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So, when do products tend to go to Kickstarter? After the second/final draft stage? Pretty neat to see the line actually progressing at a good pace after a lot of hitches.
 
So, when do products tend to go to Kickstarter? After the second/final draft stage? Pretty neat to see the line actually progressing at a good pace after a lot of hitches.
Few. At least as they structure it, Abyssals sitll has:
Second/Final Drafts
Development
Approval
Post-Approval Development

Usually after that it moves into Editing and KS.
 
What's Crucible of Legends again? I keep thinking that's the Exigents companion, but no, that's Miracles of the Divine Flame.
 
Apocryphal NPCs: Umbrals, Chosen of Nebiru

Saras Natala / Star Eating Leopardess

Eldest daughter of the patrician House Saras, Natala is very nearly everything her parents could have hoped for in a child. Elegant, brilliant, and filial, the only way she could have excelled more is if she had been chosen by the dragons. Talented enough to stand at the top of her class in her secondary school, an institution normally dominated by un-exalted dynasts, she continues to impress her classmates and elders alike with her subtle wit and charm. After so many years of this excellence, it has become commonplace for those around her to simply expect it from Natala, holding her to increasingly impossible standards; she has risen too high for the fall to be anything less than catastrophic. Day after day, it wore the young woman down, until one day, something in her snapped, and a shard of long dead Nebiru nestled in her heart.

On the surface, Natala still appears to be the prodigy she was before. Her scholastic performance remains exemplary, her wardrobe and hair flawless, her circle of admirers and friends as fawning as ever. When night falls however, after Natala goes to sleep, someone else wakes up in her place; Star Eating Leopardess, underground pit fighter, cat burglar, sometime-vigilante, and inveterate ne'er-do-well. Her face is the same as Natala's, but her visage is adorned in shocking makeup and a panoply of foreign jewelry, her hair is an ever changing mane, dyed raven black by Umbral essence. In terms of character, the two could not be more different, Leopardess coarse and uncouth as Natala is refined and elegant. The young Umbral is a midnight whirlwind of chaos and charisma, bane of the city's black-helms and idol of its disaffected youth. Natala wakes from these nocturnal excursions refreshed and ready for a new day, never entirely willing to admit to herself that the events of the last night were anything but a dream.

Ustas the Penitent / The Black Petrel

Once, there was a man named Ustas the Black Petrel, pirate prince of the Cracked Claw Isles, his name accursed by every honest sailor on the sea. For thirty years he preyed upon the shipping lanes of the West, stealing money and lives in service to his own avarice and cruelty. But in time, his razor cunning dulled, his bones grew weary with age, and his treacherous crew, who had learned well from him the art of betrayal, marooned him on a spit of land in the middle of the ocean. He would have died there on that godless isle, had not Humble Palm, exalted devotee of the Sisterhood of Pearls, found him. The saintly Dragonblood rescued him, dressed his wounds and nursed him back to health. When he tried to steal her ship, she disarmed him with nothing more than kind words and a disappointed gaze. Ashamed, the Black Petrel died and Ustas the Penitent, convert of the Sisterhood of Pearls, breathed his first.

That might have been the end of it, Ustas might have lived the rest of his days in quiet peace and contrite penance, running supplies with Humble Palm between the Isle of Fevers and the greater West, had not an Azurite freebooter sunk the pair's vessel while they were en route. Cast adrift for the second time in his life, something within Ustas refused to drown, and he hauled an unconscious Palm and himself ashore with tendrils of Umbral shadow. The two now attempt to make their way back to the Isle of Fevers, island hopping as they can and avoiding the perils of an increasingly tumultuous West. The pair make a strange duo, a sage-like young woman with hair like palm fronds and a grizzled former reaver who appears twice her age. Ustas feels the Black Petrel within him still, gorged on Exalted power and screaming for him to let it out. It tempts him with promises of retribution and vengeance upon Azure, upon his treacherous crew, upon the thousand injustices he and Palm witness on their journey, sometimes he gives in and the surf runs red with the blood and gore of his foes. He has confided in Palm the nature of his affliction, and she does her best to restrain his worst impulses, but the younger Exalt struggles to understand the essence fever of an Exalt so unlike a Dragonblooded.


Pontiff Yraneus, Hierophant of the Unknown God

In the far expanse of the east, atop the plateau metropolis of Ganth, lies the Temple of the Unknown God. A towering edifice, it is almost a little city unto itself, its terraces and geometric domes large enough to house thousands. Within the sprawling complex, a hereditary order of monks vacillates between ascetic self-denial and sacred debauchery before the altars of alien spirits. A curse-bringing shadow crawls along the ground to guard against the unwelcome. From time to time, edicts from the cloistered palace ring through the city, heralded by the peal of soulsteel bells, and the people of Ganth and the lowlands below dutifully obey. Centuries ago, the ruler of this domain was once but a lowly scribe, enslaved by the hereditary tyrants of the plateau city. Now, he is the God-King of Ganth, and he rules from a palace built atop his former masters' bones. All in his shadow pay him homage, and long indeed is the shadow of this holy madman; Pontiff Yraneus, Hierophant of the Unknown God.

Visitors to the city give conflicting tales of the Pontiff. Some say he is an urbane and generous philosopher king, loath to hurt even a beetle in his gardens. Others say he is a cruel and monstrous demigod of darkness, his temple a citadel of excess and torment in equal measure. In truth, Yraneus is both, for the creed he espouses, the Invisible Fold, is one of dualism, contradiction, and cycles of sin and absolution. It is his doctrine that all beings have within them both Light and Dark, and that holiness is found in maintaining a proper balance between the two. All of his acts, cruel and kind, restrained and debauched, are illustrative of the Invisible Fold's ethos; that one must respond to Light with Light, and to Dark with Dark. Penance must follow Indulgence, and Indulgence must follow Penance. According to Yraneus, only by proper action, and through the completion of mystical rituals, can the faithful bring The Unknown God closer to the world, and in His invisible light, achieve salvation. Every night, the elder Umbral scours the night skies with arcane orreries and magical lenses, searching for the occlusion in the firmament that is the Unknown God's form, hoping to divine more revelations from its effect on the stars.
These are really good. They don't grab me as much as the dream eaters, but I think that's more down to me preferring dream eaters over umbrals.

Thesw *do* do the job of making me interested in umbrals.
Some things moved-up so going the rounds to share this to folks.

CURRENT PRODUCT STATUS
Changes for Monday January 23rd
: Abyssals moved to Redlines. Damned Lies title changed to Scoundrelsong and moved to Development. Art direction and layout moves forward.

WRITING AND DEVELOPMENT
Outline

Exigents Jumpstart
Miracles of Divine Flame (Exigents Companion)

First Draft
Essence Adventure Trilogy
Exalted Essay Collection
Essence Jumpstart & RMCs (Merged)

Redlines
Abyssals

Second/Final Drafts
A Murder in Whitewall (Exalted Essence Novella #3)

Development
Scoundrelsong (Exalted Essence Novella #2, formerly Damned Lies)

Post-Approval Development
What Lies Forgotten (Exalted Essence Novella #1)

Editing
Pillars of Creation (Essence Companion)
Sidereals: Charting Fate's Course
Surface Truths
(Dragon-Blooded Novella #2)

Post-Editting Development
Exalted Essence Edition
Exigents: Out of the Ashes
Many-Faced Strangers
(Lunars Companion)

ART AND PRODUCTION
Art Direction

Across the 8 Directions
Crucible of Legends
Exigents: Out of the Ashes
Many-Faced Strangers
Sidereals: Charting Fate's Course


In Layout
Exalted Essence Edition (Goal of done by week's end)

At Press
Facets of Truth (Lunar Novella #1, errata)
Adversaries of the Righteous (errata)
What does "at press" entail? If essence gets done with layout by end of the week, how long should we expect At Press to be before we see the book?
 
Craft and Sail have been explicitly singled out as systems with 'potential alternatives offered'.
 
I would personally anticipate something more along the lines of rule tweeks for subsystems like craft, sail etc. than full reworks. We have eight published charmsets at this point, and all of them interact with the crafting system in some way.
 
These are really good. They don't grab me as much as the dream eaters, but I think that's more down to me preferring dream eaters over umbrals.

Thesw *do* do the job of making me interested in umbrals.
I'm probably gonna re-do the Dream Souled with expanded write-ups just to keep them in line with the newer two Apocryphal NPC write-ups
 
...
What does "at press" entail? If essence gets done with layout by end of the week, how long should we expect At Press to be before we see the book?

The steps OPP uses, which they explain here:
  • Outline - Getting well outlines. Hiring authors. That stuff.
  • First Drafts - Self-explnatory
  • Redlines - Devs go through first drafts and point out what needs adjustment. Things like emphasis, what to put more or less words on, things like that.
  • Second/Final Drafts - However many drafts it takes.
  • Development - Devs do the wrok to stich different documents from multiple authors into a single, coherent thing.
  • Approval - General go-over on whether to move forward with hire-ups and I think Paradox?
  • Post-Approval Development - Implement any changes from approval or just more dev in generla.
  • Editing - Things mostly done. Clean-up and such. This is about where we get Kickstarted manuscripts.
  • Post-Editing Development - Basically poking at it as-needed until layout is done, based on editing and stuff.
  • Indexing - After the "Making the book" parts are done.
Production/Making the Book
  • Art Direction - Devs submit art notes, artists are hired, director finnagles artists falling through, not doing the thing asked for, and so on.
  • In Layout - Putting text and art into a thing
  • Proofing - Post-layout is gone over by art director, creative director and sometimes devs to make sure things are good.
  • At Press - This usually more or less is when we get a PDF for thins like errata input, or OPP testing Kickstarter POD files ands tuff. The book is more or less in the last stage of things. Indexing kind of happens ehre.
So after layout, Essence has a couple rounds of Proofing, and then we'll see it. THat can take anywhere from a shor twhile to like a month or tow, depending on who can get to it, how, and so on.
 
Jiarong'e, The Flood Drinking Dragon, Censor of the Imperial River Basin

The mighty Imperial River, flowing from its headwaters in the foothills of Mount Meru to its vast delta at the Blessed Isle's eastern terminus, is one of the most important watercourses in Creation. Known by hundreds of names over the millennia, its life-giving waters nourish hundreds of thousands, and today the river basin that forms around it is the heartland of the Scarlet Realm. In the time before the Empress, the gods and elementals of this land were fierce and independent, fervently worshiped by mortal and exalt alike for their power over the harvest and the annual flood. The Contagion and Crusade threw this pantheon into disarray, the river spirits dying in droves and causing catastrophic out of season floods and polluted waters. The coming of the Empress and the rise of the modern Immaculate Order did much to stabilize the basin's turbulent spirit world, but even they required Heaven's intervention. In RY22, a heavenly procession descended from on high as the Empress held court along the river shore, and announced that the River Basin would have a new censor, a deputy appointed by heaven to rule its myriad divinities: Jiarong'e, The Flood Drinking Dragon.

Taken as a sign of heavenly auspice, Jiarong'e's descent is one of the many legitimizing events of the Empress' early rule, for the lesser elemental dragon was observed to bow before the Queen of All Creation before assuming her official post. Today she remains one of the most important deities in the Scarlet Realm, afforded many days of worship in the Imperial River Basin's prayer calendar. Her relationship with the Immaculate Order is mutually beneficial, the fact that the spirits of the Imperial River Basin are as obedient as they are now owes as much to the Flood Drinking Dragon as it does to the Immaculate Order's god-breaking monks. One of the few deities to have learned techniques of the Immaculate Water Dragon Style, she has been a friend and sparring partner to many famous abbots, archimandrites, and shikari. An ally of the Bronze Faction, with whose aid she ascended to her current office, Jiarong'e collaborates regularly with both Sidereals and immaculate monks privy to their existence. When the Scarlet Empress still reigned it was customary for her to hold an audience with Jiarong'e at least once every spring, meeting the Censor atop a lavish pleasure barge on the Imperial River.

Jiarong'e is revered not only as the Censor of the Imperial River Basin, but as a divinity of the Imperial River and its many tributaries. Peasants call her the Steed of Danaa'd and Familiar of the Empress, and believe that witnessing her swimming in floodwaters or raking open clouds to bring rain is a sign of good luck. The dragon mitigates the worst of the yearly floods and ensures that the basin's climate is overall pleasant, devouring foreign weather gods and wayward elementals. The Immaculate Order is lenient on illicit worship dedicated to the Censor and overlooks her occasional dalliances with dynasts and monks who reside along the Imperial River's shores. The Stupa of the Manifold Watercourse, ostensibly an important Immaculate Temple, is dedicated to Jiarong'e in all but name, the Censor residing in a palatial manse beneath the waters it overlooks.

To the spirits who answer to her, Jiarong'e is often viewed as a stern yet approachable mentor figure. Older than many of the young gods who arose in the wake of the Contagion and Crusade, the Censor's knowledge of Heaven makes her a figure of mystique to the terrestrial gods of the basin, while those elementals who attain enough awareness to exist beyond instinct look to her for guidance. Older gods know well enough to respect her wisdom and strength, and those who did not either perished in her maw or now lie sealed and dismembered beneath immaculate barrows. She corresponds often with those gods who have benefited most greatly from the Scarlet Realm, including Jagzala, Goddess of the Realm; Gri-Fel, God of the Imperial City; Wanjung, Central God of War; and Gun Chongyu, Imperial God of Civil Engineering(with whom she maintains a torrid on-and-off romance). The Flood Drinking Dragon is not without generosity, and subordinates who show her the proper difference receive both prayer and opportunities for advancement both in Creation and in Heaven. Through Jiarong'e's influence and instruction, a petty household spirit can become the god of a great city, and a short lived brushfire elemental can become a mighty garda bird, so long as they obey both her and the Immaculate Philosophy. Those spirits who betray her trust find themselves hounded by challengers to their purview, lion-dog inspectors, prying immaculate monks, and in the case of actual violations of celestial law, the terrible might of the dragon herself.

Jiarong'e appears as a sinuous dark-scaled dragon with white patterns along her flanks and back. Her head is that of a beautiful, pale skinned woman with long ebon hair and eyes like swirling ink. When taking human form, she retains her facial features but often appears in the latest dynastic fashion. Summoned centuries ago as a minor elemental by a Dragonblooded sorcerer hero, Jiarong'e fought at her master's side during the Usurpation and mourned him greatly when he died. Though she has come far from her humble beginnings, tempered by time and experience, she retains her fondness for the Dragonblooded, particularly those descended from her original master. She keeps an eye on his descendants who remind her of him, and Immaculate monks privy to this information suspect that this is part of the reason why she has been such a staunch ally of the Scarlet Empress.

Story Hooks

The Flood Drinking Dragon has many confidants and allies in the Scarlet Dynasty. Usually these are a boon to her, but now, members of the Great Houses pester her to side with one House or the other, to grant her blessings to their candidate for the imperial throne and to send floods or droughts to plague their rivals. Even immaculate monks have begun to lobby for her attention. The worst two were a pair of rival dynasts who each in their own way resemble her beloved master of old. Having lived through the ceaseless turmoil of the Shogunate, she is loath to take any side, but she has seen the familiar signs of an increasingly inevitable conflict.

The Dynasty's rapacious exploitation of the Blessed Isle in preparation for war has deeply disturbed the geomancy of several wilderness regions. Inauspicious demesnes spawn rogue elementals, devoid of reason but possessed of immense power, little more than living embodiments of nature's wrath. Weaker pre-existing elementals are also thrown into disarray by the cascading flow of polluted essence. Jiarong'e is old and powerful enough that she has barely been affected herself, but she seeks aid in locating and subduing these mad spirits.

As an elemental, the Censor is unable to use the Exigency herself (though a couple of dynasts are actually her children by Dragonblooded fathers). In spite of this, she has amassed a small collection of items invested with the Flame of Exigence, confiscated from criminal gods or given to her as gifts by those wishing to earn her favor. Gods who seek to forestall the Realm's civil war may be granted these exaltations by the Censor, though some might result in Patchwork Exigents cursed by their own power.
 
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Kartiga and Thurba, Thunder Brother and Lightning Sister, The Vajra Twins, Patrons of the Wyld Hunt

When Anathema reincarnate once more to plague the world, when daemon-brands blaze to life, when Immaculate elders declare a wyld hunt, and when shikari sally forth to do battle. peasants and dynasts alike pray to the Vajra Twins, mystic deities associated with holy warfare, exorcism, sorcery, and the wyld hunt. They pray that the shining devil soon perishes, that the interval between their incarnations is long and uneventful, that the brave shikari come home alive and whole. Kartiga the Thunder Brother and Thurba the Lightning Sister have been invoked in this fashion since time immemorial.

The Immaculate Texts record Kartiga and Thurba first appearing in the Anathema Wars, invoked or summoned by Mela as personal guardian spirits. They appear throughout both scripture and folklore, often in association with Mela, manifesting as weapons for the immaculate dragon to wield, or watching over her while she sleeps. Immaculate manuals on the anathema and other targets of the wyld hunt contain invocations to the duo in their margins, as well as apotropaic illustrations(sanctioned by Immaculate doctrine) depicting them pinning down and beheading anathema. They are known to manifest to the Immaculate Order's Breath of Mela, tutoring monks in sorcery and devil hunting, as well as certain occult rituals. Shikari who pray to them are sometimes granted blessings of swiftness and strong vision, or magical darts that transform into thunderbolts when thrown.

In the Scarlet Realm, the Vajra Twins are officially worshiped at irregular intervals, coinciding with the appearance of anathema as well as times of great strife. At these times, statues of the duo with their weapons bared, ordinarily hidden behind opaque screens or sequestered in storage rooms, appear at the gates of immaculate temples and monasteries, in the hopes that their fierce visages will ward away ill fortune. The immaculate order always ensures that their offerings are significant, and shikari especially are known to dedicate the execution of their quarries to the twins, a lavish sacrifice that most gods can only dream of. On the Threshold, they are invoked more regularly by heterodox immaculate sects as general guardians against wicked powers, anathema or otherwise. The Silver Pact makes a habit of ritually desecrating their images whenever they capture monasteries or temples. Now, in the Time of Tumult, Kartiga and Thurba receive worship on almost a monthly basis as terrified Immaculates witness golden devils appear in numbers not seen since the Old Realm.

The Vajra Twins themselves are known to be recluses in the spirit world, spending most of their time in deep meditation in distal sanctums. Having appeared suddenly during the Usurpation, their origins are known only to themselves and the elders of the Bronze Faction. Their official salary is modest, more a work of Bronze Faction politicking than their level of import to the Bureau of Heaven's function, but the infrequent offerings they receive from the Immaculate Order and hunts dedicated to them are generous indeed. The pair are devout students of the more esoteric parts of Immaculacy, and fraternize most often with deities and exalted of a similar persuasion, as well as Bronze Faction Sidereals versed in sorcery and immaculate martial arts. Lunars and Lunar spirit courts despise them, and the feeling is mutual.

Kartiga and Thurba appear as muscular figures with occult scripture tattooed over nearly every inch of their bodies. Both of them wear featureless white masks that hide their faces, it is said that gazing upon their unmasked visages will either enlighten the onlooker, or strike them unconscious. Thunder Brother Kartiga has the bronzed skull of a beastly lunar braided into his hair, wears a wolfskin belt, and wields a heavy, spade-tipped sword with which he beheaded anathema during the Solar Purge. Of the duo he is the more stoic, speaking little, and when he does often in the form of koan. He teaches shikari restraint and painless execution, as well as defenses against the myriad seductions of the anathema. Lightning Sister Thurba wears a garland of severed hands and bangles of orichalcum, she wields a verdigrised bident which she uses to pin down her enemies. Of the two she is the more outspoken and ferocious, mentoring shikari in methods of tracking the anathema, as well as lore regarding demons and sorcery.

Story Hooks

With Solars reappearing in unprecedented numbers, Kartiga and Thurba are stretched thin. Through a mystical discipline, they split themselves into lesser manifestations to watch over, and even participate in the Wyld Hunts of the Scarlet Realm and Lookshy. Most often they incarnate as artifacts for shikari to wield, but sometimes they do so as familiars or even as weather phenomena. Should any of their incarnations be slain, they would be greatly weakened, or even sent into deep torpor if it occurs in quick succession.

While not personally corrupt, the two have bent and broken the laws of Heaven in service of Immaculacy in the past. In the past they relied on the Bronze Faction to enable this and absolve them of legal consequences, but with that faction in triage over the Realm's imminent civil war, they are without their aegis. The resurgent Gold Faction of Sidereals, eager to capitalize on the Bronze Faction's disarray, maneuver against the Vajra Twins in the Celestial Bureaucracy, seeking to bury them in red-tape and surprise inspections.

With the Mouth of Peace growing weak from old age, Kartiga spends much time in the Palace Sublime, an immaterial presence watching over the ailing hierophant. He has done so only a few times before for Mouths with whom he was close. Iselsi agents have taken note and ponder ways to exploit the Thunder Brother's affection.

A student at the Heptagram unwisely summons a demon which he cannot control. Before he can alert the instructors, Thurba manifests and slays it. Awestruck, the young sorcerer has become her fervent student, worshiper, and lover. Together they study tales of anathema sorcery and esoteric passages from the Immaculate Texts.

The Vajra Twins, in an act of paradoxical desperation, pray to the Unconquered Sun for a measure of the Exigence, even though such a thing would surely be used to enable the slaughter of his Chosen. Perhaps Sol Invictus will be moved by the passion and selflessness of their pleas, or perhaps the King of Heaven seeks to have their champion act as a check on his own Chosen.
 
Gun Chongyu, Celestial Subdirector of Realm Architecture, Father of Measures, the Great Digger, Tamer of Rapids and Tremors, Imperial God of Civil Engineering

In the Realm, every canal, dam, bridge, and city wall contains a small votive box, buried beneath the imperial inspector's seal or marker of approval. Within the box are the names of the architects and workers who participated in the project, an offering to the god regarded as one of the fathers of civilization as they know it, Gun Chongyu, Father of Measures, the Great Digger, Tamer of Rapids and Tremors, Imperial God of Civil Engineering. When the Empress ascended to her throne, Gun Chongyu was there. When the first foundations of the Imperial City were dug, Gun Chongyu was there. When the Realm's cities were built atop the ruins of the Shogunate, Gun Chongyu was there. And when modern architects dig canals or lay the flagstones of the Blessed Isle's roads, Gun Chongyu is there.

Gun Chongyu is god of not only the Blessed Isle's cities, but of all of its civic infrastructure, from its most meager flood dykes to its grandest city walls. He has watched over the architects of the Blessed Isle since the Scarlet Empress' ascension, from their humble beginnings in the rubble of the Shogunate's cities, to their current state as the builders of the empire that straddles the world. It was with his aid that the Scarlet Dynasty built the most urbanized civilization in Creation, that they erected manses to tame the Isle's uncapped demesnes, that they built fortresses and roads unlike any seen since the Old Realm. Such is his importance to the Scarlet Realm's early formation that the Immaculate Texts count him among those gods who aided Pasiap, in association with whom he is often worshiped.

Gun Chongyu's immaculate approved worship coincides with the Realm's great construction projects, work-song prayers on the lips of workers as they labor throughout the day. Immaculate monks oversee these praises but rarely impose a limit on them so long as they occur in tandem with their labors. Legionnaires offer prayer to him when constructing fortifications, or when under siege. Architects and geomancers in the direct service of the Great Houses and Thousand Scales are often bestowed special license to worship him more frequently, a tiny mattock-head shaped tablet usually granted upon certification or graduation from an architectural school. His worship is very popular among scions of House Mnemon, Ragara, Cathak, and Ledaal, who value his associations grand architecture, fortifications, and geomancy.

Once a minor city god, Gun Chongyu abandoned his post in the late Shogunate as his purview was reduced to rubble, dedicating himself to preserving and passing down the secrets of architecture in a world wracked by Contagion and Crusade. When the Scarlet Empress wielded the Sword of Creation for the first time, he rushed to the Imperial Manse, to beg her to spare the Blessed Isle's remaining cities, roads, and dams from the earthquakes it triggered. The Empress was taken by his fervor, and with the aid of the Bronze Faction had him installed as the patron deity of her nascent empire's engineers. With his blessing and instruction, roads and canals sprung forth from the young Imperial City, connecting what would become the empire's beating heart to the rest of the world. As legions marched along his roads, as water flowed through his canals, Gun Chongyu grew from homeless city spirit to a mighty divinity, the Father of Measures, the Great Digger, the Tamer of Rapids and Tremors.

Today, Gun Chongyu is a rich and celebrated god, his celestial salary and annual prayer yield making him one of Heaven's power brokers. The Bureau of Humanity's Subdivision of Realm Architecture is functionally his private fiefdom, and many of the Realm's myriad city fathers, canal spirits, and road gods are either his children or students. With every Threshold city the Realm conquers, his purview's importance expands. Even cities that borrow from the Realm's schools of architecture while fiercely resisting the empire itself fall under his office's remit. Gun Chongyu regards his bureaucratic territory as his righteously earned reward for all his dedication in the Realm's early years, a work ethic he retains even today. While normally disinterested in the Bureau of Humanity's internal power struggles, The Great Digger responds to challenges to his own office with the desperate ferocity of a god who has lived through two apocalypses. Naturally, he is allied with the Bronze Faction and a devout Immaculate.

Gun Chongyu appears as a kingly, bespectacled god in an archaic dynast's garb. His robes are tied with a plumb bob and he carries an enchanted mattock as a walking stick. Impacted greatly by his time in the chaos of the Shogunate's demise, he wears an understated but functional lamellar breastplate under his first layer of robes, and his face is still faintly gaunt from the stress of those hard years. Most regard him as polite, soft spoken, and cultured, even when destroying political rivals.

Story Hooks

Gun Chongyu maintains cordial relationships with both his superior Wun-Ja of the Shining Metropolis and his peer Amoth City-Smiter. He has reason to support both, whether from Wun-Ja's efforts to save Creation's cities coinciding with his own or from Amoth City Smiter's urban destruction paving the way for the Realm's own construction. He plays the neutral party in their power struggle but in truth he lends distant minor aid to both of them when it suits his needs. He would be distressed if either of them were to decisively triumph over the other, for he politely opposes Wun-Ja's movement to see city gods rule directly over Creation, and while he values Amoth's usefulness to the Realm, he has little desire to see the Realm's own cities in ruins.

Gun Chongyu's original city, its name remembered only by him, still lies ruined in the Blessed Isle's wilderness. Moss grows over its tumbled walls and birds nest in its gutted towers. The Father of Measures leaves it like this as a reminder of the importance of his work, pulling strings to have it erased from the maps of the Celestial Bureaucracy and Thousand Scales alike. Ancient vaults of the Realm Before lie buried beneath its foundations, watched over by guardian spirits loyal to Gun Chongyu alone.

Gun Chongyu's preferred candidate for the imperial throne is Mnemon, as her house contributes significantly to his purview's expansion. When war breaks out, he would surely throw the bulk of his backing behind House Mnemon, on the condition that they keep collateral damage minimal.

Gun Chongyu does not need to pray to the Unconquered Sun for a measure of the Exigence, for he received one centuries ago during the Late Shogunate. Having held onto it for centuries, with the Realm's civil war on the horizon, using the ember of the cosmic fire grows ever more tempting.
 
Gun Chongyu, Celestial Subdirector of Realm Architecture, Father of Measures, the Great Digger, Tamer of Rapids and Tremors, Imperial God of Civil Engineering

In the Realm, every canal, dam, bridge, and city wall contains a small votive box, buried beneath the imperial inspector's seal or marker of approval. Within the box are the names of the architects and workers who participated in the project, an offering to the god regarded as one of the fathers of civilization as they know it, Gun Chongyu, Father of Measures, the Great Digger, Tamer of Rapids and Tremors, Imperial God of Civil Engineering. When the Empress ascended to her throne, Gun Chongyu was there. When the first foundations of the Imperial City were dug, Gun Chongyu was there. When the Realm's cities were built atop the ruins of the Shogunate, Gun Chongyu was there. And when modern architects dig canals or lay the flagstones of the Blessed Isle's roads, Gun Chongyu is there.

Gun Chongyu is god of not only the Blessed Isle's cities, but of all of its civic infrastructure, from its most meager flood dykes to its grandest city walls. He has watched over the architects of the Blessed Isle since the Scarlet Empress' ascension, from their humble beginnings in the rubble of the Shogunate's cities, to their current state as the builders of the empire that straddles the world. It was with his aid that the Scarlet Dynasty built the most urbanized civilization in Creation, that they erected manses to tame the Isle's uncapped demesnes, that they built fortresses and roads unlike any seen since the Old Realm. Such is his importance to the Scarlet Realm's early formation that the Immaculate Texts count him among those gods who aided Pasiap, in association with whom he is often worshiped.

Gun Chongyu's immaculate approved worship coincides with the Realm's great construction projects, work-song prayers on the lips of workers as they labor throughout the day. Immaculate monks oversee these praises but rarely impose a limit on them so long as they occur in tandem with their labors. Legionnaires offer prayer to him when constructing fortifications, or when under siege. Architects and geomancers in the direct service of the Great Houses and Thousand Scales are often bestowed special license to worship him more frequently, a tiny mattock-head shaped tablet usually granted upon certification or graduation from an architectural school. His worship is very popular among scions of House Mnemon, Ragara, Cathak, and Ledaal, who value his associations grand architecture, fortifications, and geomancy.

Once a minor city god, Gun Chongyu abandoned his post in the late Shogunate as his purview was reduced to rubble, dedicating himself to preserving and passing down the secrets of architecture in a world wracked by Contagion and Crusade. When the Scarlet Empress wielded the Sword of Creation for the first time, he rushed to the Imperial Manse, to beg her to spare the Blessed Isle's remaining cities, roads, and dams from the earthquakes it triggered. The Empress was taken by his fervor, and with the aid of the Bronze Faction had him installed as the patron deity of her nascent empire's engineers. With his blessing and instruction, roads and canals sprung forth from the young Imperial City, connecting what would become the empire's beating heart to the rest of the world. As legions marched along his roads, as water flowed through his canals, Gun Chongyu grew from homeless city spirit to a mighty divinity, the Father of Measures, the Great Digger, the Tamer of Rapids and Tremors.

Today, Gun Chongyu is a rich and celebrated god, his celestial salary and annual prayer yield making him one of Heaven's power brokers. The Bureau of Humanity's Subdivision of Realm Architecture is functionally his private fiefdom, and many of the Realm's myriad city fathers, canal spirits, and road gods are either his children or students. With every Threshold city the Realm conquers, his purview's importance expands. Even cities that borrow from the Realm's schools of architecture while fiercely resisting the empire itself fall under his office's remit. Gun Chongyu regards his bureaucratic territory as his righteously earned reward for all his dedication in the Realm's early years, a work ethic he retains even today. While normally disinterested in the Bureau of Humanity's internal power struggles, The Great Digger responds to challenges to his own office with the desperate ferocity of a god who has lived through two apocalypses. Naturally, he is allied with the Bronze Faction and a devout Immaculate.

Gun Chongyu appears as a kingly, bespectacled god in an archaic dynast's garb. His robes are tied with a plumb bob and he carries an enchanted mattock as a walking stick. Impacted greatly by his time in the chaos of the Shogunate's demise, he wears an understated but functional lamellar breastplate under his first layer of robes, and his face is still faintly gaunt from the stress of those hard years. Most regard him as polite, soft spoken, and cultured, even when destroying political rivals.

Story Hooks

Gun Chongyu maintains cordial relationships with both his superior Wun-Ja of the Shining Metropolis and his peer Amoth City-Smiter. He has reason to support both, whether from Wun-Ja's efforts to save Creation's cities coinciding with his own or from Amoth City Smiter's urban destruction paving the way for the Realm's own construction. He plays the neutral party in their power struggle but in truth he lends distant minor aid to both of them when it suits his needs. He would be distressed if either of them were to decisively triumph over the other, for he politely opposes Wun-Ja's movement to see city gods rule directly over Creation, and while he values Amoth's usefulness to the Realm, he has little desire to see the Realm's own cities in ruins.

Gun Chongyu's original city, its name remembered only by him, still lies ruined in the Blessed Isle's wilderness. Moss grows over its tumbled walls and birds nest in its gutted towers. The Father of Measures leaves it like this as a reminder of the importance of his work, pulling strings to have it erased from the maps of the Celestial Bureaucracy and Thousand Scales alike. Ancient vaults of the Realm Before lie buried beneath its foundations, watched over by guardian spirits loyal to Gun Chongyu alone.

Gun Chongyu's preferred candidate for the imperial throne is Mnemon, as her house contributes significantly to his purview's expansion. When war breaks out, he would surely throw the bulk of his backing behind House Mnemon, on the condition that they keep collateral damage minimal.

Gun Chongyu does not need to pray to the Unconquered Sun for a measure of the Exigence, for he received one centuries ago during the Late Shogunate. Having held onto it for centuries, with the Realm's civil war on the horizon, using the ember of the cosmic fire grows ever more tempting.
I really like him. Poor guys about to lose everything
 
I've been increasingly enamored with the idea of a Infernal character trained by a sidereal. With the excuse being that they are basically one of the first ones seen in creation so they didn't quite yet know what they are.

Sidereal: Wtf are you.
Infernal: I have no idea.
Sidereal: Want to become a disciple and learn sick martial arts
Infernal: HELL YEA

Then they travel around get themselves into a bunch of stupid situations.
 
I've been increasingly enamored with the idea of a Infernal character trained by a sidereal. With the excuse being that they are basically one of the first ones seen in creation so they didn't quite yet know what they are.

Sidereal: Wtf are you.
Infernal: I have no idea.
Sidereal: Want to become a disciple and learn sick martial arts
Infernal: HELL YEA

Then they travel around get themselves into a bunch of stupid situations.
Honestly I could see Sidereals doing their best to manipulate Infernals into fighting the Getimians as a proxy-war thing.
 
I've been increasingly enamored with the idea of a Infernal character trained by a sidereal. With the excuse being that they are basically one of the first ones seen in creation so they didn't quite yet know what they are.

Sidereal: Wtf are you.
Infernal: I have no idea.
Sidereal: Want to become a disciple and learn sick martial arts
Infernal: HELL YEA

Then they travel around get themselves into a bunch of stupid situations.
Congratulations, you've pitched a great Essence game here.
 
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