[X] The voice isn't one you recognize, but the sense of bewilderment they convey is mirror to your own. (Lisa)
--You're not sure why, but they sound as poleaxed as you feel right now. Still, they don't have to sound so amused by everything.
[X] If you've got it, flaunt it!
--Subtlety is for lesser beings than a living avatar of the Yozis. Bring on the flesh-change!
ooo
"What the hell?! How does an inanimate object even manage to scream?!" The voice, female, interrupts your attempts to get your bearings and startles you into placing your foot down on a loose piece of the...whatever it was you just came out of. <"Not to be rude or confuse you further, but it's our chrysalis."> This second voice is one you've heard before, but you don't have time to dwell on that; as your weight goes onto the curved bit of shell, it slides under you, causing you to stumble briefly. The stumble is brief only because for one jarring moment your leg bends backwards, reversing at the knee joint to keep your footing stable enough for you to shift your weight onto your other leg.
Catching yourself on the floor to arrest your fall forward, you take a moment to process what you're seeing, even as the voice which derailed your earlier train of thought keeps speaking. "This was supposed to be easy. No need to worry about interference from capes, just keep watch on an inanimate fucking object until he could arrange a pickup. Now I've got to figure out what the fresh hell just came out of there, and how to relocate or protect it. While out of costume. In the middle of the Docks. Before any of the gangs or worse get here." There's a scraping sound, very much in line with someone moving from seated against the door to standing in front of it. A momentary panic seizes you and you dart from where you were crouched nearly parallel to the floor...only to misjudge your stride and slam bodily into the wall. There's a short and stifled shriek at the bang of your flesh smacking into the metal of the wall, the shout coming from the other side of the door even as you let out a muttered, "Owww."
Your unexpectedly long stride reminds you of what you'd noticed before, just as you'd fallen. "What the hell happened to my arms? A-and legs? And...," you trail off, bewildered at the adult-sounding voice that's coming out of your mouth. It's like your voice, but...older. Somewhere between six and ten years older, if you had to guess, "and my voice," you manage to mutter. At your speech, the person on the other side of the door shifts, calling out amusedly. "Helloo~!" Even as you register that the green-white light flooding the room was coming from around your body, the light begins to fade, leaving you to wonder at the too-long, too-thin nature of your arms and legs. Spindly-looking and backed by slight spines on their trailing edges, your arms look like they're encased in a set of long opera gloves. Or they would, if opera gloves were made of a shiny carapace which shifted from green to blue and back again depending on the light. But it's not just that...or the corresponding, you mentally categorize them as stockings, as the carapace starts mid-thigh and runs down to your too-long, too-many-jointed toes. Each limb is longer than it should be, and has anywhere from one to, in the case of your various digits, up to three more joints than it ought to have. Like your toes, your fingers end in little curved points which resemble nothing so much as the last leg-joint on a crab's leg. Prodding at one hand with the index finger of the other, you notice it has give to it, not being that much tougher than you'd expect skin to be.
"Whoever's in there, I'm here to help you." Pulling on a well of power you sense inside and around you, you follow the dictates of a half-remembered instinct. As you do, you hear the truth of what she's saying resounding with beautifully harmonious resonance in every syllable of what she's saying. "If you'll step in front of the door so I can at least get a good look at you, I'll go ahead and unlock the door so we can get out of here before the gangs start showing up. Just don't jump me like happened in that one horror movie from Earth-Aleph, the one with the alien."
<Gangs? Oh, joyous night! I can not wait to teach you the tricks to fighting one against many!>
You freeze at the second voice piping back up. It's an oddly genteel voice, reminding you of nothing so much as an oddly androgynous British movie character, effete and slightly fussy. It takes you a moment to place the voice as the one you heard back in the locker, the one that offered you help before...whatever it was happened. Looking down at your arm with some chagrin, you assume that you must've triggered...you...you're a cape, now. Putting that out of mind, even as a part of your mind notes the glow in the room fading from painfully bright to a glimmering glow coming from roughly the middle of your forehead, you stand up and step in front of the door.
There's an awkward moment's pause as you wait for the sound of the lock turning before the voice speaks up again, "Okaay. Not that they aren't nice and all, but when I said I wanted a look at you I didn't mean, 'Show me your tits'. I'm here to help you get safely away, not to proposition you." There's a hint of laughter in her voice. With a shock you realize she's right: the window leading into the room is right at...Huh.
Well those weren't there when I went to school this morning. Aaand I'm naked. Why am I naked?
There's a sense of embarassment as the dapper voice adds, <Er...apologies. Miiight be my fault. Nature of the transformation, I'm afraid. Chrysalis is more than a bit rough on fabrics.>
There's a mock-discreet cough at the door and girl continues on. "Ahem. Wow. You are tall. But! Right, mind crouching down a bit so I can at least get a look at your face?" Obliging, you crouch down your many-jointed legs, peering out through the little window in the door's upper surface. Through it, you catch sight of a girl, blonde-haired. You'd put her at maybe a year older than you, maybe your own age. "Oh, wow. Wasn't expecting the third eye there. Mostly human-looking face. Gorgeous, in that uncanny valley, horror movie, please-don't-eat me kind of way. Kind of like the Siberian or the," she trails off, her smile fading a little as she realizes what she's saying. It doesn't take much thought to fill in the blank in her statement. Like the Simurgh? She thinks I look like a fucking Endbringer?!
"I'm babbling, aren't I?" You nod, too busy trying to figure out what the sensations which surround you, her, and a surprisingly wide area around the both of you are to really respond adequately. That sense of alien beings from before, from...shit, right, my locker. You look around a moment. Well, clearly I'm not still at the school.
<Hmm? You're uncertain on the Endbringer resemblance? Well, I suppose I can go over the appearances to see if what she's saying is merited. Hmm...Leviathan? No. Though it does look like something Kimbery would come up with. Behemoth...well, if he were properly oiled up and had enough eyes he'd almost look like Father...as for the Simurgh...oh. Well. No, she's totally off base.>
You start to breathe a sigh of relief.
<She looks far too half-formed to be a creature of HERS, such as yourself. Though I could see where the mistake could be made. You are approximately the right height to be next in the pattern. Give or take half a foot. But she is far too cludgy and asymmetrical. Whereas you have perfect bilateral symmetry.>
"Who even are you?" You aren't entirely sure which of the pair you're asking. Fortunately for you, both presume you mean them.
"You can call me," the blonde in the hallway outside your room pauses a moment, "eh, why not. You can call me Lisa." She offers you a vulpine grin. "And I'm guessing that you're Taylor Hebert, right? The missing girl from Winslow?" Something about the way she says that makes you think it's in no way a guess.
<Oh dear! How utterly cretinous of me. I am Joyous Uncertainty, citizen of the First Circle, and you may think of me as a guide of sorts. I'm your Unwoven Coadjutor, though I suppose the easiest way to explain it is halfway between a shoulder demon and a roommate for your soul.>
This all being somewhat overwhelming, you hold up your hands, gesturing for both of them to stop. Taking a few seconds to process everything you were just told, you nod at Lisa. "I...yes. Missing? I...what time is it? School had just started the last I remember."
"Nighttime." She says, a faint smile still tweaking her lips up at edges. "But!" she claps her hands and begins rubbing them together, "we don't actually have time to go over everything you've missed. Yet. First, we need to get the Hell out of Dodge. Because I'm pretty sure that most of the city could see your little light show back there. That means capes, and since we're in the Docks right now, that means the ABB and E88. I don't know about you," she turned and started walking briskly through the blindingly white halls, clearly expecting you to follow, "but I have no intention of staying around to get caught by either group. We have about ten or fifteen minutes before the first gang members should get here. Don't suppose you know how your powers work, do you?" You shake your head mutely, unsure how to respond to that. You don't even know exactly what it was you did a moment ago, or what the things you keep sensing are. "Ah, that's a shame. Guess we'll have to figure them out later. For now, if we head outside, do you think you can keep your head down and run? Because we really need to get away from this part of town."
You nod again, backing up to make space as she opens the door. Stepping back from the doorway, she gives you a half-mocking bow. As she does, she quirks up an eyebrow. "Huh. Can't say I was expecting the whole cloud-for-hair thing to be so all-over."
You blink, reaching up to pull your hair in front of your eyes, only to find that your hands pass straight through to your scalp. Patting the top of your head in panic you manage to sob out, "My hair?! WHERE THE FUCK IS MY HAIR?!" Lisa's eyes go wide at that. Leaning back, she presses herself against the wall, fear etching her features for a moment, her eyes darting across your features.
<Ah...that, well. It's not my fault, per se.> The voice you kept hearing in your head offers. <"But that sounds like a way my physiology and yours are intersecting.>
There's an awkward pause on all three sides of the situation.
<If it helps, more dramatic transformations are supposedly a mark of favor.>
You stifle the urge to scream, instead balling your overly-long fingers into fists. "Fine," you manage to bite off. "Do you have a plan from here?"
Lisa frowns, gesturing for you to proceed ahead of her. Setting into a quick, space-eating lope, you quickly find yourself pulling well ahead of her, despite your need to duck your head to keep from scraping the roughly ten-foot ceiling. "Well, first part is to get out of here, obviously. From here...unless you have somewhere else to go, I figured we could try to head for the Ship Graveyard, since it's more or less uninhabited."
You take several deep breaths, forcing yourself to calm. "Can't say I have a better idea right now." Frowning, you turn to look behind you, catching a glimpse of wispy, white billows which seem to sublimate off your scalp. "Are you coming or do I need to carry you?" Your snappish tone seems to prompt her to quicker action.
Lisa breaks into a jog, her eyebrows furrowing as she considers something. As you pass beyond the white-bleached segments of the cheap storage units which make up the building you're in, she gestures for you to make a right turn. Making the turn, the two of you find yourself at an exit door. Lisa having to hurry to keep up with your steady walking speed, you arrive first. Reaching out with one of your arms, which now reach to roughly mid-calf on your nine-foot plus height, you tug at the exit door, only to find it locked. Arching one brow at Lisa you wait for her to catch up.
"Okay," she manages to pant out as she catches up to you at the door, her fingers dancing deftly through a quick combination of numbers on the electronic door lock, "definitely some kind of Mover power on your part, even if it's just a result of your long legs." Looking back up at you after catching her breath, she offers you a vixenesque smirk before warning you, "Just in case you forgot, it is January out there, so...sorry in advance." Tugging the door open, she blasts you with a frigid gust of winter air. Stifling the urge to curse up a blue streak, you follow the jacket-clad girl out and into the dark of the late-night Docks. Looking right, then left, then closing her eyes and listening for exactly five seconds, she looks up at you and says, "From here we have two or three options. Ship graveyard is more or less due North of here. We can hook left around the building ahead of us, erring westwards on street level. It's probably the most immediately risky route, since the ABB are almost certainly ahead of the Empire goons in getting here. Then there's going right and hooking east. That'll pull us towards skinhead central. They've probably got more guys and a bigger chance of having ground-pounding capes than the ABB, but we've got longer before we'll likely run into them. Or, given that you look like you've got a solid sixteen-feet or so reach flat-footed, we can see if you can hook the rooftop dead ahead of us, pull me up with you, and make a roof-level bee-line for the graveyard. Almost certain not to run into anyone but high-mobility capes if we're traveling at ceiling level, so Oni Lee, Rune, and maybe a couple of others at the worst. Since any of those plans depends on your reach or how quickly you can run...well, I'll leave it up to you. Which way do you want to go?"
ooo
[ ] Take the high road
--Chance running into capes above roof level to avoid the risk of running into any gangers.
[ ] I think I'm turning Japanese
--Turn left and risk a more immediate run-in with the ABB at a reduced risk of encountering capes.
[ ] Take the skinheads bowling
--Go right and run the risk of encountering a mix of E88 capes and gangers, but with a greater head-start than you'd have with the ABB.