Personally, I might doubt JKR's skills with being subtle would be enough to imply this... If the story of the three artifacts of Death is correct, then that implies an avatar of Death, in some form. While the idea that it's some sort of Outsider (Cthulhu Mythos or more subtle) playing such an avatar might suit some, again that's not logic which seems to suit the Potter-verse. It would seem to leave things 'open' in an unfortunate way.
It should be noted that categories such as 'Alive' and 'Dead' could be entirely a thing her Shard decided as limitations using what Amy thought would fit in them as definitions.
The same way QA uses Taylor to define 'Bug' such that it includes spiders and crabs, but not dust mites and other microscopic insects and stuff..
It is entirely possible that it is just an arbitrary limitation imposed based on the thought patterns of the host, and as such might not necessarily have any actual scientific basis.
Yeah it's pretty good.
*Reads first chapter.
Stops
What the hell?
I'm not sure this is the weirdest thing I've read ever but it is pretty weird generally. Should I keep going?
I definitely want to give Mrs. Potter a hug, but it would be preferable not to catch a knife in the ribs when I do so.As for the premise, yeah, it is based on a pretty messed up story idea someone came up with, and part of this story is how it points out how not ok shit like that is.
I'm not sure that was apparition. Because we also see others apparate, on both sides, and it looks like they're being twisted inside themselves into an infinitely small point, which actually matches the book's description of it. What we saw in the Battle in the Department of Mysteries was not apparition, but more like a method of flying without a broom.That's what I meant about WoG versus the books. (And with Harry Potter, you have to also specify whether it's book canon or movie canon, because they DO differ in places, like with Apparation. It just is in the books, but it causes a moving smoke that tells you which side the person moving is if you're fighting Light versus Dark. (Take a good look in the movie where they first really used that skill - all the Death Eaters turned to black smoke, but the good guys were white smoke.))
Snape did it too, apparently.
Of course not! It's obviously 'two-factor authentication', you need the key and a goblin.
Whether the goblin has to be a particular one, or has to say something mentally, or has a (hidden) talisman, is an innteresting question. Does the goblin need to be conscious? Alive? Could Tonks become a goblin for this purpose? Otherwise, just the key and a random goblin would do?
The goblins are smart for keeping the details unclear... Would using Legilimency help?
That's the thing: When Harry and co rob the Lestrange Vault, Bogrod doesn't use the key to open the vault.Uh, whenever I've visited a safe deposit box, this is exactly how things work. There are two keys, one held by the bank, one held by me. I hand my key over to the banker and walk with them to the vault. They use both keys to open up the compartment and take the box over to a small room, and put the box on the table, then leave me to open the box and do my business. Occasionally they will hand me the box and escort me to the room.
When I'm done, I bring the box to them and hand it over, they put it back and hand me the key.
Harris bank works this way, and Bank One did before Chase bought them out. I'm pretty sure Chase works that way too.
First Illinois Bank (or was it First Bank of Illinois? I can't recall as they were acquired/merged by Bank One 30 years ago) did as well before Bank One bought them out, but that was back when my mother would take me with her to visit the safe deposit box, but it goes to show nothing has changed in 40 years about safe deposit boxes.
Sorry, but, the key is there (in Hermione's possession) when the vault is opened. We're talking magic, here. Arguably, to open a lock you need the key, but, turning it in the (nonexistent?) lock? No. It might be the symbol of control over a locked place.Bogrod does not have the key, Hermione does, and she never does anything with it outside of showing it to a goblin in the entrance hall to prove that she is definitely the real Bellatrix and not Hermione pretending to be Bellatrix. She then gets handed the key back and it is never mentioned ever again.
Its not 'two factor authentication' or any other two keys methods, the keys given to wizards do absolutely nothing, vaults are opened by a goblin putting their hand on the vault door. That's it. The goblins can open any vault at any time whenever they want.
And you're assuming that elements that are neither shown nor mentioned are somehow critical. By Hanlon's Razor Neruz's point requires way fewer leaps of logic than yours.You are assuming what you physically see is all that is going on
Sometime the author expects you to do some of the 'lifting' yourself? Context. Magical world. Author states/strongly implies key required. But, past a certain point, (most) readers don't care. And, expectations of a 'hidden' magical world described with a 'light touch'...And you're assuming that elements that are neither shown nor mentioned are somehow critical. By Hanlon's Razor Neruz's point requires way fewer leaps of logic than yours.
You can logic-chop as fine as you like, but, 'Does the story work?'.
Yup. This is also (maybe) a good example of a reductionist approach compared to a contextualised (systems?) one.That was John Scalzi's comment about whether or not "The Force Awakens" was a good movie. Were there plot holes out the wazoo? Yes. Was the experience enjoyable WHILE WATCHING IT? If the answer to that question was yes, then it was a good movie. I watched it and walked out saying "THAT was Star Wars." Thought about the plot holes later, but while I was in the theater watching? I was lost in the film. Which meant that it did exactly what it was supposed to - keep me entertained.
Personally, I'd think it would be more interesting if all the vaults can be accessed by a secret set of tunnels, and 'maintenance doors'. And, that so security isn't unduly risked, only senior, trusted, goblins know about this set-up.Personally I think the Goblins just lying about the keys being important and secretly having the ability to open any vault they want sounds entirely in-character for them and their usual attitude towards wizarding society.
If wanting to have 'fun' you could have Kreacher influenced by the 'Spirit of Black House', which is composed of all the strongest beliefs of the Black Family, from over the centuries...I like the idea of Kreacher stashing all the "disgraceful" portraits in a closet somewhere.
Taylor comes across them when she sends the swarm surveying, and picks up screaming and realizes it's a bunch of portraits freaking out about the bugs.
A key repeating theme throughout Harry Potter is that the muggle myths are very distorted, if not outright wrong, so that's probably why you see very little 'direct translation' of mythology like that. (There are exceptions of course, like Werewolves.)If wanting to have 'fun' you could have Kreacher influenced by the 'Spirit of Black House', which is composed of all the strongest beliefs of the Black Family, from over the centuries...
I occasionally thought that JKR missed an idea by not having such spirits, and things like the 'hearth stone' be the core of magical families... Rituals like burning the umbilical cord in the family hearth... Burning a ritual equivalent for those joining the family... Makes life difficult if you want to disown someone, though, as I doubt there's magic for 'unburning'...
Would make the logic of the Floo Network rather more interesting, wouldn't it?
A classic theme in harry potter is that no, actually, pretty much every muggle reference to something like a magical creature or a magic way of doing things is absolutely spot on. Legillimency totally isn't just mind reading... oh wait no, it is, that was just bullshit. Dragons are just dragons, flying broomsticks are just flying broomsticks. You're ascribing credit to something that was not implemented.A key repeating theme throughout Harry Potter is that the muggle myths are very distorted, if not outright wrong, so that's probably why you see very little 'direct translation' of mythology like that. (There are exceptions of course, like Werewolves.)
The muggle references are usually to something that does actually happen, but they're almost never entirely accurate: Yes magicals use broomsticks to fly, no it is not a uniquely witch thing and they have seats and handlebars and stuff instead of just being an otherwise normal broomstick. Dragons are real but do not kidnap princesses or gather hoards of gold and valuables, eastern dragons do not live in rivers and seas, cannot control water and do not look like wingless horned snakes with legs that step on clouds instead of flying. Legilimency can indeed be used to read minds, but it can also be used for far more than that, such as using it to communicate over distances and even actively drive a person mad: Calling Legilimency 'mind reading' is like calling a hammer 'a tool for hitting nails into wood'; yes it is absolutely used for that, but that is far from the only thing it can be used for.A classic theme in harry potter is that no, actually, pretty much every muggle reference to something like a magical creature or a magic way of doing things is absolutely spot on. Legillimency totally isn't just mind reading... oh wait no, it is, that was just bullshit. Dragons are just dragons, flying broomsticks are just flying broomsticks. You're ascribing credit to something that was not implemented.
The "communicating over distances" part is a factor of having someone else's soul stuck inside you, not Mind Reading.such as using it to communicate over distances and even actively drive a person mad: Calling Legilimency 'mind reading' is like calling a hammer 'a tool for hitting nails into wood'; yes it is absolutely used for that, but that is far from the only thing it can be used for.
Not necessarily; Jacob was able to use Legilimency to send visions to his brother in Hogwarts Mystery. It does appear to require some kind of connection to use Legilimency over distances without eye contact, which Voldemort's soul fragment provides, but it's not soul fragment exclusive. Queenie was also able to passively use Legilimency in an area around her without making eye contact, proving that it is indeed not necessary.The "communicating over distances" part is a factor of having someone else's soul stuck inside you, not Mind Reading.