[x]"You are an honor to your family, Wren-san, but there is no debt. Your Uncle deserved Justice and it was my Honor to help give it. The Emperors Under-Hand is sworn to uncover and deal with such matters, from those plots targeting the whole of Rokugan, to those threatening a single member. While there are duties you could take on to further help the Empire, I will not force them upon you by some nonexistent debt. "Remove your mask and ask gently:"Do you want to serve the Emperors Under-Hand Wren-san?"
-[x]Should she accept, instruct her in the basics of what we need. Essentially keeping her ear out for any plots, especially against the Empire, the Matsu or the Scorpion. Note that something is going on with the Crane, and any light she could shed on the situation would be helpful.
--[x] "If I am unavailable, or you cannot reach me for some other reason and the matter is time sensitive you can approach Pale Oak-san. He is a colleague of yours now. You may find his advice helpful in performing your new duties."
For some reason, Wren blushes furiously when you remove your mask, and seems torn between looking away and focusing on tending to your injury. Why would... oh, right. Shirtless samurai who saved her family from an unfortunate fate. Well, as flattering as it is, you should probably not draw attention to it.
"I... yes, samurai-sama. I would." She whispers quietly, as though hardly daring to believe her own audacity.
"Excellent." You say with a smile, replacing your mask. "Here is what you should do..."
[x] Whether she accepts to job offer or not, ask her gently: "You are quite skilled in treating sword wounds. Might I ask where you practiced the art?"
"I..." She hesitates for a moment, schooling her expression to neutrality. "The Matsu family have a great reverence for their swords, Samurai-sama. A number of them believe that their blades should not be sheathed without tasting blood.
Heimin blood is apparently sufficient."
She ducks her head and returns to concentrating on your wounds.
-/-
10th Day of the Boar
Kemari balls are generally little more than gravel wrapped in animal hide or linen, easily prepared and available in considerable numbers during any respectable court. The Matsu seem to have a fondness for the game, as it combines relaxation with the physical training of reflexes and coordination, and Bayushi Kimoko appears to have laid her hands on several of them without serious difficulty.
Her decision to throw them at you with great force rather than simply indulge in a few games is rather unconventional, to say the least.
Working your jaw, you do your best to avoid any sign of the pain you feel from showing on your face. Even so, you're fairly sure you can taste blood inside your mouth, and considering your commander's last shot hit you in the chest, that's probably not a good sign. Still, you aren't falling over yet, and while the methods are dubious your lord's insistence that you learn to draw your sword fast enough to counteract the effects of being surprised makes sense. If you can perform a proper Iaijutsu draw at the right moment, you will be able to knock the incoming ball out of the air before it hits you. If not, you are provided with yet more motivation for future attempts.
At least she's been considerate enough to keep your training inside one of the dojos the Lion have allowed you to use, rather than out in the parade square. You feel thoroughly undignified as it is, and there is no need to add to your humiliation by inviting multiple witnesses.
Kimoko tosses one of the balls from hand to hand with a cheerful smile, and you work to suppress a sigh as you sink back into your stance.
-/-
11th Day of the Boar
"Again."
You try not to groan, but it is difficult. Your muscles are burning and your whole body is soaked in sweat, but Bayushi Kimoko does not let up. She stands in front of you, studying your moves with a critical eye as you bring your sword up and begin to move through the katas she demonstrated to you once more.
"You think this is too difficult?" She asks in a hard tone of voice. "That I am, perhaps, demanding too much of you, too quickly?"
"No... Bayushi-sama." You reply, breathing heavily as you wrestle with what feels like a lead weight as you move through the motions once again. You must have done this dozens, perhaps even hundreds of times so far, and your lord shows no sign of letting up just yet.
"Good. You have never stood on the battlefield, Soshi-san, but you are a Bushi. One day, you will have to." She says curtly. "On that day, you must be capable of performing your moves no matter how much your body aches or your mind cries out for rest. They must be automatic, worthy of no more thought than breathing. You must see your enemy without focusing, understand what he will do and how he will react even as you doubt your own ability to take another step. If you can not, then you will die, and in dying you will go before your ancestors in shame. Is that what you want?"
Up and around... sweep low and double back... a quick jab, not committing...
"No... Bayushi-sama..." You manage to gasp out.
"I'm not sure I believe your
sincerity." Kimoko says, drawing her sword in a ripple of glinting light. "Now...
dodge."
What is she... ARGH KAMI THAT HURTS...
-/-
Results
Through intensive training, Naoto has learned the second technique of his school. By dedicating two additional days to his training, he has also learned the Kata 'Strength of the Scorpion'. These are detailed below.
Pincers and Tail -
The infamous Scorpion Feint has been the demise of many fine samurai. You may take the Feint maneuver for one raise when making an attack, instead of two.
Strength of the Scorpion -
This kata may be activated as a simple action (or as a free action when beginning an Iaijutsu duel), and remains in effect for the duration of any given skirmish or battle. Once per round, after successfully employing the Feint maneuver, you may raise your final damage inflicted by +3 wounds.
Feinting (One Raise) -
A feint involves first misleading the target into believing that you are going to attack in one particular fashion, then exploiting the holes in their defense opened when they attempt to counter your attack. After a successful feint, halve the difference between your attack roll and the enemy's armour TN, then apply the result as additional wounds when rolling for damage. The maximum additional wounds inflicted is (5xIR).
-/-
12th Day of the Boar
As you are leaving the dojo on the third day of your training, the door slides open before your lord can reach it. Standing on the other side is Matsu Ketsui, clad in instructor's gear rather like that which Kimoko is wearing. And beyond her is... Matsu Heijiko.
As you bow to the Daimyo and vacate the area, you consider what this might mean. If Ketsui is training Heijiko prior to her duel with Kakita Sekawa... that could be a problem. You understand that the duel has been scheduled for late afternoon on the fourteenth day of the Boar, so you have until then to decide if you are going to do anything with this information.
What do you do?
[ ] Stick to the existing vote, as detailed below. Sekawa is a fine duelist, and it takes more than a few days to become good enough to match one of the Kakita on the field.
[ ] Modify your intended actions in some way (Write in)
[x] Present our plans to Bayushi-sama. Listen to any orders or advice she might offer. We do not want a repeat of the duel incident.
[x] Contact Ikoma Genji (by appropriately secretive means - probably including letters). Once he has deigned to arrange for a meeting or other trustworthy channel, reveal what you have found about the source of the Crane's orders. Ask if he might be able to provide you with an example of a message written in the Champion's own handwriting. We also could use a copy of the vax imprint left by the Champions seal.(and whatever else our Investigative skill tell us we may want to ask from him)
[x] Approach Doji Mariko. Spend some time with her, stabilizing things after the recent events, and trying to get a feel for how the dynamic may have changed. Bring our ink brush kit, as well as several pages of parchment. Use some of it for any poetry that comes to mind.
-[x] If we have recovered what we need from Genji and the conditions seem right, (appropriate levels of privacy and she is relaxed enough) proceed. If not, see if we cannot help create the right conditions, but do not force the issue. If she seems disinclined to discuss serious matters, let it go for now.
--[x] Should we succeed, mention casually that you may have a way of testing the validity of the letter that she received from her Champion. Imply that after she expressed her opinion, it seemed to confirm some information we had gathered and led to new clues. Present what we would reasonably need to determine if the letter is genuine, if we were going to do that. Idly note that there are many ways that small items can be temporarily misplaced and things are lost and show up in the strangest of places. Trickster spirits playing games no doubt. Pointedly set aside our ink brush kit and pile of parchments. Conveniently forget them when leaving.
---[x]If she argues against such misplacements citing Courtesy, calmly argue back that she should consider the wider consequences of if we prove the letter is a fake. For example, if someone could forge one, why not more? The damage such a hypothetical miscreant could inflict would be considerable. There could be Cranes all over Rokugan following orders designed to make them subtly sabotage the very harmony and peace they are sworn to protect. Such a threat to the Empire would be devastating if left unchecked. It would be our Duty as a member of the Emperors Under-hand to stop such a disruptive plot. We might even ask for her help in stopping such a thing, for is it not a Cranes Duty to help preserve the harmony of the Empire? Spend a Void Point on the Argument.
[x] Try to spend some time with Kakita Sekawa, reassuring him we bear no grudge for the duel and have a healty respect for his skills with the blade. If this can be done on the training yards, all the better.