That's a lot of things you're confident in that really don't have evidence to support them/could easily have alternate explanations and are likely skewing your read on things. You've already decided what you want the answer to be and it's warping your analysis.
I am not. I started off from things textually stated on the narrative and extrapolated into one of the only possible directions that I
couldn't discount. I had an entire (really long) process for it. I spent several hours trying to detail said thought process in this very post, but it got too out of hand so I deleted it all. It'd have just been a really patronizing wall of text.
The TL;DR is this: I went into it trying to figure out the Woman in Blue, went off into trying to figure out the memory bleed-over thing, went over to the Yazmin video thing, then tried going to other peoples' theories for inspiration, and then I stumbled into 'alternate universe Nora' as a theory.
I tried to disprove to myself the alternate universe thing, then reasoned that Bitterman is in fact a big enough fan of the superhero genre (and a good enough author) to have the confidence to include said alternate universes into the narrative. We're already up to our neck in superhero/cape tropes. This would just be one more.
Then I put together yesterday's post about how Woman in Blue is probably from another universe. I think it's way more plausible than my other previous (and private) speculations - that she's some sort of alternate personality Nora naturally has, or made using EXCEED, or that she somehow got another soul within her soul as part of some sort of really-out-there reincarnation shenanigans during the Susurration. Somehow, the alternate universe theory seems like the most plausible one to me.
So no, it's not so much that I
want it to be the answer so much as I really just think it
is.
Yes, so we know time travel is possible, but everything occurred in the psychic background of the Stage and it may have been enabled by the Catch-22 warping reality. That suggests the Stage itself might be disconnected from causality/regular time in some way.
That may well be the case! But I cannot help but note that when Ellie visited the Stage, it was noted to be in a way worse state than when Mona was dragged in during EXCEED. There appears to be
some continuity, at least.
We appeared to get memory bleed-over from 3 to 5 different viewpoints, so we're possibly dealing with some sort of psychic gestalt.
The first two memory bleed-overs that Ellie gets from touching Nora are definitely not Nora or her, they're other people - probably Valkyrie and King, honestly, given the mention of "
Name is bitter for the man on top of the mountain" and "
Radiation? No, wised up to it. Shielded. She won't fall prey to that trick again".
But given that both viewpoints appear to be fighting each other, that's not a psychic gestalt, it sounded like either Nora's being used to either spy on them both somehow, or used as a targeting program of sorts by Valkyrie to fight King (a 'partner running interference', as the second viewpoint says).
Don't forget we have the line to Star about the Americans "sacrificial dragnet turning up only your ignorant predecessor."
That's a line that points to our foes having Yazmin, even if it's not conclusive.
You mean Towarri, given that she pointed out in her video that she has a star-shaped mark on her ankle. But yes, Yazmin might be in a similar situation, given that Apiary explicitly held back the samples of Towarri's, Nora's and Yazmin's DNA samples. I don't think any of them are alive, but they're not
dead enough to use their DNA.