Soundtrack
His name was Eddie - at least, he thinks it was.
Thoughts are difficult for one such as Eddie. Impulses to despoil and corrupt war with unyielding instincts of steel and gunpowder, and underneath them all the faint thoughts of a man float gently to the surface. As his parts collect themselves from the newfound shock of pain and loss, Eddie opens his optics and looks around.
The highway is a charnel house. Armored vehicles lie strewn across the pristine English countryside, ripped and torn from enemy missiles or mines or when their own occupants had clawed their way out. Smoke billows across the killzone from burning diesel and impromptu brushfires, as green hellfire competes with cooking-off ammunition to light up the night. Tracks of human and inhuman monsters lead from their carriages of war to the battlefield in the woods, and the howls of wolves and werewolves let Eddie know that the war is still on.
Eddie experimentally revs his engine. The Russian surplus BMP-1 roars to a life of sorts, while its animating spirit(s) assesses the damage. He's taken a strike from a missile, a
'Javelin ATGM' if his human-self is to be believed. Its top-down strike obliterated Eddie's turret and the powerful spirits which inhabited it, and Eddie's scattered selves rejoice at their newfound freedom from their tyranny. He had few loudspeakers - a lowly support vehicle like him was meant primarily to bring the
real fighters to where they could hit the enemy with their swords, after all - and his radios simply crackle with static when he tries to speak. Weaponless, voiceless, useless, Eddie feels no compulsion to aid his 'comrades' in arms. The ensorcelled vehicle rolls down the highway of death, rattling and squeaking as loose treads sound their complaints.
He's halfway to the treeline before he meets the woman.
She's been thrown from the wreck of an Mi-24D Hind, shot out of the sky moments earlier. What's left of her body is wizened and shriveled, fused with the cockpit of the burning wreckage. Balefire glints in the shattered glass of the canopies, and the woman's atrophied arms grasp futilely at the air outside of her self-imposed prison. She's wearing nothing but a pilot's helmet, her eyes covered by night-vision goggles welded to her face, and her 'eyes' glint green in the reflection of the billowing balefire.
She's the most beautiful person Eddie's ever seen.
The damaged BMP rolls up slowly to the wreckage of the helicopter, its engine slowing to a dull rumble. The pilot looks up at the armored vehicle approaching her to-be coffin, and curses in German. "
Scheisse, you must be from corporate! If you're going to kill me, you bastard, make it quick." The night-vision optics covering the pilot's eyes don't let her close them, but she looks away as Eddie unfurls his cutting tools. Scythes and cutting cables spin to life in a deadly chorus, promising pain and death.
Lethal balefire-forged whips meant to cut down enemy infantry slice slowly and carefully through the wreckage of the burning Hind. The pilot gasps in pain and shock as her connections throughout her body are severed, but she relaxes as Eddie delicately amputates the burning wreckage of her body's engine. He cuts away the flames, excises the pain, and as his impromptu surgery draws to a close, the wrecked pilot-helicopter is left with nothing but the remnants of a biological body and the remnants of a cockpit. Eddie hopes it's enough.
The woman looks around, her own optics glinting in the moonlight, and promptly bursts into tears.
Eddie searches for words to right the situation, or tools to fix it. Some part of him used to be an engineer, and he knows that if he simply had the right plan and the right equipment, he could fix
anything. Yet he is a broken man voluntarily bound to the corrupted spirits animating a machine, and he has nothing but tools of war to aid him. The missile which struck him vented its firepower into his passenger compartment, and the rear of his body is a charnel house, unfit for such a proper lady. Gently picking up what's left of the pilot with long and deceptively-thin arms, Eddie carefully rests the woman on the ruined remains of his turret. His engine rumbles into reverse, and the BMP slowly clanks away from the burning wreckage.
They drive through fallow countryside together. Eddie's body was designed to invade Western Europe, and even halfway torn to shreds by cutting-edge weapons, it still scoffs at the mundane 'hazards' of a midnight drive through England. The woman is still sobbing, perched atop his hull, and Eddie longs for a way to make things right. He cannot communicate with her, but some part of his self understands her plight: limbless, helpless, defeated by an enemy far too powerful to face. Some part of him has been in her nonexistent shoes, and he weeps at the pain she must feel now.
Yet everything must end after a time, and the woman's sobs and choked cries fade to muted sniffles and coughs. She hugs herself, shivering in the sudden cold as the wind blows across the remnants of her biological form, and her glowing optics look down at the BMP below her. "T-thanks, I think. Who are you?"
Eddie stops to consider the question, making the pilot grimace in fear. He has no sense of who 'he' is, nor any way to communicate it if he did; he simply rocks his chassis a few times and rumbles onwards. Yet his fellow biological monstrosity seems to understand the gesture, and she reaches down to pat one of his scythes gently. "You don't know? I can understand that,
Herr Mud-Pounder. I forget myself many times, too - it is not an easy task, to remember who you are." She draws herself up as high as her helicopter-body will allow, gesturing grandly outward at the night. "It is good to meet you,
Herr Tank. My name is Klara."
The BMP cannot speak, but it shuffles appreciatively at the gesture. It's been a long time, Eddie thinks to himself, that he's been treated like a
person. They rumble on through the night, away from the pain and suffering and death, while Klara regales Eddie with stories of her life. She talks of her service in the Middle East, of her determination to make it into piloting and her successes at gaining a combat flight spot in Murklake. She talks about what's left of her family, though her memory fails her many times; Eddie stops and tries to rock her gently for comfort when she sobs. Klara reaches out of her cockpit to hold onto one of Eddie's scythes, the two macabre sights holding on to each other for dear life.
One of the lights on Klara's console blinks, startling both of them, and the woman tilts her optics down to look at the flashing screens in front of her. She freezes in shock for a moment, before cursing violently. "They fired me," she hisses. "They fucking
fired me!" And indeed, when Eddie checks his own entry in the Mechanical Resources department, he does indeed find a notice that "Echo Two-Niner" is presumed deceased [following unexplained technical difficulties]. Klara laughs, the sound ragged and discordant, and once again Eddie lacks the words to make it right.
They roll up a hill, and together they look up at the stars. Their soft light twinkles above, insulting the poor benighted mortals trapped on the ground below, and Klara reaches out to them with arms she hasn't used in months. "It's all so bad, it all went so wrong," she chokes out, and Eddie mutely agrees. "I just wanted to fly!"
Klara might be burnt and broken now, but in Eddie's memory she still shines bright. His mechanical and biological senses still recall the missions where they deployed together, seeing their air support crush the opposition in salvos of fire and flame. To Eddie, limited by terrain and always keenly aware of the enemy's speed and power, the Hinds were angels of death who'd saved his bickering selves many times before.
He has the words to make it better, but he lacks the tools to make it right. He reaches out instead with the tools he's got, slowly lifting the weight on his hull with weapons meant to rend and destroy. Klara bites her lip as the scythes bite lightly into what's left of her helicopter-body, pulling her skyward. As the Hind pilot is lifted airborne one last time, she holds her withered arms out to embrace the sky, her green nightvision optics shining with reflected moonlight.
They will have been spotted, Eddie knows. Even now, soldiers in an office halfway around the world are likely poring over the surveillance data from drones in the field, backtracking the movements of a solitary BMP retreating from the battle. He lacks the proper vision to See, but Eddie is sure that another missile-armed harbinger of doom is minutes away from finding the two of them and putting an end to their tortured lives. The clock is ticking.
Yet when the time runs out, he thinks, what better way could he go than holding someone he loves?
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Greetings, [employee #85D32], a.k.a. [Eduard Anatoleyvich Kapustin]! Due to your unfortunate incident involving [hostile Garou], we see that you're suffering from a slight [lack of limbs]. While your heroic actions in [helping fight off a Garou attack] would qualify you for a [Pentex-certified retirement package], we'd like to offer you a new and exciting opportunity in the [Human Vehicle Enhancement Program]! This new opportunity offers great benefits in [diverse employee relations], [community outreach], and [hands-on experience in mechanical engineering], and the Human Resources Department thinks that this would be an optimal use of your talents.
Please note that failure to comply will result in you receiving a [Pentex-certified retirement package].
Kind regards,
Stephanie Ingram
Scheduler, Dept of Human Resources