Alright, what weapon should Akemi have?

  • Let her keep the gun!

    Votes: 9 33.3%
  • Give her a sword!

    Votes: 10 37.0%
  • More Magic!

    Votes: 6 22.2%
  • Hand to Hand!

    Votes: 2 7.4%

  • Total voters
    27
  • Poll closed .
Omake: New, Dead Things (canon)
So the devil won

Omake: New, Dead Things

The two of you fall back into rhythm like you'd never broken up. You on the phone and cooking, Trista on the phone, another phone, a third phone, and her computer. Every now and again a savage sound of frustration precedes Trista grabbing your body to reassert a feeling of control over your life, which you aren't complaining about except for exactly once.

"Not with milk on the stove," is delivered by you in the exact Dread Voice(tm) of your Irish grandmother, and Trista is so taken aback that she goes for a walk about it.

It's a bit after dinner, and you're debating needling Trista into another session of foolishness - you haven't felt this relaxed since you drowned - when your burner phone rings. Trista eyes you as you take it out and answer with a badly accented, "Ja?"

The man on the other end is a much of a Michigander as you are. "We are expecting a rose to be delivered to the Museum of Art. One hour. Look for the owl."

He hangs up, and you laugh before doing the same. "Motherfucker can't be much older than me, if at all." You stand. "Alright, I gotta get dressed and go talk to the mob."

Trista gives you her best Withering Look Of Skepticism. "You want backup?"

"...It's very touching, yet insulting, that you think I need backup."

* * * *

'Look for the owl'. They might as well have said 'go west' for all the good that does you; you arrived 40 minutes early, mind, but still. So you find yourself drawn to a coffee cart being run by an elderly Turkish gentleman with Hello Kitty ribbons braided into his glorious beard. He's gotta be, what, a millennial? Gen Z? Old as hell either way, but the coffee you get is thick as mud, sweet as a stolen kiss, and is well on its way to revealing the face of God to you.

"So I tell my granddaughter - she is only six, you understand - that I do not like cats, and do you know what she says?"

"No," you answer, legitimately hanging on every word.

"She puts her hands on her hips, like this, and she says to me, Grandpa, the Prophet liked cats!"

You howl in laughter alongside the older man. "What can you say to that?" you wheeze.

"Absolutely nothing, thus the ribbons!"

There is a cough behind you, and you turn to see two men your own age. Brothers at a guess; same brown hair and eyes, same nose, and one has an owl backpack. "Miss Rose?" Backpack says.

You turn back to the coffee guy. "Good health to you and your family, my friend. Thanks for the coffee."

"You as well, young lady."

You leave with the other two, who turn out to be Hans and Karl, and after a brief period of establishing that yes, you, you specifically, are the metal man here, lay out what you know in a booth at a Denny's. They seem confused, and it's Hans who first voices why:

"Who the hell took this job?"

"Russians?" Karl proposes.

"Nah, they have standards, " you counter. "Which also eliminates the Italians, the Irish, the Haitians. Organlegging I could see, but grave robbing?"

"Triads?" Hans ventures, and then he immediately changes his mind. "No, they have standards too...and they'd use their own men."

The waitress comes by, and the boys order another round of mozzarella sticks. They're tearing through the things.

Once she leaves, you rub your chin. "Who do we know that's a convenient fall guy, has no standards, and is so stupid you don't have to trick them?"

...

......

All three of you, at the same time: "Fascists."

"Let's check the dockside bars."

* * * *

You're going to kick that dead guy's ass. Your man, Mike Smith, isn't a fucking twink, he just does yoga. Karl finds his apartment, Hans lets you in through the fire escape, and the dumb motherfucker doesn't even have a dog to complicate this. So the three of you lurk in his bedroom until he comes home while you quietly celebrate putting off a moral dilemma about all this murder for another day, and when he gets home you taze the absolute fuck out of him.

You drag the little shit into his bathroom and start filling the tub before addressing your helpers: "If you walk into that bathroom, you're gonna see some shit you'll want to keep secret. That's not a threat, it's a description of what will happen. Understand?"

It's clear neither believe you. Well, fuck 'em. You go into the bathroom and shut the door.

"In the name of the voiceless," you murmur, and the transformation takes hold.

Mike wakes up screaming when you start drowning him.

"Welcome aboard, sailor," you growl. "Get. To. Your. Post!" A scrabbling boot kicks your leg, which you ignore other than to push his head deeper underwater. The door opens, and you turn your head.

Hans takes in the dying man, your Captain Ahab looking-ass outfit, and the rusty harpoon in your free hand, and then he closes the door again without another word.

Mike stops struggling, eventually, and then he rises again as your sailor.

"Now," you ask. "Where do the corpses go?"

* * * *

"Fucking Japan!" You repeat to Trista, waving your arms. "You'd think the Yakuza could clean their own house but nnnoooo, I've gotta go do it for them!"

Your ex looks at you flatly. "You're going to Japan to declare war on an organized crime syndicate?"

"Yes!"

"Great. I'm going with you."

"Awesome!" You double take. "Bitch, what?"
 
As it should *nod nod*
"She puts her hands on her hips, like this, and she says to me, Grandpa, the Prophet liked cats!"
ooooo Religion! Also yes cats are lovely as always I like this Prophet's choices!
Hans takes in the dying man, your Captain Ahab looking-ass outfit, and the rusty harpoon in your free hand, and then he closes the door again without another word.
And then he went to go drink, took a walk far away from a body of water, and had a contemplation on why that girl didn't cosplay Ishmael instead. Her actor made it big during the Limbus Company The Musical Tour that hit the west a few years back after a successful run in both Korea and Japan! For shame girly!
Your ex looks at you flatly. "You're going to Japan to declare war on an organized crime syndicate?"

"Yes!"

"Great. I'm going with you."

"Awesome!" You double take. "Bitch, what?"
Ah
This is gonna be awkward... hope Trista is okay with the fact they've been banging someone who has fish tainted water in them 0-0
 
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In any event, we're gonna be having Rachael's take on fighting for love coming up soon. This was always gonna be a limited run, and since I'm still not sure what XP or EP are for I'm just doing it for the love of the game here.
 
Rei is an RPG protagonist, and doing omakes gives her that sweet sweet level ups. It's such a problem Kermie has both nerfed it and set a hard limit on how much we can give her through Omakes.
These are owned by players, their Effort Points
If you see a roll you don't like, you can look at Kermie, smack them with at max 25 EP, and they will add them to the roll. Let's us turn a 20 into a 45 pretty much

... I'VE BEEN NINJAED- Hi Ashen!
 
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XP means your Omakes are making Rei stronger in an increased rate (only other way is to complete encounters). As soon as she gets enough to Level Up, that is.

EP is for boosting Rolls in case one goes short of the Difficulty Check

Fascinating, thank you. Also: hello new friend! You're meeting me while I am FULLY up on my bullshit; normal programming will resume soon.

Maybe.
 
Its to early for thia so im just going to put this here and go back to sleep.

Congrats on a your quick series of tales Morrow!
And thanks for raising Rei to the Arc's level cap (if I understood that right).

So gentlemen/ladies/lads.... what should we go for said level up?
As it stands Rei has these stats:
Stats:
Physical: 30
Social: 19
Mental: 23
Technical: 20
Magical: 21

If my groggy mind remembers right we get a +7 on this level up so putting that on Mental would get us a Mental Reroll just like the Phys reroll we already have. (reached 30)

Should we get an additional stat bonus (another 7) from the level up or invest on a skill?
Im game for another stat boost just to get social into the high twentys.
 
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a. It prefers to be called a muse
b. As it should
Omake: New, Dead Things
I could spend this entire paragraph screaming about toxic (???) yuri, but I'll just say that Umbra aren't facists (at least not explicitly) or yakuza. They're mostly just suspiciously well organized psychos. Aside from that, close enough, November Witch continues to be fucking awesome. +50 EXP, +10 EP.
 
I agree with a stat boost just to get social in the 20s and another reroll then we probably don't have to worry about stat boosting in a long while due to the soft limit of 30 and probable events happening anyways.
Yeah thay sounds about right. Mind you way aint leveling up until we beat this next arc so thats going to be a WHILE. Im pretty sure we are going to potentially unlock new skills in between our next level ups. Which Im fine with.
 
I could spend this entire paragraph screaming about toxic (???) yuri, but I'll just say that Umbra aren't facists (at least not explicitly) or yakuza. They're mostly just suspiciously well organized psychos. Aside from that, close enough, November Witch continues to be fucking awesome. +50 EXP, +10 EP.
I dont think Morrowlark was calling Umbra either of those things? The Yakuza comment was in reference to the character wondering why they Yakuza hadn't dealt with Umbra yet, and I think the "fascists" they webt after were the guys at the docks they were interrogating.
 
The Yakuza comment was in reference to the character wondering why they Yakuza hadn't dealt with Umbra yet, and I think the "fascists" they webt after were the guys at the docks they were interrogating.
Sorry, was speed reading on my first go around. Todays been a very busy day. Still a good Omake tho.
 
I love when misunderstandings solve themselves while I'm sleeping. Zetakille has the right of it; I'm depicting Umbra doing octopus behavior, working through patsies, fronts, and dupes over in the States so they can grab what they want/need without needing to tangle with yet more old, entrenched criminal interests beyond whatever the state of their relationship with the Yakuza is.
 
Hans takes in the dying man, your Captain Ahab looking-ass outfit, and the rusty harpoon in your free hand, and then he closes the door again without another word.

Hans: Yeah, not touching that with a ten foot pole.

Your ex looks at you flatly. "You're going to Japan to declare war on an organized crime syndicate?"

"Yes!"

"Great. I'm going with you."

"Awesome!" You double take. "Bitch, what?

Methinks they're not going to stay Exes for long. Toxic Yuri ahoy!
 
Omake: New, Wet Things (canon)
Omake: New, Wet Things

You haven't had an actual screaming row with Trista in years now, ever since you broke up just before you started college. It's almost nice.

"Like fucking fuck you're going with me," you declare, for the fourth time. "You want me to be the one to tell your family you died in fucking Japan? That's what you want me to say? Oh yeah, hey, your daughter that you never liked me dating followed her glands into some mafia shit -"

Trista puts a finger in your face. "I'm a grown-ass woman, and you can't stop me. If I decide to buy a plane just to follow you that's a fuckin' option."

You try to decide if she's bluffing or if she's turned into that weird rich friend in a bunch of magical girl shows whose purpose is to dress Our Heroine up like a doll and also be vaguely-to-explicitly lesbian. Then you remember that Trista never bluffs, and you blanch. "Trista, it's dangerous."

She huffs. "And I'm supposed to wait like some sailor's wife to hear if you fucking died? You've got two chucklefucks from the German mob and a taser, idiot, you can't -"

"- I can -"

"Like hell you can!" She grabs your face and looks you in the eyes with an intensity you have only rarely seen on Trista; she's so close to you right now. "You tell me, right now, why you're sooooo confident. Don't bullshit me. I hate it when you bullshit me, Rachael."

You wrestle with it, but Trista just keeps looking you in the eyes, demanding. Your mind trickles back to the breakup, which was your fault. You were so sure she'd realize there was someone better than the only other gay girl in your small town that when you went to college you broke up with her so she couldn't do it first. She'd been furious, and she deserves to be. She blames you, and she deserves to. And she's moved on, clearly, given the IKEA trick, and you...haven't.

It's only ever been her.

You close your eyes. "I'm a magical girl."

Trista scoffs and turns away. "Fine, don't tell me -"

"Listen here you literal mother fucker, I can prove it," you start in hotly, and Trista turns around, grabs your hair, and leans in real close, which immediately removes all thoughts other than 'girl hot' from your mind.

"Then. Prove. It."

* * * *

Fifteen minutes later, the two of you are standing in Trista's bathroom while the massive tub finishes filling.

"Your weird demon familiar is a fish," Trista says flatly. "How's it supposed to do the thing where all your friends confuse it for a regular animal?"

"The trend these days is that they're invisible," you scoff. "Which you'd know if you didn't have the media taste of Koschei the Deathless you fucking lich."

Trista smacks you right in the tit, which hurts like hell and was also exactly what you expected. "I'm one year younger than you. Now where's this fish?"

In response you scatter dried mealworms that the apartment's receptionist got delivered here in five minutes how rich is Trista into the water, lean over the tub, and call out: "Dagon, your sworn champion calls for your wisdom."

The water in the tub churns, a faint vortex forming, and changes. It becomes icy cold; the scents of algae and driftwood fill the room, and the temperature drops until the two of you can see your breath clouding the air. There is a shadow, beneath the water; the lights flicker, and strobe. And then, as if it were always there, a sturgeon barely small enough to fit in this tub is present before the two of you, and Trista trembles in awe.

Wait she's in a sexy dress. You throw your coat around her shoulders to help keep her warm; it isn't as if the cold bothers you.

That is not my name, Dagon intones.

"You turned me into a part-time zombie you fucking wall decoration, I'll call you Dagon if I want to," you shoot back. "This is Trista. I'm reading her in."

The fish turns in the tub, clipping through its substance, and pokes its head above the water. Ah, yes, your Damsel -

"Shut the fuck up with that," you hiss.

She cannot hear me.

"Pull the other one," Trista whispers. "It has bells on - I can hear you just fine."

Dagon looks from you, to Trista, to you, to Trista, and then fucking vanishes like the little bitch he is with a parting, Forgive me it seems I am needed in the Lake. You're too slow to stop him, and curse in mostly fluent German for a solid Few Fucking Minutes, during which time Trista is just staring at you.

"Damsel?" she asks.

"Not answering," you return, firmly. "Anyway. That's the talking fucking fish that got me to fight in the name of love." She opens her mouth, and you raise your hand to forestall the question you don't have to hear because you're, well, you, and you've somehow only gotten more you since becoming a part-time zombie. "...There's more than one kind of love, you know. I know I'm not the biggest fan of...most people, I didn't get into marine biology for big social events. But I'm not some...heartless bitch, you know? Our world's got problems. Our nation has problems. I've got problems. But the world is still good. The world's still beautiful. It's...still worth fighting for," you finish, in a soft murmur, feeling vulnerable and unsure.

Tristra presses her forehead against yours, and smiles a sideways, fond smile that makes your heart flutter. "Dork," she whispers. "...So what's your theme?"

"...Drownings."

"That sounds more like you," she agrees. "Thank you, for trusting me with this. I understand where you're coming from a lot better now."

"So you'll stay here where it's safe?"

"No, we're gonna argue about this for another hour until I drop my dress and then you're going to do whatever I say, as always."

You tell yourself that's not how this argument ends, but, as always, you are wrong in this.
 
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RAHHHHH WHOLESOME YURIIIIIIIIIII-

I have nothing here to say that I haven't already for the last few chapters of this mini saga. Peak. Dagon's also very cool. +50 EXP, +10 EP.

The angle I'm kinda going for here is that like...Rachael, fundamentally, has made a pact with the living world. Nature is red in tooth and claw. It doesn't understand mercy. But it does understand that Rachael loves it, and will protect it. Her powers are grim but so is the water; her attitude is shitty but so is a storm's.
 
Oh, and before I forget, here's the thing I was about to post.

Next Time, on Perhaps For Love, Or Maybe Justice:


He looks up at you, and it's only right then that you notice the umbrella that he's carrying in a reverse grip (it's guaranteed to be sunny today) and the streaks of orange running down his spiky hair. He smiles, his gaze flickering to your name badge.


For a second you want to ask around, but… eh. You just shrug and focus back on your job.

>Make that money, Miss Rei! Only 2 hours, 26 minutes and 47 seconds to go!

Yay…


You are Kaneko Akemi, and right now, you are simply relaxing. Or you're trying your best to.

"Akemi, please stick out your finger. I need a blood sample. My Hiden Enterprises Humagear-Certified equipment will do the rest."

"Ah, so you're like the other mascots for the other magical girl teams I've met, not a yokai…"

"Yes, I suppose that's the case. Though I wouldn't be opposed to meeting a nekomata."

It's somewhat hard to relax with four Archmages and one Spark (is that the name? It's ok-ish at best) orbiting you.
 
Actually now that I'm thinking about it...is that a cogent "bright" Magical Girl philosophy to ya, Kermie? I like to play around in the muck and blood, to be sure, but while I'm more familiar with the deliberately darker takes on the genre...ultimately I am trying to portray Rachael as someone on the side of love and beauty, even if she's a mess herself.
 
Actually now that I'm thinking about it...is that a cogent "bright" Magical Girl philosophy to ya, Kermie? I like to play around in the muck and blood, to be sure, but while I'm more familiar with the deliberately darker takes on the genre...ultimately I am trying to portray Rachael as someone on the side of love and beauty, even if she's a mess herself.
Yeah, it works. The people are messy but so is the world. Makes sense.
 
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