Confringentur 2; a Madoka Magica / Fate/Stay Night sequel

Day 28 Chapter 11
[X] Plan: Ho~ly Jesus. What is that? What the fuck is that?



"Envision the shape you see in your soul, and concentrate on invoking that shape with Inguz to give to life."

You have no idea of where to start. You don't know your witch. You don't know what form your soul would take should the worst come to pass. So you guess. If witches take the shape of the things which trouble their master's souls, then surely, yours would be given form by all the memories you've shared with Madoka. You think back to a memory you have of a date you went on with her, early into your relationship. You and Madoka were visiting a festival, when her eyes were caught by the sight of a black bird plush sitting on the shelf behind a shooting game. Something about the eyes, she said, reminded her of you; and the black colour certainly did the comparison justice.

You try to imagine that plush bird, with its fuzzy black feathers and its glassy, royal blue eyes. It's still sitting on a shelf in Madoka's bedroom, next to the plush of a white bird with pink eyes which you also won for her.

Envision the plush bird. Invoke the Inguz rune.

Envision the plush bird. Invoke the Inguz rune.

Envision the plush bird. Invoke the Inguz rune.


An unfamiliar popping sound echoes in your ears, and for a brief moment you feel a burning sensation flare up in your hand. The feeling of pain steals you away from your concentration, and that's when you see it; and it both is, and is not, exactly what you expected it to be. The stuffed bird looks at you, with an almost quizzical look written on its featureless, expressionless face. Face? Do birds have faces? Is that the right word to use? Does it even matter?

"Well, that is… Certainly… Disturbing to look at," Scáthach says. The bird turns its head, as if it can understand her words, or at least recognises them as words, if nothing else. Just how smart is this thing, anyway? Aren't crows supposed to be as smart as young children? Does this thing actually understand human speech?

Or does it only understand Scáthach because she used to be a witch, and it hears something familiar in her voice?


On the off chance that the bird can understand human speech, you don't want its first impression of humans to be an unfavourable one. You have no idea how bad that could be. So you shield the bird, and say to Scáthach "There's no need to be rude. It's-" Yours? Your familiar? Your child? Just what is this bird to you, really? "It's done nothing to earn your ire."

"Do you know what that thing is, master of red Archer?" Scáthach asks. "Do you know what you have done?"

"Tapped into powers beyond my comprehension and breached the barrier between puella magi and witch," you say, fully aware of what you've just done. "Considering the fact that we've already developed a workaround to the Incubator's system on our own, something like this was bound to happen eventually." The fact that you've chosen the Inguz rune as one of your own virtually guaranteed something like this would happen, sooner or later.

"You are lucky to still be alive," Scáthach says. "In truth, I was not expecting for you to succeed, though I am glad to see you are unharmed, regardless."

As you and Scáthach exchange words, you've noticed the bird tilting its head, as if it's following your conversation and can tell which of you is speaking, and when. Your earlier thoughts come back to you; it clearly possesses the ability to recognise sounds, and distinguish them as coming from distinct persons; but what else can it do? Does it understand you? Would it understand you if you spoke to it?

There's only one way to find out.

"Can you fly?" you ask the bird. If it's borrowing a bird's shape, then testing whether or not it can fly should be the first thing you do. If it flies when you ask it to, that'll give you an idea of whether or not it can understand what you say, or if it just recognises sounds without understanding them.

The bird steps out of your hands, flapping its stubby wings as it takes off. Its movements are jerky, like a newborn, and it falls with style more than it flies, but the proof is right there. "Land on top of my head," you say next. "If you can't, then land in my hands instead." Again, the bird's motions are jerky, and it struggles with the ascent, but it does manage to perch atop your head after a few moments' struggle. "Well, I'll be," you say, more to yourself than to either the bird or Scáthach

Speaking of Scáthach, she appears similarly amazed by what you're doing with the bird. "I have never," she says, "Seen one of our kind act in… Such a manner."

"Well, you'd better start seeing it somewhere."

So, the bird can understand you. You don't know whether to be surprised, relieved, whether you should have expected that from the start; nothing. You look to your Soul Gem, considering the amount of Grief you still have left over from your training session earlier. What else can you do with this bird? Can you make it bigger? Can you make more of it?

You decide to try making it bigger, next. Or rather, you decide to try experimenting with pouring different amounts of Grief into it, and seeing what happens; does it grow larger with more Grief, or smaller with less Grief? You'll try larger first. You concentrate on the bird on your hand, though it soon after decides to migrate back down to your hands. Inguz. Pour more of your Grief into this bird. See what happens.

There's a sound like an inflating balloon, and soon enough, the bird in your hands has grown too heavy for you to hold it securely. It hasn't grown much bigger in size, but its weight has increased significantly, and when you drop it, its wings unfold and reveal themselves to have grown larger, more powerful. "Can you fly better now?" you ask; the bird promptly demonstrates that, yes, it can in fact fly better now.

Next, you'll try to make more birds, both to test the limits of your ability to create them, as well as the limit of your ability to control them.

Four. Your limit, as you soon find out, is four birds. Any more than four, and you stop being able to effectively manage them. You can create more than four; that's not a problem at all. In fact, as you stare at the tiny bird in your hand – a product of attempting to pour less Grief into the creation process than "normal" What even is normal with what you're doing? – you realise that there's no real practical limit to how many birds you can create, barring the actual amount of Grief in your Soul Gem to pour into their mould. But in terms of your ability to actively control multiple birds at once, four appears to be your limit.

But now, you're left with a flock of Grief-made birds, and no idea of what to do with them now. Trying to make them go away appears to be your only option "Um… Go away?" Your command lacks surety; you have no idea if you're doing this right or if all these birds will interpret "Go away" as their cue to fly off in all directions. Fortunately, they do not go flying off in all directions; but unfortunately, you don't know what else to try.

Do you try to re-absorb the Grief back into your Soul Gem? Is that safe? Is that even something you're comfortable with doing, willingly injecting Grief back into your Soul Gem?

In the end, it's the only thing you can think of doing, and you invoke the Inguz rune again, focusing your efforts on transferring the Grief you spent to create these birds back into your Soul Gem. You didn't notice it before as you were expunging the Grief originally, but now you feel a weight growing on your soul, and you only return to a feeling or normalcy as you stop, leaving only your first bird remaining, though you've drained it of just enough Grief that you can comfortably carry it perched atop your shoulder.

"You know, between the bird on your shoulder, and your sister's eyepatch, you could almost pass as a troupe of pirates," Scáthach says. "I doubt that was your goal, though if you wished, the Samhain festival draws near; perhaps you and she could dress in pirate garb then?"

"I think we'll be too busy with other preparations to be dressing like pirates," you reply. "Not to mention, I'm sure Kirika has other plans, if we're able to somehow make time for costumes." You certainly won't be going out begging the city for candy; not when the city is currently being hypnotised into evacuating.

Now, what should you do about the one remaining bird?
"Please excuse me," you say to Scáthach. "I need to speak with Kanna Niko about something."

"Going to check in with her about the progress of your allies?"

"Something like that."

"Something like that" ultimately turns into something completely different. "Could I speak to you for a moment about something?" you ask Kanna Niko, as you hover a respectful distance away from her and the other eggheads, all of whom turn towards you as you speak up. "I'm sorry to interrupt you, but it's…"

You don't know how else to say this. "It's a familiar I made. From my own Grief. I was hoping you could, I don't know, find a way to sync the bird up to my phone, or something along those lines."

"Or something along those lines," Kanna Niko says. "Are you insane? Did you seriously-"

"Yes, I did," you say. "Scáthach already gave me an earful regarding my decision to experiment with the Inguz rune and my Grief. I'm well aware of the risks."

"But you took them anyway," Kanna Niko says. She shakes her head, and her eyes settle on the bird once the shaking stops. "Well, bring it over here," she says. "I can at least take a look at it."

You do as Kanna Niko requests, walking over to her and presenting her with the bird, which hops off your shoulder and onto her desk at your command. She stares at it, and it stares back at her; and to Oriko, Lancer, and Assassin as well, all of whom are looking at the bird with varying degrees of comfort at the thought of what you've done. "Akemi-san, are you sure this was the right thing to do?" Oriko asks as Kanna Niko looks over the bird. "I mean, I know you've had to experiment in the past, but experimenting with your own Grief… What if something had gone wrong?"

Oriko trembles at the thought, before throwing her hands around you and holding you tightly. "What would I have said to your family if you'd turned because of your experiments? What would I say to Kirika? To Minako-san? To Archer? I'd feel responsible for not keeping my sight trained on you, and-"

"I don't think they'd blame you," you say to Oriko. "They'd be upset, of course, but it wouldn't be your fault, and they'd know that."

Fortunately, both Lancer and Assassin say nothing to either you or Oriko as you stand there, hugging it out with your almost-sister-in-law. Though you don't imagine getting away from this without your parents giving you the third degree at what you've done.

"I can work with this." Kanna Niko clears her throat, and addresses you as you break away from Oriko's hug. "But I'll need you to stick around and answer some questions for me about your magic and what you did to make this."

[ ] Wat do?
 
All right, so obviously we're going to stick around and answer Niko's questions about this damn bird, so that can already be assumed to be covered. What I'm mostly asking for here is what we'd like to do when we go to check up on Madoka. Do we just make a quick stop and then leave once we know she's okay? Do we stick around and talk to her about something? About what? Ask her how she's feeling today compared to yesterday? Talk to her about getting back together? Just try to make small talk and hope she doesn't feel terrible about all this? Do we talk to her about the bird? What about the bird? Do we have anything to say to Madoka's parents? Do we apologise to them? Assume they understand and not really acknowledge this? Ask them how they're doing? Try to be considerate and ask if Tatsuya is doing any better?
 
[X] Plan: Madoka Is Precious
-[X] To Madoka herself:
--[X] Show Madoka one of your birds. If it comes from you, it must inherently love Madoka.
--[X] Ask her how she's feeling, and apologize for not being able to fight off Sidonia before this happened to her.
-[X] To Junko and Tomohisa:
--[X] Apologize again for not being able to keep their daughter entirely safe; ask if Tatsuya's doing okay.
--[X] Ask if they have plans to evacuate soon. Things are going to get crazy again in a few days.

I fucking love birds. The images this gives me in my head are making me squeal. Anyways, here's what I have to say on our visit over. Perhaps I'm apologizing a bit too much, but I feel like Madoka is one of the few people Homura would ever freely share her emotions with.
 
I fucking love birds. The images this gives me in my head are making me squeal.
Is it Snow White that I'm thinking of, where the girl is dancing surrounded by a flock of birds? Because that's the image I had in my head as I was writing Homura's interactions with her familiars. Sayaka may be the Disney fan, but Homura is the real Disney princess. I actually hate Disney, by the way. I hate the way they have a virtual monopoly on TV and film media and I haven't given them a cent since 2014. But fuck if the image of Disney Princess Homura isn't applicable here.
Perhaps I'm apologizing a bit too much, but I feel like Madoka is one of the few people Homura would ever freely share her emotions with.
No, I think it's appropriate. This is the same Homura that broke down crying and apologised to Madoka in the TV series because she'd kept failing to save Madoka, when Madoka had no idea who or what Homura really was.
 
Something came in the mail for me, so I'm going to be busy for a bit and I don't know when the coming update will be ready. But while you wait, I just want to leave you with something to think about. Consider what it means for Homura, to be able to manipulate her Grief and give it physical form. What else could she do? What else could she be?
 
If this is trying to hint us towards creating ignite, it's working. /s

In all seriousness, my personal thoughts from how you phrased it make me think of how she might pull a Sayaka and manifest her Witch outside of her body. Obviously, there's also possible attempts at creating Lotte, or whatever equivalent could exist, or so on. Heck, it's possible that if she had access to Walpy's grief seed and put enough effort into it, she could probably pull off a lesser version of what Sidonia is doing right now; with the help of Sakura or someone like that, it's very possible that she could recreate what Sidonia's doing almost outright, though this comes with the knowledge that it would probably result in Homura witching.

We can probably surmise that grief has reality-warping properties if given enough will, similar to mana. Witches have manipulated time, created reality marbles, shrunken things, transformed people into bouncy balls, and all that; if given sufficient will, it could probably do damn near anything. It's possible that Homura might develop her own unique powers through sheer grief manipulation. Or if she feels like getting sufficiently experimental, in the future, she might even straddle the line between Witch and Magical Girl. As of current though, I'd wonder what would happen if Homura tried to create a reality marble using grief. Would she get a normal witch's barrier, or would she actually be capable of a full-on reality marble? I wonder. There's a lot she could do with grief that I've kind of forgotten about over the past while, and I'm kind of ashamed of myself for forgetting about it.
 
If this is trying to hint us towards creating ignite, it's working. /s
Believe me, I really, really wanted us to be able to Ignite. But in the context of what we know in-character, attempting to artificially blacken ourselves using the shard of the most cursed sword in history just seems like an idea that can't reasonably be justified. Because this isn't Symphogear, and our magic system works completely differently to Symphogear's, so we can't just stick a cursed sword in our souls and hope it goes well, not when our souls become darkened by curses just from using our magic.

But believe me, if there were an in-character way to justify introducing Ignite, I would have done so in a heartbeat. Maybe if we had more time to play around.
 
Day 28 Chapter 12
[X] Plan: Madoka Is Precious



"Do you have any idea what you have done, Akemi Homura?"

You wish you could say that you almost didn't notice the sound of the Incubator's voice. Your attention right now is firmly settled on your phone screen; and what are you viewing on your phone screen? Nothing less than the world through the eyes of your bird familiar, courtesy of Kanna Niko.

You stayed with the eggheads of your combined team for longer than anticipated, answering Kanna Niko's questions about how your magic works, the Inguz rune, and what your familiar is made of – Grief; pure, undiluted Grief, pulled straight from your Soul Gem and given physical form – and in return, she was able to write a program that syncs the visual feed from your familiar to your phone. Presumably, the program applies to any familiar that you make, and isn't strictly tied solely to this familiar.

That's something you'll have to look into when you get the chance.

That said, you wish you could say that you, engrossed in watching the world through the eyes of your new familiar, almost didn't notice the sound of the Incubator's voice. You say wish because there is no possible way you could have ignored the sound of its voice echoing in your mind's ear.

"As a matter of fact, I do," you say, turning to glance down at Juubey as it walks beside you. "I've meddled in forces beyond my comprehension, put my life in danger, and come out on top of the puella magi system once again."

"Not just that," Juubey says in response. "You have completed your maturation as a puella magi, Akemi Homura. Congratulations, you are now a witch; albeit one with plenty of room still to grow, but a witch none the less."

"How… How is that possible?" you ask. "I'm still… Me, aren't I? How can I be a witch if I'm still me?"

"That is correct," Juubey says. "You remain yourself, Akemi Homura. But there is no denying the fact that you are still a witch, because only a witch is able to manipulate their Grief and give it life in a physical form, as you have done. In time, and no doubt aided by your constant need to experiment and meddle with the workings of the puella magi system, the line between yourself as a mortal, and your existence as a mature witch, will begin to blur."

"Will I…" you hesitate to ask, but you have to know more. "Will I… Turn?"

"No. You will remain as your mortal self, unless you choose to embrace your mature form."

You breathe a sigh of relief as Juubey speaks to your mind. You won't have to put your family through the pain of losing you. "Doesn't that defeat the purpose of calling me a witch, if I'm still me?" you ask. "I don't really understand how I can be a witch if I'm still me. This-" You gesture to the familiar perched atop your shoulder – you can't keep referring to it as an 'it', but you don't know if it's a male or a female – "Making this hasn't done anything to fundamentally alter my soul so that I'm not me anymore, right?"

"As I said, you are a witch because only a witch is capable of manipulating Grief and giving it life in a physical form. I can understand your confusion, Akemi Homura. You have been led to believe that to become a witch is to lose your mortal self entirely; and that is not incorrect. For the vast majority of puella magi, becoming a witch signifies the end of their mortal life. However, throughout history, there have been an exceptionally rare few puella magi who managed to become witches, while still retaining their mortal selves. You have become one among their number, Akemi Homura; only the second in almost a thousand years, if I understand the situation regarding Kazusa Michiru correctly."

You had almost forgotten what Kazumi and Kanna Niko told you about Kazumi's true nature; how she's closer to a witch crammed into the shape of Kazusa Michiru than Kazusa Michiru herself. Does that mean that Kazumi also possesses the ability to manipulate Grief, or is she only being counted because she's a puella magi who was made from the flesh of a witch? "Not counting Kazumi, then, who was the last one before me?"

"A girl by the name of Einzbern," Juubey says. Einzbern? As in Archer's sister Illyasviel? That Einzbern? "I am unfamiliar with the entire story, but if the Collective's records are accurate, she wished for the power to give material form to the soul; something which had previously belonged only to the Collective. I do not know if this is true or not; I was not the active Incubator in that part of the world at the time. But regardless of the truth of her wish or not Einzbern was, before you and Kazusa Michiru, the last puella magi to become a witch while still maintaining her mortal self."

This is something you'll have to bring up to Archer. This is something you'll have to bring up with Tohsaka-san.

But it still doesn't sit right with you, because you don't feel like a witch; you still feel like Akemi Homura. But even if that weren't the case, being called a "witch" would still not sit right with you. True, Kazumi and Scáthach might technically be witches as well, and you know them and don't have any problems with them. But you refuse to have something like that in common with Sidonia. You refuse to give her even that much.

"How about… 'Mahou josei'?" you say, offering Juubey a counter to being a witch. "'Puella magi' means 'mahou shoujo', doesn't it?" Juubey nods its head. "Then, if I've matured as a puella magi, wouldn't it make sense to call me something more appropriate?"

"I could not say," Juubey replies. "The Collective does not possess a word for a witch who has retained her mortal self. Throughout history, it has been such an exceedingly rare event that we believed we simply had no need for one." Juubey turns its head towards you, staring at you with its expressionless, cherry-candy eyes, and it says "However, perhaps we should consider adopting one, just for you. If the changes you have proposed to the puella magi system come to fruition, we will likely see more witches who manage to retain their mortal selves; thus, the need for a word to describe them becomes more pertinent."

"Give 'mahou josei' some consideration, then," you say. "Or at least, whatever the-" You've always wondered; is 'puella magi' Latin? "-proper equivalent would be, I guess."

"I can forward your suggestion to the Collective," Juubey says. "This is my stop. Continuing this conversation would be beneficial to us both, Akemi Homura, but per our arrangement, I can go no further."

You had been so wrapped up in your conversation with Juubey – a fact you still can't get over; an Incubator you can possibly trust is something you're still hesitant to accept that it takes you a few seconds to realise that you've reached your destination; Madoka's house. You'll have to remember to thank Oriko and Lancer for setting up those anti-Incubator wards. You know you've already done so, but reiterating your thanks wouldn't hurt. "Then I'll see you later," you say.

Juubey flicks its tail, as if giving you a wave goodbye, and silently heads off, vanishing into the shadows of a nearby tree, with the rest of the world none the wiser to its existence. Now, with Juubey gone, there's nothing stopping you from approaching the front door of the Kaname residence and knocking.

Nothing except your own fears, that is.

"Homura?" Kaname Tomohisa stares as he opens the door, and you feel as though your own eyes are staring back. This is the first time you've seen him since Madoka fell ill; and he isn't looking too good, himself. His face is haggard, he's unshaven, and dark bags have formed under his eyes. It's only been one day; is he really doing that poorly?

Of course he is. It's his daughter that's sick.

It's both of his children who are sick.


"Shouldn't you be in school?"

You feel Kaname Tomohisa's eyes fixing themselves on the familiar perched atop your shoulder, but as you enter the foyer, taking your shoes off and leaving them at the door, you pay his stares no mind. "I should be," you say. "But… Things are going to get really bad around here soon, and there were some things I needed to take care of before them." You bow, and ask "Have you or Kaname Junko given any thought to evacuating? Taking Madoka and Tatsuya and just getting away from Mitakihara for a few days?"

"Junko and I considered it,' Kaname Tomohisa says. "But, we can't take Tatsuya out of the hospital with how badly his condition has deteriorated, and we didn't think it would be fair if we just left him there while we fled." Kaname Tomohisa sighs and, running a hand through his hair, adds "So we're staying. I know, it's probably a bad idea, but Junko and I would feel awful if we left Tatsuya the way he is now."

"I understand," you say. You bow again, adding "I must have said this before, but I'm terribly sorry that Tatsuya fell ill because of all this. I should have been better. I should have been able to keep him and Madoka safe. I failed you, and for that I am so, so sorry."

"Listen, Homura…" You don't like the way that "Listen, Homura," sounded. "I'm… Still in shock over all of… This, being reality. Sometimes I'm not even sure if I should believe it, or if I should just hope that you and Archer and everyone else are all just pulling a prank on me. So right now, I'm not really sure what to believe, or what your role in all of this even is. I can't find it in me to be mad at you, when I don't even know what's going on."

"But rest assured, Homura; if I find out that you're the reason Madoka and Tatsuya are ill, I will not forgive you. You will never see Madoka again. You will not even attend the same school as my daughter if I have any say in things."

Kaname Tomohisa has to stop himself, taking several deep breaths, before he can manage to say "Junko is in the kitchen on her laptop, and Madoka is in her room, if you needed to say anything to either of them."

Well, that was a drastic change in tone. But at least you know where you stand now.

"Please give Kaname Junko my regards," you say, giving a third bow to Kaname Tomohisa. You wonder how your familiar has managed to remain on your shoulder throughout this entire bowing ordeal. "I don't want to disturb her while she's working." Though, if you timed yourself right, maybe you could say hello to your mother while she and Kaname Junko are working.

You're so glad your mom is okay again. You don't know what you could have done if you'd lost her.


Kaname Tomohisa leaves, presumably to return to his wife, while you make your way upstairs to Madoka's room. Before you knock, you look over to the bird on your shoulder. It looks back. You don't know what else you were expecting. You knock on Madoka's door, and wait.

"Homura-chan?"

Madoka is looking better. You don't see any black lines crawling up her face or down her shoulder, and her eyes – though clouded with emotions you hate to see Madoka wearing – are their usual pink, though their sparkle and the joy you're so used to seeing in them is gone. "I just came by to check on you," you say. "Are you feeling any better than you were yesterday?"

"I think so," Madoka says. She nods her head, and steps aside, pulling the collar of her pyjamas close to her chest as she says "Did you want to come on, Homura-chan?"

"If you'd let me."

Madoka does let you, and you step into her bedroom. "The bird is cute," Madoka says, eyeing your familiar as you and she take seats on chairs beside Madoka's bed. "Is it new?"

Madoka reaches for the bird, as if thinking it's a plush toy you've brought for her. You don't know how the bird reacts, but you see surprise on madoka's face, and she pulls her hand away sharply. "Homura-chan… Is that… Is that a real bird?"

"It's a familiar I made from my own Grief," you say. "I've been… Experimenting. It listens to me when I talk to it, and-" You take out your phone and show it to Madoka. "-I can see what it sees," you say, showing Madoka her face in your phone, reflected through the eyes of your bird familiar. You put your phone away, and turn your head, saying "This is Madoka," to the bird. "She… She is someone who is very dear to me. Don't be afraid; she won't hurt you."

This time, when Madoka reaches her hand out, the bird remains still, and Madoka's face lights up – and your heart melts at the sight of it – as her hand runs back and forth over the soft, downy feathers of your little black bird familiar. It leans in, melting at her touch. Just like you used to. "It's so soft," she says. "It's like a plush toy."

Madoka smiles again, and your eyes dart to the shelf above her bed, where the plush toy that served as your familiar's inspiration sits, staring back at you with its glassy, royal blue eyes.

[ ] Wat do?
 
You ever get some parts in the mail, expect their installation to take about twenty minutes, only to wind up spending three hours deep-cleaning where they're supposed to go because you didn't do a good enough job of cleaning it the first time around? Then, when you're done, you need to make and eat dinner before you can find the time to sit down and finish the update you had been in the middle of when those parts originally arrived? Yeah, that's how my day has been.

Anyway, Homura is a witch now. She's still her, obviously, but she's clearly able to give form and life to her Grief, so what else is she supposed to be? Don't worry, we won't be warping reality around us unless we actually decide to push this avenue hard. But our kids might just come out looking like paper dolls if we're not careful. Hopefully Minako is prepared to help us raise all fifteen of them.

Anyway, for right now I'm looking for additional things we could talk about with Madoka, if we were interested. Otherwise, maybe this new discovery of ours is something we should bring to the attention of our friend circle. And I'm sorry I didn't find the space for Homura to apologise to Madoka personally. I just wasn't able to work in a spot to include that, but it'll be in the next update, I promise.
 
[X] Plan: Soft Talk With The Fair Lady
-[X] Give her extreme cuddles. Or perhaps this was already assumed. Nevertheless, they will occur.
-[X] Discuss with her about how apparently you technically count as a witch now. On second thought, you might want to talk to the others about that.
-[X] If there's any left-over grief in her, try and use Inguz to draw it into yourself, if you have a safe amount of space left. It's not like you're pressed for grief seeds.

First thing's first, I'll have to say that it's not exactly revolutionary, but I think that SVS has probably done the best job of writing Madoka that I've seen in a quest so far. She's not just a baby that needs her hand held to keep her from constantly throwing herself into a wood chipper, and she's not a dumbass, because her problems arive from her lack of self-worth and martyr complex. Second off; wonder if Illya knows much about her ancestor? After all, the model of homunculi she is was inherently designed to have memories based on the first Einzbern head, but clearly there's some missing information given that the Einzberns lost the Third Magic in the first place.

Regardless, this is what I've got for my vote. I'm not brimming with ideas, but perhaps this fluff is sufficient? Not sure, but I can think up more stuff if need be.
 
Second off; wonder if Illya knows much about her ancestor? After all, the model of homunculi she is was inherently designed to have memories based on the first Einzbern head, but clearly there's some missing information given that the Einzberns lost the Third Magic in the first place.
I have no idea if this is accurate or not, but I once read something that compared the Einzberns, rather unfavourably, to a factory that had been abandoned. Their assembly lines are still up and running, but there's nobody around who knows what's going on anymore and the machines don't actually know what they're doing, only that they have to do it because that's what they were programmed to do.

That said, I'm almost inclined to say that the Incubators stepped in at some point in the process, just to ensure that nobody else could use their power after the original Einzbern who wished for it passed away. But probably not; there's probably an in-house Nasuese explanation for what happened.
but I think that SVS has probably done the best job of writing Madoka that I've seen in a quest so far. She's not just a baby that needs her hand held to keep her from constantly throwing herself into a wood chipper, and she's not a dumbass,
What the heck are you talking about? I've never seen anyone write Madoka like the way you're describing. Where have you been looking all this time?
But our kids might just come out looking like paper dolls if we're not careful. Hopefully Minako is prepared to help us raise all fifteen of them.
You know, I was just joking about this, but oh my god, can you imagine how jealous Minako would be of Homura if, after she and Madoka got married, they just kept pumping out kids until they had fifteen of them? I mean sure, she'd have fifteen grandkids, but still...
 
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What the heck are you talking about? I've never seen anyone write Madoka like the way you're describing. Where have you been looking all this time?
Eh, quests like Communication or TheBleachDoctor's writings, though in the case of the latter, such works are often crack quests. Still, there's also some quests that go the opposite direction, and make Madoka some sort of jaded stepford smiler. Idunno. I've read some really shit fanfics in my time.

I have no idea if this is accurate or not, but I once read something that compared the Einzberns, rather unfavourably, to a factory that had been abandoned. Their assembly lines are still up and running, but there's nobody around who knows what's going on anymore and the machines don't actually know what they're doing, only that they have to do it because that's what they were programmed to do.
As far as I know, this is basically correct. IIRC if the grail is destroyed all remaining members sans Illya and a few more independent ones basically put themselves in stasis and basically fuck off forever, though I think some of this was fanon.
 
Still, there's also some quests that go the opposite direction, and make Madoka some sort of jaded stepford smiler. Idunno.
Unlike the ones that depict Madoka as a woodchipper-seeking idiot, this take actually has some legitimacy to it. Some. I think the people who depict Madoka in this fashion are basing their depictions on Madoka's image song, Mata Ashita, which if you listen to the lyrics does give off that impression if you only listen to the lyrics and don't think about their greater implications in the series' canon. However, in hindsight of the TV series' ending, I think Mata Ashita is more about Madoka's regrets at not being able to see her friends again once she becomes God (through the metaphor of her saying goodbye to her friends at the end of the day, even though she wishes she could stay with them and knows she's lying when she says she'll see them again tomorrow). So while I can see where people are coming from with that take, I agree that it's not the best one.

If that's the case, then it's one hell of a foreshadowing to the flower scene in Rebellion.
IIRC if the grail is destroyed all remaining members sans Illya and a few more independent ones basically put themselves in stasis and basically fuck off forever, though I think some of this was fanon.
Fortunately that's not a problem, since the only Einzberns left are Illya and her two maids, and I don't intend for any of them to fuck off forever (Or at least I didn't before plans to continue the series were put on indefinite hiatus).
 
Day 28 Chapter 13
[X] Plan: Soft Talk With The Fair Lady



"Homura-chan?"

Madoka is looking better. You don't see any black lines crawling up her face or down her shoulder, and her eyes – though clouded with emotions you hate to see Madoka wearing – are their usual pink, though their sparkle and the joy you're so used to seeing in them is gone. "I just came by to check on you," you say. "Are you feeling any better than you were yesterday?"

"I think so," Madoka says. She nods her head, and steps aside, pulling the collar of her pyjamas close to her chest as she says "Did you want to come on, Homura-chan?"

"If you'd let me."

Madoka does let you, and you step into her bedroom. "The bird is cute," Madoka says, eyeing your familiar as you and she take seats on chairs beside Madoka's bed. "Is it new?"

Madoka reaches for the bird, as if thinking it's a plush toy you've brought for her. You don't know how the bird reacts, but you see surprise on madoka's face, and she pulls her hand away sharply. "Homura-chan… Is that… Is that a real bird?"

"It's a familiar I made from my own Grief," you say. "I've been… Experimenting. It listens to me when I talk to it, and-" You take out your phone and show it to Madoka. "-I can see what it sees," you say, showing Madoka her face in your phone, reflected through the eyes of your bird familiar. You put your phone away, and turn your head, saying "This is Madoka," to the bird. "She… She is someone who is very dear to me. Don't be afraid; she won't hurt you."

This time, when Madoka reaches her hand out, the bird remains still, and Madoka's face lights up – and your heart melts at the sight of it – as her hand runs back and forth over the soft, downy feathers of your little black bird familiar. It leans in, melting at her touch. Just like you used to. "It's so soft," she says. "It's like a plush toy."

Madoka smiles again, and your eyes dart to the shelf above her bed, where the plush toy that served as your familiar's inspiration sits, staring back at you with its glassy, royal blue eyes.

"Listen, Madoka…" You've already apologised to her parents. You don't need to apologise to Madoka. You owe Madoka an apology regardless. "I'm sorry. For not being able to take better care of you and your brother. I'm sorry that I let things get this bad. That should never have happened. I should never have let that happen."

Madoka purses her lips, and she stares at you. It hurts, seeing her eyes look so dull, so stripped of the life and happiness you're so used to seeing in them. Your heart can't bear to see those eyes staring at you like that. "I know you are," Madoka says to you. "I wish this hadn't happened also. It… It's why I had to break up with you. I was being a distraction to you." Just when you think your heart can't take Madoka staring at you anymore, she turns her head away, staring out the window instead. "Maybe if I'd been better, maybe if I hadn't been so distracting to you-"

"It's not your fault," you say. "You shouldn't blame yourself. I'm the only one at fault here."

An awkward silence hangs in the air between you and Madoka. You want to continue blaming yourself, but the look in Madoka's eyes says that she isn't convinced, and wants to keep blaming herself instead. You both misread the situation to terrible consequences, it would seem. "Let's talk about something else, mhm?" Madoka suggests. "Could you tell me more about the bird, Homura-chan?"

You can do that. "Well, like I said, it's a familiar that I made by experimenting with my Grief." Madoka opens her mouth, but you have to stop her. "I've already been lectured by everyone else about how dangerous what I did was, and I'm sure mom and dad are going to lecture me as well when they get the chance. I appreciate the concern, but…" You don't want to be too harsh on Madoka, so you won't tell her to shut up because you've already heard it, but "Please, Madoka. Don't be too hard on me for it."

"I wasn't going to." You can tell in her eyes that Madoka is lying. "I'm just concerned about you, that's all."

Madoka reaches her hand out again, and your bird hops from your shoulder and into her hand. "It's so pretty…" she says, stroking the bird. "Um… Can you make more of them?"

"I'm only limited by the amount of Grief in my Soul Gem," you reply. "Incidentally…" You aren't sure if there's a better way to tell Madoka, so you just decide to come right out and say it. "Technically, this… This mean I'm a witch now, the fact that I can manipulate and give life to my Grief. I only learned that from the Incubator on my way here."

"The Incubator?" Madoka asks. "Kyubey's still around? I thought he left after… After last year."

You shake your head. "No, not Kyubey," you say. "Juubey. They're the Incubator who replaced Kyubey. They're… Actually not the worst thing imaginable, if you can believe it. It's still an Incubator, but Juubey is at least being honest with us and dealing with us fairly; and he's promised to refrain from attempting to contract with you, so that's a plus."

The sliver of expression which passes over Madoka's face reads as relief. "I'm glad to hear that," she says. "It was so awful the way Kyubey tricked you all. I'm glad the one who replaced him is being honest towards you."

"Yeah, it's a big relief."

Eventually, Madoka passes the bird back to you, and it reluctantly leaves her hands and hops back onto your shoulder. "I know," you find yourself thinking. "I wish she'd run her hands over me like that. You have no idea how good you've got it." When the bird stares back at you, you almost become convinced that it can understand what you're thinking, too.

"Listen," you say. "I was thinking…" Your eyes dart over to the bird on your shoulder, and you feel your heart quickening: you're nervous, because you aren't sure if you should be asking this of Madoka. "I could try to drain you of any Grief you might have." Not because you want to leave Grief inside of Madoka, but because you feel like you're taking advantage of her by asking this. "I know the setup Archer, Lancer, and Nurse Ortensia have on you is supposed to prevent any new Grief from building up, but… I'd just like to be careful."

You're just a bad person. You know what you're doing.

"Um… Okay," Madoka says. There's some hesitation in her voice: she's nervous too. "How… How would you do that?"

You lean in close, feeling your heart race as you say "Oriko and Kirika usually do mana transfers by kissing. Maybe this could work the same way…?"

Under your spell, Madoka relents, letting you draw in ever closer, until your lips are within striking distance of hers and she finally pushes you away. "I'm sorry, Homura-chan," Madoka says. "But… We shouldn't. I know you're concerned about me, but… We're not actually together anymore… We shouldn't be doing this…"

You withdraw, knowing that your plan was an awful one from the start. "You're right," you say. "I'm sorry, Madoka; I just… I miss you. I miss your smile… The warmth of your touch… The taste of your lips…" You withdraw, mentally reprimanding yourself for even attempting something so awful on Madoka. "I'm an awful person, aren't I?"

"You're not awful, Homura-chan," Madoka says. "I think… I think if I had been in your position, I would have tried something similar… I miss you too, Homura-chan. I felt so awful when I broke up with you, because I knew I was hurting you but did it anyway."

"It was my fault for making you think you had to break up with me to stop being a distraction in the first place," you say. You'll shoulder the burden for Madoka. Even when it hurts. Especially when it hurts. "I'm sorry for trying to kiss you, when I should have been able to guess that you wouldn't want that."

"It's okay," Madoka says. "I think…" There's a slight chuckle that escapes from Madoka's lips. The sound makes you feel alive again. "I think we're both pretty messed up over all this, actually. But, thank you for being here with me, Homura-chan. It means a lot to me that you'd come, even though we're not dating anymore."

You nod your head. "It… Still hurts, but I'd never stop loving you, Madoka," you say. "Even over something like this. I don't mind being your friend, as long as it means getting to stay near you like this."

This time, it's Madoka who draws you in close. She wraps her arms around you, and pulls you into a warm hug, where you practically melt in her arms. "We'll always be friends, Homura-chan. Even if we're ever not dating, you're too important to me to ever want to lose you."

You stay like this, in Madoka's embrace, for what feels like far too short an eternity, and eventually Madoka lets you go. "I was still being serious," you say, "About draining any Grief that's still inside you. If you wanted me to, I mean. I don't think I actually have to kiss you to do it."

"I appreciate the offer, Homura-chan," Madoka says. "But… I don't think you need to worry. The stuff Archer, Lancer, and Nurse Ortensia did to me seems to be working pretty well, I guess. So I don't think there's any still in me." Madoka pauses, letting her eyes wander over to the bird on your shoulder, and she says "Besides, draining Grief from me would mean putting that Grief into you, and I don't want you doing something that would be harmful to you, Homura-chan."

You check your Soul Gem, just to be safe; so far, you're looking fine. "I appreciate your concern," you say. "But I think I'd be fine if I took just a little bit off the top for you." But Madoka remains steadfast: either she thinks you'll try to kiss her again, or she really doesn't want you to hurt yourself. "But either way, if you're sure, then I'll respect your decision."

Madoka nods her head. "Thank you, Homura-chan," she says. "I, um, I guess you'll be going now, since you've checked up on me and know that I'm okay. So… I guess I'll see you later?"

"Yeah," you say. "I should probably get going. Please stay safe; and if anything happens, don't hesitate to call me." You'd drop everything for Madoka if she asked you to. "I'll see you later, Madoka."

You and Madoka share one last embrace, before she sees you out of her room, closing the door behind her with a final "Stay safe, Homura-chan."

As you see yourself out of the Kaname household, you turn to the bird on your shoulder. You sigh, sucking in a deep breath as you say to the bird "Well, I guess I should introduce you to the rest of the team."

[Homura] How do you break the news to your teammates?
-[ ] Ease them into it; start by explaining what the bird is, before explaining what that means for you
-[ ] Come right out and say it; you're a witch, and these birds are your familiars
-[ ] Don't tell them that you're a witch; just introduce the bird and leave it at that

[Homura] What do you do for the rest of the team meeting?
-[ ] Additional combat practice
--[ ] For everyone
---[ ] Assign pairs and have everyone spar (write-in pairs)
---[ ] Split up into teams and attempt a larger-scale exercise that's reliant on team coordination (write-in teams and team objectives)
-[ ] Continue to practice with Inguz and manipulating your Grief while the eggheads continue to do egghead things
-[ ] Just talk to your teammates like normal people (write-in topics of conversation)
-[ ] Other (write-in)

[Archer] Do you
-[ ] (If Homura doesn't say) Ask Homura what's up with the bird
-[ ] (If Homura says anything) Roll to see how badly you punish Homura
--[ ] Don't punish her
--[ ] Ground her until this Sidonia mess is over
--[ ] Ground her for a week
--[ ] Ground her for a month
--[ ] Ground her for a year
--[ ] Ground her until she's twenty

BONUS!
[Homura] Roll to see how badly you cry after Archer punishes you
 
I'm mostly joking with the lattermost vote choices, but I thought they were funny so I left them in. We're still free to have Archer punish Homura for breaking reality and becoming a witch, though. Parent's prerogative, after all. Though maybe we also want to involve Minako in the punishment.

Aside from that, I couldn't realistically have Homura and Madoka extreme cuddle, since they aren't officially back together; and for obvious reasons, I didn't have Homura drain Madoka of Grief, either. Part of that feeds into them no longer being together, and part of that is just the precautions put in place for her being that good. Madoka's problem isn't that she's still building up Grief, remember; it's that she can't have those precautions removed before we've rid the city of Grief without it whiplashing her back to being corrupted.

And, now that I'm typing all of this, I realise I forgot to include an option where we check in with Archer and the rest of the anchor-setting team. Maybe they'd like some extra hands approaching this problem from a different angle. Maybe that could be one of our team objectives? If not, that's fine. I just wanted to bring it up here since I realised I'd forgotten to include it.
 
[X] Plan: Like Father Like Daughter
-[X] Homura:
--[X] Come right out and say it; you're a witch, and these birds are your familiars
--[X] Continue to practice with Inguz and manipulating your Grief while the eggheads continue to do egghead things
---[X] Particularly, now that you know it's safe, see what else you can do with it along the standard witch lines. Can you bake it into objects to make them into something befitting your nature? Can you create bounded fields inherently tied to your nature? Make other people familiars that they can't make themselves? Other familiar types?
-[X] Archer:
--[X] Roll to see how badly you punish Homura
---[X] Don't ground her until after Sidonia, and recognize the reasons for why she did what she did, but make her deeply aware that she is going to be grounded for a long while after all this is done.

Despite the poor effect that it will probably have, I'm all for having Homura burst through a door and shouting 'I'M A WITCH' like she's announcing that she got pregnant or something. Besides, she's not a giant record player lady, so I don't think they'd immediately believe her. More seriously, I think Archer would probably understand that grounding Homura would be both bad for her mental state and any progress towards dealing with Sidonia, and also that he has no room to talk given how suicidal he was as a kid her age, but I also don't think that he would particularly enjoy the kind of fuckery we made Homura pull. Especially if he still has any bad memories from Sakura and the Black Grail incident in general.

I actually wanted to include conversation topics instead of training but couldn't think of anything.
 
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[X] Homura:
-[X] Come right out and say it; you're a witch, and these birds are your familiars
-[X] Continue to practice with Inguz and manipulating your Grief while the eggheads continue to do egghead things
--[X] Particularly, now that you know it's safe, see what else you can do with it along the standard witch lines. Can you bake it into objects to make them into something befitting your nature? Can you create bounded fields inherently tied to your nature? Make other people familiars that they can't make themselves? Other familiar types?
[X] Archer:
-[X] Roll to see how badly you punish Homura
--[X] Don't ground her until after Sidonia, and recognize the reasons for why she did what she did, but make her deeply aware that she is going to be grounded for a long while after all this is done.
 
I actually wanted to include conversation topics instead of training but couldn't think of anything.
Kirika: "Boy, sis, we sure do like getting into trouble, don't we?"
Homura: "We sure do."
Kirika: "First mom grounds me 'cause me and Oriko did it even after mom told us to wait, and now dad's grounding you 'cause you broke reality and turned into a witch."
Homura: "Yeah."
Kirika: "Pretty fucked up if you think about it."
Homura: "It sure is."
Kirika: "I wonder if mom and dad'll let us out of our rooms before we turn twenty."
Archer: "Homura, I'd better not find out that you're breaking reality in your room when you're supposed to be grounded."
Homura: Yes, dad, I'll be sure to keep my reality breaking to a minimum while I'm being punished."

But in all seriousness. Maybe that's a conversation better saved for when the family is all together. I'm sure Minako would also have some choice words to give to Homura in light of this incident.

That said, I don't suppose I could convince you to give this vote a proper name, could I? In the past I've had votes that were off by maybe just one or two really minor, almost unnoticeable things, so having it all out there without an actual name means that it's that much harder for me to tell if someone is voting for yours exactly, or mostly yours but with something really minor being changed about it that I'm just not seeing. That way, @NMS and @K4lepo won't be confusing the hell out of me.

And for you two, especially you, @NMS, if your vote really is the same as Plague's, I'd kindly ask that you change it to whatever name Plague gives to his vote. Not right now, obviously; it's probably the middle of the night for you if you're reading this now. But obviously, at some point, whenever it's convenient for you.
 
[X] Homura:
-[X] Come right out and say it; you're a witch, and these birds are your familiars
-[X] Continue to practice with Inguz and manipulating your Grief while the eggheads continue to do egghead things
--[X] Particularly, now that you know it's safe, see what else you can do with it along the standard witch lines. Can you bake it into objects to make them into something befitting your nature? Can you create bounded fields inherently tied to your nature? Make other people familiars that they can't make themselves? Other familiar types?
[X] Archer:
-[X] Roll to see how badly you punish Homura
--[X] Don't ground her until after Sidonia, and recognize the reasons for why she did what she did, but make her deeply aware that she is going to be grounded for a long while after all this is done.

Random thought: Does Homura having a sentient familiar mean Minako is technically a grandma now?
 
Gave the plan a name. While we're on the subject of stupid things both Archer and Homura have done, after seeing this video, it only now strikes me the level of mental fortitude Caren has and/or the level of healing ability Barbara has (passing Battle Continuation onto Caren probably helped).

Edit: This also helps me realize how freakishly non-canon Prisma Illya is.

Random thought: Does Homura having a sentient familiar mean Minako is technically a grandma now?
I... guess you could see it that way? Perhaps we can use this to blunt the blow for Minako. Now she has corvian grandkids! Personally, I'd be jealous. I love birds.
 
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Random thought: Does Homura having a sentient familiar mean Minako is technically a grandma now?
I... guess you could see it that way? Perhaps we can use this to blunt the blow for Minako. Now she has corvian grandkids! Personally, I'd be jealous. I love birds.
I don't actually know. Do you think Minako would accept having a bird for a grandchild? Would she want to think of it being more like Homura's pet? Or would all this go over her head and the only thing she'd see is that Homura put herself in danger again?

And to Plague, I was going to fight you on this the first time you brought up your love of birds, because lizards are objectively the cooler species. But then I realised that they're both Archelosauria and there's no need for us to be fighting.
While we're on the subject of stupid things both Archer and Homura have done, after seeing this video, it only now strikes me the level of mental fortitude Caren has and/or the level of healing ability Barbara has (passing Battle Continuation onto Caren probably helped).
Before I clicked th elink, I thought this was going to be some graphic Liveleak footage, because yeah, fourth-degree electrical burns are no fucking joke, and you'd need that much mental fortitude and healing ability to get through one. But after seeing it... Um... I don't know? By rights it really shouldn't have worked out.

One thing I really like about the HF movies when it comes to this exact topic is that the movies show Archer's arm as actually being slightly longer than Shirou's other arm. I thought that was a nice touch that I didn't see in the HF stuff from the VN.
 
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