The two of you look at one another as the wet impacts continue. In unspoken agreement, Eileen steps slowly upwards as you trail behind. You may be the superior meat-tank by a considerable margin, but your diplomatic batting average is pretty bad, even for a metric where two fuckups for every success is considered elite.
Also, you're fairly certain she'd stab you for implying that she needs to be protected.
There's another archway at the top, leading to what looks like another graveyard. This city is silly with the things, but it's probably warranted given that it seems to have the approximate mortality rate of howitzer Russian Roulette. The orange sky trickles down on either side of massive arch spanning its width. In the center stands what looks like the peak of a cathedral, cut free from its base or perhaps buried along with it.
Between it and a stairway, a giant of a man is burying an axe into the corpse of a beast over and over again.
Eileen takes the initiative before you do, stepping forward in the most non-threatening manner she can manage. You follow at a distance so as not to interfere with her efforts.
"Gascoigne?"
The man completes a swing so powerful it goes clean through the corpse and into the earth. Without a sound, he pulls it free and rises.
He's massive, broad and tall. His scarf stirs in the slight breeze and his wide-brimmed hat is ragged with age. When he turns to face Eileen, you see a blindfold over his eyes, though it does not seem to impair his vision as he staggers towards her.
You've gotta side with his wife over Gilbert here. That goatee looks pretty good on him.
To her credit, Eileen doesn't move at all despite him looming over her with the kind of overpowering presence even a practiced loomer like yourself finds impressive. You stand ready to produce and throw a blade at a moment's notice.
"Y'don't smell right. Neither of you," he rumbles.
"Gascoigne, it's me. It's Eileen. What are you doing here?"
"Had to come. Have to finish this. I haven't got time anymore."
"What do you have to finish?"
"Have to kill the beasts. Have to kill the Church. That man with you, he doesn't smell right."
"Gascoigne, you need to come with us. Your children are alone at home and Viola-"
"Viola's right here." The big man gestures towards the sloped roof of a building protruding from the rear wall of the graveyard. You follow his hand and-
Oh.
"'s alright. Killed the beast. It'll be fine."
His right hand is gripping the axe so tightly the handle's beginning to warp and the heavy blunderbuss in his left is rattling. His whole body is tensing up and you can hear his teeth grinding like a whetstone. Eileen slowly holds out her palm towards you, the universal symbol for "hold on."
You have a decision to make.
[] Let Eileen keep trying to calm him down
[] Pre-emptive strike
[] Try the music box
[] Write in...