They did not, at least not in the same sense that Homura did. Othala and Wunjo aren't exactly hyper-offensive runes, and both Mami and Oriko were using them for support and defense, respectively, so it's not like they would get an offensive finisher from their rune in the first place. Then again, between Tiro Finale from Mami, or the massive stock of mana with which to support an entire swarm of drones from Oriko, it's not as though either of them were lacking for powerful super moves, either.
Ah, gotcha. I assumed that they would get some sort of super-effective effect per maxed Rune path, like some sort of conceptual shield for Othala, or something like seeing through everyone's eyes and processing the information perfectly a la Pein with the Rinnegan for Wunjo, but I guess that it only happens for the offensive effects. Good to know.
 
Day 38 Chapter 8
[X] Plan Better Food Than In Shokugeki no Soma (part 2)



"Oh, wow, this looks great!"

Dinner - the most tender and succulent beef steak you've ever seen, fresh and fragrant cucumber salad, and brown rice that actually looks edible - is served by the combination of Archer and Kaname Tomohisa, before the two of them take their seats at the table with everyone else. Your eyes scan the table to gauge the reactions of everyone in attendance; clockwise, starting from the head of the table, Kaname Junko is salivating at the sight of dinner. Sitting at her left-hand corner, Kure Minako is similarly entranced by the cut of beef being served, though her attentions are, understandably, directed more towards the chef sitting beside her than to dinner itself. Across the table from his wife is Kaname Tomohisa, smiling as he admires his handiwork and the reactions of everyone enjoying the sight of dinner. Last, you've been sandwiched in-between Madoka on your right, and Kirika on your left; and both of them look equally as delighted at the sight of dinner as any of the adults. Kaname Tatsuya is absent, but he was fed hours ago, and put to bed just before Archer, Minako, and Kirika arrived, so his absence is to be expected.

Once the chefs have taken their seats at the table and everyone has been served, the seven of you all dig in. Oh gods above, this is the best beef you've ever had. You hear a moan, though you're sure it didn't come from you, no matter how much you would have liked to moan with pleasure at the taste. "This tastes even better than it looks!" Kirika exclaims, moaning in ecstasy with every bite. Turning to Archer, she says "Hey, da-Archer, can we have this again some time?"

Neither you, Archer, nor Kure Minako can suppress the faint smirk as Kirika's tongue almost slips, but you decide not to press the matter with her yet. "Maybe," Archer says. "This was a pretty choice cut of beef; I don't know if I'd be able to replicate dinner with a cheaper cut. But if I can find it again for as good a deal as I got today, then I wouldn't be averse to making this again for the four of us."

"Oh?" Kaname Junko smirks as she asks Archer "Does that mean Minako's got you cooking for all three meals then? She must love that."

"Just until I've learned enough to cook for myself and the fridge is clear of frozen food," Kure Minako responds, visibly cozying up to Archer as she speaks. "But this guy's such a great chef I don't think I want him to quit even after he's taught me everything." These words cause Kaname Junko to smile. You can't think of any reason why.

"It is good, isn't it," you say to Kirika as you ignore the obvious machinations of the adults around you, before adding in the direction of Archer and Kaname Tomohisa "Our compliments to the chefs are in order." To your right, Madoka's enjoyment of dinner is no less than either yours or Kirika's, and you wait until you're in-between bites to say "You know, I envy you. You've been able to eat food like this your entire life, but I've only been able to eat like this for the past month."

Madoka, however, doesn't seem to have caught the jest in your tone, and after a second spend chewing with a pout on her face, she says to Archer "You should have come into Homura-chan's life earlier, you know? She's been-"

"Madoka, I was joking," you say, cutting her off before she can make things awkward. "There's no reason to get upset at Archer. He's done the best he could have for me in the month we've had together." You look to your adoptive father, who's been looking awkward since Madoka put him on the spot, and say to him "And I look forward to many more months of his cooking yet to come."

"I'll do my best," Archer says. "But after tonight, I'm starting to have my doubts." He turns to Kaname Tomohisa, and the two exchange the knowing glances of two professionals before he says "Sayaka severely underrepresented your talents to me. I think I'd have trouble replicating this sunomono if I had a month to get it down."

"It's all in the quality of the produce," Kaname Tomohisa says. "The cucumbers came from the farm of a friend of mine, and you can get them at the produce store he and I run if you'd ever like to try making sunomono for yourself." You nod; that makes sense, that Kaname Tomohisa would only use produce that either he or one of his organic produce friends had grown. You're familiar with the market where Archer does most of his shopping, but from the sound of things he'll have a new place to go for fruit and vegetables from now on. "Don't sell yourself short, Archer. Your cooking's all my daughter and her friends can talk about whenever your name comes up, so you must be doing something right if you've got that many fans."

And that reminds you. "Ka-" You stop yourself, before remembering that the mother Kaname prefers to keep things informal. "Junko-san, I was wondering if you'd be willing to tell me a little bit more about what it is that you do at your realty firm." Kaname Junko eyes you with an approving stare as you say "I've given your offer some consideration, and I believe that getting into business would play to my strengths." You did, after all, manage to finagle six people with varying degrees of competing interests into a single unified front. After that, the world of business should be a piece of cake.

"Everything," Kaname Junko says. "We do residential, commercial, industrial, you name it. Love the property? We'll make sure it's yours. Need some renovations? We know contractors who'll make whatever changes you need to make the sale. We're even getting into the international market, too; I've started keeping a big display of foreign currency trade rates in the bathroom so I can review then each morning and make sure our international contracts are all up-to-date."

"My, that does sound comprehensive."

"Oh, it is. You've got to be sharp as a tack to make it, especially when you're handling big international contracts like I am these days. But the pay is great if you're good at what you do; and Homura, I just know you're going to be great." Then, as if a lightbulb went off in her head, Kaname Junko smiles, and turns to Kure Minako before saying "Actually, I'm willing to give you the same offer I gave to Homura. Archer's helping you study for your Cert, right? Come to me when you've got it, and I'll see what I can do about getting you in full-time."

Kaname Junko's words are like a slap to Kure Minako's face; only, in a good way, if that makes any sense. "Junko-san, I... I don't know what to say. What would your boss say if he knew you were offering a full-time job to someone like me?"

Kaname Junko "Psh"es Kure Minako, saying "So you made a mistake once, big deal. You think you deserve to suffer the rest of your life because of that? Way I see it, you already know how things work at the firm, and I think you've got the drive to go as far as you want with just a little push in the right direction. Get your Cert, and I can get you started working some lower-level cases to build up your experience. If you're good enough, the firm'll even pay you to go and get a two-year business degree."

Archer nods, chiming in to Kaname Junko's encouragement by saying to Kure Minako "She's right, you know. You've definitely got the work ethic to succeed at whatever you want to do in life; and I'm more than happy to keep helping you if you decide to pursue a degree in business."

"Plus, you look drop-dead sexy in professional attire," Kaname Junko says with a wink. "Any man would have to be denser than lead not to notice you."

Archer pretends with as straight a face as he can muster to be denser than lead, and asks Kure Minako "So, speaking of work, what sort of things does Junko have you doing?"

"Oh, just general OL stuff, I guess. I do paperwork that no one else wants to do; I schedule meetings, then call clients to tell them their meeting's been cancelled when their agent can't make it; sometimes one of the higher-ups will have me go on coffee runs for he and his buddies; things like that." With a sigh, Kure Minako adds "It's... Far from the best job in the world. But it's the best paying job I've ever had, and it's what's allowed me to keep my daughter fed and clothed, so I'm not going to knock it no matter how ideal it isn't." Kure Minako turns to Kaname Junko, and you can see tears forming at the corner of her eyes as she says "Thank you, Junko-san. If you hadn't stuck your neck out for me back then, I... I don't think I could have kept being Kirika's mother."

"You're lucky to have such a good friend," Archer says to Kure Minako, as he places a hand on her shoulder. "Sorry. I guess I shouldn't just assume that you and she are friends because of that."

"... I don't know if Junko-san and I are really friends," Kure Minako says, ignorant of the widening eyes of Kaname Junko at her words. "She's nicer to me than a lot of the other supervisors, sure, but I don't really know if we're that close outside of work."

Kaname Junko leans over the table in the direction of Kure Minako, saying "Oi, oi, what kind of talk is that?" in a distinct Shōnan accent that wasn't there a second ago. "I invite you into my home, have my husband cook you this wonderful meal, and share a case of my favourite beer with you; and you still don't think we're friends?" The more she talks, the stronger Kaname Junko's accent comes on. "Seven years, Minako. We've talked to each other every day for seven years, and you think we aren't friends? Honestly, what kind of person are you?"

"I didn't know you thought that way about me," Kaname Junko says. "I just thought you were being nice to me. I didn't know you thought we were... Friends."

Kaname Junko smirks, and gives Kure Minako a light punch on the arm. "'Course you're my friend, Minako. Any woman who'd go through what you have for their child is someone I want on my side."

[ ] Is there anything to add to the post-dinner conversation? (write-in if yes)​
 
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Shōnan is a region in the Kanagawa prefecture along the Sagami bay, centered on the island of Enoshima, about 50km off the southwest coast of Tokyo. Famously, it's the setting of the delinquent manga series Shōnan Junai Gumi, a somewhat lesser-known manga series in the west compared to its sequel, Great Teacher Onizuka. There was an interview packaged with the 4th Blu-Ray set where Shinbo hints at Junko being a delinquent in her youth, and with this quest's Mitakihara being set in the Kanagaware prefecture, I thought having Junko be from Shōnan as a nod to SJG was appropriate.
 
[X] Is there anything to add to the post-dinner conversation?
-[X] No

Can't think of anything off the top of my head atm, so anyone have any ideas? :)

Here's the current list for the post-dinner conversations:
[X] Post-dinner
-[X] (Homura) Talk to
--[X] Madoka
---[X] When dessert is served, feed the 'doka some Strawberry Shortcake, and be fed by the 'doka some Strawberry Shortcake
----[X] Give into the cliche and wipe away some strawberry mousse from her face
---[X] When dinner is over, go talk to Madoka in private in her room about the thing you told her about earlier this week (OOC: details to be voted on)

-[X] (Archer) Talk to
--[X] Junko
---[X] informing her that yes, you and Minako are going to be having your first date soon, and no you haven't gone on a proper date yet
--[X] Tomohisa
---[X] inquiring about his fresh produce, and where you could look to purchase some for your own home (and possibly Minako) meals if he sells it
----[X] This is some pretty well-grown produce, if your ranged Structural Analysis is anything to go by, and make sure to tell him so
---[X] asking him for dating advice when it comes to strong-willed women while the two of you are perusing Tomohisa's greenhouse, as you've never really dated anyone proper before
 
[x] "Maybe not right now, but I know you've definitely called him dad before."
In Kirika's defense, she was only attempting to get Archer to do what she wanted when she called him 'daddy' this morning. It wasn't at all like she was actually calling him dad, like she almost did this time.
Can't think of anything off the top of my head atm, so anyone have any ideas?
I have an idea, but I want to see if you guys can figure it out.
 
I got nothing. I would add to tease Kirika more, but we literally just did that this 'morning'.

[X] Is there anything to add to the post-dinner conversation?
-[X] No
 
Here's the current list for the post-dinner conversations:
Oh, actually there is something that should be changed. We should probably chop the part about Archer complimenting the vegetables, since I already kind of handled that when he and Tomohisa were talking, and having Archer bring up the quality of the produce after they already talked about it would be a little awkward, wouldn't it?
I got nothing. I would add to tease Kirika more, but we literally just did that this 'morning'.
I would say that more interactions with Kirika over dinner are due, but we really should cut back on the teasing, and we've interacted with her plenty more than we've interacted with a lot of other people in the past days, so ???
 
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Oh, actually there is something that should be changed. We should probably chop the part about Archer complimenting the vegetables, since I already kind of handled that when he and Tomohisa were talking, and having Archer bring up the quality of the produce after they already talked about it would be a little awkward, wouldn't it?
Hm, since that was voted upon way before the update even came out, could you just skip it or do we have to manually vote it out and get consensus again?
 
Day 38 Chapter 9
[X] Plan Better Food Than In Shokugeki no Soma (part 3)



After that incident between Kure Minako and Kaname Junko, conversation around the dinner table continues without further incident. Archer and Kaname Tomohisa talk cooking, exchanging tips and tricks they've gleaned over the years; while Kure Minako and Kaname Junko talk relationships, leading one another deeper and deeper into the other's trap with every word. The two girls on either side of you, however, remain silent, but that's fine with you. They're probably just as enthused about dinner as you are, and talking over your food would ruin the taste.

Then, finally, it happens. Kaname Junko says something clearly directed at, but not meant for, Archer, and the trap is sprung. "If you're referring to me," Archer says, wiping his mouth of the last bits of his beef steak. "Minako and I are actually already together." His mouth clean, Archer leans in and gives Kure Minako a quick peck on the cheek. "We knew you'd use dinner as an opportunity to try setting us up, so we thought it would be funny if we played along."

"We're sorry, Junko-san," Kure Minako says. "I know how much you wanted to play matchmaker for me; I guess I got a little ahead of myself, and got together with Archer without your help."

"Hey, I'm not complaining," Kaname Junko says. "You two look great together, and I'm confident that Archer'll bring out the best in you. I mean, he's already got your daughter calling him 'dad'; that's got to count for something, right?"

"I did not!" Kiriika says. "I didn't call him 'dad'!"

"But you were going to," you say. To Kure Minako, you say "I guess if Kirika is okay with calling Archer 'dad', then I should be calling you 'mom'? Or, would you prefer to wait until after the wedding?" You don't know why you're so hung up on calling Kure Minako 'mom'. Maybe it's just you wanting to tease Kirika even further. Maybe it's because you've only just recently remembered how much you missed having parents.

Kure Minako smiles, saying "You can call me whatever you feel comfortable with, Homura. If calling me 'mom' makes you feel happy, then I guess I don't really mind. I've always wanted to give Kirika a little sibling, and you'd make as good a sister for her as any."

You don't know if you'll take Kure Minako mom? up on that offer; you weren't sure about accepting Archer as your father at first, either. But you're more than happy to take Kirika up on her accepting Archer as her father. "So," you say to her. "How are your tutoring sessions with dad going?"

"Argh! I told you, I didn't call Archer 'dad'!"

For your part, you do try to keep a straight face as Kirika adamantly denies reality, but the adults are less kind than you are. However, rather than press the matter against Kirika further, Kaname Junko turns to the new couple and asks "So, have you and Archer gone on any dates yet?"

"Not yet," Archer says. "We were planning for tomorrow night, since Minako doesn't work on Sunday."

"Oh?" Archer may have picked the worst way to phrase that; now Kaname Junko is on the attack. "Sounds like you and Minako are planning on going to sleep later than you should, are you? Minako, you simply must tell me all about it on Monday."

"Oh, no, nothing like that," Kure Minako attempts to deflect, but you can see it written on her face; she wouldn't be opposed to what Kaname Junko is proposing. "We were just thinking of going to the movies, that's all." Her attempts to deflect from Kaname Junko's insinuations aside, Kure Minako's gaze crosses the table to her daughter, and she says to Kirika "And speaking of tomorrow- It'll probably be hard for Archer to tutor us if he and I are out having fun, so I guess it would be okay for you to stay with Oriko on Saturday nights, after all. But, in exchange, I want to see you another night instead."

Kirika sighs, muttering "I knew it'd come to this," before saying to her mother "Fridays are fine, I guess, if I have to pick another night."

Kure Minako smiles for her daughter, and says "I know how much you miss her, pumpkin; but just remember that old saying. 'Absence makes the heart grow fonder', right? When you see Oriko again tomorrow, you'll enjoy each others' company that much more."

Dinner finishes with little fanfare, and before you know it, "Alright everyone, it's time for dessert." Kaname Tomohisa excuses himself from the table to bring out dessert, a delicious-looking strawberry shortcake. "We've got Archer to thank for this," he says, serving up seven slices to everyone. "So let's all give him a big round of applause for this wonderful dessert."

A round of "Thank you"s can be heard around the table, and once the applause has quieted down, everyone digs in. "Open wide, Homura-chan." You do as Madoka instructs, as she feeds you some of her shortcake and it is delicious.

"You too, Madoka," you say, as you deliver some of your own dessert into the waiting mouth of your girlfriend. Her eyes light up as the strawberry mousse hits her taste buds, and your finger finds its way to her face to wipe away a few specks of mousse from her lips, which you consume for yourself. "How is it? It's good, right?"

On your opposite side, you can just barely catch a glimpse of Kirika's pouting face, muttering "I wish Oriko were here to feed me cake too," as she eats dessert by herself. Wisely, you decide not to tease her any further. She misses Mikuni Oriko enough already as it is; she doesn't need you teasing her anymore tonight.

Madoka nods, squealing the words "It's delicious!" as soon as she's finished swallowing. "Thank you so much, Archer-san!"

"Only the best for my daughter's special girl," Archer says with a smile, before turning back towards Kaname Tomohisa to resume their earlier conversation. "So maybe after dessert, you'd be willing to show me your garden? There are some things I'd like to talk to you about."

"Of course, Archer, that won't be a problem at all. To be honest, I've been meaning to..."

Your ears tune out the conversations of the adults around you, and you turn to Madoka, more nervous now than you had been previously. "Madoka, there... There's something I need to talk to you about after dessert as well. It's... About that thing I wanted to speak to you about earlier in the week. I was hoping we'd be able to speak privately in your room."

Madoka looks on with concern; you wish you knew what she was thinking. Perhaps, after your enbarrassing performance at lunch the day you brought this up, along with your jest earlier this morning, Madoka really does think you want to ask her to marry you.

Well, you wouldn't be opposed, were it legal in Japan, but that's not what you need to speak with her about tonight.

You hope Madoka will understand.


[ ] Wat do?
 
I chopped off the last bit of the previous post, since this most recent post needed it more and I felt it would flow better as the opening to this rather than as the closing to the previous. We are now good to go on the front of "Telling Madoka the truth" so I hope you've all got your best suggestions to put forward, and are able to word this in such a way that we don't botch it up.
 
[jk] Show Madoka this important Public Service Announcement

[] Plan Get Your Mind Out Of The Gutter
-[] When you get to Madoka's room, inform her that what you want to tell her is your final secret, and that after this you're an open book. Double check that she really wants to go through with this - as it has to do with you as a magical girl - and ask her that she doesn't do something silly like people do in anime when they find out something shocking (like run off) without talking things through like responsible middle schoolers. If she has doubts, tell her that you want to tell her about this, however you're afraid of pushing her away by telling her before she's completely ready, kinda like how she was when you were first telling her about Puella Magi. You don't want to do it if it'll harm their relationship, or scare her, so you're leaving it up to her on whether or not she wants to know for certain.
--[] If she agrees, thank her and project a free-standing whiteboard (it doesn't have to be the best, very large/wide, or fully complete - as to save on magical energy - it just needs to be a solid surface that won't break at the drop of the hat), some stereotypical teacher's glasses to put on (no prescription, just a faux projection in its image, same deal with the whiteboard), a stereotypical teacher's stick, and take out a marker from your shield to write with. After that, connect yourself to Madoka with a loose piece of regular string tied around each other's wrists from your shield and time-stop (as you still haven't gotten that anti-Incubator charm yet, and you don't want the Incubator hearing out this). Be sure to take things slowly and answer any questions that Madoka may have (which may or may not happen with her raising her hand during your lecture like a student).
---[] Lesson 1: The Magical Girl Anime Trope of the Mysterious Figure who somehow has ties to the protagonist (which is usually romantic in nature). Explain to her that you are that trope, and that Madoka's the protagonist in this situation. Usually when it comes to this trope, both parties are inexplicably drawn to each other and get along as if they've known each other for quite some time already, which is what happened with them. No, you aren't a Magical Space Prince(ss) from a past life who's pursuing their reincarnated lover also from the past life, wrong anime (but not totally inaccurate). That brings them onto the next point which ties into why this lesson is accurate.
---[] Lesson 2: "Alright Kiddo, Tell Me, What Do You Know About Time Travel?""Less Than I Should..." Call upon the student in pink to ask her what kind of magic as a Puella Magi you've been known to use. The correct answer is Time Magic. Now, can that student tell you what she thinks is the case, what with your Time Magic and hyper-competency that no middle schooler should have, much less one who's been stuck in the hospital for so many years? The correct answer is time travel, "Very good, Madoka! :)". To prove this point, take out some pictures from various (mostly the earlier) timelines of you and Madoka, and lay them out in chronological order (and yes, there's no way you don't have pictures, what with you keeping them as a reminder of who you need to save and why, and the fact that you take/have pictures of most everything is most timelines like as shown on your holographic display). It's likely that Madoka was more drawn to you due to her literal past lives carrying over feelings and such, so that wasn't all too wrong. Now, as to why you've been time traveling, it has always been to save her and their friends from catastrophe (mostly the super-Witch, Walpurgisnacht), though reassure her that this time it'll be different and that you're very optimistic about things. As to why...
---[] Lesson 3: "Multiverse Theory's A Bitch." With every new timeline, there comes anomalies that hadn't occurred in previous or the original timeline. One more common example is Oriko and Kirika contracting to become Puella Magi, as that didn't originally occur in the original timeline, but it still happens every so often for one reason or another. What has you so optimistic about this timeline is the fact that the absurdly powerful Servants were never summoned outside of this timeline, and the fact that you managed to save everyone so far (Sayaka from contracting and going into the typical Grief-spiral - as she's not cut out for the life of a Puella Magi - Hitomi from the occasional timeline where she runs into a Witch - which luckily didn't happen in this timeline - and Madoka from contracting and accidentally rewriting reality which would probably cause that Counter Force Archer talked about from targeting her or her being taken out by Walpurgisnacht as per usual, Mami from a certain Witch, Kyoko from Octavia, Oriko and Kirika from themselves, etc.). That's not to mention the fact that they figured out how to reuse Grief Seeds so they never have to hunt a Witch for survival again and can live more normal lives, like the two Shirome Puella Magi will be. All-in-all, this is a great timeline, best one yet. And you know for a fact that Walpurgisnacht can be taken out by just overwhelming firepower, which makes the fact that they have all these super powerful Servants around a godsend. And you even get to have a family again, too...

Anything mundane Homura Projects shouldn't be hollow like it would be for regular Magi due to her Puella Magi nature, so that's nice. Doesn't mean they're amazing or anything though, but at least they won't break at the slightest sign of pressure.

Also assume that Homura's using the whiteboard and teacher's stick in conjunction with her conversation with Madoka when applicable, as I don't want to over-bloat the vote with too much unnecessary detail while backing you into a corner with what you can describe her drawing/doing. The whiteboard and such is to help ease Madoka into the whole explanation with some amount of humor/normalcy, without Homura doing her usual broody straight-faced explanations, and to explain the intricacies of time-travel and alternate timelines in a more easier-to-understand way.

In regards to the whole talk of magical girl anime and tropes, Homura has tons of earlier timelines of her getting together with Madoka one way or another, and her watching anime/movies like that with her.

So, anyone have anything else to add by chance? I think I covered Homura's bases with this, but more precautions or applicable "Lessons" are always welcome. :)

EDIT: So unchecked my vote as it's too much trouble to redo (or rather, I don't have time to do it atm). I would vote for Haman's, except I feel that it's way too blunt and dark for Madoka to handle (especially since Homura's wish canonically causes Madoka to become more meek and fragile over each timeline until she contracts and becomes a Puella Magi, similar to how Homura once was in the original timeline). But eh, if that vote goes through as is, it goes through as is, as long as the quest continues onward. ¯\_(ツ)_/¯
 
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What... that's... I kinda feel like that's a bit too humorous a way of approaching this. I mean, Homura has some pretty big traumas over this.

[X] Tell The Truth About Timelines
-[X] Inform Madoka that your wish was to redo you meeting with Madoka so that you could protect her.
--[X] Because in the first timeline Madoka was a magical girl who died fighting Walpurgisnacht (along with Mami)
--[X] So you went back in time to save her, and you fought together, but this time Madoka used so much magic that she turned into a witch
-[X] So you went back in time again, and tried to warn everyone, but people didn't believe you, and so Madoka died or turned into a witch, again and again, with you repeating the loop each time you failed.
--[X] In some of the loops Madoka turned into a witch so powerful that it destroyed all life on Earth.
--[X] In one of the loops Madoka asked you to promise to go back in time and warn Madoka so that she did not become a magical girl.
-[X] You are so sorry that you kept failing her, but you really think that this time you can break the loop and defeat Walpurgisnacht
--[X] This time you have powerful servants, and for the first time in a long time Mami and Kyouko are working together, and for the first time ever you have Oriko and Kirka agreeing to help too, so things are looking like you can actually win.

Pretty sure those are the important elements, and in keeping with Homura's feeling of guilt over it. We can let SVS handle the details of how to present it.
 
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In regards to the whole talk of magical girl anime and tropes, Homura has tons of earlier timelines of her getting together with Madoka one way or another, and her watching anime/movies like that with her.

So, anyone have anything else to add by chance? I think I covered Homura's bases with this, but more precautions or applicable "Lessons" are always welcome.
There must be a better and less wordy way to convey what you're trying to convey than what you've got here. This vote is so chunky I could spread it over toast and eat it.
And you know for a fact that Walpurgisnacht can be taken out by just overwhelming firepower
I should say here that we have no idea what this Walpol is capable of or what it takes to bring her down, so for safety reasons I'd advise excluding this.

There's also Haman's point,
What... that's... I kinda feel like that's a bit too humorous a way of approaching this. I mean, Homura has some pretty big traumas over this.
I get where you're coming from, trying to bring some levity into the situation to make Madoka feel more comfortable, but at the same time, are you sure levity is the right way to approach this? I'd like to hear your thoughts on what Haman is bringing to the table.

Also, to the both of you, do we have a plan for if Madoka doesn't want to hear it for one reason or another? There is still the off chance she decides she'd rather not delve the unthinkable truth about us, and if she does, what's our after-dinner evening looking like? What about Archer?
 
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What... that's... I kinda feel like that's a bit too humorous a way of approaching this. I mean, Homura has some pretty big traumas over this.

Pretty sure those are the important elements, and in keeping with Homura's feeling of guilt over it. We can let SVS handle the details of how to present it.
I think that's waaay too blunt for Madoka to handle right now, and she'll likely react far far worse than she did when Homura was just telling her about Puella Magi and the Incubator and such. We don't have to address Homura's own feelings of guilt or her trauma because she's not the target audience here, Madoka is.

We have had to include the details of how to present it, at least thus far in the quest. If SVS wants to handle the details though, who am I to stop them?
There must be a better and less wordy way to convey what you're trying to convey than what you've got here. This vote is so chunky I could spread it over toast and eat it.
Tbf, most of the chunky nature of the vote are the stuff in '( )'s for clarification on points. Without them, as the vote doesn't actually rely on them as they're mostly for explanation for your sake, the vote is far less daunting to implement in an actual chapter.

Generally it follows the guidelines of:
1. Double check with Madoka that she wants to do this and talk things out reasonably
2. Preparations to make sure the Incubator doesn't overhear stuff, and the Projection stuff (assuming that stick around in the final vote)
3. Icebreaker into the topic of her being a time traveler, and broaching the topic of their connection to one another
4. Time traveler reveal
5. Why this timeline is different from the others, so have hope, 'Yorokobe, shoujo', etc. etc.
I should say here that we have no idea what this Walpol is capable of or what it takes to bring her down, so for safety reasons I'd advise excluding this.
That... is a good point, kinda. Though technically Homura doesn't have any reason to believe that it simply isn't a stronger version of the one she's faced, I guess being careful and assuming ESOTERIC*10 would be prudent...
There's also Haman's point,

I get where you're coming from, trying to bring some levity into the situation to make Madoka feel more comfortable, but at the same time, are you sure levity is the right way to approach this? I'd like to hear your thoughts on what Haman is bringing to the table.
I could probably tone down the levity, yeah, however this is classic Explanation 101 for people who fundamentally don't understand and who don't truly understand an intricate subject like time travel and alternate timelines. You gotta relate it to something they're already aware of and branch off from there, using their existing knowledge to your advantage when explaining things and making these connections for the sake of the conversation (so it doesn't turn into an hour-long lecture). Also using familiarity will help prevent them from freaking out as much, and I'm pretty sure there have been studies demonstrating that capitalizing on familiarity when it comes to foreign subjects can be beneficial psychologically to the person who's being explained something, as people are afraid of the unknown and what they don't understand and such.

EDIT: Actually yeah, it is a bit wordy, even without the '( )' points, isn't it? I guess I figured we had to be detailed and exact when it came to explaining something as important as this, but I'll try to rewrite it later into something less daunting (as I already spent way too long on the initial vote and I got stuff to do irl).
 
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We don't have to address Homura's own feelings of guilt or her trauma because she's not the target audience here, Madoka is.
Actually, I think this is more to do with Homura than Madoka. Homura is the one that is the most traumatized, and this is her chance to finally let it out and have someone else comfort her.

To me this is more about Homura displaying trust in Madoka, than it is informing Madoka. The main important thing for Madoka to know is that even if she wishes to defeat Walpurgisnacht it still results in everyone dying, so don't do that. Frankly everything else is for Homura's sake, not Madoka's.

Also, Madoka is a lot stronger than you think, she's not going to have fainting spells over this, she's going to be focused on comforting Homura.
 
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