[X] Write in: Have a quiet rooftop tea/snack with Amy.
-[x]Remember to turn off your lie detector if you're using it. Notify her it's off to set her at ease.
-[x]Awkward small talk while you figure out how to bring up your issues without sounding like you're whining.
-[x]Settle for being courteous about it. Ask if she has anything she wants to vent about or if she'd rather you start.
-[x]If she's fine with you starting:
-[x]Issues adapting to your new body, the persistent distraction of how weird tinkertech is when you look at it, how unpleasant getting attacked by thermite is, disturbing dreams without going into specifics.
-[x]Go into specifics about disturbing dreams if she volunteers anything sufficiently apt you could use that to commiserate with her.​
-[x]Otherwise:
-[x]Do your best to listen​

[X] Respond in Kind

[X] Your place
-[x]Between the fact you survived being attacked by thermite, and your disguise power, you don't see how you'd be undergoing a significant risk by going there.

Because we eventually need to leave the rig. Because we don't want to be an inconvenience to future coworkers. And beneath it all a tiny part of us is hoping for another altercation and we are not a soft target.
 
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[X] Conjured Blade

This looks good. I don't think the whole bit about inserting a meme just for it's own sake is constructive, considering Taylor is FAR from a breakdown.
 
[X] Conjured Blade

This looks good. I don't think the whole bit about inserting a meme just for it's own sake is constructive, considering Taylor is FAR from a breakdown.

Far-ish. Depends on the sort. Torment ever beckons, after all.

@Thief of Words , would any of the above work as stunts? They aren't how stunts are typically written, so I'm rather uncertain.

A series of 1-die stunts, sure. A series of outlined actions more involved than just "I (insert game action X here)." No real sense of the dramatic or grandeur for a 3-die, no interaction with scenery for a 2-die stunt.

At this point I'm hoping that more folks remember the quest is here for votes.
 
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[X] Write in: Have a quiet rooftop tea/snack with Amy. No pressure, no expectations. You are both under a lot of stress, so the focus is just to be an excuse for each other to avoid that.
[X] Try to call
-You'd have to get a phone number first, of course.
[X]Your place?
-Convince them to let you meet the Wards at Wards HQ, since if you're going to end up working with them you'd need to be familiar with it.

Question: wouldn't we get Lisa's phone number by messaging her on PHO?
 
Mmmph, well, in general, Exalts don't break down into tears much. Neither does canon Taylor, or even pre-canon Taylor.

So I'm not sure why she would take that particular breakdown(and it's not like pesky mortal breakdowns do anything for Limit)

Your post-modern bias towards depictions and display of emotion is showing. You're also wrong on nearly every point. Exalts are cast from an ancient mold of heroism. From epic heroes fit for the format of such poetry. They weren't unemotional. If anything, their emotions were as much larger than life as everything else about them. They didn't feel sad; they grieved. They didn't feel aggression; they raged. They didn't have anger; they had wrath. They didn't cry; they wept. These weren't your Stoics. They weren't your figures of quiet and calm imperturbability. Their feuds and grudges were as legendary as their accomplishments. Solar Exalted were made into the reflection of perfection, but that perfection had, as an integral component of His makeup, emotion involved. The very principle of Holiness was moored in the Valor of the Sun's wrath. Solar Exaltation didn't make them less human or inhuman. It magnified their humanity. That includes their emotions.

Heroes weren't limited, after all, to positive emotions or even useful ones. Achilles is as notable for his proud and peevish sulking as he is for his terrifying and furious wrath.

As to the second part of your statement, pre-canon Taylor actually did. She wept as a response to grief, including, rather notably, an entire straight week of crying herself to sleep. Canon Taylor likewise felt the urge to weep more than once in the story. And that despite the fact that the Admin shard's influence tamped down on certain of her emotions in many instances where they'd keep her from acting and furthering conflict. She did her best not to cry in canon (this is my interpretation, but based on having had a similar mentality when it came to my own bullying growing up) when at Winslow because to give any sign of it would to her be giving the trio a victory.

After that...Wildbow put her in over her head, kept her out of her depth, and set a passenger in her head that whispered to her that she needed to act decisively, that those around her weren't taking charge competently, and that if folk weren't going to properly cooperate, then she needed make them do so.

Pre-trigger Taylor was a very different person from Skitter. She didn't have that almost-psychotic refusal to just give up on things. She didn't have a bone-deep aversion to backing down or retreating. By Word of Wildbow, if she hadn't triggered, she'd have given up on school and just found other ways to get on with her life.

Taylor's bottling is a learned behavior, and a recent one.

Lack of emotional response doesn't come as an integral part of all Exaltations. It isn't coming to her by way of her shard, which has issues of its own to cope with right now. The closest she gets to it right now is in a third of her Charms' primary sources. But Pyrian detachment is also offset by the extremely emotional nature of Malfeas, and the unmoored, illogical and inconsistent emotional states of Adorjan.
 
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Your post-modern bias towards depictions and display of emotion is showing. You're also wrong on nearly every point. Exalts are cast from an ancient mold of heroism. From epic heroes fit for the format of such poetry. They weren't unemotional. If anything, their emotions were as much larger than life as everything else about them. They didn't feel sad; they grieved. They didn't feel aggression; they raged. They didn't have anger; they had wrath. They didn't cry; they wept. These weren't your Stoics. They weren't your figures of quiet and calm imperturbability. Their feuds and grudges were as legendary as their accomplishments. Solar Exalted were made into the reflection of perfection, but that perfection had, as an integral component of His makeup, emotion involved. The very principle of Holiness was moored in the Valor of the Sun's wrath. Solar Exaltation didn't make them less human or inhuman. It magnified their humanity. That includes their emotions.
While I agree the original post was incorrect abut some thing, you are casting the Exalted in to firm a mold. There is no reason not to believe some Exalts were almost totally emotionless, or that the entire range was not covered. Not every Exalt is going to display epic emotion, and that doesn't consider those who are insane for one reason or other. I think this is to much of a simplification, and boxing in of what an Exalt is.
 
While I agree the original post was incorrect abut some thing, you are casting the Exalted in to firm a mold. There is no reason not to believe some Exalts were almost totally emotionless, or that the entire range was not covered. Not every Exalt is going to display epic emotion, and that doesn't consider those who are insane for one reason or other. I think this is to much of a simplification, and boxing in of what an Exalt is.
Well, notably, he was explaining why the Exalted can show emotions, and giving examples of where their inspirations did so. You are, of course, correct that there can be stoics, and that's even represented mechanically, where half of the Virtues have half their breakdowns be some means of denying or ignoring the character's emotions. That's still only a quarter of the possible reactions, though, and it does seem to me that the setting fluff suggests overwrought emotions are far more common than suppressed ones.
 
What does this phrase mean?
The idea that people should be reserved in their emotions is a relatively recent one, and has it's roots in the grieving period of Queen Victoria when the Prince Consort Albert died.

No, I'm serious. Before that, public displays of emotion were considered normal and healthy, and men's formal-wear came in a variety of different colours and styles, instead of mourning-black. It's had an amazing effect on the Western world.
 
Well, notably, he was explaining why the Exalted can show emotions, and giving examples of where their inspirations did so. You are, of course, correct that there can be stoics, and that's even represented mechanically, where half of the Virtues have half their breakdowns be some means of denying or ignoring the character's emotions. That's still only a quarter of the possible reactions, though, and it does seem to me that the setting fluff suggests overwrought emotions are far more common than suppressed ones.
Also the repressed ones are shown to have their own problems. High conviction leads to atrocities in the name of their goals as much as determination through adversity, high temperance can lead to resenting others who indulge in vices and self inflicted social isolation.
 
Well, stoicism isn't necessarily recent, but it is much more prevalent in media and elsewhere. The Greeks, if I remember correctly, had stoics, it was almost like a cult at the time.
 
While I agree the original post was incorrect abut some thing, you are casting the Exalted in to firm a mold. There is no reason not to believe some Exalts were almost totally emotionless, or that the entire range was not covered. Not every Exalt is going to display epic emotion, and that doesn't consider those who are insane for one reason or other. I think this is to much of a simplification, and boxing in of what an Exalt is.

While they had their calculating individuals, the tendency was more towards emotion than away from. Again, a significant inspirational foundation of the Exalted was tales ancient heroes as recounted in epic poetry of antiquity. And from how Exaltation itself is described, it's not out of line to say that having become an Exalt would be a magnifier, an intensifier for what the person in question experienced. Exalting is described as (with one notable exception I'll go into in a moment) the Second Breath, with all the spiritual symbolism of the spirit and soul that breath had in the ancient world. It's essentially described as though the person came alive all over again. A sort of symbolic second birth, into a life that was grander and more intense than the first ever could have been. These aren't the public or fictional perception of the cold and stoic Nietzschean superman who has moved beyond merely human concerns such as grief. These are more akin to Nietzsche's actual values, as a man who once said that "[w]e should consider every day lost in which we have not danced at least once."

What does this phrase mean?

Contemporary descriptions of heroism and masculinity ( and yes that second part is relevant, even when discussing a notional heroine) since for much of human history the perception of heroism has been directly tied to masculinity and maleness and in a lot of ways, including--more recently--the expectation of not making displays of emotion which came out of beliefs regarding what was appropriate masculine behavior. However, I'm not going into that whole discussion here, as it's not the proper place for it. Suffice to say that contemporary and near-past sources often treat grief or sorrow as an emotional weakness or a failure. It's called a breakdown, described as falling apart, as something that happens when the normal order of things is interrupted, suspended, or damaged somehow. It's treated like it's a cause for shame, not an integral part of the human psyche/soul/spirit/nature.

I could give more examples, as there's a certain convention which came out of subverting this perception wherein the weeping of an otherwise masculinely-perceived man is used as an emphasis or an intensifier for the circumstances in which he finds himself, but that comes from a certain productivity devouring website to which I'd rather not damn my audience's attention.

Well, stoicism isn't necessarily recent, but it is much more prevalent in media and elsewhere. The Greeks, if I remember correctly, had stoics, it was almost like a cult at the time.
An Exalted with a Temperance of 4 or 5 would probably be a stoic.
Forgot Chrysippus was Greek thanks.

You're all correct there. But the thing is: I'm not talking about the exceptions. I'm talking about the convention, the trend. Stoicism was in part a response to what was perceived as the excessive ways of their forebears and contemporaries. Asceticism was certainly a thing, and it has its place in Exalted, to be sure. Similarly the Exalted host had its share of sociopaths and the like. Again: Havesh the Vanisher. But that was the exception, rather than the rule. For every one Havesh, you had three like Lyta or the Bull in the North or Anjei Marama. For every one of that Elder First Age Sidereal Ascetic whose name I always forget you had a dozen contemporaries whose passions became (likely literally) legend. And that's not even getting into things like the Deathlords. Ghosts in Exalted are sustained and empowered by their passions. Some of the most powerful ghosts in the setting are the ghosts of Exalted, in part (if not in whole) because of the strength and endurance of their passions. Some of it is also because of their inundation in essence, in case of the Deathlords, their merger with the soul-shards of fallen titans, and so forth, but a not insignificant part of why they could endure as ghosts in the first place was the strength of their emotions. These are people who felt strongly enough about things for it to act as a glitch in reality itself. That's the sort of people we're talking about.

While I agree the original post was incorrect abut some thing, you are casting the Exalted in to firm a mold. There is no reason not to believe some Exalts were almost totally emotionless, or that the entire range was not covered. Not every Exalt is going to display epic emotion, and that doesn't consider those who are insane for one reason or other. I think this is to much of a simplification, and boxing in of what an Exalt is.

Still, it is true that on some levels I am oversimplifying matters, but I'm arguing that, to what degree the Exalted host could be spoken of in a general sense, the tendency was for them to be emotionally expressive people more often than they weren't.

Going back to @Dragonbard's comment about high Temperance and stoicism:

Even the stoic among them likely still felt about it, otherwise there'd be no high-temperance ghosts around. High temperance isn't about not feeling things. It's about control of how you act on what you feel. And in many cases, temperance can be a form of feeling itself: a desire for justice and rectitude, for a basic fairness, if not others' conduct, then at least in one's own.

The idea that people should be reserved in their emotions is a relatively recent one, and has it's roots in the grieving period of Queen Victoria when the Prince Consort Albert died.

No, I'm serious. Before that, public displays of emotion were considered normal and healthy, and men's formal-wear came in a variety of different colours and styles, instead of mourning-black. It's had an amazing effect on the Western world.

This is in large part what I was trying to get at. And sorry if this whole spiel feels defensive or like a derail. My concentration in undergrad was in early [i.e: largely pre-Modern--taken in the literary sense rather than the common sense of the word--English Literature, so it's a subject I care quite a bit about. And, well, my own gender issues leave me something of a boundary object where said subject is concerned, so I've always found the subject somewhere between fascinating and aggravating. Also: fun fact, early on in there being gendered child clothing pink was often considered a boy's color (because it was a lighter shade of red, which was considered a strong and masculine shade), and children tended to all be dressed alike before that. Even after for a while. Seriously. Go look and it's surprisingly easy to find images of (I forget which, but) one of the Roosevelt Presidents in a dress as a young boy.

EDIT: It was FDR.

Links:
FDR Grew Up in a Dress: It Wasn't Always Blue for Boys and Pink for Girls
President Roosevelt Wore A Dress: New Exhibit - Wild Gender
History, Travel, Arts, Science, People, Places | Smithsonian
 
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Somehow the point I was making was entirely missed.
Mostly that:
1) Taylor was FAR from close enough to Amy to let herself go like that to a virtual stranger. She COULD do that with Danny and it'd be perfectly normal. But not to someone she'd had all of 3 meetings with.

2) Taylor was stressed, but also far from where said stress imposes any impediment to her function as Exalted(they tended to feel powerfully, but barring a Limit Break, they were usually capable of moving forward despite emotional turmoil). Tears may be natural, but they did not provide any significant catharsis like some may be assuming.

3) Trust is a thing, and she doesn't quite trust as easily since Emma turned on her. This part should be unchanged to date, though she necessarily trusts Uncertainty, it was more for lack of choice in the matter. At present, she's more likely to weep in private to avoid distressing Danny, followed by with her father in line with the increased openness we've been developing for them, and then a long way after, with someone else.
 
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