Hi! I'm relatively new to the franchise and have a couple questions and figured this would be a good place to ask.
1. What are Divine Words? What can they do and what can't they do?
2. Same as the first question, but Primordial Runes.
Divine Words are, as I understand it, basically a way for a technically-human to access something like Marble Phantasm, or invoke a god's Authority. Unlike a modern magus that is spending prana and self-hypnotizing to 'hack' a phenomenon interference effect into existence via a Foundation, Divine Words let you just directly command the World to do things as a 'legitimate user.'

As such, there's really not much they can't do, so long as it's within the domain of the World. What you can do with it (and by 'you' I actually mean 'Medea' of course) is limited more by how well you understand them... though if you're Medea, that's 'absurdly well'. You still have to spend prana, though, and you can't enact True Magic as that's "wisdom from beyond the sky." That being said, Medea can generally speaking accomplish most object-level goals with magecraft; she doesn't technically have a Reality Marble but she can just straight-up make one by hand if she wants to, for example. And when she's not making her own custom pocket dimension, she generally only needs to speak a word or two to make it happen.

Their biggest limitation in practice is that they have no special ability to bypass Magic Resistance, so their utility in a direct fight against Heroic Spirits is often pretty limited. Lots and lots of indirect use, tho.

Primordial Runes ... we don't get nearly as much lore about them due to the limitations of FGO's format, but it seems like they're very similar, just in a written format? Less focus on 'speed' (though skilled users have demonstrated the ability to carve complex runic spells into enemy Heroic Spirits during combat, so that's definitely a relative thing) and more on permanent effects? And primarily founded on Odin's Authority, but as the highest god of the Norse that Authority is probably pretty close to 'everything'.
 
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Suprise lore news from the recent collab trailer.




This has been your minor info on the Fourth True Magic for the decade, please check back in during the 2030s.
 
Suprise lore news from the recent collab trailer.




This has been your minor info on the Fourth True Magic for the decade, please check back in during the 2030s.
Didn't we already know that tho.:V
 
I mean ain't Fifth the shittiest true magic?

Everytime you use it "Roll for Planetary Destruction"

Second just makes you a shut-in and the Third is easily the best, super mega infinite mana immortality get fucked loserssssssss
 
I mean ain't Fifth the shittiest true magic?

Everytime you use it "Roll for Planetary Destruction"

I need to finish Mahoyo, but my impression of it was that the way Aoko used it to save Soujuurou brought the heat death of the unverse forward, but... that's it? Not the planetary destruction stuff.

If this is about how it makes her an enemy of humanity and the world, that's not Fifth specific.

One spell.
A farewell said with deep emotion.


They were the magic words of the color of blue, for rewinding the time of a certain someone's happiness.

When it comes down to it,
Magecraft is human wisdom and the world; magic is the solitude outside, included in neither.

The beginning first changed everything.
The following second acknowledged many.
The resulting third showed the future.
The linking fourth concealed itself.
And the final fifth had already lost its meaning.

Had it only ended at the third, someone had said.

Magecraft is the studying of history.
The works of man, the circle of life of the planet.
But magic is the providence of a god beyond the skies. Why would anyone on this earth call a feat not of man not of the planet a miracle?
It is an irrefutable crime.
Magic is the enemy of humanity.
And that is why those who have newly acquired magic are killed by that red shadow.


"Hear me, Lord of Creation"
 
Aoko used it to save Soujuurou brought the heat death of the unverse forward, but... that's it? Not the planetary destruction stuff.

From what I recall, that's not even particularly confirmed, since it's Touko saying that, when Aoko's the one using the magic, and even setting aside telling a magician "your magic works like that" seems a bit silly, Touko's not exactly unbiased.
 
From what I recall, that's not even particularly confirmed, since it's Touko saying that, when Aoko's the one using the magic, and even setting aside telling a magician "your magic works like that" seems a bit silly, Touko's not exactly unbiased.
Yeah anyone who makes a bold sweeping statement about the nature of the Nasuverse will usually have it followed by an omniscient narrator giving us a side eye and saying "This is wrong by the way.".
 
>But magic is the providence of a god beyond the skies. Why would anyone on this earth call a feat not of man not of the planet a miracle?

So that's why Aoko's Foreigner?
 
Who cares? It's being associated with Servant Universe (Space Rin is a event servant), it's already trash
That's not actually Sphistar plotwise.
It's Jolyne Tohsaka, Rin's American relative.:V
(Caren and Bazzet seem to be their living versions too, while Void Shiki is actually standing in for Adult Shiki On Vacation With Her Family.)
 
Yeah anyone who makes a bold sweeping statement about the nature of the Nasuverse will usually have it followed by an omniscient narrator giving us a side eye and saying "This is wrong by the way.".
Yeah, but Aoko doesn't deny it, and Touko gets all the rest of her guesses that scene at least approximately right. Plus it fits with what we can infer of Goetia's Genesis Lightyear and whatnot.

Probably it's something like, "you just wasted a bunch of negentropy by dumping a low-entropy present state into the far future, you fucking asshole".
I'm under the impression that the visualisations are new? Which would mean we now know the Fourth is visualised as a black hole.
I'm a little torn on that; I feel like it could plausibly go either way, between it being actually representable-by-a-black-hole, and it just being a metaphor for it having concealed its form -- emphasized by the magazine-cut-out letters. For the record, the caption says:
Fourth Magic Definition Unknown

Mind you, this picture and this caption is now something like two out of the four facts we have on the Fourth, so I'm not actually against working with the assumption it's somehow directly related just by dint of sheer lack of anything else to work with... :V



Side note, the First Magic gets an interesting caption too over its nebula/Big Bang-ish visualization:
First Magic Details Unknown
Nothing about Denial of Nothingness or anything, not that that should surprise us at this point.
 
Clarification regarding the definition of Evil Spirits, Demons, and Ploys in the Mahoyo Collab:

From ovg8 on the RayShift TL about how demons are fromed

I provided a translation to the bit by ovg8 above immediately after you asked, as his translation doesn't actually line up with established terminology, but you might have missed it. Specifically, he misrendered "ma."

Mahoyo Collab said:
静希草十郎

? 除霊と悪魔(ばら)いは同じじゃないのか?

カレンちゃん

違います。悪霊は人間の業による因果応報(いんがおうほう)
悪魔は魔の流出による、人知無能の存在です。
静希草十郎・Shizuki Soujuurou

? 除霊と悪魔(ばら)いは同じじゃないのか?
? Aren't "the elimination of spirits" (除霊(jourei)) and "the exorcism of demons" (悪魔(akuma)祓い(barai)) the same?

カレンちゃん・Caren-chan

違います。悪霊は人間の業による因果応報(いんがおうほう)
That's incorrect. Evil spirits (悪霊(akuryou)) are as causal consequences (因果(inga)応報(ouhou); 因果(inga), the Buddhist conception of causality, commonly misrepresented as "karma"; 応報(ouhou), "consequence" in the the Buddhist conception of causality, commonly translated as "retribution") come of the karma ((gou), the actual term for "karma," or "the Nidana / En acquired of volitional acts") of humans.
悪魔は魔の流出による、人知無能の存在です。
Demons (悪魔(akuma)) are as existences of human intellect and impotence (人知(jinchi)無能(munou), a term invented by Nasu to act as an antonym to 全知(zenchi)全能(zennou), "omnipotent omniscience," to describe how restricted demons are compared to the Abrahamic God), come of the flowing forth of aberration ((ma)).
Shizuki Soujuurou

? Aren't "the elimination of spirits" and "the exorcism of demons" the same?

Caren-chan

That's incorrect. Evil spirits are as causal consequences come of the karma of humans.
Demons are as existences of human intellect and impotence, come of the flowing forth of aberration ((ma)).

The grudges that temporarily bind evil spirits to the manifest world have previously been described as something come of karma ((gou)), and this business about "human intellect and impotence" previously came up in DDD.
To be more specific, (gou) is in the context of Buddhism the nidana / pratyaya come of the volitional actions of a human (actions that are the consequences of conscious choices), where nidana / pratyaya are inherent ties of causality between existences. In plainer language, because of choices or actions performed by somebody or something, ties manifest.
In Nasu, these ties can apparently bind deceased spirits to the manifest world on a temporary basis.

The new information here is the last bit, where demons are stated to "come of the flowing forth of aberration ((ma))."
What this means is uncertain, but disregarding the nonsense in the Wikia regarding daemons and demons, recall that in Colorful Moon Tsukihime, we get this definition for (ma):

①自然の法則にありながらその流れを歪めるモノとして必要とされなかった力を行使するモノ達。
① Existences that while being of the Laws of Nature distort its flow, and therefore exercise an unnecessary power.
②発生しているだけで歪みである。故に退魔は即座にこれを禁じる。
② [That which] exist as distortions merely by instantiation. Therefore, these are instantaneously forbidden by the Taima (退魔(taima), lit. "suppression / repelling of ma").​

Where "Taima" refers to those belonging to the organization in Japan that hunts things such as the Oni halfbloods.
Note that magecraft is 魔術(ma-jutsu), or "aberrant techniques"; and magic is 魔法(ma-hou), or "aberrant methods." In short, perhaps all of these things are by their naming implicitly related to (ma) in the sense of unnecessary powers that distort the flow of the Laws of Nature, or something along those lines.

In any case, here we find that demons come of "the flowing forth of ma," whatever that means.
ovg8 / You believes that this is a significant bit of lore, as we previously didn't have specific information about the processes by which demons come to formation.

Mahoyo Collab said:
久遠寺有珠・Kuonji Arisu

1997年の事よ。わたしは使い(みち)のないプロイを処理する必要に迫られていたわ。
呪いの蓄積(ちくせき)が屋敷の許容量を超えてしまって。
これ以上呪物(じゅぶつ)を溜めるわけにはいかないけれど、人里に危険物を捨てる訳にはいかない。
それでこの山を選んだの。
最初は山小屋(コテージ)に泊まってプロイの解体作業をしていたのだけど、すぐ近くにこの旅館が見えたから。
場所を変えて、落ち着いてプロイを解体する事にしたわ。
実際、とてもうまくいった。
プロイを編んでいた呪力はきれいに(ほど)けて無力化できた。
その後、山を下りながら様々な場所に石の(ほこら)を作って、プロイたちを供養した。
でもーーー
屋敷に帰った後、道具箱を確認したら解体ツールが一つ、余っていた事に気がついた。
「何か一つ、解体せずに無くなったものがある」
「でもそれがなんであるか分からない」
久遠寺有珠・Kuonji Arisu

1997年の事よ。わたしは使い(みち)のないプロイを処理する必要に迫られていたわ。
It was a matter [that occurred] in 1997. The necessity arose such that I was compelled to dispose of ploys without utility.
呪いの蓄積(ちくせき)が屋敷の許容量を超えてしまって。
The accumulation of curses (呪い(noroi)) had exceeded the permitted capacity of the mansion.
これ以上呪物(じゅぶつ)を溜めるわけにはいかないけれど、人里に危険物を捨てる訳にはいかない。
There was no way that I could stockpile any additional cursed objects (呪物(jubutsu), properly, "fétiche"), and it wasn't permissible that I discard dangerous objects [in the vicinity of] civilization.
それでこの山を選んだの。
Therefore, I selected this mountain.
最初は山小屋(コテージ)に泊まってプロイの解体作業をしていたのだけど、すぐ近くにこの旅館が見えたから。場所を変えて、落ち着いてプロイを解体する事にしたわ。
Initially, I stayed in a cottage in the mountains [and there] executed the dismantlement of ploys, but on account that I glimpsed this hotel just nearby, [I decided to go for] a change of environment, relaxing [myself] while dismantling the ploys.
実際、とてもうまくいった。
In fact, things went extremely well.
プロイを編んでいた呪力はきれいに(ほど)けて無力化できた。
I cleanly unraveled the curse energy (呪力(juryoku), lit. "strength / force / power of curses"; cf. 魔力(maryoku), typically "thaumaturgical energy") from which the ploys were woven, successfully neutralizing (無力化(muryoku-ka), "rendering absent of strength") them.
その後、山を下りながら様々な場所に石の(ほこら)を作って、プロイたちを供養した。
Thereafter, descending the mountain, I built in various locations stone shrines [to serve as] memorials (供養(kuyou), lit. "to present an offering to the nurturing of"; generally, "the act of performing a religious memorial to the deceased, or to supernatural entities") to the ploys.
でもーーー
However —
屋敷に帰った後、道具箱を確認したら解体ツールが一つ、余っていた事に気がついた。
Subsequent my return to the mansion, on inspecting my tool case, I noticed that one of my dismantlement remained.
「何か一つ、解体せずに無くなったものがある」
「Somehow, there was something that had gone missing without being dismantled.」
「でもそれがなんであるか分からない」
「However, I didn't know why that was.」
Kuonji Arisu

It was a matter [that occurred] in 1997. The necessity arose such that I was compelled to dispose of ploys without utility.
The accumulation of curses had exceeded the permitted capacity of the mansion.
There was no way that I could stockpile any additional cursed objects, and it wasn't permissible that I discard dangerous objects [in the vicinity of] civilization.
Therefore, I selected this mountain.
Initially, I stayed in a cottage in the mountains [and there] executed the dismantlement of ploys, but on account that I glimpsed this hotel just nearby, [I decided to go for] a change of environment, relaxing [myself] while dismantling the ploys.
In fact, things went extremely well.
I cleanly unraveled the curse energy from which the ploys were woven, successfully neutralizing them.
Thereafter, descending the mountain, I built in various locations stone shrines [to serve as] memorials to the ploys.
However —
Subsequent my return to the mansion, on inspecting my tool case, I noticed that one of my dismantlement remained.
「Somehow, there was something that had gone missing without being dismantled.」
「However, I didn't know why that was.」

To summarize:
  • Ploys explicitly embody curses (呪い(noroi)) and are woven from 呪力(juryoku) — lit. "strength / force / power of curses" — tentatively translated above as "curse energy"; though it might perhaps be more appropriate to think of this as "the power of curses."
    Confer with the translation of 魔力(maryoku) as "thaumaturgical energy."

  • Arisu's mansion acts as a containment for the curses inherent to her ploys, but has a limited storage capacity, which when exceeded may result in a threat to humans. If such a circumstance arises, she's motivated to dispose of ploys that serve no utility.

  • Per MEoDP lore, Arisu has no means of directly "breaking a curse." Therefore, in this event, it's explained that she "neutralizes" them, rendering them (relatively?) "powerless" by unweaving the 呪力(juryoku) from which they're fabricated, and discarding of whatever's left away from civilization. The process she uses requires the expenditure (and loss or discarding) of a consumable dismantlement tool, and the subsequent construction of a stone shrine to serve as a grave or memorial.
TL;DR - Demons come of "the flow of ma," and ploys are made of curses.

Unrelatedly:

This bit in TMDict isn't entirely correct:

TMDict on Excalibur said:
人々の"こうであってほしい"という想念が地上に蓄えられ、星の内部で結晶・精製された「最強の幻想(ラスト・ファンタズム)」。
The strongest illusion (Last Phantasm), crystallized and refined from the wishes of humanity stored in the planet.

More properly:

The Strongest Fantasy(Last Phantasm), crystallized and refined within the Star, accumulating from the Surface the ideations of Men [what may be characterized as] "I desire that it be so."​

It's not wishes. It's specifically ideations that can be characterized as "I desire that it be so."
Even if semantically, these two things don't look too different, a "wish" in Nasu terminology refers to a specific thing with a bunch of baggage. Therefore, specificity of language is necessary.
 
How does the Servant stat "Recognition" bonus work? Like, when Servants are summoned does the Grail ask Alaya to use it's omniscience to poll the human population so it knows which Servants are more well known? I'm imagining a white room fight between Servants A and B who are otherwise evenly matched but Servant A is known by more people due to some metric that we can't know about IRL since there doesn't exist a list of "myths, legends, and historical figures, as sorted by how well known they are to humanity". How would someone even determine this factor when calculating Servant stats?
 
How does the Servant stat "Recognition" bonus work? Like, when Servants are summoned does the Grail ask Alaya to use it's omniscience to poll the human population so it knows which Servants are more well known? I'm imagining a white room fight between Servants A and B who are otherwise evenly matched but Servant A is known by more people due to some metric that we can't know about IRL since there doesn't exist a list of "myths, legends, and historical figures, as sorted by how well known they are to humanity". How would someone even determine this factor when calculating Servant stats?
complete mats 3 said:
The three factors that affect the status of a Servant are land, recognition, and Master.
With respect to land and recognition, the closer one is to the land (cultural sphere) that was the stage of the legend of the Heroic Spirit and the more that spirit is known, the stronger he is.
The meaning of "strong" here is the Servant becoming closer to the strength, equipment of that of the legend. Through this blessing, the addition of another NP is also possible.
If Cu Chulainn had been summoned in his homeland Ireland, a castle, chariot, protection of sleeplessness, and the like would have been added probably. Also, if the magic energy of the Master is powerful, the Servant will become closer to his strength as in the legend.
cm3 said:
Q: If the Holy Grail War were set in Europe, would Cuchulainn (Lancer), King Arthur (Saber), and Herakles (Berserker) be roughly equal in power?
A: ...Well, if we're talking western Europe in general I'd say the first two would be powered up to an equal degree... though in England and Ireland, the odds would be sharply in the respective hero's favor. Herakles would display excellent power through all of western Europe

It's the exact same principles the very existence of Heroic Spirits operate under, so it's a bit strange to me to interrogate fame like it's some arcane mechanism when Servants themselves have this weird origin coming from the collective unconscious.

Anyway, the entry in CM3 about land and recognition suggests that it has to do with the entire cultural sphere rather than just some kind of popularity contest. We see it really well in Vlad Tepes in Apo, where his "cultural sphere" is Romania and therefore it gives him boosts as a national hero, whereas elsewhere in the world it would be Dracula boosts. And, as when his fame drops to zero in the Hanging Gardens, it's not like there were people there who didn't know him, it's explicitly land connection:
Apo mats - Lancer of Black said:
In the light novels, he was summoned with his aspect as a monarch emphasized. The fact that he was summoned in his homeland of Romania greatly contributes to this. Thanks to his fame bonus, his parameter ranks are higher compared to when he is summoned in other countries. In addition, he manifested as a Servant with extraordinary power due to his skill "Demonic Defender of the State."
But even with that, he was gradually cornered by the collective attacks of the "Red" camp and stepped into a place where he couldn't receive the benefits of his fame in order to retrieve the stolen Greater Grail.
Apo v.2 said:
Because Lancer of Black was Vlad III. Here in Romania, and moreover in Transylvania, his fame was nearly at its max. The boost in power due to fame was not that great, but here Vlad III's fame was on the level of devoted piety.

(...)

Assassin of Red's Noble Phantasm, Hanging Gardens of Babylon, was a fortress Noble Phantasm that ruled a defined domain. To put it another way, that place wasn't Romania where Vlad III was revered as a hero. Accordingly, the level of his fame became equal to zero.

Naturally, Lancer of Red, Karna, also had close to zero fame here. But there was a difference in basic power between Karna and Vlad III.

Even if his fame was equal to zero, as long as his legend existed somewhere in the world, Karna was unmistakably a great hero. On the other hand, outside of Romania, Vlad III was only known as a blood‐sucking vampire.

Having been summoned with the characteristics of a hero, Lancer of Black's fame didn't give him any power. Rather, it inhibited his ability to display his original specs.

It's the 3 greatest secrets for a good Servant: location, location, location.
 
It's the 3 greatest secrets for a good Servant: location, location, location
Hm. Does this mean you could summon a servant where their fame is greatest, then move them elsewhere for the holy grail war, and they'd retain the strength boost or extra abilities? Sounds like it requires you to be in said country or geographic area where the locals know of your legend from their ancestors. So King Arthur and Britain, Heracles and Greece, Vlad and Romania etc.

I assume Kojiro didn't get a fame boost despite being Japanese in Fuyuki, Japan, due to his wraith status?
 
Hm. Does this mean you could summon a servant where their fame is greatest, then move them elsewhere for the holy grail war, and they'd retain the strength boost or extra abilities? Sounds like it requires you to be in said country or geographic area where the locals know of your legend from their ancestors. So King Arthur and Britain, Heracles and Greece, Vlad and Romania etc.

I assume Kojiro didn't get a fame boost despite being Japanese in Fuyuki, Japan, due to his wraith status?
As Vlad shows, you lose that stuff when you leave the country. You can play around with what aspect of the hero gets summoned but no free powerlevel boost.
 
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Hm. Does this mean you could summon a servant where their fame is greatest, then move them elsewhere for the holy grail war, and they'd retain the strength boost or extra abilities? Sounds like it requires you to be in said country or geographic area where the locals know of your legend from their ancestors. So King Arthur and Britain, Heracles and Greece, Vlad and Romania etc.
They tried to do so with Jack the Ripper, so it seems to be a valid tactic.
Apo vol.1 said:
"So only the Servant of the Assassin remains, then. It is to be summoned in a small country in the Far East, yes?"

"Yes, Lord. It should originally have been summoned in London, but that is now enemy territory to us, after all. That is why we have chosen to summon the Heroic Spirit near a leyline which suited it."
 
As Vlad shows, you lose that stuff when you leave the country. You can play around with what aspect of the hero gets summoned but no free powerlevel boost.
Iirc wasn't that more due to Vlad's build requiring him to claim and fight on his territory? Like the fame boost for Vlad being summoned at home was not being the vampire Dracula but instead the historical hero and its not like he would had lost that off his homeground unless he used his Dracula NP.
 
Iirc wasn't that more due to Vlad's build requiring him to claim and fight on his territory? Like the fame boost for Vlad being summoned at home was not being the vampire Dracula but instead the historical hero and its not like he would had lost that off his homeground unless he used his Dracula NP.
As noted above, his build is using the fame boost to function. His legend as a hero and king is limited to Romania and that's what grants him much of his power. Vlad's "build" focuses him on these aspects and ignore the whole vampire thing, so he can't benefit from wider fame as Dracula.
 
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Anyway, the entry in CM3 about land and recognition suggests that it has to do with the entire cultural sphere rather than just some kind of popularity contest. We see it really well in Vlad Tepes in Apo, where his "cultural sphere" is Romania and therefore it gives him boosts as a national hero, whereas elsewhere in the world it would be Dracula boosts. And, as when his fame drops to zero in the Hanging Gardens, it's not like there were people there who didn't know him, it's explicitly land connection:
Thank you for the provided information. So if I understand correctly you get a big bump in paramets (and maybe some extra NP + Skills if your lucky) if a servant is summoned in the location of their legend because it brings their class container closer to their true self on the throne due to the popularity of the servants legend at that location boosting them, with the provided examples being Vlad III and Cu. Outside of that if you are a FAMOUS hero, like pop up in World Mythology 101 level, you will also get a minor bump in parameters while summoned, with the example being Karna. Is this about the gist of things?
 
Thank you for the provided information. So if I understand correctly you get a big bump in paramets (and maybe some extra NP + Skills if your lucky) if a servant is summoned in the location of their legend because it brings their class container closer to their true self on the throne due to the popularity of the servants legend at that location boosting them, with the provided examples being Vlad III and Cu. Outside of that if you are a FAMOUS hero, like pop up in World Mythology 101 level, you will also get a minor bump in parameters while summoned, with the example being Karna. Is this about the gist of things?
I mean, it's more like a smooth continuum between those two rather than two separate effects, but sure, if you want to think of it that way.

Slight elaboration: the Saint Graph (conceptual blueprint) of a Servant is pretty "solid" after being summoned, so most of what can change is how much power they have to make use of that blueprint. So it's very rare for a summoned Servant to outright gain/lose Skills or Noble Phantasms, but much more common for those things + Parameters to vary in Rank. Probably the best way to munchkin that would be to look for effects that are useful even when underpowered.
 
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