Would you Distort or manifest EGO?


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You're forgetting, X is technically a Wing Founder's daughter. She would at least get the nice beach.
I'm sorry, but sadly, you are poor and therefore shall not be able to afford it.

Did Ayin even have a personal savings account outside of L-Corp's company account?

How would X get access to her parents' enormous but also non-existent fortune even?
 
L Corp was selling energy, and they had basically a monopoly as far as major producers go. You could say that all the money was funneled back into the company, but the main Facility couldn't really have been altered much due to the TT2 Protocol and it wasn't as if there were any people who could've overseen such a deal in the first place. Not to mention that LoR mentions that once you reach a certain level of technology, money isn't enough to buy you things anymore. The most likely answer to me is that there's a company bank account with some sort of automated system to pay wages and upkeep of the various facilities, but even that would likely leave a large fortune behind. Nemo apparently eats a Backstreets citizen's years salary every day just buying food, and he's nowhere near as significant a figure as a Wing. Wealth inequality in the City is wild.
 
You're forgetting, X is technically a Wing Founder's daughter. She would at least get the nice beach.

A fallen wing founder's daughter mind you. We've seen how they treat people who used to work for fallen wings with Gregor and Yuri. Admittedly, there might be leeway if you're important like what presumably happened with Herman.

Well, I haven't heard of a wing rebuilding itself either.
 
I do hate Boruto, yes, as well as not liking Burn the Witch or Fairy tail 100 years quest, I have positive feelings about UQ HOLDER! mostly because it has a part where it outright says *this is an alternate universe and you are allowed to ignore it if you want* (which I promptly did).

Actually, let me put it that way:

Lobotomy Corporation is not a concluded story, the release of the light is not a conclusion, it is clearly a catalyst, the end of an arc, not of a story.

Same for Library of Ruina's end, Angela tells it herself, they managed to survive, but they have yet to beat the head, which is the end goal.

I am not playing Limbus Company.

And if the franchise as a whole begins to go the way of milking the story endlessly, it will in fact sour my feelings about it quite a lot, which, given it has a Gatcha now that you make me think on it, is not a good sign....

I remember a reddit post on the SlaythePrincess surbreddit, someone asking about the future of the game after Pristine cut, and one answer sums up my feelings quite well:

*Normalize games being finished and having a resolute conclusion. Normalize making a game, releasing it, updating it maybe 1-2 times, then moving on because it's DONE.*

And this apply to franchises too, the marvel cinematic universe died after Avengers as far as I'm concerned, there is no need for a new Elder scrolls (I am expecting nothing out of *The Elder Scroll 6: Skyrim with a coat of paint*), Assassin's creed was done after the first, maybe second game, and the rest is bloat, this sort of things.
In fairness stuff like fallout and elder scrolls were designed from the beginning to not have an end and it's not like their telling the same story the world is fucking huge and we barely see the provinces they touch on. Though I do agree I have barely any faith for elder scrolls 6 honestly I have more fond memories of oblivion and morrowind than Skyrim but the company does not give me faith for the franchise with shit like fallout 76.
 
While this vote won't be formally "closed" until the next one is put up, I will promise you that the next chapter will be released either tomorrow or the day after.
 
2.6.12 - If I Can’t Reach You
Chapter 161 - If I Can't Reach You

Your first real experience traveling through the Emerald City can't quite be called that, because you spend most of it inside Leonie's Routes. Not to say you aren't getting the full experience, because the various traps and hazards littered through the landscape start leaking into the Routes around halfway through, but it's a much faster and more pleasant trip than it would be without Leonie's help. She doesn't complain about the amount of work you're asking of her, nor does she seem at all bothered that there are other things intruding into the space she created.

"They're just for going from one place to another. To take somebody to wherever they ask me to take them. I don't have any feelings about this." Leonie says. It's a lie, and not a very good one, because you've seen Leonie design Routes with specific features before. She's making them herself, not churning out some random imagery to fill the distance between points. And they're detailed, too. A lot of time and care are put into each Route Leonie makes.

You wish you could take the time to appreciate them properly, but slowing down just isn't possible right now. Action is needed, and quickly. You wade through magic tripwires and mines and all sorts of terrible inventions designed to do horrible things to anyone who so much as looks at the wrong thing for too long.

You know you're getting close when the enemies begin to swarm more thickly. Their attention isn't on you, instead shaping into ranks and formations readied to march off somewhere ahead. The Emerald City's forces are a strange mix of Familiars, Witches, and strange creatures you assume must be the Adult Who Tells Lies' own creations. Anything the Abnormality didn't make herself bears murky emerald armaments, swords and Shields and armor that suck up the light than touches them in exactly the opposite manner you would expect a gem to. Any gift she makes should be by her very nature designed to ruin whoever carries it in some ironic fashion, but these creatures appear to be using them without issue. Either beings made purely out of curses can use cursed items just fine without suffering any negative effects, or the Adult not seeing something as a person frees her from the obligations of her instincts. Possibly both.

You thin their ranks a little as you pass, but don't risk slowing down to deal with the horde. Even if they're equipped with some interesting tricks, they're still just chaff. More a distraction than a real threat.

You see the storm before you catch sight of Argalia. Piles of coarse black sand are accumulated on the way towards the Mill where the Color Fixer is approaching. It's no mystery why. There's a strong wind blowing here, carrying dust along with it. It's barely more than an irritant now, but you can see it thicken until it chokes the air further in. Somewhere deep in the sandstorm, flashes of orange rock the streets before being quickly swallowed up again. You can't see Argalia through the haze, but the frenetic symphony that is his presence is impossible to miss.

The Emerald City's forces are massing around the cloud of dust. None are willing to proceed into it for fear of being torn apart, but a few wielding bows or rifles take the occasional blind shot into the storm. You don't have the time or energy to spare cutting through their ranks, so Leonie opens another Route to take you further in.

The passage that opens is a narrow stone corridor filled with cracks. The sandstorm outside pushes its way in, just a whisper through the gaps in the walls. When you emerge on the other side, it roars.

The heart of the storm is a dark silhouette that is all but invisible against the pitch-black winds. Its humanoid shape is outlined by a series of intricate glowing gold tattoos and headed with a pair of eyes like burning red coals. Thin blue wounds crisscross their body, ranging from shallow to deep enough that they should be fatal. It charges towards the shimmering blue form of the Blue Reverberation, barely visible through the blackened air. Glaring down from above is a deep orange flame like a second sun, its light blazing insistently through the dust. Another copied Distortion. A single wing beats furiously at the creature's side, casting down feathers of molten way. Both you recognize from Angela and Argalia's independent descriptions. Tanya and Philip, L'Heure du Loup and The Crying Children.

You can't tell how long the fight has been going for. Only that the copy of Tanya doesn't appear to be flagging despite her numerous wounds. You can't see Argalia, but he's moving slower than you're used to. In the skies above, the false sun that is Philip churns with heat. A high-pitched scream accompanies the beam of deep crimson fire that emerges, igniting the dust that fills the air as it soars towards Argalia. His scythe hooks on something you can't see and abruptly redirects his momentum, taking him out of the beam's path.

You conjure Lamp beside you and survey the now-visible battlefield. A large cylindrical building lies in front of a crater-covered courtyard encircled by rows of gem-encrusted buildings. The copy of Philip has a few light wounds carved into its waxy flesh, but clearly took to the skies early in the fight. Argalia's normally-pristine appearance is marred by cracks and scorch marks, bleeding pale while smoke out of the gaps in his form. Despite the injuries, he appears undeterred.

Well, it seems like now is as good a time as any to step in. You draw Mimicry into a bow and load A Sword Sharpened With Tears into it as an arrow, glowing with pale light. Now may be an improper time for experimentation, but you don't know the exact resistances of your target and Pale damage is always a safe bet for when you want something dead. Besides, this sort of sword is meant to be a projectile anyways. You're just giving it a boost.

You release the string, and the sword as an arrow is hurled up at the wax angel floating in the sky. It has no time to react before being pierced through the torso by the improvised missile. The sword leaves no visible mark behind as it dissipates into a faint cyan mist, but the sudden wobbling of the Distortion's flight tells you it still left its own sort of wound. You recall that The Crying Children was an extremely resilient Distortion when not overheating, but that only applies to physical attacks. Protecting one's soul in any substantial way is much more challenging.

"What a pleasant surprise!" Argalia exclaims, glancing away from the battle for a moment to nod approvingly to you. A punch sails over his head, sending shockwaves through the air that pull at his coat. "Though I must say, my friend, I didn't expect us to be reuniting so early. Has there been a change in plans?"

You roll to the side to avoid the beam of fire hurled down at you in retaliation for your attack. "No, just trying to hurry things along. If we finish up early here, we can reinforce the other groups."

Argalia leaps away from the copy of Tanya and to your side, his feet barely touching the ground as he lands. "Then we'd best move a tad quicker here, I suppose. Dealing with these mockeries for so long was becoming sickening anyways."
 
Since it's been rather intense recently, enjoy a shorter chapter. There'll be a bit of a cool down before we get back to the intense stuff.

Fight the Distortions…
[] Together, two against two
[] By separating them and fighting individually
 
Our goal is to hurry up and end this faster (preferably without burning too much energy in the process), so:
Lepi, what would Argalia say is the main thing that is delaying him in this fight? Lack of ability to meaningfully damage, or 'teamwork' on the Distortions' sides, or something else entirely?

[X] By separating them and fighting individually
 
Lepi, what would Argalia say is the main thing that is delaying him in this fight? Lack of ability to meaningfully damage, or 'teamwork' on the Distortions' sides, or something else entirely?
Well for one thing, he can't actually hit Philip right now. Second is just that both Tanya and Philip are pretty tanky Distortions and Argalia's more of a skill-based fighter than he is about sheer force.
 
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Ok, does X think she can solo this group (presumably at the cost of more energy, which is bad, to be clear) while we send him off together with Leonie to reinforce someone else?
 
Ok, does X think she can solo this group (presumably at the cost of more energy, which is bad, to be clear) while we send him off together with Leonie to reinforce someone else?
X could if she used Twilight, but probably not otherwise. At least, not without taking some serious injuries. Against one X could do fine, but the only reason Argalia held off so long against the pair was because he's intimately familiar with how they fight. Two Ensemble Members at once, even if they're injured, is no easy fight.
 
Argalia supplies strategy/mobility, and X supplies damage should work out just fine?
Generally, Argalia can also support us with his music.

Though saying that, Philip + Tanya are probably the worst Ensemble members for him to have to fight solo since those two are pure brute force.

He would've 100% been boggled down to a long fight against them had we not interfered.
 
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