Morrow's Liveblog 1: The Bad News
The walk is slow thus far; right now I'm going through only the main Threadmarks, and thus only through The Lovers (Reversed); a lot of mechanics, a lotta options. I'll admit, the system-heavy Questing native to this community is quite foreign to me, coming as I do (and with great scars) from the origin of the hobby in the belly of 4chan and other imageboards. If it's not revealing the man behind the curtain too much, I'd love to hear more about your thought processes there; why such a complex system, what attracted you to this kind of mechanical resolution?
Also figured it might be polite to give a bit of...forewarning, about my perspective, let's call it. My relationship to the Magical Girl genre is extremely backwards; my first exposure to it was Sailor Nothing, which I read on fucking dial-up, and I went from there, years later, to Madoka with basically no exposure in-between. After being exposed to other works riffing on the genre or using it as a metaphor (such as the Project Moon magical girls, who are abandoned veterans), I slowly started back-filling with actual classics and foundations of the genre such as my partly-complete walk through Cardcaptor Sakura...only to then walk face-first into Revolutionary Girl Utena, which is in conversation with the genre, arguably isn't a member of the genre, and yet has still contributed to my extremely distorted relationship there.
As far as Tokatsu...
I've got Viewtiful Joe and a fuckin' dream there. As close to an unexposed mind as you could ask for. Whether or not you want it is another question.