Which of the other starter choices do you want to see interludes from most?

  • Dishonored

    Votes: 3 7.0%
  • Legend Of Zelda

    Votes: 9 20.9%
  • Shadow Of Mordor

    Votes: 2 4.7%
  • Tengen Toppa Gurren Lagann

    Votes: 4 9.3%
  • Preacher

    Votes: 0 0.0%
  • JoJo's Bizarre Adventure

    Votes: 8 18.6%
  • Fist Of The North Star

    Votes: 0 0.0%
  • Kill Six Billion Demons

    Votes: 12 27.9%
  • The Zombie Knight

    Votes: 0 0.0%
  • Mob Psycho 100

    Votes: 2 4.7%
  • Author's Choice

    Votes: 3 7.0%

  • Total voters
    43
  • Poll closed .
Japan's thoughts on the subject a-fucking-side, when your child/part-time employee's mental breakdowns release unholy levels of psychic devastation, you get that kid to a goddamn therapist like your life depends on it.

I think that might be the reaction ONE is going for.
Specifically I think he might trying to evoke such a reaction in a Japanese audience, in order to get them to take a good, hard look at that aforementioned cultural attitude towards therapy.
 
WHY AM I ATTEMPTING TO DEFEND IT
Just throwing this out but.. how many other stories have you finished?

I think that might be the reaction ONE is going for.
Specifically I think he might trying to evoke such a reaction in a Japanese audience, in order to get them to take a good, hard look at that aforementioned cultural attitude towards therapy.
That'd be cool if true, sorta like Koe no Katachi but with emotional repression. Might be giving him too much credit though. "Mob" is a Japanese slang term for background character after all.
 
Shadow Of Jaune-Dor: Rebirth 1.1
So! I very briefly mentioned a little over a week or so ago that I had been working on a omake for a Shadow of Mordor Jaune. Well, I finished the first part, or at least left it at a place that I thought was a good ending for a part one, let it sit for a week, and returned to it this morning with fresh eyes for editing and phrasing changes.

Now I'm not 100% confidant that I did the greatest job, but I'm thinking that for me its at least not terrible, and I'd like to share it with everyone here. :) You know, contribute a little more beyond the occasional vote and comment, that sorta thing.

Edit: Read through again after posting and immediately noticed an incorrect word... Whoops? :rolleyes:

So without further ado...



Shadow of Jaune-dor
Rebirth: 1.1


Your name is Jaune Arc, and it is the morning of your seventeenth birthday. Or at least it was meant to be. Instead of waking in your bed however, you've awoken in the main room, shivering on the hard, wooden floor of your home. A slightly misshapen structure once, it's different rooms looked to have been assembled at many different times.

From the main hard-cut stone and wooden logged cabin which took up the bulk of the building, to the two attached bedrooms to the west of the house made from a much darker breed of tree, to the small brick and mortar hut on the north-eastern corner, attached to the main bulk of the house by only a thin walkway which connected to the deck that ran its way around the southern and western sides, a deck which was added on to the main building sometime not long after you were born.

It was a nice home you thought, starting to pull yourself upright into a seating position. A little ramshackled, and in a style very much thrown together as best one could, but nice all the same.

All your fondest memories are in this house, whether playing in your sisters' rooms, running around and through taller legs, being underfoot in the kitchen, and more recently, sitting around on the couch, relaxing and reading. Reading comic books anyway; it doesn't matter what your sister Jade tells you, pictures are Art and comics have pictures, therefore comics are Art, with a capital A no less.

Nodding your head at your flawless logic, you blink in surprise. Has the lounge room always been this foggy, this filled with a smoke that is both dark greys and blacks, and yet tinged with white and blue?

You know for sure that it hasn't always been bathed in such an off-coloured white light, as your elder sister Josie always made certain that the main rooms of the house used warmer golden lights, to "improve everyone's' auras, open up their hearts, and to ensure everyone in the house radiated positive vibes."

You were never quite sure whether or not your sister knew what she was talking about and if the warmer lights did help to prevent people from attracting the Grimm, or if she was just a hippie. Considering her flower shop lifestyle, choice of friends with similar nature-loving views, and long curly hair, it could very well have been either.

But this grey-white-blue, this oddly cloying colour which simultaneously fills the room and yet barely provides the light for you to see. The way it clings to the walls and floors, highlighting the scrapes and scuff marks from years of children and the newer scorch marks and scarring which must have just occurred.

You can see it in the way it floats and sinks throughout the room. The way it drips off the furniture, outlining where the chairs have been knocked, the couches dragged, the glass table smashed and even in a clearish-white shadowed outline of a puddle on the floor, next to a knocked over tub of bleach. This is wrong. This is unnatural.

But how did this happen? What could have happened that could cause such a mess, that could have effectively destroyed your family's living room, that could have left this fog throughout the room, stretching as far as you can see? You don't know in the slightest – you need to find someone who does, or who could at the very least guess.

"Mom?!" You call out, your throat hoarse. "Dad?!" You feel parched, almost as though it had been days since your last sip of water. "Mom!!" You yell out again, seeing a body slumped close to the doorway that would exit your living room. But it isn't her. In a way perhaps, it's even worse.

"Dad," you breathe out, the sounds escaping from your lips in a strangled gasp. "No, Dad, no! Noooo, no no no no no! Wake up!"

You've rushed forward now, sobbing as you sink to your knees beside him, but it's clear he won't wake again. Not with that much blood pooled around him, shimmering strangely in the odd, off-white coloured light that surrounds you. Not with that thin red line you can see sitting diagonally across his throat. His sword is lying an arm's reach in the opposite direction just slightly too far away, just far enough to be out of reach.

You bow your head, motionless for several seconds, before reaching out to close his eyes. It seems like so little, this thing you have done, yet you feel more at peace for it. Almost as though by doing so you can attempt to honour your Father one last time.

You reach in the opposite direction to where you woke up, sliding the ancient blade towards yourself. You can still remember your father attempting to teach you even the basics when you were younger, how to block and parry, how to slide out of the way. Even rarely how you ought to strike and how to properly swing your heavy wooden practice sword offensively.

You never truly got the hang of it however, being somewhat more inclined to give up when things got too tough rather than obsessively practising. As you pick it up however it seems the same weight as the old wooden sword you once trained with, perhaps even lighter. You lazily flick the point of the sword in an arc in front of you and frown as you realise how easy it seems to be.

You glance around you and lurch to your feet, holding your Father's, no, no its your sword now. You hold your sword, point lowered to the ground, and glance around, taking in the clinging misty light once again. You know that your father would have fought to his dying breath to defend your family, and the very fact that he's lying here like this now...

You pause, and look around once more. The room hasn't changed since you last saw it, and your body still looks the same, but you shiver as you feel a chill go down your spine.


"Am I dead?" You wonder aloud, thinking that you must already know the answer deep down, and not expecting a reply.

"You have been Banished from Death."

The response comes out of nowhere, echoing around the room.


"Are you to explain what has happened to him, the way you did to me?"

"Why not? It worked with you. All that I knew that was pertinent, I told you. And I got across all facts that were needed."


You jump in surprise at the voice, swinging your sword around, as you see the mist blur and shimmer in the corner of your eye. You cast around trying to catch a glimpse of whatever (whoever?) it was, before spotting something else. You move closer, fearing, knowing what you are to find.

And then you see her. See your mother lying there on the carpet what must be less than 5 metres away. How did you not spot her sooner?

As you stumble towards your mother, sword in hand, the world seems to rock and move, expanding first one way and then the next, leaving you to cross a suddenly larger expanse to reach her. As you near her you see that she's lying body down, with her face tilted towards one side, in the direction that you came from originally, facing where you woke up.

There is no true way to know without disturbing her but… You can see a thin red line drawn across the side of her neck, just like on your father's neck and you know, you just know that somehow... She must have been killed in the same way as your father.

A thought strikes you then, your hand flying up to touch your throat as if to reassure yourself… But no. There is no open wound, no great line of scar tissue that such a wound would have surely have left if one were to somehow survive and heal from it. But for at least a moment you thought…

You kneel down, reach out and gently close your mother's eyes, much like you did your father's. If your father was the one who attempted to train you before you quit, who gave you so much advice about life and the world and talking to girls, then your mother taught you perhaps not softer things, but kinder and more homely things.

You can almost hear her humming along now, as she spent time with a younger you, teaching you how to keep your sister's happy, both older and younger, how to read and how to cook. Admittedly, you can recognise that you probably made more of a mess than did any actual cooking in the beginning, but your mother encouraged *cough* made sure *cough* you helped out as a part of your chores.

She taught you how to braid hair, something that not only each of your sisters approved of, but your father did too, laughing uproariously as he encouraged you and Jasmine to practice on his luscious mane of hair.

You feel the tears running down your cheeks as you attempt to blink them back, but to no avail. You lunge backwards and spin yourself around to land on all fours before being abruptly and violently sick, emptying your stomach.


"This is who we are bound to? He is but a babe, untrained and weak. He will weigh us down."

"If you believe this to be a mistake, then by all means, change it. Unbind us! Why not turn back time itself while you're at it?"


You scoot backwards, away from the sick and your mother both, and slowly sink down onto your back. You're in a room with the bodies of your parents, there's some weird glowy smog stuff everywhere, and you heard a voice.

In fact, if you concentrate you can hear something else, an odd sort of crackling, hissing, spluttering noise and… perhaps faint voices, as though you are hearing them shout at each other with the volume turned way down low?


"You know that I can't do that, we can't do that! I could create masterpieces, smith objects of true power, but miracles?! Those are far beyond my ken!"

"Precisely. We shall just have to make do with what we've got. He seems to be near the age of a man after all. And there are worse possibilities. He shall learn, over and again if needs be."

"He must. There is too much at stake here for him to not."


You stagger to your feet once more. If you weren't just hearing things then that means that you aren't alone here. But are they friend, or are they foe? You guess there's only one way for you to find out.

"H-hello?" You call out into the surroundings, unsure if any response is forthcoming, before a point of wispy blueish light, like that surrounding you and surrounding everything else emerged, shimmered, and grew large, taking the shape of a man, with another following it slowly after.

While the first man took measured steps towards you, the other stalked off at an angle, before heading off in a short loop around you.


"Greetings," he said, smiling, his voice markedly different from the one which spoke previously. "I am Talion, Ranger of the Black Gate. What is your name?"

Tall, lightly bearded, with sharp eyes and hair of a similar length to your fathers after his most recent haircut, he wore a tattered uniform of some kind, with a dark cloak tied around his neck. Leather bracers covered his forearms, and he was adorned with many straps and silvery buckles gleaming out at you, all up both his arms and on the sword belt strung across his chest. Poking up over his right shoulder were two sword hilts, both set at a diagonal angle to his torso, with the slightly larger of the two set further back.

His companion on the other hand looked markedly different, wearing much more armour which glinted dully. Metal bracers, pauldrons, and a breastplate covered his arms and torso, and metal greaves covered his shins. A lightly armoured tunic was worn underneath, with flaps hanging around the sides and backs of his thighs to protect him, and a brightly gleaming circlet adorned his brow.

Two throwing knives were somehow attached to his breastplate, and a quiver of arrows hung on his back, in the same diagonal manner as Talion's swords, although he had no bow in sight. His face however was grievously scarred, perhaps even burned, and covered in lines, markings and pockmarks. His eyes however were hard and unyielding, seemingly piercing through you, almost as though he was looking at your very soul.

You realised that the first man, no, that Talion had asked you a question, and you hastened to respond.


"I'm, ah, Jaune. Jaune Arc. It's… nice to meet you?"

"Perhaps under the circumstances." The second man replied. "Maybe. I am Celebrimbor, greatest among the Elven smiths, forger of the Three, and the last of my people on this earth."

Talion and Celebrimbor, now named, draw nearer to each other, the elf? (And wasn't that a can of worms that you didn't even want to think about right now.) having paced his way around and behind you during his little speech.


"Where…" You wet your lips and try again. "Where are we? It looks like my home, but… It's wrong, its all wrong. What has happened to me!?"

Your voice rises towards the end, cracking, as you are unable to keep the panic from suffusing your tone. Talion speaks carefully then, and Celebrimbor, less so.


"It is as Celebrimbor said earlier. You are like us now. You have been banished from Death"

You take a step backwards, in shock.


"But…"

"Let us do away with these frivolous pleasantries. You have been torn away from the world of the living, cast adrift between the worlds of light and dark."

"No!" You let out a long, drawn out moan, attempting to deny what you'd just been told. "If I'm here, if I'm trapped here, then my Mom and Dad… What happened to them? Why aren't they here too?! Why me?!"

"We don't know," Celebrimbor said. "Summoning the dead, as far as my knowledge goes, is a difficult and imprecise art at best. And as for what comes after... No. The three of us are now stuck, bound by a dark curse to be together."

"And if we were summoned," Talion continued, "Then they were likely trying to summon something far worse. Something…" He exchanged a significant glance, nay, a look with Celebrimbor "Something Darker."

"What can we do then?" You ask "Are we just stuck here in this moment for the rest of our lives? Trapped forever?!"

"No." Spoke Talion. "There is something to be done, that the three of us can now do together. We can avenge your family, as I once avenged mine, and Celebrimbor his. And then we can attempt to break this curse."

"We will kill the man who did this to us." The elf growled. "Kill the man who has cursed us to walk the earth once more. Kill him, and claim vengeance for yourself and your family."
 
Last edited:
Just throwing this out but.. how many other stories have you finished?
None at all! One didn't work out, another I slowly lost interest in and realised I needed a plan for but now the spark is gone and I'm just spinning those wheels, and a third actively fought against my attempts to write it!

... Suddenly that line from Death Of A Salesman makes a lot more sense.

Shadow of Jaune-dor
Rebirth: 1.1
I'm tempted to give you a couple points extra for that title alone.

Also props for just going all in on the dead parents, I was still kind of beating around that bush on how exactly I wanted to go about setting Jaune up in the undead buddy system, so good job being more decisive than me. I'm definitely interested in seeing where exactly you're going with this if you do intend to make this a series because it's definitely caught my attention.

17 points, bringing the total up to 167. That's two skill ups and the tarot deck, or one skill up and the Social Linko Pops.

-gently places gun in mouth-
 
None at all! One didn't work out, another I slowly lost interest in and realised I needed a plan for but now the spark is gone and I'm just spinning those wheels, and a third actively fought against my attempts to write it!
There you go. You're protective of it because in a very strange and twisted that nevertheless kinda makes sense... well. It's your firstborn. xD

17 points, bringing the total up to 167. That's two skill ups and the tarot deck, or one skill up and the Social Linko Pops.
Ooooooor we get two more of these and start the Process before chapter 1 officially starts. :cool:

-gently places gun in mouth-
If absolutely nothing else, take solace in the fact that you were warned.
 
Actually...see there's something funny.
Hollow Knight? The game I made an omake with? It just got an update with an awesome boss. Wanna know his name?

Grimm.

I'm feeling somewhat inspired by that, and probably will make some more omakes, soo...maybe it'll happen?
I am not sure that words are good enough to describe
the sheer soul crushing despair of fighting Nightmare King Grimm. I just sort of accepted that I will never beat him.
 
Weeklylife.bat, Cycle 1, Result Page 1/2
I picked up Final Fantasy XV again this week. I- there's a noodle hat that appears during the cutscenes, like, a fully modelled cup noodle helmet that's an honestly good piece of equipment, you can turn the Regalia into a monster truck, there's some kind of alien exoskeleton armour thing, and a freaking Assassin's Creed sidestory where they actively namedrop the series and quote it like some kind of bad fanfic-

I mean, I'm not complaining, I'm just really confused.

Ooooooor we get two more of these and start the Process before chapter 1 officially starts.
... You realise that after this update, you have a one in sixteen chance of getting the Process, right? And that that chance is going up with every update? Is it really worth wasting 200 points on something you could very well get for free on the next turn?

I intend for you to get the Process before the Forever Fall trip. I'm not fudging numbers, but that's when I intend for them to be a thing.

Also, if anyone's interested in that RWBY/My Hero Academia crossover, that has its own thread now!

Which leads neatly into my next point- for future reference, if anybody ends up starting something new because of this quest, whether writing an omake inspires you or something like that, mention me there and I will happily tell people in this thread about it. Hell, even if you don't want me to do that, mention me anyway, because why wouldn't I wanna see it?

Anyway, go. Read. It good.

Unfortunately, due to personal injuries, the second half of this update may be delayed somewhat. Normally, I would just suck it up, but the bandages I'm wearing make me feel like I'm smashing my keyboard with raw sausages, which is... just slightly irritating, to say the least.


Dream Roll: 442
No dream tonight. Shame.

Monday - Wednesday
Your mother comes into your room with the intent of, going by the whistle in her hand, waking you up at pretty much the crack of dawn. So, when she sees that you're up, typing away at a holographic keyboard, that kind of throws her off.

"... Please tell me that you haven't been up all night." She asks instead.

"No, I forgot to turn off my alarm and I couldn't get back to sleep, so I thought I should work on something."

You glance at the whistle, now hanging almost forlornly from her neck, and wonder why she was going to wake you up so early anyway.

"... Like... sword practice?" She ventures.

Ah. Ah.

... Eh, sure. You save and close your work on Ping() and get up, stretching the inactivity out of your limbs.

"Sure. Can I get dressed first?"

The whistle is deafening.

"You have five minutes!" She yells, leaving you scrambling to get into something training-worthy.

Still, despite the drill sergeant act, you can tell she's enjoying herself immensely if the little grin that took over her face after the whistle was blown and stayed right there until you got outside is anything to go by.

{I think she's just happy to have something to do. Something Huntress-related, at least.}

You don't get a chance to think about that too hard as your mother throws Crocea Mors at you. You just about catch it, hugging the scabbard close to your chest so you don't drop the 80-year-old war relic.

"Ok, today, you're getting a taster in using sword and shield, since, you know, that's how Crocea Mors is meant to be used. See the handle on the scabbard, the same bit you use to hook it onto your belt? There should be a little switch there, should fit between your middle and ring fingers."

You hold it as your mother instructs, and feel the tiny switch exactly where she described. After a bit of experimentation, you manage to press it down, and the sheath responds violently. With a slight hiss, several metal panels shoot out in quick succession, settling down and fitting together absolutely seamlessly as the handle tightens up, wrapping around your hand as another strap wraps itself around your forearm, just below your elbow. Holding it up, you realise one immediate difference.

Swinging to the left is gonna be awkward as fuck with a shield. Not impossible, but you'll need to lower it to do it with any effectiveness. Glancing at your instructor, you see her smirking knowingly.

"Figured out the problem?"

"Only half the angles if I wanna keep it up?"

"Exactly. That's the price of protection. And since you're learning how to use a shield, I don't think the tree stump's going to be a very good opponent today."

You mean, fair enough, but what are you gonna do instea- oh no.

You bring your shield close as soon as you realise what she means, angling it to deflect the bayonet-sword thrown at you. You watch it flit back to your mother's hand, the carbon fibre wire glinting slightly in the morning light.

"Shield foot straight forward! Sword foot back and at an angle!" She yells, launching towards you at a frankly terrifying speed.

Just barely managing to follow her instruction, you fend off another attack, and another, and another, every strike forcing you to give ground. Looking past your shield, you note whatever happiness was in her face before is gone, replaced with a hard-set stare, and you almost lose an eye for your curiosity. You get the feeling that was the last instruction you're being afforded.

Roll: 15+15= 30/21- Skill Up!

D+ => C- (New Threshold: 9/120)

Congratulations! You are now average at this skill! Good job reaching that baseline, champ!


In a moment of sheer frustration at being pinned like this, constantly giving ground to her, you thrust your shield forward with a yell, and you're rewarded with the sound of metal meeting jaw and the sight of your mother twirling to the ground. Ice fills your heart, and you drop your sword as you check on her.

"Mom!" You yell as you break stance to drop to your knees, checking on her.

{Uh, Jaune, you might wanna back off a lit-}

Before you can even say anything approaching an apology, the flat of her blade, bending with the speed she's sending it through the air, whips you across the jaw like a steel crop, and you find yourself on the ground, watching as your mother launches herself back onto her feet. You quickly bring the shield up to cover your chest and face, trying to protect your vital giblets.

{-le.}

You tried.

{AND YOU DIDN'T.}

A moment passes, and no strike comes. With no dearth of hesitation, you lower your shield and see her offering you a hand instead, a slight smirk back where it belongs.

"I'm not made of glass, honey." She says as she pulls you up. "It's been a while since I took a shield to the jaw. Usually takes people a bit to get used to the idea that the shield is as much of a weapon as the sword."

You blink, laughing nervously. You don't really know how to admit that you just got kind of frustrated and did the only thing you could.

"Uh, yeah, just... maybe a little less intense, please? At least for now?"

Your mother's smile warms a little, and she sighs gently.

"Yeah. Sorry. I guess I've been itching for a fight a lot harder than I thought. So, uh, thanks for knocking some sense into me."

Laughing a little easier at that, you get back into stance, and raise your weapons.

|||

Roll D50: 23

Roll 1d20: 20!

Roll 1d10: 8

Burnout (Overtraining) avoided- Physical training available next week. One burnout point added. (Two threshold fails needed to burn out on a subject- only applicable to the week after it is earned.)

Midweek Event- Professor Mary Edwards Teal
You walk to the address Professor Teal gave you on Friday, and find yourself in front of an apartment block.

... Huh. You're not sure why but you expected something more... homely.

{On a teacher's salary?}

Point taken.

You walk up to the front door and look for her name on the set of buzzers.

{410.}

Ah, there you go- Mary Teal. You press the buzzer for a few seconds, before waiting for a reply. A few moments later, it crackles to life, and you hear a slice of her life.

"Ah, Rosie, don't paint your brother! Uh, h-hello?"

"Hey, it's Jaune. Is... now a bad time?"

"Oh! Jaune, uh, no, no, now's not a bad time, it's just a little hectic, but now's fine- gah, Robin, don't paint her back! Uh, just come up, I have to take care of this!"

The connection cuts out, and you're left wondering what in God's name is happening up there.

{Kids, Jaune. Kids are happening.}

Joy.

Steeling yourself, you walk through, quickly taking your Scroll out and showing it to the doorman before he can say anything, presenting the medical documents that have saved your ass from the police more than once. He glances at them, then at the floating sword.

"... You know what, if there's ever been something actually above my pay grade, it's this."

Smart man. You walk on, taking one look at the tiny lift and realising that you're going to have to take the stairs. How many floors up again?

{Four. Not that bad.}

The hallway of the apartment complex is about as plain as you can get- two-tone wallpaper, cream carpet that's probably been here since the Faunus Revolution, and simple cast iron radiators at periodic intervals.

No hot water flow detected. Radiators non-functional.

{I'm fairly sure that's illegal.}

You are too. Is it due to a fault, or are they just not on?

Unknown.

Hrm. Weird. Setting that aside, you knock on her door, hearing the sound of children laughing and Teal trying her best to keep them under control. After a minute or so, she opens the door, and you're faced with the tiny woman's paint-spattered face and dress, panting slightly from the exertion.

"Ah, ha, hello, Jaune. Sorry, I'm, my neighbours had some kind of emergency with their youngest, so they rushed her up to the hospital, and I offered to keep an eye on the others while they were out, and they're just… a handful." She finishes lamely. "Uh, please, come in!"

You step past her, and into an apartment painted like a modern art piece.

You don't think that's intentional.

It's a nice apartment by all standards- not large exactly, but not claustrophobic, the walls white and cream in the same two-tone pattern as outside. Small ornaments adorn tables, from little figurines to glass paperweights, and a few pictures of Teal and some other people you don't know, two men and a woman. She's young enough that you can't really see a marked difference between the picture and the woman herself, but she somehow... looks happier in it. A few paintings are hung here and there, some of the Vale mountains, some cottages, all done in the same, loose, almost impressionistic style, to the point where you're not sure they weren't done by the same person. They're nice, all very obviously labours of love, and it breaks your heart when you see that they've not escaped the great spattering of two children given access to paint.

Speaking of, here comes the two hellspawn now. You watch as two children flit from room to room, maybe three or four at the oldest, a boy and a girl, yelling and laughing and generally acting like the little Cain-raisers they are.

"Ah, no running!" Teal half-heartedly yells after them, her voice tired, lacking conviction. "Oh, why did I think giving them cola was a good idea..."

You watch as she rubs her temples, and can't help but feel a stab of sympathy for her. The children, apparently capable of sensing emotional weakness, pop their heads out from behind a doorframe, looking directly at you, and for a moment you regret ever developing empathy for other human beings.

"Woah... coow!" The boy yells, apparently a signal for the two of them to rush you. "Woss that?" He asks you, pointing to your sword as he waddles at you.​

You give him a big smile, crouching down and meeting his eyes. Little words for little people.

"It's my big blue sword. I use it to hunt Grimm."

"... Can uh pway wiv it?" The girl asks you.

"No."

With that, you walk past them and into the living room proper, Teal offering you a seat.

{That was cold, even by our standards.}

What else could you say? 'Sure, just don't fire off any world-ending energy blasts?'

{... Point.}

You sit on the least-spattered portion of the couch, watching the kids go back to their game, apparently unaffected by your blunt refusal. Your host flops down on the couch with you, her head swinging over the edge as she takes a deep breath.

"... Any idea when they're gonna go?" You ask, not even trying to hide your mild discomfort around them.

She giggles a little. "Well, it was an emergency. I, um, I saw the poor thing, sh-she was wheezing for breath and they were almost pulling their hair out over her, and this... it's one thing less on their minds."

You hum in agreement.

"Er, so... how does this work? Scanning my Semblance, I mean. Do I need to do anything, or...?"

"Well, technically, I started scanning it the moment I got into the building. Ideally, you'd be able to use it, but… I don't think that's a good idea."

She blanches a little, quickly nodding her head in agreement.

"I-I see. So... we just, sit around for however long it's going to take?"

"And keep an eye on the kids, I guess."

For some reason, that makes her smile.

"Well... at least it won't be dull."

|||

Almost as if to spite Teal's prediction, the kids suffer a nasty sugar crash after a while and they're soon curled up on the other couch, taking a nap. Thankfully, their parents apparently predicted this and gave your professor blankets for them. Right now, she's enjoying a cup of calming tea and generally looks more relaxed than she has for the entirety of your visit. You only requested a glass of water when asked, trying not to impose.

Bracket pores over the information the scan is giving him, and it's... enlightening. Her Semblance seems to work not by healing the wound in question, but by... convincing the body that it was never there in the first place.

Well, ok, that's not exactly how it works- essentially it lends the affected part enough energy to heal and grow while suppressing the formation of scar tissue and correcting anything that would impede proper function afterwards.

{She's like a one-woman team of doctors and surgeons. It's... amazing. Where's the downside?}

Indiscriminate- the energy is imparted to all living organisms it's directed at. Could lead to infections worsening, possibly to a fatal degree.

Oh. Well, that's... annoying.

Only seems to affect infections that have set in, e.g, cellulitis or SSIs. More data needed- suggest questioning her.

{I agree, but be careful. If her speech at the test was anything to go by, I think she might have a few nerves you don't want to push.}

"Jaune?"

You snap out of your mental conference call, looking over at Professor Teal.

"Oh, sorry, I'm just looking over the data I've got so far. Er, would you mind if I ask you a few questions about your Semblance, just to confirm some things?"

Teal blinks, before nodding hesitantly, seeming somewhat unsure about where you're going with this.

"Well, first of all, tell me what your Semblance does, and the mechanics behind it, if you can."

She takes a moment, bringing her knuckles to her mouth in thought, her brow furrowing.

"... I... suppose I would describe it as healing. I've never, had it formally tested, so you know more about the specifics than I do, but I've never ended up having to deal with complications afterwards, for what it's worth. I suppose the only things I can do that are out of the realms of medical science, as far as I know, anyway, are reattaching entire limbs, and..." She trails off, sighing a little.

{Wait.}

You do so.

"... At least one case of severe brain damage." She finishes a few moments later, looking away from you.

You feel your eyebrows rise. Brain damage?

That's... hoo boy.

"Inherent, or trauma-based?" You ask, appeasing Bracket as he yells at you to grill her on that, tact be damned.

"Er, trauma-based. It was..." She stops, and you can see her begin to bite the inside of her lip as she debates with herself over something.

"You don't need to tell me the full story if you don't want to."

She huffs a little when you say that, but manages a smile.

"It's fine, I'm just... trying to figure out how to say it. A few years ago, there was a Huntress, she got separated from her team, then caught by a Beowolf pack. They broke her Aura, but she managed to get away from them for a moment, and she decided... if she was going to die, she was going to do it on her own terms. Her team was less than thirty seconds away, and when they found her, she wasn't dead, but she wasn't... there. Weeks after, she couldn't speak, couldn't walk, couldn't even swallow properly, she didn't seem to be aware of anything. One day, she fell asleep, and just... didn't wake up. One of her teammates heard about me, somehow, and called to see if I could help, and... I could."

She smiles, the tiniest hint of sadness lurking in the expression.

... Holy shit.

{That's... god. I figured there was something, but... nothing like that.}

Any kind of excitement the three of you might have had about the idea of fixing brain trauma is smothered by her story, and you find yourself at a loss for words. Soon, the only sounds are the ticking of the clock and the mumbling of children in their sleep. Professor Teal seems to pick up on it and asks her own question instead of letting you stew in your own awkwardness.

"Erm... so... what does it look like? Erm, the data, I mean. I can't even begin to imagine what quantifying a Semblance would look like."

{Bracket?}

Projector ready.

"Like this." You say, flicking your wrist and sending your sword floating horizontally above her coffee table, the red eye glowing slightly as it projects the past half-hour's work a few feet above the table.

You learned quickly that basic 2-dimensional code just didn't cut it where Aura and Semblance quantification were concerned- the result was a file that usually measured terabytes in size, and several hundred billion lines long, almost as if boiling a metaphysical construct that essentially defined a person into a purely digital format was hard or something. So, you decided on a different approach. First, you tried Goedelisation, using the products of powers of prime numbers to try and compress information down, but that only led to slightly smaller gigantic block codes. Useful for a lot of stuff, but it's still...

It took a while, but Bracket figured out that dealing with the code in a 3D environment seemed to make things slightly more manageable in terms of searching for things. It was still terabytes in size, and the three of you had to create an entirely new language, not a coding language, an actual language, alphabet and all. After a while, it occurred to you that you had essentially boiled down one of the most complex metaphysical concepts into a language that could probably gently place every philosophical text on the subject on a table, then flip the table, off a cliff, and chase it with a molotov cocktail made from an entire fire Dust canister, so you decided enough was enough.

Combine the two, and you end up with a projected cube that at least partially describes your school nurse's soul.

"O-oh! It's..."

She watches the flowing script flit from place to place, a real-time version of Bracket's attempts to quantify the little things, trying to fit them into the larger puzzle, trying to make everything flow in a way that... makes sense. In a way that rings bells deep in her soul, seeing herself laid bare like this, in a way she knows on an instinctual level is... her. Everybody who's asked you to show them this sees themselves in it somewhere.

"... Beautiful. I don't understand it, not one bit, but it's... wonderful. I still can't quite believe that you can actually copy my Semblance like this."

"Well it'll be a few weeks before I can create a useable Function out of it, but... it's a start." You take a moment to think on your next question and figure some personal history is at least on the edge of kosher now. "So... what did you do, before Signal?"

Professor Teal blinks, not expecting the question, but goes to answer it anyway.

"Ah, I was... well, I suppose I was a something of a... medic, I suppose." She tells you. "I didn't stay with my team after Beacon, but my Semblance gained attention. I worked in less well-equipped hospitals when I could, but most of my work was as a hanger-on with other Hunter teams. I've... seen the worst that can happen to people. Limbs lost, half their bodies burned to a near crisp, gored by Boarbatusks... it did strain me a little, at times. But, I was helping people! And that's what matters, right?"

You nod gently, choosing not to interrupt, which she takes as a sign to continue.

"But... things just started to get too much. Cases like the Huntress I told you about were... almost my norm. I've heard that doctors deal with losing patients by remembering that they're only human, but... I healed them perfectly. What would take a doctor 12, 16 hours of surgery took me all of ten minutes. So, when I lost people anyway... I don't know if it hurt more than a regular doctor losing a patient, but... it stung. Then I started thinking about the others, people with genetic defects, people with cancer, people with diseases that made their bodies waste away, people I could do absolutely nothing for..."

She looks up, and you can see her blinking away tears, taking a moment to breathe and compose herself.

"... So... I stopped. Somebody dear to me pointed out that I was running myself into the ground, that I was only human... so I visited hospitals less and less, only took more and more severe cases, I... weaned myself off of acting like a panacea. Professor Moss heard about me, he told the principal, she offered me a job as a school nurse, and... here I am."

Despite yourself, you can feel your mouth hanging open, genuinely at a loss for words.

"I... I'm, sorry, I really don't know what to say."

You realise that the Teal in front of you is different from the Teal you're used to- gone is the overly-passive but well-meaning school nurse with a stutter, and instead, you're faced with a woman who's... infinitely more relaxed, but at the same time, she seems... so melancholic.

She looks at you, and a look of sheer mortification passes over her face.

"A-ah, I'm sorry! I-I didn't mean to, um, go on for so long about my personal life-" She stutters her way through an apology, and you gently remind her that you did ask.

She takes a sip of calming tea, only to wince in disgust as she discovers how cold it's gotten.

Somehow, things aren't as tense as they were a few minutes ago. And you're ok with that.

|||

Soon enough, maybe half an hour later, the kid's parents appear and take them off her hands, the father gathering their still sleeping forms up in his arms. You have the foresight to hide the Transistor in her kitchen, away from the eyes of zealous caretakers. You spend the rest of the time chatting away, and find that casual conversation actually flows easier, now that all the heavy stuff is out of the way. You learn some more about the paintings, and that she is, in fact, the artist behind them.

"Um, it started out as a way to relax, th-then I realised I was actually rather good at it!" She tells you, her stutter back in full force. It's odd, but she actually sounds more at ease when she has it.

{It's just what you're used to hearing.}

"... So... how does your Semblance work?" She asks after a while, curiosity in her voice. "I-I read your medical file, but I still don't... understand how you do what you do."

"Well... that's, complicated. I'm still trying to figure things out, but the most basic use for it is, well, acting like a human calculator- it feeds me a constant stream of information and tries to quantify and categorise everything around me, which wouldn't be too bad if it wasn't uncontrollable. The human brain isn't meant to take in that much information at once, let alone pull off the stuff I can do with the Transistor, and... I suffered for it. Once I built it, though, my Semblance had the processing power it wanted to run my Functions with, and I had something that could filter out the worst of the information, and, well, act as a focus for my Functions."

She nods, hesitantly at first, but slowly beginning to understand what you're saying.

"So... all this, being able to boil Semblances down to numbers, so you can copy them... it's just... math?" She asks with only the slightest hesitation.

"Pretty much, yeah. The problem is processing power. To do in a year what I'm almost done doing, you'd probably need... at least every piece of computing equipment in the CCT."

Are you right?

{Ehh...}

That's the low end of our estimates.

{Yeah, that's... way lowballing it.}

Your teacher blinks.

"... Heavens."

Your chat moves onto less personal topics, quickly finding that the two of you share a taste in literature, and time just flies by after that. By the time Bracket tells you that he's done, you're almost sad to leave.

"W-well, it's been lovely having you, Jaune. I suppose I should... start trying to clean up after the kids..." She mumbles, looking as though she'd rather do anything else.

{Well, while Bracket was dealing with her Semblance, I decided to try my hand at making Reboot() logs. Wanna try cleaning up?}

They are of acceptable standards. Certainly usable.

{Aw, shucks, yer makin' me blush.}


You see exactly no reason not to do that.

"Oh, uh, let me get that for you."

Before she can say anything, you wave your hand and your sword turned housemaid floats to the centre of the room, wireframe overlays appearing on every minuscule stain, paint spatter, cola spill, and ridding the apartment of them all in a thousand flashes of light. Teal blinks, this time to try and regain her sight, and when she does, she's greeted by the sight of a spotless apartment.

"... A-ah. Well, th-that's my evening freed up." She says, awkwardly smiling at you. "Um, thank you, I-I really wasn't looking forward to that."

You walk to the door, your sword following.

"Hey, it's the least I can do. Thank you for doing this, Professor Teal, it's going to help a lot of people."

"Jaune?"

You turn to look at her, your hand still on the handle, and see her smiling at you, the first genuinely, unconditionally happy smile you've seen out of her all night. She takes a deep breath, quickly composing herself for whatever she wants to say next.

"... Thank you. For listening, I mean. I... didn't realise I still felt as strongly about it as I do. Just... promise me something?"

"Uh, sure. What is it?"

"Don't... don't fall into the same trap I did. I don't expect you to, but... promise me you'll help people because you want to help people, not because others have guilted you into it."

Her face has lapsed into seriousness, obviously determined to get this promise from you.

"... I promise. I don't think I would have... but now I have no excuse to, right?"

She huffs, her smile returning and widening, reaching her eyes for the first time all day.

"No. You don't."​

Coding
Ping()- 69+39+17+150+750=1025/1000- Function Complete!

Ping(): It's like a derringer minigun!
Active Slot Effect: Fire rapid kinetic charges in a straight line.
Upgrade Slot Effect: Reduce Turn() planning cost and speed up most Functions.
Passive Slot Effect: Move much farther in a single use of Turn().
MEM cost: 1
Turn() Cost: 1

Cache()- 85+82+78+150+250=645/700

Closer...

Directory_Repair() now in Alpha!
 
Last edited:
I... weaned myself off of acting like a panacea.
I see what you did there.

Great chapter. More training with dear mother, then we jaw'ed her with our shield and she laughed it off. We got to learn more about sweet Professor Teal. I did not expect her to have that sad of a backstory.
 
Hmm. I have an interesting idea for how the Process might work, but I won't have time to flesh it out properly (real life calls!), so I'll just toss it out for the author and other prospective omakers to think about.

The basic idea is, since Jaune can mathematically describe the Semblances of others... what happens if he makes a complete and perfect mathematical model of his own Semblance?

The answer would be a self-propagating mesh, barely anchored in the material world, able to spread out and envelop everything as it grew ever outward - a sort of grey goo/utility fog scenario where instead of being mere nanotechnology, the machinery is pure conceptual mathematics overcoming the laws of reality.

Near omnipotent control over Remnant if done properly and given time to grow... and a near certain destruction of the world if the right bug crops up to, essentially, give physics cancer.

And that all sounds an awful lot like The Process.
 
Last edited:
Hmm. I have an interesting idea for how the Process might work, but I won't have time to flesh it out properly (real life calls!), so I'll just toss it out for the author and other prospective omakers to think about.

The basic idea is, since Jaune can mathematically describe the Semblances of others... what happens if he makes a complete and perfect mathematical model of his own Semblance?

The answer would be a self-propagating mesh, barely anchored in the material world, able to spread out and envelop everything as it grew ever outward - a sort of grey goo/utility fog scenario where instead of being mere nanotechnology, the machinery is pure conceptual mathematics overcoming the laws of reality.

Near omnipotent control over Remnant if done properly and given time to grow... and a near certain destruction of the world if the right bug crops up to, essentially, give physics cancer.

And that all sounds an awful lot like The Process.

The QM already chimed in on the process because peopel were getting really damn annoyed with the arguments especially the QM himself and he outright said not to compare what happened to the canon process to Jaune since Jaune is going to be the one making it and actually having control over it. Also don't expect Jaune to be an idiot about it.
 
*raises eyebrow*

I don't doubt that if we work slowly and carefully, we can make absolutely incredible use of a self-propagating and sustaining mesh for our semblance, with very little real risk.

I'm not talking about any abstract fears related to the misuse of the Process, I'm talking about one possible interpretation for what the Process is, since I find that kind of mental scaffolding incredibly useful when writing people with amazing powers - far better then just tossing meaningless technobabble around.

And as such, I think one possibility for what the Process is (for the purposes of this quest), is an iterated copy of Jaune's semblance, created by Jaune's semblance, and thereafter supporting its own weight of existence through use of its own ability to use math to warp reality... and being able to spread, making more copies its own copy of the Semblance.

If we go with the idea that the Transistor is a perpetual motion machine maintaining existence through the power of the calculations it itself is performing, then The Process would be the next stage after that - the same, but with greater autonomy, and self-replication. (And a metric assload of safety restrictions.)
 
Last edited:
Hmm. I have an interesting idea for how the Process might work, but I won't have time to flesh it out properly (real life calls!), so I'll just toss it out for the author and other prospective omakers to think about.

The basic idea is, since Jaune can mathematically describe the Semblances of others... what happens if he makes a complete and perfect mathematical model of his own Semblance?
I mean, there's literally nothing limiting it to just simulating other souls. Nothing is keeping him — other than a very large amount of justified fear — from learning how to create new souls and people from whole cloth. His version of the process could very well be actual sentient people, built for a specific task and capable of rewriting their very souls as they wanted or needed.
 
...Jaune might just end up worshipped as a god by the time he's old and grey. That's what I'm getting out of this discussion.
 
It took a while, but Bracket figured out that dealing with the code in a 3D environment seemed to make things slightly more manageable in terms of searching for things. It was still terabytes in size, and the three of you had to create an entirely new language, not a coding language, an actual language, alphabet and all. After a while, it occurred to you that you had essentially boiled down one of the most complex metaphysical concepts into a language that could probably gently place every philosophical text on the subject on a table, then flip the table, off a cliff, and chase it with a molotov cocktail made from an entire fire Dust canister, so you decided enough was enough.

Combine the two, and you end up with a projected cube that at least partially describes your school nurse's soul.

"O-oh! It's..."

She watches the flowing script flit from place to place, a real-time version of Bracket's attempts to quantify the little things, trying to fit them into the larger puzzle, trying to make everything flow in a way that... makes sense. In a way that rings bells deep in her soul, seeing herself laid bare like this, in a way she knows on an instinctual level is... her. Everybody who's asked you to show them this sees themselves in it somewhere.
Yeah, brute force processing FTW :p

Anything is possible if you throw a big enough computer at it :D
"... So... I stopped. Somebody dear to me pointed out that I was running myself into the ground, that I was only human... so I visited hospitals less and less, only took more and more severe cases, I... weaned myself off of acting like a panacea. Professor Moss heard about me, he told the principal, she offered me a job as a school nurse, and... here I am."
Nice expy! :p
Ping()- 69+39+17+150+750=1025/1000- Function Complete!
 
Hmm. I have an interesting idea for how the Process might work, but I won't have time to flesh it out properly (real life calls!), so I'll just toss it out for the author and other prospective omakers to think about.

The basic idea is, since Jaune can mathematically describe the Semblances of others... what happens if he makes a complete and perfect mathematical model of his own Semblance?

The answer would be a self-propagating mesh, barely anchored in the material world, able to spread out and envelop everything as it grew ever outward - a sort of grey goo/utility fog scenario where instead of being mere nanotechnology, the machinery is pure conceptual mathematics overcoming the laws of reality.

Near omnipotent control over Remnant if done properly and given time to grow... and a near certain destruction of the world if the right bug crops up to, essentially, give physics cancer.

And that all sounds an awful lot like The Process.
...I love this oh my god.

'cept I'd say that a mathematical model of Jaune's Semblance would be an equation, and the Transistor its answer. :D

...Jaune might just end up worshiped as a god by the time he's old and grey. That's what I'm getting out of this discussion.
I mean I SAID starting a new religion would be faster than starting a construction company.
 
...I love this oh my god.

'cept I'd say that a mathematical model of Jaune's Semblance would be an equation, and the Transistor its answer. :D

Certainly it's similar to my ideas of what the Transistor is, but I don't think implying a deep connection between the Transistor and the Process on a conceptual level is a bad thing.

The main difference, in my mind, is that the Transistor isn't set up to constantly make more of itself, and although it has a rudimentary intelligence, it can't iterate on itself without a human in the loop.

The Transistor is a convergent infinite sum, the Process is a divergent one, to use a math analogy.
 
The list uses an inverse correlation. The lower down the list, the more powerful you would be overall. Hence why Shigeo 'fuck everything I'm basically a physical god with the emotional skin of a ball of mozzarella' Kageyama is at the bottom of the list. If I'd realised the thing I've realised now, I would have put Transistor lower down the list because it would have been more powerful.

Is it confusing? Yes. Does it make it impossible to talk about? Yes. Do I regret it? Not one bit, confusing myself is one of my few ways of deriving entertainment from my own idiocy.

As for the how to of godhood... someone will figure it out.
The Transistor is known as The Brush. Where is the paint? What is the canvas? Who is the artist?
Just a reminder for the ongoing discussion: our beloved QM mentioned that if he had thought things through, he would've put Transistor higher on the power scale among the list of crossover option.
 
Certainly it's similar to my ideas of what the Transistor is, but I don't think implying a deep connection between the Transistor and the Process on a conceptual level is a bad thing.

The main difference, in my mind, is that the Transistor isn't set up to constantly make more of itself, and although it has a rudimentary intelligence, it can't iterate on itself without a human in the loop.
Oh yeah totally. My take is just that both the Transistor and the Process are outgrowths of Jaune's Semblance as responses to different needs. Jaune can't turn off his Semblance? Analyze it and mentally model a device capable of controlling it, then turn that dream into reality. With the Process he starts instead with a list of qualities, and ends up creating the first Cell. The fact that the qualities Jaune puts into the things mean they work a lot like his Semblance is a side effect more than anything, and one that Jaune should probably think harder about.

Just a reminder for the ongoing discussion: our beloved QM mentioned that if he had thought things through, he would've put Transistor higher on the power scale among the list of crossover option.
Yah, once you remember what the Process can do (everything.) you realize it kinda breaks the scale.
 
Nooooo, why did you have to write Teal to be so cute, romanceable, and a teacher/nurse after saying no romance? At least she has the saving grace of not being good with kids.
 
Last edited:
The answer would be a self-propagating mesh, barely anchored in the material world, able to spread out and envelop everything as it grew ever outward - a sort of grey goo/utility fog scenario where instead of being mere nanotechnology, the machinery is pure conceptual mathematics overcoming the laws of reality.
Hm. Have you by chance read Metamorphosis of Prime Intellect?

{I seem to have mastered a certain amount of control over physical reality.}
 
Last edited:
The basic idea is, since Jaune can mathematically describe the Semblances of others... what happens if he makes a complete and perfect mathematical model of his own Semblance?
I like it, but...

In the words of Emerson Pugh, 'If the human brain were so simple that we could understand it, we would be so simple that we couldn't.'

Same principle. Your idea for the Process is close enough to what I have planned that I won't even bother denying you got that right, but their coming about is... well, a response of his Semblance to his needs, much like the Transistor was in the first place. It may have given him an understanding of maths and physics and coding centuries ahead of the rest of Remnant, but it is, still, at its base level, soul magic bullshit. Probably not the most satisfying answer you could get, but it's the one I'm most comfortable with.

I mean, shit, man, I failed Nat 5 maths, I couldn't even get a crash Higher in ICT, I'll take any chance to sidestep meaningless technobabble I can.

I mean, there's literally nothing limiting it to just simulating other souls. Nothing is keeping him — other than a very large amount of justified fear — from learning how to create new souls and people from whole cloth. His version of the process could very well be actual sentient people, built for a specific task and capable of rewriting their very souls as they wanted or needed.
There is, and the answer is that souls have less to do with math and science and more to do with...

You may have created an entire language with which to quantify the soul, but that doesn't mean you can create a soul, because that language is nothing more than the palest of imitations, and you know that on some level, that this language only just barely approaches the level of resonance necessary to let people recognise themselves there, in its flowing phrases, its alien prose.

A Function, created from the analysis of a soul... is a pale imitation of a pale imitation. Stripping out the emotion, the empathy, the memories, the parts that make it a pale imitation, leaving behind only an idea of how it alters reality- a set of changed numbers from the universal set. Nothing more, nothing less.

There is something keeping you from just creating souls from whole cloth, and it's the simple fact that... some things defy logical analysis.

Souls have less to do with science, and more to do with... a longing for something you've never had, or inane little things that make you choke up so bad that you feel like your heart's about to burst, or a feeling that you're ever so slightly drifting away from the things you used to love, not out of depression, or growing to hate them, simply out of growing out of them, or that feeling of mild sadness you get when you finish a book you were so absorbed in, and now you feel ever so slightly empty, because those characters you fell in love with have just... stopped. There is no next adventure, no great battle, no heart-rending confession of love or tearful goodbye with so many words left unsaid, it's simply... done.

I can say these things, but I can't make you feel them. I can make you remember times you've felt these things, but if you haven't, then these words will just... slide off you.

That's what a soul is. The things you can describe, but a description is so... so much less than the real thing.

... Shit, shit, lighten it up, gotta lighten it up-

Nooooo, why did you have to write Teal to be so cute, romanceable, and a teacher/nurse after saying no romance? At least she has the saving grace of not being good with kids.
Sadism.

Also thanks, you were a big help with the lightening it up.
 
Last edited:
I like it, but...

You ever heard that Emerson Pugh quote, 'If the human brain were so simple that we could understand it, we would be so simple that we couldn't?'

Yeah, same principle. Your idea for the Process is close enough to what I have planned that I won't even bother denying you got that right, but their coming about is... well, a response of his Semblance to his needs, much like the Transistor was in the first place. It may have given him an understanding of maths and physics and coding centuries ahead of the rest of Remnant, but it is, still, at its base level, soul magic bullshit. Probably not the most satisfying answer you could get, but it's the one I'm most comfortable with.

I mean, shit, man, I failed Nat 5 maths, I couldn't even get a crash Higher in ICT, I'll take any chance to sidestep meaningless technobabble I can.


There is, and the answer is that souls have less to do with math and science and more to do with...

You may have created an entire language with which to quantify the soul, but that doesn't mean you can create a soul, because that language is nothing more than the palest of imitations, and you know that on some level, that this language only just barely approaches the level of resonance necessary to let people recognise themselves there, in its flowing phrases, its alien prose.

A Function, created from the analysis of a soul... is a pale imitation of a pale imitation. Stripping out the emotion, the empathy, the memories, the parts that make it a pale imitation, leaving behind only an idea of how it alters reality- a set of changed numbers from the universal set. Nothing more, nothing less.

There is something keeping you from just creating souls from whole cloth, and it's the simple fact that... some things defy logical analysis.

Souls have less to do with science, and more to do with... a longing for something you've never had, or inane little things that make you choke up so bad that you feel like your heart's about to burst, or a feeling that you're ever so slightly drifting away from the things you used to love, not out of depression, or growing to hate them, simply out of growing out of them, or that feeling of mild sadness you get when you finish a book you were so absorbed in, and now you feel ever so slightly empty, because those characters you fell in love with have just... stopped. There is no next adventure, no great battle, no heart-rending confession of love or tearful goodbye with so many words left unsaid, it's simply... done.

I can say these things, but I can't make you feel them. I can make you remember times you've felt these things, but if you haven't, then these words will just... slide off you.

That's what a soul is. The things you can describe, but a description is so... so much less than the real thing.

... Shit, shit, lighten it up, gotta lighten it up-


Sadism.

Also thanks, you were a big help with the lightening it up.


So what you're saying is that we need to science more because we have not yet hit the point of sufficiently advanced science for souls.

Eh, probably not worth the effort
 
I like it, but...

You ever heard that Emerson Pugh quote, 'If the human brain were so simple that we could understand it, we would be so simple that we couldn't?'

Yeah, same principle. Your idea for the Process is close enough to what I have planned that I won't even bother denying you got that right, but their coming about is... well, a response of his Semblance to his needs, much like the Transistor was in the first place. It may have given him an understanding of maths and physics and coding centuries ahead of the rest of Remnant, but it is, still, at its base level, soul magic bullshit. Probably not the most satisfying answer you could get, but it's the one I'm most comfortable with.

I mean, shit, man, I failed Nat 5 maths, I couldn't even get a crash Higher in ICT, I'll take any chance to sidestep meaningless technobabble I can.


There is, and the answer is that souls have less to do with math and science and more to do with...

You may have created an entire language with which to quantify the soul, but that doesn't mean you can create a soul, because that language is nothing more than the palest of imitations, and you know that on some level, that this language only just barely approaches the level of resonance necessary to let people recognise themselves there, in its flowing phrases, its alien prose.

A Function, created from the analysis of a soul... is a pale imitation of a pale imitation. Stripping out the emotion, the empathy, the memories, the parts that make it a pale imitation, leaving behind only an idea of how it alters reality- a set of changed numbers from the universal set. Nothing more, nothing less.

There is something keeping you from just creating souls from whole cloth, and it's the simple fact that... some things defy logical analysis.

Souls have less to do with science, and more to do with... a longing for something you've never had, or inane little things that make you choke up so bad that you feel like your heart's about to burst, or a feeling that you're ever so slightly drifting away from the things you used to love, not out of depression, or growing to hate them, simply out of growing out of them, or that feeling of mild sadness you get when you finish a book you were so absorbed in, and now you feel ever so slightly empty, because those characters you fell in love with have just... stopped. There is no next adventure, no great battle, no heart-rending confession of love or tearful goodbye with so many words left unsaid, it's simply... done.

I can say these things, but I can't make you feel them. I can make you remember times you've felt these things, but if you haven't, then these words will just... slide off you.

That's what a soul is. The things you can describe, but a description is so... so much less than the real thing.

... Shit, shit, lighten it up, gotta lighten it up-


Sadism.

Also thanks, you were a big help with the lightening it up.

Am I missing something obvious or is this thread mark incorrectly titled?
 
Back
Top