What did you want to talk about, then?"
"Do you remember the last battle—the one in Germany?"
"Of course."
"The Angel paralyzed Nozomi with something—some sort of vision, something that penetrated her mind."
Horaki looked to her left, and she scooted a couple centimeters away from the table.
"Do you know what that could be?" I asked.
Her eyes locked on me. "Why do you want to know?"
"It's something the Angel could use against her again," I said, leaning forward, "or it's something another Angel could use against her, too."
Horaki pressed two fingers to her temple and closed her eyes. "Yes, and?"
I glanced aside, and I said, "Nozomi told me you had something to do with it."
"She did not!" Horaki's eyes snapped open, and she sat straight and tall. "She absolutely did not! She wouldn't."
I stared back at her, saying nothing, and Horaki let out a breath, composing herself. "Honestly…" she muttered, shaking her head. "Is this really what you want to do?" Her eyes hardened, and she stared me down. "You want to come into our house, take the unpleasantness we've buried in the past, and put it all out on the driveway for everyone to see? Is that what Nozomi wants to do?"
I winced. "Okay, no, not exactly…"
"It isn't?"
"No. I mean, I don't know. But she didn't do anything to make me think so."
Horaki eyed me through a narrowed gaze, raising an eyebrow. "If you hadn't said that, I'd have thought you were taking after your father."
I winced at that, and I looked away. Horaki refilled our cups, and for a while, that was all to be heard between us. I looked anywhere but her, really. I rubbed at a strip of stainless steel on the table, smearing a spot away. The lights in that room were so very white—blue, I think they say, but only to mean that it's not yellow, not like the sun.
"Is it cold in here?" I remarked.
Horaki put her cup down and nodded. "It is, a little. It's the way it was when we got here, unfortunately. Not a lot of people around who can fix a thermostat without making a bigger mess."
"You might be able to find a working one elsewhere."
"Perhaps." Horaki sipped her tea, thinking for a moment. "But that's a bit unseemly—crawling through other people's houses trying to take what they don't use anymore. It's not so bad. We make do with what we have."
I nodded. "You could say that about a lot of things."
At that, she let out a small laugh. "I suppose so. A home, family, friends—sometimes you end up with things you didn't expect."
"Like you and Asuka?"
A tinge of color came to her cheeks. "I wouldn't say that. We're not so different."
I raised an eyebrow and stifled a smile. "So you don't know anything about 'thermal expansion'?"
Her gaze hardened. "Don't you start, Shinji Ikari."
A shiver went down my spine, and I straightened up in my seat. "Yes, ma'am."
"Good." At that, she smiled slightly, and she relaxed. "I admit, Asuka throws me off sometimes, too. I don't know if her behavior is a Western thing or just an Asuka thing, but Asuka is like a small bird—she chirps for attention if you're not giving it to her, but if you do, she's fine.
"I remember, when she came to our house in Tokyo-3 before, she shut herself in my room and played videogames all night, and she was…well, not completely all right, but she was normal, I think. Asuka has a tendency to act larger than life, but that week, she was more…" Horaki pursed her lips and glanced at the ceiling. "She acted within herself. She was no more—and no less—than what you'd expect from a fourteen-year-old girl."
"That's rare for her."
"It is. I hadn't seen that from her in quite a while. She changed. Even over that short time, those weeks and months, she changed."
"We all did."
"Yes, yes you did." Horaki glanced at one of the sketches on the wall. "So," she said, "I guess we should do something. We don't exactly have a lot of time."
"We don't?"
"Nozomi will probably be back soon for dinner. I have enough for an extra plate. It's not much, but—"
I winced. "Ah, no, this is more than enough. I couldn't."
"Of course you can. It's no trouble."
"No, that's not what I mean." I rose, tugging at my sweater to keep it from bunching up. "Thanks for the tea, but I don't think I'm needed any longer. You know there's something wrong. You and Nozomi can work it out. I just needed to make sure you understood."
"Really?" Horaki frowned, and she slid her teacup aside. "All right. I'll do my best, then, to make sure Nozomi is ready for this. After that, I'll be trusting her to your care again."
I shook my head. "I'm just here to nudge her in the right direction every once in a while. That's all."
At that, Horaki rose as well, and she eyed me with a steady stare. "What happened that day? In the control room?"
I glanced aside. "I'm not asking about what's between you and Nozomi."
"No, you're not." Her stare broke, and she looked at the teacups on the table. "I appreciate that. It's easier that way, isn't it?"
"It is," I said, nodding. "Thank you for the tea."
Horaki pressed a hand to her face, with one eye shut. She didn't look at me, so I drifted to the entryway, left the guest slippers at the edge, and made for the door. I was halfway there when a voice called after me,
"It happened in October."
I turned around. Horaki was there, watching me from the threshold to the rest of the house.
"It happened in October," she said again. "October, two years ago."
I looked aside. "I don't need to know this."
"I know. It would be easier if you didn't, but…" She smiled. "There's still some tea, you know."
I turned my back on her. I sped for the door and flung it open. A wave of heat engulfed me; the sun glared at me from across a weed-ridden field.
And all I had to do was take one step—one step into that unmaintained wild, where rain had washed away all the tire tracks on the gravel road, where overbearing light had peeled the paint of the house across the way.
That was the nature of man's struggle, you see: the struggle against nature, nature that was ever-encroaching on civilization. And there, at the Horaki home, they had built up an island fortress of civilization to hold nature at bay. They defended that fortress with metal shaped by machines—the sharp, angled door handle, the strips of steel on the dining room table, and the like. Everything about that place was artificial, with the lights too blue to feel cozy, the corners too pointed to feel at ease.
And yet Horaki stayed there anyway. She wasn't one to be satisfied with how that house was.
And though that place was still inhospitable, though it was still cool for my taste, I closed the door in front of me, shutting the warmth and light of the outside away. I bowed my head, watching her from the corner of my eye, and said,
"Would you tell me about it—about October?"
Horaki smiled. "Okay."
By the dining room table, Horaki told me her story. I'll try to keep it as much in her words as possible.
"It happened in October," she said, sitting straight and tall, "but I didn't realize it until later.
"The day I understood it? That was a cooler day. Overcast, as I remember it. I was taking a walk by the rice paddies. I needed to get out, you see. We shared the house with another family at that time. They were difficult people. Their things were theirs, and our things were theirs, too, if they wanted it that way. We didn't have a lot of choice in the matter. Where else could we go? That's what we thought. So when a cooler day came, without the oppressive, overbearing sun, I took the opportunity.
"I was about a kilometer down the road when I heard the screams. At first, it was just one girl running by the train tracks. She was so far away, it was a faint cry, but no less shrill or upsetting. That's when I really noticed how empty the whole area was: there was no traffic, and except for that girl, there was no one else walking around, either.
"I hurried home, but the door was locked when I got there. I pulled on the handle; I rang the bell and cried out for someone to answer, but no one came. I thought about going around to the back, maybe to tap on a window or something, but someone stopped me: my mother."
"Your mother?" I scanned the decorations about the room: the photos and sketches and such. "Is she…?"
Horaki shook her head sadly. "No, she's not. And that should've tipped me off, right? In my head, I knew there was something wrong, but there she was. She was smiling. Her arms were wide and open. I have her freckles, you know. Father used to say that all the time.
"My mother beckoned me, and I felt drawn to her, like a compass needle to the north pole, like a moth to light. I felt only love coming from her, so I hugged her, and…well…"
"That's when you found out," I said, "about Nozomi?"
Horaki nodded, casting her eyes down. "I found out about a lot of things. I found out someone used to wish I hadn't been born. That explained a lot. I found out someone didn't feel quite the same way I felt toward them, but they were willing to see things change between us. That was good. It was hard to keep secrets there, wasn't it?"
"Impossible," I said, looking at my own reflection in the teacup.
"Impossible." Horaki nodded, and she sipped her tea. "I think so, too." Horaki put the cup down and stared at it, too. She felt along a line that ran down the cup's side, and she turned the cup in place, putting that line out of view. Still, she rubbed her thumb along the cup's surface, where the line should be, with an intense expression.
"Horaki…," I said.
"It happened in October." Her eyes—steady and brilliant—locked on to mine. "I only just realized it months later. Right?"
I nodded, and Horaki went on, letting her eyes drift away from me.
"I saw, in that dream, what happened from Nozomi's view. I was in the kitchen. I had been for most of the afternoon. There was something I needed to do, you see. It was a silly thing, right? You think if you do things for people without asking them what you really want, they'll just give it to you? But that's how we all were back then. We hoped for a lot.
"I was in the kitchen, but I wasn't cooking. I stared out the window in a daze, and the phone lay on the counter beside me, buzzing with that incessant sound. Nozomi heard it, you see. She found me there, by the dirty pots and pans, by the stack of four lunchboxes with no one to take them all.
" 'Hey, Hikari?' That's what she said. She looked into the kitchen and called to me, but I didn't answer. I just squeezed the edge of the countertop. I squeezed it so hard that part of the surface snapped off underneath, but I kept holding it anyway.
"So Nozomi—she came into the kitchen and poked me. She poked me! With the eraser end of a pencil. She poked me on the end of my shoulder, and I jumped half a meter into the air!
"She scampered back, the way a small dog might run away if you yell at it. She hovered by the door, looking at me from the side, and said, 'Sis, what's wrong?' " Horaki wiped at her eye. "Do you know what I said to her?"
"Not what you wish you would've said, I guess."
"Aha!" Horaki laughed. "No, definitely not. I, um, I stood upright, and I smoothed out some wrinkles in my apron. It wasn't wrinkled—not one bit—but I smoothed it out anyway. And I asked her, 'Are you finished with your homework?'
"She said, 'I don't see how that's important right now….'
"I put my hands on hips and said, 'You can't afford to slack off, you know. It's going to be hard, getting into a good high school around here. Make sure you take the washroom trash out before dinner, too. You understand?'
"Nozomi stared at me open-mouthed, saying, 'Are you really doing this?'
"And I said, 'Homework. Washroom. Go get it done before dinner.'
"She watched me for a long time at that, with small eyes and a cold expression, and all she said was,
" 'Okay, Hikari.' And she left, and only then did I lean against the counter and cry.
"But those words stuck with me. I heard them a lot from Nozomi, in the weeks to come. I'd ask her to come to dinner, and she'd say, 'Okay, Hikari.' I'd ask her to be careful on the road to school, and she'd say, 'Okay, Hikari.' And she'd always show me the same face, too: blank and hard, like a slab of rock.
"I saw that over and over—in the real world, and in the time after 'Mother' came to me. That horrible movie reel played in front of my eyes without end, and each time I heard those words again, it was like getting stabbed in the gut. It all made me want to curl into a ball and run away from people, run away from everyone else.
"But then, after hours or days or I don't even know how long, someone came to me in that dream: Nozomi. I tried to apologize to her, but Nozomi didn't want that. She wanted to know if I would go back.
" 'Do you dare seek the hope that we can understand each other?' she said, 'even though one day, you might be betrayed, and that hope may yet abandon you?' "
I twitched, and some drops of tea spilled from my cup. " 'Betrayed'? She said that?"
"I remember it very well," said Horaki, nodding with her eyes closed. "It was strange enough to hear that I can't ever forget it."
I glanced at the ceiling, but there was nothing there: just a smooth, white surface, with a soft gradient of light from the lamp in the corner. Horaki went on.
"Nozomi came to me, asking me to meet her again, and I accepted. I came back. I found myself in the ocean, and it took weeks to get back inland. But when I got here, there they were—my sisters. We'd lost some things in that time, but we still had a house to call home, and a family to keep it together. And I—I tried to make sure it would stay that way."
"Is that so?" I asked. "I mean, after all that, after what Nozomi asked you to do, didn't you…?"
Horaki gaped at me. "Ikari, what kind of person do you think I am?"
"I'm sorry."
"No, no, it's all right." She poured me another cup of tea. "I did make my apology to Nozomi, you see. It was the first thing I did when I could get her alone."
"And she accepted it?"
"I thought she had." Horaki frowned. "The way she's been acting toward me lately, I'm not as sure anymore. I hoped it was something else, or that if she were angry with me, she would say so instead of stew about it." She met my gaze. "Stuff like this should be in the past by now, right?"
Maybe not for Nozomi. Maybe she was the kind to isolate herself and be angry, to wait day after day for the person who'd wronged her to realize it, the kind to take yearning for love and affection and twist it into hatred and displeasure because what she sought wasn't being given, and while she was needed, she wasn't needed the way she wanted to be.
I thanked Horaki for telling her story, and I left. Horaki offered to make me a place for dinner, but I declined, and Horaki showed me out. When that heavy steel door shut behind me, and I stood on the stoop alone, I shaded my eyes from the setting sun and looked out, over the weed-ridden rice paddies and untilled fields.
And I sat down.
I sat down and winced, for the rough concrete of the stoop wasn't too pleasant to sit on, but it was what it was. I sat there, eyes closed, until the sound of gravel crunching underfoot roused me.
"What are you doing here?"
That was Nozomi. She kept her sketchpad tucked under her arm, and her foot dragged on the driveway only a little. She stopped in front of me, looking me up and down, and said,
"You look like you're ready for a ski trip in Hokkaido."
I pulled my sunglasses off and took my hood down. "Most people at least do a double-take when they see me like this."
Nozomi rapped a pencil on her sketchpad's binding. "I'm not most people."
"No," I said, laughing to myself, "no you're not."
"Ikari." She tapped her foot, frowning. "What are you doing here?"
"I—well, that is, uh…"
My gaze drifted off her, but I found something else that was impossible to ignore. Behind Nozomi, at the edge of an abandoned rice paddy, the red-eyed ghost of a girl stood, watching us both with her unblinking gaze. Stoic and unblinking she was, unwavering in her gaze.
I cleared my throat and started again. "I came because I hoped we could understand each other, even knowing that someday I might be betrayed, and that hope would abandon me."
"What are you talking about?" asked Nozomi, raising an eyebrow.
The red-eyed ghost didn't move, either, and I smiled to myself, going on.
"I spoke with your sister," I said. "We talked for a long time, about your problems with her."
"You did?"
"Yes."
Nozomi turned her head slightly, eyeing me askance. "Because of me?"
"That's right."
Nozomi's eyes narrowed, and her lips pressed together tensely. With the sun setting behind her, she was like a magnifying glass for all that light and heat, intense enough that I pulled on the neck of my sweatshirt for relief, and I blurted out,
"Nozomi—"
"Ikari—"
We stared at one another, blinking, open-mouthed. I bowed my head. "You go first."
"All right." Nozomi tucked her pencil behind her ear, and she flipped through her sketchpad, not watching me. "You know, Ikari—I got pretty pissed at you yesterday."
"You don't say."
Her eyes flickered to me, even as she kept shuffling through the pages. "You're not funny," she said, even as the ends of her lips curled upward in a smile. Her eyes went back to the sketches. "You were really acting like a wimp, you know."
"I've been called that a lot," I said, looking away.
"I bet." She ripped a page out of the sketchpad, and she offered it to me. "But I never asked you not to be that way before."
The pencil drawing showed a boy facing a TV screen, putting his back to the girl who sat across from him. Even as she slammed her hands on the table, the boy looked only at the screen. Who knew what the boy was feeling in that moment? The sketch depicted his face wholly in shadow.
"I'm sorry," said Nozomi. "Really."
I took the sketch by the corner of the page, and Nozomi let it go. She sat beside me on the concrete stoop, and her whole body sagged as she came down.
"Feeling relieved?" I asked.
"A little." The fire came back in her eyes, though, and she said, "But let's not get complacent—not you and not me. You've gotta hold on to that sketch, Ikari. Hold on to it, so we can look back on it later and say, 'I'm glad we're not like that anymore.' Got it?"
"Yes, ma'am," I said, and I touched my hand to my forehead in salute. Nozomi huffed at that, but she said nothing.
We sat there in silence, for a time. I smoothed out the wrinkled piece of paper in my lap, admiring the level of detail. She even got the grain of the wooden table right. I could tell because there was a visible knot on one of the legs that I'd long been bothered by. More than that—it was a knot on my side of the table.
"You're making me feel guilty," I said, laughing a bit. "All I did was get the security people to take me up here. As an apology, this is a lot better than anything I could do."
"You don't have to apologize for anything. I get it."
"You do?"
"Yeah." Nozomi held up her head up with one hand, using her knee as a support, and those cool, dark eyes locked on to me. "You hate the person you used to be, don't you, Ikari?"
"Ah—uh—" I choked on these half-formed syllables, and I stared into the trees that surrounded the driveway.
"And I get that," said Nozomi. "You just need to find a way to change yourself into something you'd like."
I hissed at that. My hands came up on their own, like signal flags, broadcasting what I couldn't say. "I don't—I don't really—I'm just trying to help you get through this. That's all. Really."
Nozomi laughed and shook her head. "Well, I guess I'm okay with that. For now." She put one shoe to the concrete and rose, and I scrambled to my feet, too.
"Ah, wait!"
"What?"
"I'm trying to help you with all this—that means you need to know."
She eyed me askance again. "Know what?"
"Your sister told me what happened between you."
Nozomi pulled her sketchbook closer to her body. "She did?"
"Yeah—about October, about how she tried to reconcile with you when she came back, all of it."
"Oh, that." Nozomi brushed a couple stray hairs from her eyes. "Is that what she told you?"
"It is. So, Nozomi…." I climbed to the top step, watching her the whole time. "Is that what's been bothering you??"
Nozomi shook her head, pressing her pencil eraser against her temple. "Look, Ikari—"
"It's okay if you don't answer right now," I said, smiling. "I just might need to know. Sometime."
"No, no, look—I forgave Hikari for that a long time ago."
I raised an eyebrow. "You did?"
"Yeah. It was a tough time. She was stressed out, and people make mistakes when they're not really thinking about other people, you know?" She closed her sketchpad cover and tucked the book under her arm. "I know that. You know that. I'm not holding that against her."
"Then what is it that you saw from the Angel?"
"I saw…" Nozomi looked aside. "I saw myself."
"Yourself?" I said, frowning.
"Yeah. Do we have to do this now?" She drummed her fingers on her sketchpad's binding, and she leaned on her left foot.
"No," I said. "One step at a time, right?" I moved aside, clearing the way to the door. "We don't have to figure it all out now."
"Thanks for that." She stepped inside. "So, that means we're working together again, right? There's still an Angel to kill."
I glanced to the horizon and the setting sun. "Yeah. Count on it."
Nozomi looked at me from the side. "You sure? For real this time? I don't want to find you moping around again, Ikari."
"I—" I frowned, and I bowed my head. "It's hard for me, but—" I met her gaze. "I'm going to keep trying. I mean that."
She gave me a slight nod. "I understand. Night, Ikari."
"Good night, Nozomi."
The door closed, and I folded the sketch into quarters to keep in my sweatshirt's pouch—it was either that or let it flap around and bend in the wind, so that was an easy decision. I left the front steps and headed down the gravel driveway, with the sun casting the shadow of the mountains before me—a dark void that swallowed the cities and towns beyond.
But from that void, spots of red shined at me: a pair of spots from the red-eyed ghost who looked like Rei Ayanami.
And in her shadow stood the figure in white and gold, hooded so that their eyes couldn't be seen at all.
From the edge of the overgrown rice paddy, they watched me—and the Horaki family as well.
More and more, I began to feel that we were pawns to them—too small to appreciate their motives, too simple-minded to understand their plans.
The hope that we can one day understand each other.
To many of us—to me, and to Horaki—that was a hope we had no choice but to pursue. To refuse it would be nothing less than losing ourselves to a dream.
So I walked the road under their watchful gazes. I walked it, knowing different person would finish that journey.
And unlike a boy I'd known in the past, I was determined to come to love him, knowing I would accomplish nothing if I did not.
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