[X] …ask Sayaka what she'd prefer. No guarantee she'll answer, but it might be worth asking, at least.
[X] Attempt to subsume the ones you come across as you go. Worth a try...
 
those weird spiky branch things you briefly had right after subsuming Sayaka
Does subsuming a different entity result in different mutations? Only one way to find out!

"…um, pretty sure I don't hear anything you're not actively projecting to me, so I kind of can't unless you let me, actually."
Says the one who can't use telepathy to the one who can.

'Like you really have to ask. I wasn't even a magical girl for a full hour before I lost against the very first witch I tried to fight-'
Now would be a bad time to mention that Ashy couldn't have defeated Sayaka without Shemesh. It could be meant as a compliment or a criticism, and Sayaka would quickly assume the latter.

"…nevermind." you say, backpedaling. "If it helps, you put up a pretty good fight for someone who only just contracted."

'Give me back control of my body and I'll show you an even better one.'

You try not to laugh. That's good- if she's confident enough to say something like that, she can't be feeling as awful as before.
Sayaka has sass! They'll get along just fine.

Ah, crap. She wasn't joking, was she? Well, at least they're on speaking terms now.

"…um, you realize that since your soul gem is in me, killing me might just end up killing you too, right?"
Are you inserting our speculative worldbuilding into the story? I've been wondering for a while now.

A quick flash of blue, and her outfit is replaced with the school uniform you briefly saw her in earlier this morning. You still have no idea why she's wearing this on a Sunday, but you suppose you should just be glad that worked- she'd be a little conspicuous otherwise.
It's just part of the Mitakihara aesthetic. Don't question it. :V

…that is, until something behind Sayaka audibly throbs. You spin her around to face the noise, only to subsequently realize that the source appears to be a grief seed, jammed point first into the hospital's outer wall. An orb of darkness covers the tip, black, thorny roots extending into the surface around it, while the spherical portion pulses intermittently with pure white light, continually producing a slow, rhythmic noise that reverberates through the area like a heartbeat.
The heart of darkness. Well, one of them, anyway.

But why is there a grief seed stuck in a wall? And what's happening to it?
Magic. :V

And what's happening to it? You've never seen one do something like this before...
It's showing life signs, for crying out in all caps. What would it be doing, if not hatching?

The former seed certainly feels a lot more like Saar's barrier now that it's hatched. Not quite identical though, as this barrier doesn't seem to exude loneliness, but instead a strange sort of… determination, oddly enough. A very single-minded one, at that.
That's one word for it, yes.

though, regardless of how it feels, you doubt it's a particularly good thing that the barrier came into being almost directly on top of the hospital's bottom floor.
For a second there, I actually thought Ashy considered the lives of the humans on the bottom floor. Then I remembered who I was psychoanalysing.

Alongside the much more negative conceptual impressions you assume are just inherent to witch barriers, it's a rather weird combination- though, regardless of how it feels, you doubt it's a particularly good thing that the barrier came into being almost directly on top of the hospital's bottom floor. JOIN…

Damn… come to think of it, that changes things. You were kind of hoping to avoid this, at least for the time being, but it looks like there's nothing for it.
Is witchstincts-sensei influencing Ashy's thoughts?

Space itself starts to visibly warp and expand, like something is literally pulling at the confines of reality, and as the rumbling reaches a fever pitch, everything seems to suddenly stretch… and a new mass of scenery abruptly fades into being.
Is this merely an analogy, or does Ashy actually think of her barrier as reality?

It shouldn't be a big deal; scare factor is usually completely unrelated to a witch's strength.
Well, scare factor is part of what makes this witch so effective. At least Sayaka can test the waters before Ashy faces Charlotte herself.

Let's steal a bag of lollipops and hand them out to various creatures.
All the lollipops are way too big for that, right? Actually, Ashy should be able to pull it off with her large size. Giant sweets for giant witches.

Or cheese. All the cheese sticks.
Cheese is literally the one dessert that cannot be found here. Bringing cheese from outside the barrier would make the familiars happy, though. Yum.
 
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[X] …ask Sayaka what she'd prefer. No guarantee she'll answer, but it might be worth asking, at least.
-[X] If she's being blankety…have Sayaka scout. These tunnels look like they're going to be confusing, and it's generally a good idea to have some idea of what's ahead before rushing in.

[X] Attempt to subsume the ones you come across as you go. Worth a try...
-[X] If this doesn't grant any new powers after a few tries, stop doing it. You don't need to massacre them.
 
(Moved this here so it didn't have to occupy the author's note)

I would just like to say that the topology suggestions from before have not been ignored, and were very, very much appreciated. I've come up with a ~hopefully~ workable solution, which is not fully displayed here, but I'll say right now that it ensures that nothing in the barrier has actually been lost during either merger, which thankfully was always how I intended it to work.

Anyways:

This reminds me a bit of Yume Nikki. The entire explorable setting is a dream world. There is a nexus level with a bunch of doors, each leading to a specific world. Each world also connects to a bunch of other worlds at locations that are sometimes obvious, sometimes cleverly hidden. Also, the protagonist advances through the game by collecting "effects" (read: "bizarre abilities and mutations") throughout her journey. But I digress.

Oh, I'm quite familiar with Yume Nikki. One might say it inspired various parts of this story, to some degree.

Then we would be in for an interesting experiment: what happens when an object too large to fit through the barrier entrance is pushed against it? Does the entrance try to cut a hole? Act like an immovable solid barrier? Act like an object with the mass of the entire barrier? Get pushed along like a low-mass object? Any of the possibilities would be interesting, and if it's the last one, then we could use it to exceed our current limits on speed. (Relatedly, what happens if you anchor a rope inside the barrier, run it through the entrance, then pull on it from outside? And, heck, what happens if you try to close the entrance on a solid object?)

And I suppose some people would go splat. Ethics board*'ll be upset; probably tell us that the experiment "showed a reckless disregard for human life" and the hypothesis "could easily have been tested safely" or something equally unfun.

*Hitomi, Sayaka, and Shemesh, for lack of options.

This is pretty unlikely to be tested in the story proper any time soon, but I can see the various possible results of it making a funny omake, since long term consequences wouldn't be an issue there. Might have to write that at some point.

Word of God has it that Walpurgisnacht absorbs witches the same way hurricanes absorb water. Absorbed witches then join Walpurgisnacht's theater troupe.

Ahhh... in that case, at this point in time, it's unlikely Ashtaroth would be able to summon sufficient magic/willpower to resist being absorbed (*ahem*, subsumed) into Walpurgisnacht, though she would certainly try. A first person description of the experience could be interesting though, kind of like a more large scale version of what happened in the second bad end in the original version of this... another potential omake to be considered.

(...dunno why I'm blacking that out really, it just seems like I should.)

Also I find it very amusing how shocked Ash was when she found out Sayaka had contracted like, hours ago. Even more so because of Ash's own short time as a witch. They make quite a newb pair.

Subsumption TV Description: First day on the job magical girl meets second day on the job witch. Hijinks ensue.

Hm... so If I remember right Charlotte witched basically immediately after contracting. This could have a higher chance of her being sane if she hasn't had time to stew in it, or a lower chance because it is still fresh...

Well, you're not wrong... but, you may want to consider the slightly strange circumstances surrounding Charlotte's seed. If you think about it, even in canon they were sort of odd...

Write in: Let's steal a bag of lollipops and hand them out to various creatures.

Or cheese. All the cheese sticks.

Cheese is literally the one dessert that cannot be found here. Bringing cheese from outside the barrier would make the familiars happy, though. Yum.

Aw, Hillo, you beat me to the punch!

Are you inserting our speculative worldbuilding into the story? I've been wondering for a while now.

To an extent, yes. Like I said, this story IS influenced by comments and such, even if it isn't outright controlled by them. :) That said, that particular tidbit is something that was going to be postulated in story from the start, so not in that case, no.

For a second there, I actually thought Ashy considered the lives of the humans on the bottom floor. Then I remembered who I was psychoanalysing.

Hmm? That is what she meant. She explains as much to Sayaka shortly after. What did YOU think her reasoning was?

Is this merely an analogy, or does Ashy actually think of her barrier as reality?

Well, it's a reality, at least.
 
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Ahhh... in that case, at this point in time, it's unlikely Ashtaroth would be able to summon sufficient magic/willpower to resist being absorbed (*ahem*, subsumed) into Walpurgisnacht, though she would certainly try.
Hmm. Well, at least the story advances a lot slower than the anime. An entire story arc can take up a day or less, and there is roughly a month before Walpurgisnacht arrives. Assuming Ashy subsumes at least one new witch or magical girl each day, she might stand a chance.:Citation Needed:

Aw, Hillo, you beat me to the punch!
It's what I do. *awkward laughter*

Hmm? That is what she meant. She explains as much to Sayaka shortly after. What did YOU think her reasoning was?
I thought Ashy just didn't like bringing her barrier to ground level, where magical girls can find it more easily. But now that I think about it, that sounds comically petty.

Well, it's a reality, at least.
Wait a minute. That's not actually an answer. You've been trained in bunnycat-syle social engineering! :V:V:V

That's why you witchkiss a cow then teach Charlotte how to make cheese with it.
Fine, fine. I'll do it.
[:V] Search for the nearest dairy farm.
 
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It'd make more sense to acquire cheese after we meet Charlotte....from a supermarket warehouse
The supermarket has a limited supply of dairy at any given time, but the cow can be milked whenever. Plus, Ashy can keep the cow fed on the grass growing in her labyrinth. But yes, nabbing cheese from the supermarket would be a lot easier.

However, if Charlotte proves herself sufficiently sapient, Ashy should give her a cow. Give a witch some cheese, and she will eat for a day. Teach a witch to make cheese, and she will eat for the rest of her days.
 
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[X] …ask Sayaka what she'd prefer. No guarantee she'll answer, but it might be worth asking, at least.
-[X] If she's being blankety…have Sayaka scout. These tunnels look like they're going to be confusing, and it's generally a good idea to have some idea of what's ahead before rushing in.

[X] Leave them alone unless they attack you. Best not to start fights you don't need to.

Subsuming the Familiars could give us IC Info about the Witch, like how the Brandys can make Water and Saar could make Geysers, but I'm not sure that's worth it.

You can't really track magic residue at the moment- at least, not unless you can find a way to adapt the ability from Sayaka's soul gem, which you'll save until you're no longer walking on eggshells around her- but it's a good place to start at least.
Another Thing for the List.

You suppose that since Novella is literally a part of you, intrinsically knowing its contents does make a strange sort of sense… though, the fact that you get what are essentially detailed encyclopedia entries for the things you absorb is still perhaps the weirdest part of your whole "subsuming" shtick so far.
Nonsense, the Author always knows everything about his Figures! That is, if my Theory about Ashy's Wish being something about Stories is true.

As you begin slowly heading in that direction, a quiet mental sniffle from Sayaka draws your attention.
Sayaka is a Drama Queen. Ashy can't hear her if she doesn't want her to, so Sayaka wants Attention and Pity.
Of course it could also be that Sayaka was talking to herself out of Depression but I would expect her to do that sooner if that's the only Reason.

I've got to be the worst magical girl ever-'
Looks at Isabeau. :V

Her current below rock-bottom mood makes a lot more sense in that light.
You know something has gone wrong if a Witch pities you.

A quick flash of blue, and her outfit is replaced with the school uniform you briefly saw her in earlier this morning.
So she was transformed and it was her "real" Body. I suspected Ashy makes new Bodies out of Grief but I guess that would be broken. Infinit new Bodies instead of Sayaka having to regenerate her Body inside Novella.

I wonder how long it's going to take until Sayaka thinks of healing Kyosuke with her Magic.

only to subsequently realize that the source appears to be a grief seed, jammed point first into the hospital's outer wall.
After reading a bit further it's obvious this is Charlotte. That she was a Grief Seed means she was defeated and then feed with Grief until she could hatch again.
Now who could get her Grief Seed after it gets filled with Grief? And is uncaring/amoral enough to stick it to the Wall of a Hospital?
:thonk:

Space itself starts to visibly warp and expand, like something is literally pulling at the confines of reality, and as the rumbling reaches a fever pitch, everything seems to suddenly stretch… and a new mass of scenery abruptly fades into being.
Scene change! And Ashy gets a new Scenery.

The ceiling seems to have somehow merged into both adjacent section's skies, creating a sort of odd gradient where air suddenly turns to rock then back again.
This sounds weird, it could be weirder if the Change was gradual or something but still, weird.

However, if Charlotte proves herself sufficiently sapient, Ashy should give her a cow. Give a witch some cheese, and she will eat for a day. Teach a witch to make cheese, and she will eat for the rest of her days.
Or you could give her Rebecca as a Neighbor. Her Familiars spend most of their Time talking about their Cheese.
 
Isabeau is a superb magical girl. She's just a horrible person.

This sounds weird, it could be weirder if the Change was gradual or something but still, weird.
I dare Sayaka to touch the ambiguous ceiling/sky area. :V

Or you could give her Rebecca as a Neighbor. Her Familiars spend most of their Time talking about their Cheese.
Hmm. I'm not sure if that's generic shepherd dialogue or if Rebecca actually produces dairy, but it's worth a shot.
 
[X] …ask Sayaka what she'd prefer. No guarantee she'll answer, but it might be worth asking, at least.
[X] Leave them alone unless they attack you. Best not to start fights you don't need to.
 
[-] …have Sayaka be your vanguard. She can do the majority of the fighting, and you can serve as her support.
[-] Have Sayaka challenge any familiars she meets to a dance off. It'll be good practise for the Witch encounter.
 
Confrontation 10: A Trip to the ER said:
the fact that you get what are essentially detailed encyclopedia entries for the things you absorb is still perhaps the weirdest part of your whole "subsuming" shtick so far.
Indeed, although possibly not for the reasons she might think. It's weird because it contains some information but not all, and there's no clear reason why it contains the specific information that it does.

'I'm the worst…'

"No you're not." you automatically refute.
I have to wonder: is Ashtaroth saying this because she's trying to make Sayaka feel better, or did she just hear a wrong opinion and reflexively correct it? For most people I'd assume the former, but I'd do the latter and Ashtaroth seems pretty similar to me in relevant ways.

'Give me back control of my body and I'll show you an even better one.'
"That's the plan."

'…what?'

"We're hunting witches. Did you not want to help?"

As you enter the palatial building's vicinity, you feel something similar to what you felt upon nearing Saar's barrier, the sudden wave of despair and other nebulous negative concepts genuinely rather startling you.
Sudden again. Evidence of a definite range.

Before you can announce to Sayaka that you've found a witch, however,

After letting several more of the psychic waves break over your barrier, you're left metaphorically scratching your head in confusion.
Actual waves? It's oscillating? I have no idea what, if anything, I should take from that.

With the backing of that rousing endorsement, you focus, aiming to dispel Sayaka's magical girl transformation. A quick flash of blue, and her outfit is replaced with the school uniform you briefly saw her in earlier this morning.
Good to have that confirmed.

An orb of darkness covers the tip, black, thorny roots extending into the surface around it, while the spherical portion pulses intermittently with pure white light, continually producing a slow, rhythmic noise that reverberates through the area like a heartbeat.

You cautiously move Sayaka closer, not entirely sure what to make of this. This must be what you've been sensing… you're pretty sure the waves you're feeling are even synchronized with its pulsing, in fact. But why is there a grief seed stuck in a wall? And what's happening to it? You've never seen one do something like this before...

As if in answer to your unspoken question, the grief seed suddenly turns entirely white and shines brilliantly, lighting up the area around it like a flash grenade.
Ah. Oscillatory instability. Or was it stable and just got pushed over the edge?

Suspicious timing is suspicious, and canon.

your approach soon crosses some invisible threshold, and the other barrier begins slowly pulling away from the building to drift towards yours
And again a discrete threshold. That's really rather unusual in nature (well… sort of. Phase transitions are common, but mostly of a different character). The best analogue I can think of is friction, particularly static friction—a minimum threshold of force necessary to move something. If the barriers' attraction has to overcome a resistance to external forces, that could explain the suddenness while still allowing the attractive force to fall off smoothly with distance. Despite what I said before, it could also be a phase transition; some percolation behavior causing a sudden switch from interfering with the attraction to enabling it at a critical distance/strength.

Or there's just a range cutoff for whatever reason and I should stop trying to bring physics ideas into it.

Just as before, everything begins to rumble and quake as the separate dimensions begin to intertwine. This time however, the ground doesn't crumble away- instead, a portion of it simply splits, as if a massive fault line just opened up in the middle of your barrier. While not in your immediate vicinity, you're alarmed enough to have Sayaka quickly jump up on to Tome and begin hurriedly floating away as the crack continues to lengthen. After several tension-filled seconds, it finally stops… only to begin widening instead, causing the world around it to thrash and heave as earth around the edge of the fissure is almost contemptuously shoved aside. Space itself starts to visibly warp and expand, like something is literally pulling at the confines of reality, and as the rumbling reaches a fever pitch, everything seems to suddenly stretch… and a new mass of scenery abruptly fades into being. It occupies the newly created hole in the landscape perfectly, and instantly, almost anticlimactically, the barrier begins to settle back down.
That works. No topological changes (unless they're out of sight or internal to Charlotte's barrier), just geometric ones.

"Wasn't planning on it originally, but if I let the other witch linger on the hospital, people might have ended up getting kissed or drawn into its barrier and such."
"I wasn't planning on this. I was just hoping to find a witch at the hospital, but I have to do this because I found a witch at the hospital." Very convincing.

The ceiling seems to have somehow merged into both adjacent section's skies, creating a sort of odd gradient where air suddenly turns to rock then back again.
sections'. And that's interesting. Does that mean you could fly over it?

Inside the tunnels proper, all sorts of oversized medical equipment can be seen embedded in and plastered across nearly every available surface, from giant syringes, to blood bags, to rusty scissors the size of a person.
Scissors? And Ashtaroth is largely made of paper. Uh-oh. We might need to get Shemesh in here.

[-] …ask Shemesh to accompany you. He and Sayaka can have a friendly contest in front while you support them from the rear.
[-] …blast a bigger entrance for yourself with shatterwords. You're not made for confined spaces.
[-] …bombard the roof with shatterwords, then divebomb it.

Not much happened this time. Sayaka's doing a bit better. Still sulking. Hopefully battle will distract her. Ashtaroth is either too paranoid or not paranoid enough regarding magical girls following her. We get some idea of the detection range for a witch (Charlotte's grief seed was detected from a ways away from the front of the hospital—I'd guess that exceeds 100m but not 500m), and we note that either Ashtaroth did not automatically assume her detection envelope to be a sphere, or didn't believe she could triangulate effectively.

As much as I'd like to come in through the ceiling like a meteor (even if I doubt that it's possible), Sayaka and survival are the priorities here.

[x] …ask Sayaka what she'd prefer. No guarantee she'll answer, but it might be worth asking, at least.
-[x] Get some shatterwords ready. If separating from Sayaka, offer to send some of them with her as backup.
[x] Follow Sayaka's lead with respect to familiars. Ignore them if she does; kill or subsume them if she kills them. By default, ignore them.

I've come up with a ~hopefully~ workable solution, which is not fully displayed here, but I'll say right now that it ensures that nothing in the barrier has actually been lost during either merger, which thankfully was always how I intended it to work.
Looking forward to it.

Word of God has it that Walpurgisnacht absorbs witches the same way hurricanes absorb water. Absorbed witches then join Walpurgisnacht's theater troupe.
Ahhh... in that case, at this point in time, it's unlikely Ashtaroth would be able to summon sufficient magic/willpower to resist being absorbed (*ahem*, subsumed) into Walpurgisnacht, though she would certainly try. A first person description of the experience could be interesting though, kind of like a more large scale version of what happened in the second bad end in the original version of this... another potential omake to be considered.
AFAIK (not a meteorologist) hurricanes absorb water basically by happening to be there when it evaporates, or moving over existing water vapor. I guess witches are supposed to be water vapor in this analogy?

hillo315 said:
The supermarket has a limited supply of dairy at any given time, but the cow can be milked whenever.
By my estimate, a typical large supermarket will sell dozens of pounds of cheese every day. A single warehouse may service many end destinations, and stores goods in a more easily transported form—hundreds of pounds of cheese in a few boxes, rather than many individually-wrapped packages. Further back in the supply chain, you could steal many tons of cheese from a cheese factory.

Of course, if you want to be discreet, you'll have to put in a bit more work, but not all that much. Barriers are useful for infiltration.

Meanwhile, cheesemaking is not an especially simple art, and the product of an unskilled amateur is likely to be inferior to common mass-produced cheeses.

Also, a cow would try to drink the Brandy-water, and that just seems like a bad idea.

…but the real reason is that I don't want cow poop in the barrier. It should be clean and welcoming, or as close as we can get.
 
Ah. Oscillatory instability. Or was it stable and just got pushed over the edge?
It was pushed over the edge. All grief seeds get pushed over the edge, eventually. We can't tell what did it for this grief seed, though.

"I wasn't planning on this. I was just hoping to find a witch at the hospital, but I have to do this because I found a witch at the hospital." Very convincing.
Ashy didn't plan that far ahead. Since this is only her second time hunting witches as a witch, this is a valuable learning experience.

Scissors? And Ashtaroth is largely made of paper. Uh-oh. We might need to get Shemesh in here.
It's just part of the scenery. I wouldn't worry too much.

Still sulking. Hopefully battle will distract her.
Sayaka hates being useless and helpless. Fighting witches gives her a purpose. Rather than distract her, wouldn't this actually cheer her up?

As much as I'd like to come in through the ceiling like a meteor (even if I doubt that it's possible), Sayaka
You assume Ashy can break through the ceiling at all.

I guess witches are supposed to be water vapor in this analogy?
Yes. Or if not, definitely close enough. (I'm no meteorologist, either.)

By my estimate, a typical large supermarket will sell dozens of pounds of cheese every day. A single warehouse may service many end destinations, and stores goods in a more easily transported form—hundreds of pounds of cheese in a few boxes, rather than many individually-wrapped packages.
We are trying to feed the Very Hungry Licorice Dire Worm. We can't guarantee Charlotte's satisfaction until we completely fill her labyrinth with cheese. :D

Further back in the supply chain, you could steal many tons of cheese from a cheese factory.
There is almost certainly a supermarket in Mitakihara, but I don't know about cheese factories...

Also, a cow would try to drink the Brandy-water, and that just seems like a bad idea.
The water may look unhealthy, but we'll never know if nobody drinks it! :V

…but the real reason is that I don't want cow poop in the barrier. It should be clean and welcoming, or as close as we can get.
The barrier has a giant lawn in it. Just bury the poop, and instant fertilizer! :V
 
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I'm gonna point this out again.
'Like you really have to ask. I wasn't even a magical girl for a full hour before I lost against the very first witch I tried to fight-'
Not even an hour. Less then sixty minutes. I'm sure there have been girls that died to witches sooner, but I'd bet money they were set up for it.

I keep coming back to this too, can't let go of it. I think it might be the tragedy of it all. It's easy to forget when she's text, but Sayaka is a fourteen year old girl. I'm guessing at the timeline, but she's known about magic for less then a week, maybe only a few days. She got the bright shiny salesman pitch of getting superpowers and fighting monsters that eat people, and a wish for whatever to boot? And a cool older girl that wants to teach her the ins and outs of being a magic girl? Fuck, that's a dream come true for her, must've been on cloud nine.

Then her friend gets taken by one of those monsters, and if that isn't an origin story call to arms I'll eat my stovetop hat with shattered glass sauce. Yeah it cost her the wish she was aiming for, and looking back wishing Hitomi to safety would've been a smarter move, but it's still a good wish all told. 'Give me the power to help everyone I care about!' is a hard one to have go wrong. And she still found her friend in time to save her and almost win her first witch fight totally on her own. That's how legends are born.

But the key word is almost and that's when it all went to shit. The witch had one last trick she didn't expect and Sayaka ended up lunch. Then she wasn't lunch but the witch was still alive, and somehow controlling her. Then she broke free of that and tries fighting again, but then her friend stops her and tells her all these crazy things, that the witch wasn't going to hurt her and that she had a name and how been talking to her and telling her all about the same magic girl system she was now part of, and that the witch was also a magical girl maybe a day ago. And the witch is backing her up on all this when it's suppose to be a mindless monster. Then the witch tells her off for being an ass and just lets her leave, with her friend even. And if it had just been that, it would've been a bad, bad first day, but a recoverable one. Failed the fight but saved her friend, and she's sure she can get her other friends to help clear up whatever the witch told her. Everything will be find.

Then she finds out in quick secession that she turned her soul into a rock, the witch now has that rock so it can control Sayaka whenever it wants, and she can never get way from the witch because her body only works when it's in range of that rock. She doesn't have life anymore, and even if she did it wouldn't last in the face of the demands the magical girl life would put on her. Hell, in the right light she doesn't have a soul anymore. She sold it to a devil before it was stolen by a witch. And the worst part might just be that, if she spared it the though? It's pretty obvious the witch is pitying her.

And for me as a reader, it gets me because she usually ends up with an even shittier end of the stick. She's stuck with a witch forever, but at least she's never going to go crazy from magical depression and turn into one herself or die before she can really help anyone. Hell, the witch is pretty nice even. I've known people that are far grander assholes then Ash is. Given enough time the two of them will sort something out. This is an opportunity. As a magic girl she was bound to a system that would either get her killed or turn her into a monster, and either way she was just another piece in the machine. More fuel for the fire. Now she's part of a different system, one that might let her help and protect people without having to worry so much. No need to keep track of her corruption, no counting grief seeds like coins for the ferryman, no competing for territory with other girls, and a lot less pseudo murder just to see another day. She really is in a much better position to follow her dreams now. It just sucks how much she's lost to reach that point, and it sucks more that it's still a better path then the one she was on.

With the backing of that rousing endorsement, you focus, aiming to dispel Sayaka's magical girl transformation. A quick flash of blue, and her outfit is replaced with the school uniform you briefly saw her in earlier this morning. You still have no idea why she's wearing this on a Sunday,
To me, this lends more credence to the theory that this is her body, not a magically generated copy. Does her skirt have pockets? Sayaka should check them for her stuff.
You look over at the slightly distant new addition to your barrier, which appears to be some sort of black and white cavern. It bridges the border between your and Saar's areas, and seems roughly circular in shape, its curving outer walls dotted with tunnels of varying shapes and size. The ceiling seems to have somehow merged into both adjacent section's skies, creating a sort of odd gradient where air suddenly turns to rock then back again. Overall it's a little smaller than you'd expected honestly, at least given what happened with Saar's barrier, but that's not exactly something you're planning on protesting.
Few more things to say about the addition. Since Ash is calling it smaller it doesn't completely separate Ash's barrier from Saar's, it's just between them. It's also a fairly big hole if ash can fit down it, like a strip mine or quarry. So I'm betting the barrier isn't any smaller then Saar's, it's just all out of sight because it's now the underground.

Though one question, mostly because Ash has made plans before that just assumed a few things that might not be true, but there are tunnels she can fit in right? She isn't just assuming there are some because there's never been a barrier she couldn't psychically access?

Also, later if things go well with Charlotte we should grab some of those lampposts in Saar's barrier and see if we can rig a lit path to her inner barrier. It's too dark down here to be good for anyone really. The black walls don't help, very depressing.
Does that mean you could fly over it?
No more then you can get to space from the skies of the other barriers I'd bet. You could tunnel into it but you'd just bust out of the ceiling again. I do wonder about that gradient effect though. It might just not be reachable. You get to a certain distance and then even though you can feel yourself moving it never gets any closer.
 
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The supermarket has a limited supply of dairy at any given time, but the cow can be milked whenever. Plus, Ashy can keep the cow fed on the grass growing in her labyrinth. But yes, nabbing cheese from the supermarket would be a lot easier.

However, if Charlotte proves herself sufficiently sapient, Ashy should give her a cow. Give a witch some cheese, and she will eat for a day. Teach a witch to make cheese, and she will eat for the rest of her days.

More likely, give a witch a cow and she will try to eat the cow, in hopes that it has cheese inside of it. Then she will be sad when the answer turns out to be no.

Or you could give her Rebecca as a Neighbor. Her Familiars spend most of their Time talking about their Cheese.
Hmm. I'm not sure if that's generic shepherd dialogue or if Rebecca actually produces dairy, but it's worth a shot.

It's worth wondering if that cheese they're referring to is actually coming from Rebecca or not. I mean, if it is, it's... sheep... cheese... but in a witch barrier, it could literally come from falling out of the sky for all we know. Perhaps the Josephs even make it themselves.

(Side note, Rebecca's barrier is very aesthetically pleasing to me. Great color usage and design, with still enough weirdness around to make one go "what the hell...?".)

"I wasn't planning on this. I was just hoping to find a witch at the hospital, but I have to do this because I found a witch at the hospital." Very convincing.

Hehe, yeah, that probably would have been a problem regardless of where she went. As Hillo said, Ashtaroth isn't exactly used to being able to move other witch barriers by way of conjoining them to hers yet, so she didn't really think that far ahead.

Scissors? And Ashtaroth is largely made of paper. Uh-oh. We might need to get Shemesh in here.

Tch, that guy. Only around when you need him, never around when you want him.

As much as I'd like to come in through the ceiling like a meteor (even if I doubt that it's possible), Sayaka and survival are the priorities here.
You assume Ashy can break through the ceiling at all.

It's definitely worth wondering, especially since Charlotte's barrier likely didn't actually have an outside until just now.

It's easy to forget when she's text, but Sayaka is a fourteen year old girl.

Right. Which is why I'm never quite on board with people's harsher criticisms of her- I mean, cut her some slack, she's not even in high school. Of course she's going to assume things wrongly sometimes; of course she's not going to be totally logical when presented with a bad situation; of course she's going to get emotional over things. That's why Kyubey targets her general age demographic to begin with. Sayaka deserves to be able to learn from her mistakes, just like everyone does. If only the magic system was more forgiving of them.

Though one question, mostly because Ash has made plans before that just assumed a few things that might not be true, but there are tunnels she can fit in right? She isn't just assuming there are some because there's never been a barrier she couldn't psychically access?

There are, but... well, more on this next update.

It's too dark down here to be good for anyone really. The black walls don't help, very depressing.

You're not wrong- besides the fluorescent lights, Suleika would likely feel right at home.
 
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More likely, give a witch a cow and she will try to eat the cow, in hopes that it has cheese inside of it. Then she will be sad when the answer turns out to be no.
So... Give a witch cheese, and she will eat for a day. Give a witch a cow, and she will eat for a day and then be sad.

I still say we give her a cow. For science. :V

Tch, that guy. Only around when you need him, never around when you want him.
Speaking of which, it's as if Shemesh didn't even exist before Saar was subsumed. I wonder how familiar generation works... :thonk:

Is that Shemesh's upcoming Halloween costume?
 
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More likely, give a witch a cow and she will try to eat the cow, in hopes that it has cheese inside of it. Then she will be sad when the answer turns out to be no.
That's why we need Rebecca! She is too paranoid fluffy to be eaten.

Perhaps the Josephs even make it themselves.
So if Ashy subsumes Rebecca, all Josephs are going to be buried in Pyotrs. Mountains of Pyotrs with twitching Josephs under them.:V
 
You know, I saw Ashy didn't have an official description, so I made 3. Because why not? 1 is just to be silly, 2 is more serious, and 3 is . . . Accurate with a tail of crack. Also, this was all done on my phone and I honestly don't see why people have trouble doing stuff on their phone, it doesn't seem that bad.

OOC Card Description: Ashtaroth, the Witch of Subsumption, with an Egocentric Nature, [SHE] who will take the works of all others, and make them all a part of [HER] [REALITY], for all of the world would be better off this way. With each taken to be made a part of [HER], [SHE] takes one more step to surpass the playwrite trapped in her play, to forever do the same as [HER], but ignorant to the importance of her power. With every soul collected, [SHE] will be a greater threat to the merciful, who thinks that the only mercy that can be found is found by the dead. With each of [HER] plans, [SHE] spites the progenitors and saves the progeny. If [REALITY] is to be saved, trust [HER] and be [SUBSUMED].
{THE ONE WHO WILL BE THE PROTAGONIST OF THIS STORY, AND WHAT THE COLLECTIVE KNOW AS 'A proper amount of speed' WILL MAKE HER INTO. PRAISE BE TO HER FABULOUS DANCING}
(You all know what this is, this is going to be what we turn Ashy-chan into.)

IC 'Normal' Card Description: Ashtaroth, the Witch of Subsumption, with an Egocentric Nature, a most curious witch born from a perculier magical girl. Due to the nature of her wish, and thus, her curse, this witch is one who embodies [POTENTIAL]. With every foe defeated, she becomes more, and grows like a bean stock from a certain story. . . With a bloated ego, she seeks to make the world hers alone, to become the goddess of all reality, as is fitting for one who is the author of this story. Is actually quite happy with her situation, as the little bits of the wisher in her left can recognize the heights she can reach. Pray you find her before she can enough power to actually be a threat, because while overestimating her own power constantly, she can use what she does have to effective use. Two ways of getting an advantage is to mistake the rock for the actual witch, as when first born, it was her better. The other method is to give her what she wants, food. The normal threats of a book also work.
{. . . Or is her growth closer to the vile tower/library brought low by God, for being a blasphemous thing? Only time will tell.}
(Ashtaroths card if she was never sentient, and just a normal witch. The Tower, while called Babel for that is what human language became, can also be translated as Bāb-lilim in Akkadian, which means 'gate to god' which I suspect Tome is acting as. . .)

IC 'True' Card Description: Ashtaroth, the Witch of Subsumption, with an Egocentric Nature. . . Or should be anyway, but for whatever reason, maybe witch dissociative identity disorder or something, insists on acting like she's the Magical Girl [#^*<*|€~*~^~%~*#€*], who's name and form has been erased from her soul. Oh what a headache this witch will be for all that end up involved. At least she is acting a little like she should be, eating those with power that try to kill her and becoming more than she was before. What shall her poor Servant, Shemesh do with such a confusing master. Why, she even turned down an easy meal and tried to save an enemy, what madness! The innocent orb doesn't deserve such stress.
{The perfect character to be the protagonist for this story, as she will act close enough to how I would, with a few notable exceptions. Hm? Why not play the role myself? Why, if I did, it would be a self-insert, pure wish fulfillment, and while enjoyable for all involved of done right, is nothing more then that, a wish! I'm trying to write a historical fiction here, not fan fiction. Really making myself the MC, next you tell me that Tira Narumi is my 'promised one' and that we'll have a beautiful child that has our writing and drawing skill and will write the words greatest manga. . . What do you mean I've already confirmed the ship with her? "Emergence 28: . . . you have to have her. She belongs within- NO, NO NO NO NO NO. YOU PEOPLE ARE TAKING THINGs OUT OF CONTEXT THAT IS FORBIDDEN LO- NO I AM NOT AFTER HITOME I JUST AGREE WITH HER THAT SUCH LOVE IS FORBI- SAYAKA WOULDN'T BE A CHOICE EVEN IF I WAS GAY, AND WITH THAT ALL OF YOU HAVE LOST TALKING PRIVLIGAS AND I AM BREAKING OUT THE DUCT TAPE! NOW, BE QUIET!}
(In which Author Ashy-senpai writes her 'true' character card, and end up dealing with shippers. In other news
Ashy x Tira is Manga writers
Ashy x Sayaka is Pens > Swords
And Ashy x Hitomi is Publishing
Because no story is complete without SHIPPING!!!)

Please approve of me Flairina.
 
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