Gilgamesh is someone that I have trouble comprehending as popular. Yes, he does have motivations that could be interpreted as complex, and yes, there is more to him than overwhelming power, but all of that is buried under an ego the size of the galaxy and an insufferable attitude towards everyone else. He views them all as mongrels beneath his attention save for Saber, who he makes very uncomfortable and frankly creepy advances on, treating her as more a possession than a human, and Rider, who only earns his respect at the very end of the show. Gilgamesh is meant to be a hate sink, and has little in the way of redeeming qualities, and yet for some reason many people hold him up as a great character that they enjoy. Perhaps it's due to the unapologetic nature of his larger-than-life personality, but I feel that Gilgamesh is far from the best character in the franchise.
Well, besides a hate sink and horrible being not detracting from being a good character they can enjoy? Aka, they like him because he's a piece of shit?
There's also other media where he's a lot better/nicer/less villainous. Which, you know, make him likable in a "I actually like this guy" sense.
And then there's all the people who just like him because him being a piece of shit doesn't register/matter to them, which there's sadly too many of.
Gilgamesh is someone that I have trouble comprehending as popular. Yes, he does have motivations that could be interpreted as complex, and yes, there is more to him than overwhelming power, but all of that is buried under an ego the size of the galaxy and an insufferable attitude towards everyone else. He views them all as mongrels beneath his attention save for Saber, who he makes very uncomfortable and frankly creepy advances on, treating her as more a possession than a human, and Rider, who only earns his respect at the very end of the show. Gilgamesh is meant to be a hate sink, and has little in the way of redeeming qualities, and yet for some reason many people hold him up as a great character that they enjoy. Perhaps it's due to the unapologetic nature of his larger-than-life personality, but I feel that Gilgamesh is far from the best character in the franchise.
To be fair, most of his better qualities where showcased not in Prime!Fate timeline, but in spinoff game.
Fate/Extra
This is also game that showcases, among other things:
Make Emperor Nero (Umu!) Great Again.
That Tamamo no Mae is a good waifu material with fluffy tail instead of, y'know, one of Japanese Three Great Calamities.
Vlad The Impaler... still crazy bastard, but a crazy bastard that was product of his time and situation and actually pretty admirable chap once you get past his bloodlettong and impaling stuff.
Francis Drake is a swashbuckling, dashing pirate (and female) instead of, y'know, Francis Drake (more naval officer than swashbuckling pirate).
And the True Final Boss basically Enlightened Siddhata Gautama.
It's old news and something of a recap, but some thoughts on Merlin and his capabilities.
In Grand Order, we're presented with two distinct takes on Merlin and his general performance in magecraft:
We have here a claim that he's bad with magecraft.
Given, Merlin is prone to lying — but which is it, exactly? Is he good or bad at magecraft?
Before attempting to determine that, let's first establish what it looks like when a Caster Class Servant bears a high standing in all Skills that qualify them as a Caster. From Media's in-game material in Grand Order:
・Territory Creation : A
・Item Creation : A
・High-Speed Divine Words : A
All Skills that would be as a necessity to a magus are at A Rank.
Though poorly evaluated on account that she didn't in mythology accomplish anything worthy of note, her capability as a magus can be said to be of the highest standing.
Territory Creation: A Item Construction: A High-Speed Divine Words: A
All Skills deemed necessary for a magus are A Rank.
Her evaluation is low because she did not accomplish any sort of exploits in legends, but as a magus her competency can be described as top-ranking.
So, a magus of higher competence would bear a Rank of A in Territory Creation and Item Construction; possibly a Rank of A in High-Speed Divine Words — though we can probably consider this the province of magi from the AoG, rather than a conventional thing.
For what it's worth, the Wikia counts a total of seven Servants that bear the skill High-Speed Incantation; whereas High-Speed Divine Words is borne by three Servants — Circe, Nitocris, and two versions of Medea.
(As an aside, I learned today that the people over at the Wikia have decided to rename High-Speed Incantation as Rapid Casting, and High-Speed Divine Words as Rapid Words of Divine ...)
Given the fairly large number of Casters without these, High-Speed Incantation / Divine Words should probably not be considered as Skills that serve as defining qualifiers to the Caster Class — though, I suppose the argument can be made that a highly competent Caster should certainly bear these Skills ... ?
In any case, let's have a look at how Merlin compares:
The creation of an 「atelier」 — a territory that permits to him an advantage in his capacity as a magus.
But, on account of his flighty temperament and irresponsibility, he would generally just toss it out in the midst [of construction].
High-Speed Incantation : C
The capacity to expedite the incantation of thaumaturgy.
The elegance of his pronunciation might amongst Casters as a whole contend for first or second place, but as in accelerated speech, it would seem that he occasionally bites [his tongue], his Rank is low.
Item Creation : C
The creation of implements that carry mana.
Though the individual himself brims of confidence [in this area], it cannot be said that he's of exceptional talent.
Mixed Blood : EX
Mixed of the blood of a people distinct from humanity.
Mixed of the blood of the Incubi, he succeeds in full the characteristics (特性, tokusei, "distinct trait / idiosyncrasy / peculiarity") that would in the capacity of being as such [be borne].
Independent Manifestation : A
A Skill that permits independent manifestation within reality.
Originally, Merlin should not be summonable in the capacity of a Heroic Spirit —
as, irrelevant of the future that comes to pass, his death shall not occur.
Serving a Master in the capacity of a Servant is a venting of his personal desires. More bluntly, it's a matter of hobby.
To the purpose of making his fantasies as reality, he has by personal effort obtained a Skill normally restricted to a certain special Class (Beast) — making use of it as to falsify his summoning as a Servant.
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Illusionism : A
A magecraft as to [render] the beguilement of humans.
Refers to intervention unto the psyche; the Projection (投影, tou'ei) of Illusions (虚像, kyozou, "false images") unto the real World; and so forth.
As of a Rank of A, [the induction of] nightmares unto the World of the psyche is a matter of course; and even as of reality, an illusion on the scale of a single village can be easily fabricated, permitting that people be deceived.
Territory Creation: C
Creation of a "Workshop" territory that is advantageous to himself as a magus.
But since he tends to gets tired of it usually he just toss it away halfway.
High Speed Incantation: C
The ability to hasten magic incantation speed.
All Caster has beautiful pronunciation, though there are one or two exceptions. If he talks fast sometimes he bite his own tongue so the rank is low.
Tool Creation: C
Creation of tools tinged with magic energy.
The man himself is full of confidence but it's hard to say that he is superiorly talented for it.
Mixed Blood: EX
The blood of something inhuman is mixed in.
Merlin is a mixed blood of incubus and have perfectly inherited the incubus trait.
Independent Manifestation: A
A skill to appear in the present world independently.
Normally, Merlin cannot be summoned as a Heroic Spirit.
That is due to him not dying in any version of future. Him serving the Master as a Servant is just him venting out his personal desire. Frankly, it's just a hobby.
For the sake of actualizing this hobby, he acquires this skill that only a special class (Beast) can have and pretend to be summoned as a Servant.
-
Illusion: A
Magic that bewilder others. An interference of the mind, indicating false image projection and the likes to the real world.
With A rank, he can lightly produce a false image on the level of 1 village in the real world and fool everybody with it, much less a nightmare within the mind.
So, notably, Merlin bears Territory Creation, Item Creation, and High-Speed Incantation at a Rank of C.
For an idea of what that means:
Territory Creation: There are 30+ Servants with a Rank exceeding C. At Rank C, there are 5 Servants, including Merlin. Only Hans falls below Rank C, at a Rank of D — though the Rank of Edison in this Skill is EX (D).
Item Creation: There are about 20 Servants with a Rank exceeding C. At Rank C, there are 6 Servants, including Merlin. Marie (Summer) is the only Servant at Rank D; while Edison is at EX (D). Gilles, Shakespeare, and Xuanzang possess an unranked version of the Skill.
High-Speed Incantation: 4 Servants fall above Rank C. At Rank C, there are 2 Servants, including Merlin. Only Hans falls below Rank C, at a Rank of E.
Ergo, in the two Class Skills — Territory Creation and Item Creation — Merlin ranks poorly with respect to other Servants, even as a Rank of C is by itself probably nothing to scoff at. If we can take his Grand Order Material entry at face value, and presume that the letter-Ranks aren't in fact misrepresentations, it would seem that Merlin wasn't in fact lying when he claimed to be poor at magecraft.
To play devil's advocate to myself, isn't there the possibility that his mats are incomplete? Maybe he was in fact lying? Maybe he actually has some unstated Skill — for example, Magecraft at a Rank of A+? Surely his reputation as great magus shouldn't all be a misrepresentation?
I would argue to the contrary. Beyond the fact that we obviously can't account for canon that hasn't been revealed to us, there really isn't any need for Merlin to bear some undocumented Skill that secretly makes him uber, even as his Class Skill Ranks are so poor.
His build isn't particularly impressive — until we begin to account for the implications of his nature as a Mixed Blood Incubus, alongside his ability with Illusionism. I would posit that once we do so, Merlin doesn't require a high Rank in any magecraft-related Skill to functionally become as a magus befitting of the title of a Grand.
So, what does Illusionism entail, precisely?
For a bit of elaboration on this, please refer to Prelati's profile in Strange Fake:
A Skill that even amongst thaumaturgies indicates a particular talent for Illusionism.
As of this level, it is in excess of humans possible even to deceive the environment itself.
Disciple of the Faeries : B
A testament that one has been granted an initiation unto thaumaturgy by the Faeries of a certain lake.
Vastly improves the efficacy of magecraft.
-
『As the Sunken Spiral City is Nonextant, There is to the Madness of this World No End』
Rank : A
Type : Anti-Army
Range : 1~80
Targets: —
A Noble Phantasm sublimated of integrating the lineage and the Illusionism originally borne by Prelati with those legends that he (she) revealed to compatriots the form of Beelzebub; or was himself (herself) Beelzebub incarnate.
Being a grand thaumaturgy that in excess of even the environment deceives the very Texture of the World itself, it is capable even of rendering a target to the misapprehension of being confined to the interior of a Reality Marble.
However, being that Illusionism is what it is, it carries not the power of a Reality Marble.
■ Illusion: A
A skill that denotes excellence in the art of illusion within the field of magecraft. At this level, it is even possible to go beyond people and deceive the environment.
■ Disciple of Spirits: B
Proof that one has been initiated in magecraft by certain lake spirits. The efficacy of magecraft improves dramatically.
-
■ Grand Illusion: The Sunken Spiral Castle Does Not Exist, Therefore There is No End to This World's Madness
Rank: A
Type: Anti-Personnel Noble Phantasm
Range: 1~10
Maximum Targets: 10 people
Legends that Prelati revealed the form of Beelzebub to sworn friends or that he (she) was the incarnation of Beelzebub combined with the art of illusion and lineage that Prelati originally possessed and sublimated into a Noble Phantasm. It is a great magecraft that surpasses even environment to deceive the very texture of the world. It is even capable of causing a target to hallucinate that Prelati has imprisoned them in a Reality Marble. It is still an illusion, however, and therefore lacks the power of a Reality Marble.
Prelati, by the way, is apparently a student of one of Merlin's students.
Per Merlin's own profile, Illusionism permits for an intervention unto the psyche, and the Projection (投影, tou'ei) of Illusions (虚像, kyozou, "false images") unto the real World. Note that the Projection here mentioned uses the same kanji as the Projection of Emiya Shirou.
Per Prelati's profile, Illusionism potentially permits a deception of the environment itself — but in Prelati's case, Illusionism gets sublimated unto his (her) Noble Phantasm, which permits that the Texture of the World can itself be deceived.
That seems rather more impressive than what Merlin can manage, if we just take his Material entry at face value. The thing is, that's not really the end of the story.
To comprehend why that is, let's first establish the basic nature of an Incubus:
The term Incubus is rendered in the Japanese as 夢魔 (muma) — "ma (aberration) of dreams." They're described in Babylonia as psychic entities (精神体, seishin-tai, "bodies / corpora of psyche / mind") that act as parasites upon the human psyche. Per Merlin's Grand Order Material entry, he's fully succeeded the characteristics (特性, tokusei, "distinct trait / idiosyncrasy / peculiarity") of an Incubus.
Therefore, what are the capabilities that Merlin bears, as an Incubus Mixed Blood borne of the Skill of Illusionism?
He was an Incubus (夢魔, Muma, lit. "Dream Demon");
one of the few magi with the capacity to intervene within the Collective Unconscious (集合無意識, shuugou muishiki) constructed by Sapients (知性体, Chisei-tai, lit. "Intelligent Corpus") as of the state of sleep.
Taking advantage of his nature,
Merlin was all this time within the slumber of a certain God —
sealing the actions of said God by the perpetuation of her sleep.
The Merlin that walked at Gudako-kun's side was merely a shadow.
However, as of just now, his primary corpus has been killed.
Incubi would be virtually invincible as of the deepest depths of a dream,
but they do possess a critical weakness: REM sleep.
As the sleeper's mind comes halfway into consciousness,
the Incubus attracts the enmity of all within the World of the dream.
Roused to a state of light sleep by the death of the Gorgon, the mind of [the sleeper] did Merlin entrap and slaughter.
Recall that Illusionism permits for an intervention unto the psyche, and a Projection of Illusions unto the real World. Above, we find that the "intervention" of Incubi unto the psyche possibly bears the meaning of directly "entering" into somebody else's dreams.
Also, the "Projection of Illusions unto reality" may be semantically the same ability as "intervention unto a psyche (a dream)"; which may semantically by the same ability as the Skill of Independent Manifestation.
That is, note here that Merlin's nature as an Incubus somehow lends him a unique advantage in the capacity of intervention unto "the Collective Unconscious (集合無意識, shuugou muishiki) constructed by Sapients as of the state of sleep." Being that the Human Order / the World of Man is what it is; being that we're told that Merlin somehow cobbled together a rendition of Independent Manifestation from his existing abilities, how are we to interpret the "shadow" that walked at Guda's side?
To me, the obvious interpretation is that the "reality" within the World of Man is itself semantically the same variety of existence as a dream — the dream shared as of the Collective Unconscious of Man. Ergo, just as an Incubus borne of capability in Illusionism would be able to project himself into a dream; able to project Illusions as to manipulate phenomena within a dream, so Merlin should be capable of projecting himself into the World of Man; capable of projecting Illusions as to manipulate phenomena within the World of Man.
As circumstantial evidence to this, consider Roman's assertion that Incubi would be "virtually invincible as of the deepest depths of a dream." Where else have we heard something like that?
Of course, we can interpret the nonchalant attitude toward the destruction of his current body merely as a byproduct of the seeming "immortality" rendered by Independent Manifestion — but recall again that Merlin's IM is in particular something that he cobbled together from other abilities. Ergo, disregarding IM, and considering his other capabilities, how precisely would he be manifesting a shadow at Guda's side?
In any case, this all is just a response to an assertion I've heard recently, that "Merlin was clearly lying when he said he was bad at magecraft." The devil's advocate things were all approximate paraphrases of arguments posed to me.
In summary, I feel that the combination of Mixed Blood : EX and Illusionism : A permits for the enactment of multipurpose intervention unto the phenomena expressed within the World of Man — inclusive of multipurpose Projection and the emulation of Independent Manifestation, among other things.
Yes, Merlin has offscreen feats in Stay Night and Garden of Avalon and so forth — for example, the Conceptual Fertilization of Arturia's mother; educating Arturia in the use of the Barrier of the Wind King; possibly something related to the forging of Caliburn. Yes, it's possible that Illusionism doesn't account for these.
To that end, I'm not claiming that Merlin is incapable of performing anything aside from Illusionism. What's being suggested here is purely that Mixed Blood (Incubus) and Illusionism make for a skillset of such a wide range of application as to possibly justify / explain nearly every feat of magecraft that Merlin performs on-screen in Babylonia.
As an unrelated aside:
6th Singularity - Epilogue (JP) said:
@獅子王・Lion King
あるいは、魔術王の子孫として世に放たれ、覚醒の時まで生き続けた魔術師たち。
Or perhaps they loosed unto the world as the descendants of the King of Magecraft — the magi let to live unto the hour of their awakening.
So, apparently, the magi possessed by Demon Pillars are possibly confirmed to be blood-descendants of Solomon ... ? I'd forgotten that such a thing was mentioned.
(As an aside, I learned today that the people over at the Wikia have decided to rename High-Speed Incantation as Rapid Casting, and High-Speed Divine Words as Rapid Words of Divine ...)
I'm not sure "decided" is the right word. One guy seems to have done this huge change to a lot of the names for skills following his own translations, and it looks to have never gotten fixed.
I'm not sure "decided" is the right word. One guy seems to have done this huge change to a lot of the names for skills following his own translations, and it looks to have never gotten fixed.
If they're going to do that, I don't understand why they don't just leave the original names as legacy or something — or provide actual links that work from Servant profiles. Disgusting.
So, apparently, the magi possessed by Demon Pillars are possibly confirmed to be blood-descendants of Solomon ... ? I'd forgotten that such a thing was mentioned.
Even if three quarters of the subsequent generation didn't breed much outside the Jewish gene pool, once you get three thousand years later you'd likely be hard-pressed to find anybody with European blood that didn't have some of Solomon's blood in their ancestry - Genghis Khan was only 600 years ago and he's already in 8% of Asia, a wider area in a narrower time.
Being blood-descended from Solomon is not impressive or worthy of note, unless you have actual evidence that it was down the chain of firstborns from a legitimate heir.
Even if three quarters of the subsequent generation didn't breed much outside the Jewish gene pool, once you get three thousand years later you'd likely be hard-pressed to find anybody with European blood that didn't have some of Solomon's blood in their ancestry - Genghis Khan was only 600 years ago and he's already in 8% of Asia, a wider area in a narrower time.
Being blood-descended from Solomon is not impressive or worthy of note, unless you have actual evidence that it was down the chain of firstborns from a legitimate heir.
Baseless speculation that I intended to post yesterday, but the effort-post on Merlin took far too long.
Simply, "what if we were wrong" in regards to the status of Prototype Arthur?
The current, generally accepted understanding of Prototype Arthur is that he's from another Universe. But what if he wasn't? What if he was in fact from LB6?
Arthur is apparently traversing timelines in the vicinity of the Greater History in the pursuit of a Beast from his World — but why would a Beast from a separate Universe qualify as a Beast in the Greater History of Grand Order? Does the Human Order just somehow "recognize" it, and relegate it to the seat of a Beast? That's possible, but there could be another explanation ...
Hypothetically, it would be more reasonable to suppose that the Beast was to begin with native to Grand Order's iteration of the Human Order — in which case, we would have to suppose that Prototype actually exists with association to / in the vicinity of the Greater History of Grand Order. For example, let's suppose that it takes place at some point in the recent history of LB6.
The Lostbelts have thus far advanced unto divergent modernities — with the exception of Shimousa, which aside from its apparently enduring peacetime doesn't look terribly divergent from its analogous time period within the Greater History. The Grail Wars of Prototype take place in something resembling the modern Japan seen in FSN. Could Shimousa in fact exist somewhere within the World of LB6 — with the Japan depicted therein eventually becoming as the setting of the Grail War in Tokyo?
Beryl complained a lot about a sheltered princess that he simply couldn't deal with. The theories so far with regards to her identity have mostly selected figures from British legend — but you know, there was in fact a certain sheltered girl with a difficult-to-deal-with personality, who happened also to be obsessed with Arthur. Do take note that the interior of LB6 should per the circumstances of the past chapters likely have advanced to 2020 as of the local analogue of the Common Era.
Obviously, there are some holes in this theory. Manaka isn't royalty, for one — but maybe she crowned herself Queen of a race of monsters? And what about Avalon, in the Inner Sea of the Star? Would there exist an Avalon distinct from the one that seals the male Merlin, where Prototype Merlin resides? Is that even possible?
We know from LB5-1 that the City of Olympus is in fact situated beneath the Surface, within the interior of the planet. We know from LB4 that the "reach" of a Lostbelt can encompass the entirety of a universe (albeit, one of Nasu's very small-scale universes). We know from LB3 that the World of a Lostbelt can encompass the entire Surface. Is it so unprecedented that a Lostbelt could hypothetically extend into the Inner Sea of the Star?
Ergo, why is it that Arthur somehow isn't visible to Chaldea / recognized by the Human Order? Could it be, for example, that he's in fact a Servant of the Lostbelt ... ?
Note also that narratively, Nasu gave that he intended to try and resolve most of the currently open plot threads prior to the conclusion of the current incarnation of Grand Order. Arthur's plot thread — so far unelaborated upon — would hypothetically conclude at some point before the end of Cosmos in the Lostbelt. The most reasonable place to do this would of course be LB6 ...
Just some idle thoughts that'll probably amount to nothing.
As an addendum to my post on Merlin —
The general argument that was posed to me was something like this:
Merlin is in actuality extremely capable as a magus, because everything in real-world legend indicates this. He even references his incredible skill as a magus at his introduction in Babylonia. He was certainly telling the truth when he boasted of being "a magus amongst magi."
Merlin is a liar. Therefore, when he claims to be poor at magecraft in the Epilogue of Babylonia, he's in fact lying — downplaying his ability in false humbleness, out of humor. In short, he was just joking.
Yes, Merlin's profile in Grand Order Material give that in various skills associated with the Caster Class, his Rank is C. However, if you look at the description of his Territory Creation, the low Rank is only because he gives up halfway through. In fact, even if his High-Speed Incantation is only at a Rank of C, that by itself is a non-standard Skill held by talented magi; and the description is phrased as such that if he were trying harder, the Rank would be higher. Ergo, the low Rank isn't indicative that his actual capability in those Skills is low. It's just that the Material records his level of ability when he isn't trying his best. In short, Grand Order Material's tallying of his Skills is a misrepresentation of his real abilities.
Even if all of Merlin's Skills were in fact at C, Servant Skills at a Rank of C are actually fairly incredible, relative to a hypothetical generic modern magus.
Grand Order Material is notoriously incomplete, so it's entirely possible that he has one or more undocumented Skills — for example, Magecraft : A+.
Merlin's feats in Babylonia and elsewhere are just miscellaneous spells that don't need to be explained within the context of the capabilities of his that are established within the mats. It's not as if the on-screen feats of Caster-Class Servants are exhaustively documented in the canon anyhow. As an example, Merlin taught Arturia how to use Barrier of the Wind King, and rendered Conceptual Fertilization to Arturia's mother. He may have even had a hand in the forging of Caliburn. In Grand Order, he's even able to disguise the Excalibur as Bedivere's prosthetic. None of that can be explained within just the documented part of his abilities in Grand Order Material.
The issue that I take with this chain of argument is specifically that in the service of the selected interpretation, the go-to explanation for his exhibited abilities is in paraphrase:
The mats are incomplete. His real ability isn't documented within the mats, and doesn't need to be. (Because I say so.)
There is no requirement that his exhibited feats need to have any grounding or justification within the existent portion of the mats. (Because I say so.)
The existent portion of his mats are in fact a misrepresentation of his actual ability, which is in reality much higher, per the selected interpretation. (Because I say so.)
If Merlin's statements confirm the selected interpretation, he's telling the truth; but if they go against the interpretation, he's clearly lying. (Because I say so.)
Even if the mats appear to somewhat confirm those statements of his that in particular go against the selected interpretation, the interpretation has already established that the mats in general are worthless as a reference by which to justify his skills. (Because I say so.)
Some of these may be fair points; but using the same logic, we can claim that the missing years mentioned in Shakespeare's design document profile actually confirm that he's secretly a Grand of the Association; and that he was sandbagging all the way through Apocrypha. Even if he makes himself out as a non-magus or a particularly weak Caster, we all know that he's a lying liar who lies (except when he's telling the truth).
What's that? Shakespeare isn't thought of as a user of magic in popular culture? Well, Percy Jackson has him as a demigod; and in the Sandman, he was contracted with Morpheus. Entire books have been written about the use of magic as depicted in Shakespeare's stories.
Yes, this is a straw-man. Yes, there are holes in the analogy. The point is that to the purpose of determining the precise expression of a given character's abilities within the canon, we only have the mats and the in-game explanations to work from — and so, interpretations should follow from the explanations given, rather than per the assertion that the canon is incomplete; that anything within the canon that goes against the interpretation is either incorrect or a misrepresentation.
If we just dismiss the canon out of hand, we can literally say whatever we like.
-
Switching topics, I've recently begun to see this sort of thing as an oft-repeated assertion:
xela 63 said:
(we know that because a fully grown Fantasy Tree in Lostbelt 5 that housed a fully mature galaxy like ours to AAS)
Shouldn't it be that whatever the future, the possibility of adjacent advancement persists?
Unfortunately, this isn't the case.
The energy to account for the proliferation of the circumstances of erroneous worlds exists nowhere within this Dimension (次元, Jigen).
That is to say, the ceaseless proliferation of Adjacent Realities may eventually exceed the capacity (容量, youryou) of the Dimension.
Adjacent Realities are as a necessary existence, but they cannot be let to [enter into] excess.
It's a very rough estimation, but should the Earth persist at its present level of civilization for another century, it's likely that the Solar System will rupture (破裂, haretsu).
However, the reality is that we live and multiply.
The Solar System hasn't yet dissolved (緩和, kanwa, lit. "ease / loosen / relax / alleviate") per the volume of data (情報量, jouhouryou) [generated], and it's likely that it could as of the present manner persist for another hundred million years.
'Could the people in those worlds not still make different choices?'
Unfortunately, no. This dimension contains a finite amount of energy, and has none to spare for creating new worlds from the worlds gone so far astray.
If parallel worlds continued to increase in this manner, their number would eventually exceed the capacity of this dimension. Parallel worlds must exist, but in a manageable quantity. By my own rough calculations, and judging by the civilization of Earth alone, this solar system would collapse within 100 years if parallel worlds expanded without limits.
Seeing as how we do, in fact, live and multiply, the solar system is clearly not oversaturated with possibilities at this time, I extrapolate that this dimension can sustain our existence for the next 100,000,000 years.
First, we should recognize that every single timeline within the Greater History encompasses a region of space that at the very least extends beyond the Surface of the Earth, into space. If an astronaut were to arrive on Mars, this would be the iteration of Mars particular to his native timeline. Ergo, in every timeline, there exists a distinct iteration of the Solar System and everything within it. Three thousand timelines would be three thousand Solar Systems. Take a moment to let that sink in.
Second, per the above, Extella gives that as there doesn't exist within the current Dimension (次元, Jigen) the energy to account for unrestricted timeline proliferation, said process would eventually exceed the capacity (容量, youryou) of the "Dimension," resulting potentially in the dissolution (緩和, kanwa, lit. "ease / loosen / relax / alleviate") / rupturing (破裂, haretsu) of the Solar System per the volume of data (情報量, jouhouryou) generated.
Obviously, there's a lot of undefined terminology being tossed about, but — to reword — the unrestricted proliferation of timelines generates a "volume of data" that exceeds "the capacity of the Dimension," which results in the "dissolution" / "rupturing" of the Solar System (which, per the connotations of 緩和, may be related to Heat Death?).
Given that every valid timeline within the Greater History contains an iteration of the Solar System, and what's being "dissolved" by the proliferation of timelines is the Solar System, is it the iteration of such within each and every timeline that's being "dissolved?"
Maybe that's possible — but we know that the Texture of the Surface (which encompasses the timelines of the Greater History, and iterations of the Solar System therein) is appended over an underpinning (at the very least, containing the Reverse of the World) that isn't necessarily subject to the arrow of time in effect within the Greater History; and doesn't specifically exist within the spatial continuity conventionally accessible to humans within the Surface.
Per Subspecies Singularity Shinjuku, the destruction within the context of a particular timeline of even the Earth isn't really that big of a deal; and we can therefore surmise that the destruction of the iteration of the Solar System within a particular timeline likewise wouldn't be a big deal. Why is it a big deal that timeline proliferation would destroy the Solar System, then?
The likely reason would be that it's not the Solar System within any particular timeline that's being destroyed. It's the Solar System without the Texture of the Surface.
Why isn't it given that "dissolution" extends beyond the Solar System? Who knows? Whatever the case, "exceeding the capacity of the Dimension" / "exceeding the accounting of the energy available within the Dimension" yields "the dissolution / rupturing of the Solar System" — rather than, say, "the dissolution of the Milky Way Galaxy" or "the dissolution of the Universe."
Obviously, this doesn't practically provide a sense of the scale of the accessible space within any particular timeline; but when it's claimed, for example, that LB4 "houses a fully mature galaxy," we would need to acknowledge that at some point (presumably before Arjuna embarked upon his quest against evil), the timeline that became the Lostbelt was just one amongst the many sustained by the Human Order.
The energy as to account for timelines is finite. Would each and every timeline therefore house a fully mature galaxy as defined per the conception of the universe as of modern science, even though we're told that excessive timeline proliferation destroys the Solar System? Or is the claim instead that Arjuna Alter's Lostbelt uniquely encompasses the entirety of a galaxy, even if that isn't applicable to a normal timeline?
Interpretationally, are we certain that we want to attribute such a capability to a timeline originally spawned of humanity's claim upon the Seat of Primacy amongst the inhabitants of a single planet?
Likewise, Kama / Mara is half of a Beast — originally, a God integrated unto the Star / the System of Nature upon the Earth; and in the capacity of a Beast, empowered / justified in the Human Order, likewise grounded upon humanity's claim to the Seat of Primacy. Are we certain that we want to claim that — on account of the wording that "Kama became the Universe itself" — it's a matter of confirmed canon that she's now a galactic / universal scale existence, specifically per the understanding of the universe as of modern science? I mean, she's at the time described as a Beast in infancy, but during the Ooku event, her "Universe" was explicitly constrained to the Great Interior. That's a pretty small "Universe" ...
Anyways, just venting some annoyance. The canon hasn't really provided for a clear comprehension of spatial scale in the context of the Human Order — so until it does, let's not escalate the scale of these things for the purpose of versus thread wanking.
Per Subspecies Singularity Shinjuku, the destruction within the context of a particular timeline of even the Earth isn't really that big of a deal; and we can therefore surmise that the destruction of the iteration of the Solar System within a particular timeline likewise wouldn't be a big deal. Why is it a big deal that timeline proliferation would destroy the Solar System, then?
The likely reason would be that it's not the Solar System within any particular timeline that's being destroyed. It's the Solar System without the Texture of the Surface.
Could it not, instead, be "the Solar System in the whole of the Surface?" That is, generalizing beyond the Solar System in each timeline or even within the Domain of Man, but not beyond the domain of the Planet? I'm not entirely sure I'm comfortable with the implication that Gaia's own personal timeline mismanagement could kill all of her peer Planets so easily.
Obviously, this doesn't practically provide a sense of the scale of the accessible space within any particular timeline; but when it's claimed, for example, that LB4 "houses a fully mature galaxy," we would need to acknowledge that at some point (presumably before Arjuna embarked upon his quest against evil), the timeline that became the Lostbelt was just one amongst the many sustained by the Human Order.
The energy as to account for timelines is finite. Would each and every timeline therefore house a fully mature galaxy as defined per the conception of the universe as of modern science, even though we're told that excessive timeline proliferation destroys the Solar System? Or is the claim instead that Arjuna Alter's Lostbelt uniquely encompasses the entirety of a galaxy, even if that isn't applicable to a normal timeline?
Well, to be fair, there's a reasonable expectation for the latter. After all, uniquely in human history, the World does not need to host a tremendous number of timelines at once; it only needs to run seven, times perhaps however much those seven Lostbelts split in themselves. The number of stars in a galaxy is tremendous, but so might be the number of timelines; while three thousand is the usual number to cite here, if we instead take the version that has "three thousands" in the sense of one thousand cubed to be 'canonical' (as the JP Wikipedia page for 三千世界 does), we fairly closely approximate the number of stars in a galaxy -- the Sombrero Galaxy, for example, has about a hundred billion stars.
If each timeline natively contains a star and a Solar System, then the sanzen daisen sekai of 10003 timelines would in fact contain enough stars to be considered a small galaxy?
Plus, the Fantasy Trees are doing the heavy lifting of pinning down the Lostbelts, and they also contain entire galaxies; it's heavily implied in SIN that the Trees must possess at least tremendous computational memory if perhaps not explicitly a similarly tremendous computation power, but perhaps we might infer that the Trees are, well, "holding up the sky" as it were, taking some of the load from the Planet. The Alien God isn't trying to kill the Earth, after all...
I just realized that I somehow forgot to post this to a general thread, even though I wrote it out 3 years ago.
Therefore, to repost, Tamamo's Servant Matrix in Extra gives the following, which apparently wasn't translated in the localization:
thought [as well] to be [the deity] Uka-no-Mitama-no-Kami (宇迦之御霊神).
Incidentally, as of the Genpei Jousuiki (源平盛衰記),
it is given as well that Taira-no-Kiyomori (平清盛) maintained his grasp of [temporal] authority by way of ritual prayer as to make use of the power of this Dakini-Ten.
As of EXTRA, Tamamo-no-Mae is as a Mitama seperated forth from Amaterasu,
and her true form is construed not as the Kyuubi no Kitsune, but rather one amongst the expressions (表情, myoujou, "facial expression") of a deity.
Furthermore, it is vastly erroneous to categorize her as a Heroic Spirit.
Being as Tamamo-no-Mae has [rendered herself] a Heroic Spirit as to realize her wish to 「become as a good wife」,
she is incapable of exercising herself to her original specifications.
In the circumstance that she is reenacted in the capacity of an evil spirit (悪霊, akuryou) or an aramitama (荒御魂; "savage divine spirit"),
she would be rendered to transfiguration unto a great keshou (化生, lit. "incarnation"; synonymous to "youkai"), capable even of fighting off a hundred Heroic Spirits.
Her titling as one amongst the Three Great Keshou of Japan (日本三大化生, nippon sandai keshou) isn't merely for show.
Yakan (野干): Also written as 射干 (yakan). In Chinese mythology, an evil fox-like creature. Thought to be a misconception of the jackal, which weren't commonplace in medieval China.
Suijaku (垂迹): lit. "vestige / remnant." As of Japanese Shinbutsu-Shuugou (神仏習合), the interpretation of a Shinto deity as an expression of a Buddhist deity.
Honji (本地): lit. "original ground." As of Japanese Shinbutsu-Shuugou, the Buddhist deity analogous to a particular Suijaku.
Dharmakāya (法身, houshin): lit. "body (as) law / truth." As of the Buddhist doctrine of the Trikaya, the "unmanifest" form of the Buddha that is as the ultimate objective of Buddhist practice.
Sambhogakāya (報身, houshin): lit. "body (as) remuneration." In the Sanskrit, "enjoyment body." As of the Buddhist doctrine of the Trikaya, the spiritual body attained as of the accumulation of sufficient practice as to become a Buddha, capable of expression to Pure Lands and the visions of practitioners.
Vairocana (大日如来, dai-nichi nyorai): Thought to be the Dharmakāya of the Buddha Gautama. As of Japanese Buddhism, his name is written as 大日如来 (dai-nichi nyorai), and was as of Japanese Shinbutsu-Shuugou posed as the Honji to the Suijaku that is Amaterasu. Incidentally, one of the titles of Amaterasu is written as 大日女尊 (oohiru-me-no-mikoto) — the Goddess of the Great Sun.
Dakini-Ten (ダキニ天): 天 is pronounced either as "ten" or "kami," but translates in the context of Buddhism as "Deva." Dakini-Ten (荼枳尼天) is in particular a female Deva associated with Kitsune. In EXTRA, Nasu asserts that she may be regarded as a Sambhogakāya to the Dharmakāya that is Vairocana.
Inari-Myoujin (稲荷明神): The God / Goddess of the harvest, associated with Kitsune. As of Japanese Shinbutsu-Shuugou, posed as the Suijaku to the Honji that is Dakini-Ten.
Uka-no-Mitama-no-Kami (宇迦之御霊神): A God / Goddess of the harvest; one of the children of Susanoo-no-Mikoto, sometimes regarded in Shinto as syncretic to Inari.
Genpei Jousuiki (源平盛衰記, "The Record of the Rise and Fall of the Genpei"): An extended version of The Tale of the Heike (平家物語, Heike Monogatari).
Taira-no-Kiyomori (平清盛): The creator of the first samurai-dominated administrative government in Japan.
aramitama (荒御魂): Generally, "a divine spirit regressed unto savagery." As of Shinto belief, expressions of a deity can subsequent to ruinous events such as war or disaster regress to a wilder, more primal state — perhaps their original form, which existed precedent to civilization.
keshou (化生): Semantically, "incarnation." In Buddhism, "upapāduka," or "the spontaneously-born." In Japanese folklore, "that which has transformed" — referring to the transfiguration of an existence to some sort of supernatural being, as in the manner of tsukomogami. Generally synonymous to "youkai."
Comparatively, the Wikia provides the following translation:
Wikia said:
02 - "Dakini Deva"
While Tamano-no-Mae is generally believed to be a nine-tailed fox spirit with many of the attributes associated with the tantric deities known as Dankini, she is frequently mistaken by many as one of the Inari or sometimes even a manifestation of Buddha.
In the Fate/EXTRA universe, Tamamo-no-Mae is a soul that was created from the essence of the sun goddess Amaterasu, and as such is not merely a Earth spirit, but is actually a unique facet of the goddess from which she came. With this being said, it'd be a monumental mistake to classify her as one of the many human-spawned Legendary Souls.
However, she was willingly embraced the role of a Legendary Soul so that she could, in her own words "become a good wife." By deliberately accepting the limits inherent in the role of Servant, many of her original powers have been sealed away.
On a final note, as most deities are neither truly good nor evil, there are instances when Tamamo-no-Mae can be summoned as an evil spirit. Should this happen, she will transformed into a hideous monster capable of defeating a hundred heroes at once. In fact, when in this form, she is considered one of the Japan's Three Great Monsters.
I don't have the game on hand at the moment, and therefore cannot confirm that this is the exact translation used within the localization, but do note the differences.
Noooot sure if I'm allowed to link it, but Fate Requiem has just had two more chapters translated.
Galahad's wardrobe:
Galahad sat at the side, leaning back disinterestedly on his chair. He wore a deep purple – indigo? - dress shirt rolled up to the elbows, and black skinny jeans. The shirt lay open at the collar to reveal a chest even paler than his arms.
"And I get to cart around the kid and her great-grandad. I'm telling you now, I don't do bedtime stories… or hospice care." Galahad chipped in with another snide remark, and Koharu rounded on him again, teeth bared in a hissing snarl.
Regarding the assertion that "it's only per a retcon as of CM3 that Shirou can't Project Excalibur, when he literally replicated SAlter's sword when creating 'the strongest sword he knew' in Heaven's Feel" — I would note that we do have the following:
「This is ...
Are you saying that this is your world, Archer?」
「Indeed.
And it's fine if you'd like to see me attempt it, Saber.
Your Holy Sword —
[I'll have you] witness its replication in legitimate.」
「My Holy Sword ...
Are you stating this in the knowledge of its identity, Archer?」
「Of course.
Though I would be incapable of perfectly replicating an existence of such a [magnitude] (アレほどのモノ, are hodo no mono, "a thing of such an extent"),
an approximation of the actual article would be doable.
And if I do this, how would things play out?
When Holy Swords come to clash,
is it possible for the humans in the vicinity to survive?」
「What —
Archer, you're ... !!」
「And that's the way that things are.
Do not bring your Holy Sword to bear, Saber — even in error.
In the circumstance that it enters into use, it's impossible that I won't oppose you in kind.
And in that circumstance, that which vanishes would not be us, but the humans in our vicinity.
... If it's you,
you would protect that boy over there, even if it requires that you sacrifice yourself.
To me, the Projection of the Holy Sword and its like would be self-annihilation.
And if such a thing comes to pass, only Emiya Shirou / a single person would survive.
It wouldn't hold much meaning.」
"Yes. I do not mind if you would like to test it out.
I shall reproduce that holy sword of yours."
"My holy sword...? Are you saying that, knowing its true identity, Archer?"
"Of course. A weapon of such rank cannot be perfectly reproduced, but I can get it close.
What will happen in that case? Will the people around us survive when the two holy swords clash?"
"Wha――――Archer, you...!"
"Yes. Do not use your holy sword, Saber. I will have to oppose you if you do.
In that case, the ones to disappear would not be us, but the people around us.
...Knowing you, you would protect that kid at the cost of your own life. Even I will die if I project the holy sword.
In that case, only Emiya Shirou would survive. That would be pointless."
Q: Whereabouts would the limitations fall, as applicable to 「the Infinite Creation of Swords」?
Being as 「the Sword of Separation」 is likely the Noble Phantasm (Sword Category) of the highest standing, I would think — even that Shirou isn't able to replicate it, would Archer be capable of doing so?
Further, per the meaning of [the term] 「weapon」, to what extent are modern weapons replicable?
Would it only be unto [the boundaries of] bladed weapons, or would guns and mobile weapons (機動兵器, kidou heiki) be possible as well?
A: The replication of such Divine-Crafted Armaments as 「the Sword of Separation」 and 「the Sword of Promised Victory」 is unachievable.
However, if it's sub-optimal (型落ち, kata-ochi, lit. "off-model"; generally in the sense of "not of the optimal model" or "degraded") Noble Phantasms of similar capabilities, there may exist any number of such in storage.
Also, being that 「Sword」 is in the process of becoming (なりつつある, nari-tsutsuaru; なり, nari, "become"; つつある, tsutsuaru, "in the continuity / continuation of doing") his Origin, those weapons collected become in general restricted to [those used in] melee combat (白兵戦, hakuheisen).
Q: What is the limit of replication in UBW? The highest level of NP (sword types) is probably Ea, but while it might be impossible for Shirou, could Archer make it? Also, under the meaning of weapons, to what extent can he make modern weapons? Must it be only blade types or can he make guns and mobile weapons?
A: Divinely forged weapons such as Ea and Excalibur are non-replicable. There might be some degraded Noble Phantasms with similar performance in stock, though. Also, since sword is becoming Shirou's origin, the weapons that he has stored are fundamentally limited to close combat.
By the way, 機動兵器 (kidou heiki) is a term from Gundam generally translated as Mobile Weapon.
In any case, it's honestly getting tiresome to see over and over the claim that Nasu habitually engages in retcon as to explain how particular characters perform supposedly impossible actions.
Regardless of the picture displayed at the time (which was of SAlter's sword), Shirou's HF projection was never identified by name.
Emiya gave in UBW that he can't project Excalibur itself, but that he can manufacture an approximation of such.
CM3 was published in 2010. It gave outright that Divine Arms cannot be projected. This wasn't a retcon, but an elaboration on the bit from UBW.
Given that Emiya refers to what he can do with Excalibur as a "legitimate replication," despite it explicitly falling short — is it in fact demonstrable that the HF projection was the Excalibur outright, and not merely the sort of thing that Emiya claimed to be capable of creating?
To rephrase for emphasis:
Emiya stated that he can't Project Excalibur in UBW.
HF doesn't explicitly state that Shirou Projected the Excalibur.
6 years later, CM3 clarified that Divine Arms can't be Projected at all via Unlimited Blade Works.
The generally purported "retcon" in CM3 — the confirmation that Shirou can't Project Divine Arms — is in fact consistent to Emiya's statements in UBW.
Ergo, per this clarification that CM3 provided, we can infer that Shirou really wasn't Projecting the Excalibur.
A clarification of unclear canon does not a retcon become. It's only a retcon if there's some established fact of the canon that's explicitly being contradicted by material later released. What's being contradicted in this instance is just an unfounded impression amongst the audience that Shirou was in fact Projecting the Excalibur in HF, which has no explicit basis in the text of the game, regardless of the pic that turned up.
Was the image of SAlter's Excalibur misleading? Yes, indeed. But did it explicitly connote that Shirou Projected the Excalibur? No — or at least, there's no way that we can confirm with certainty that that's what was going on.
Therefore, even a hypothetical retcon that maybe the Excalibur Morgan isn't Divine Arms wouldn't effectively apply, as Shirou can't be confirmed to have even Projected the Excalibur in the first place. Invocation of whether or not Excalibur Morgan is specifically Divine Arms is irrelevant to whether or not Shirou can Project Excalibur, as CM3 simply tells us outright that he can't. Ergo, Nasu "retconned something to explain why somebody can do something they shouldn't be able to do" doesn't here apply.
Further, maybe it's my poor memory, but even as there are indeed a couple of retcons floating about, I don't actually recall a circumstance where the above claim is applicable, with regard to a character performing an action that should be impossible.
In response to something Bludflag said on SB:
Bludflag said:
Theoretically, one can go for Qi or Ether as potential substitutes for thaumaturgical energy, but that's probably inordinate effort at this point. The latter is covered anyway by my post, I think.
The transcription in BL is wrong.
The relevant dialogue can be found here.
The parts marked in red below are missing from BL's version.
EXTRA said:
あれは打撃の瞬間、拳に乗せた己が魔力を相手の体内に巡らせ、全身の剄脈を乱す技。
That would be a technique (技, waza) [whereby] — as of the moment that a strike impacts — the mana that one invests within their fist is circulated unto the interior of the opponent's flesh, rendering the meridians (剄脈, keimyaku) to disarray.
乱技 = chaotic technique ... ?
乱す技 = technique that throws to chaos
It was difficult interpreting what the sentence meant with the す missing.
Also, as far as I can tell, the bit highlighted in green either is probably a typo.
This also contributed to the difficulty of the interpretation.
The correct word is probably 経脈 (keimyaku), which refers to Meridians for the circulation of Qi.
On an unrelated note, TMDict's JP entry on Gradation Air has errors.
The parts marked in red below are missing or incorrect.
A thaumaturgy that with use of mana renders to materialization a mirror image of an original.
As per Rin's explanation in the main story, its efficiency is truly poor.
This would be as — in the circumstance that [one is attempting to] fabricate a replica from an original — diligently fabricating a replica from materials would more easily [yield a result] capable of withstanding practical use.
Originally, Projection was a thaumaturgy that would unto one's own time axis (時間軸, jikan-jiku) express (映し出して, utsushidashite; "project" as in the sense of a film projection) in substitution an original already lost for just a few minutes.
Being as this would connote the rental of a mere external appearance for only a few minutes, the sheer extent of the absurdity in Shirou and Archer's Projection needn't be elaborated upon. It's likewise only a matter of course that Rin would be brimming with killing intent as of seeing his storehouse.
To begin with, Shirou is capable only of Projecting that which is related to armaments. Said armaments would be furthermore restricted to swords, and he would be incapable even of Projecting modern weaponry.
Though shields and armor could be drawn forth with difficulty, the output would be a momentary thing, and its required compensation vast.
A magecraft that uses magical energy to materialize a mirror image of an object.
As Rin mentioned in the story, it's not very efficient.
That's because, if you're making a replica of something, rather than using projection it's easier and more practical just to gather the materials and build it yourself.
Normally, it is only used to project a substitute for an item that has already been lost, and for just a few minutes within one's own time axis.
At any rate, since Gradation Air is just supposed to be a short-term rental of the item's outward appearance, you can see why the version used by Shirou (and Archer) is completely ridiculous. It's no wonder that Rin wanted to kill him when she saw his shed.
Of course, Shirou can only project things that are related to weapons in some way—or more specifically, swords. Modern weapons are off limits.
…Well, technically he can pull out shields or armor, too, if he strains himself to his utmost limits, but the effects only last for an instant and the cost is enormous.
グラション is like "Gracion" or something.
まつこと isn't a word.
That said, note that when it states that Shirou is capable only of Projecting things related to armaments, it's sort of already contradicted by the junk he's projected in his shed — unless we presume that said objects still somehow fall within the category of "weapons related to melee" ... ?
Anyways, the above has been posed as evidence that Shirou / Emiya may be outright incapable of Projecting firearms — failing to account for Emiya Alter's K&B guns. By the above, there hypothetically exists a set of objects that may be Projected — restricted to "weapons usable in melee," and excluding "modern weapons." My presumption is here that there exists without this particular set another body of traceable objects within which fall the junk in Shirou's shed?
Regarding the assertion that "it's only per a retcon as of CM3 that Shirou can't Project Excalibur, when he literally replicated SAlter's sword when creating 'the strongest sword he knew' in Heaven's Feel" — I would note that we do have the following:
For comparison:
And then we have this bit in CM3:
For comparison, the BL translation:
By the way, 機動兵器 (kidou heiki) is a term from Gundam generally translated as Mobile Weapon.
In any case, it's honestly getting tiresome to see over and over the claim that Nasu habitually engages in retcon as to explain how particular characters perform supposedly impossible actions.
Regardless of the picture displayed at the time (which was of SAlter's sword), Shirou's HF projection was never identified by name.
Emiya gave in UBW that he can't project Excalibur itself, but that he can manufacture an approximation of such.
CM3 was published in 2010. It gave outright that Divine Arms cannot be projected. This wasn't a retcon, but an elaboration on the bit from UBW.
Given that Emiya refers to what he can do with Excalibur as a "legitimate replication," despite it explicitly falling short — is it in fact demonstrable that the HF projection was the Excalibur outright, and not merely the sort of thing that Emiya claimed to be capable of creating?
To rephrase for emphasis:
Emiya stated that he can't Project Excalibur in UBW.
HF doesn't explicitly state that Shirou Projected the Excalibur.
6 years later, CM3 clarified that Divine Arms can't be Projected at all via Unlimited Blade Works.
The generally purported "retcon" in CM3 — the confirmation that Shirou can't Project Divine Arms — is in fact consistent to Emiya's statements in UBW.
Ergo, per this clarification that CM3 provided, we can infer that Shirou really wasn't Projecting the Excalibur.
A clarification of unclear canon does not a retcon become. It's only a retcon if there's some established fact of the canon that's explicitly being contradicted by material later released. What's being contradicted in this instance is just an unfounded impression amongst the audience that Shirou was in fact Projecting the Excalibur in HF, which has no explicit basis in the text of the game, regardless of the pic that turned up.
Was the image of SAlter's Excalibur misleading? Yes, indeed. But did it explicitly connote that Shirou Projected the Excalibur? No — or at least, there's no way that we can confirm with certainty that that's what was going on.
Therefore, even a hypothetical retcon that maybe the Excalibur Morgan isn't Divine Arms wouldn't effectively apply, as Shirou can't be confirmed to have even Projected the Excalibur in the first place. Invocation of whether or not Excalibur Morgan is specifically Divine Arms is irrelevant to whether or not Shirou can Project Excalibur, as CM3 simply tells us outright that he can't. Ergo, Nasu "retconned something to explain why somebody can do something they shouldn't be able to do" doesn't here apply.
Further, maybe it's my poor memory, but even as there are indeed a couple of retcons floating about, I don't actually recall a circumstance where the above claim is applicable, with regard to a character performing an action that should be impossible.
In response to something Bludflag said on SB:
The transcription in BL is wrong.
The relevant dialogue can be found here.
The parts marked in red below are missing from BL's version.
乱技 = chaotic technique ... ?
乱す技 = technique that throws to chaos
It was difficult interpreting what the sentence meant with the す missing.
Also, as far as I can tell, the bit highlighted in green either is probably a typo.
This also contributed to the difficulty of the interpretation.
The correct word is probably 経脈 (keimyaku), which refers to Meridians for the circulation of Qi.
On an unrelated note, TMDict's JP entry on Gradation Air has errors.
The parts marked in red below are missing or incorrect.
For comparison:
グラション is like "Gracion" or something.
まつこと isn't a word.
That said, note that when it states that Shirou is capable only of Projecting things related to armaments, it's sort of already contradicted by the junk he's projected in his shed — unless we presume that said objects still somehow fall within the category of "weapons related to melee" ... ?
Anyways, the above has been posed as evidence that Shirou / Emiya may be outright incapable of Projecting firearms — failing to account for Emiya Alter's K&B guns. By the above, there hypothetically exists a set of objects that may be Projected — restricted to "weapons usable in melee," and excluding "modern weapons." My presumption is here that there exists without this particular set another body of traceable objects within which fall the junk in Shirou's shed?
To be honest this is an extremely charitable way of reading that and a very narrow sense of the word retcon which is pretty well understood to mean a revelation that something the audience thought was actually something else.
"This Excalibur looking thing shirou projected is actually not Excalibur but just a thing that looks like Excalibur and Archer saying he could project a degraded version of it meant he could project a completely different sword" is almost the archetypical example of a retcon. In that it reveals to the audience that something which appeared to be the case actually didn't happen.
To be honest this is an extremely charitable way of reading that and a very narrow sense of the word retcon which is pretty well understood to mean a revelation that something the audience thought was actually something else.
"This Excalibur looking thing shirou projected is actually not Excalibur but just a thing that looks like Excalibur and Archer saying he could project a degraded version of it meant he could project a completely different sword" is almost the archetypical example of a retcon. In that it reveals to the audience that something which appeared to be the case actually didn't happen.
Was it therefore a retcon that fan-translators and the audience thought that SHEBA was SHIVA, before Salem demonstrated that it was really SHEBA all along?
The audience in general possessing a mistaken impression of something doesn't yield that the creator necessarily contradicts themselves when issuing a clarification.
Was it therefore a retcon that fan-translators and the audience thought that SHEBA was SHIVA, before Salem demonstrated that it was really SHEBA all along?
The audience in general possessing a mistaken impression of something doesn't yield that the creator necessarily contradicts themselves when issuing a clarification.
No, but that's a mistake on the part of unofficial translators. Nasu put the picture of Excalibur Morgan right there up on the screen. Its a visual novel, why wouldn't a picture of Excalibur Morgan right after Shirou says there's a sword in his hand be confirmation as much as words? I half suspect we will see Shirou with it in about a month when Ufotable animates it. Even from Archer's dialogue, I think its made clear that he can project a psuedo Excalibur at the cost of his own life. Your translation's even more indicative of that in regards to Archer's dialogue.
You can say that may have not been Nasu's intent, but who knows? What we do know is that the text as written claims that, not any holy sword, but that particular sword, is approximatable.
Eh? I always thought the Excalibur Morgan he did at the end of HF was just a really fucking imperfect copy. He didn't care if it was good enough, didn't care if going over the limits for trying anyway would kill him since he was already dying.
Eh? I always thought the Excalibur Morgan he did at the end of HF was just a really fucking imperfect copy. He didn't care if it was good enough, didn't care if going over the limits for trying anyway would kill him since he was already dying.
Was it therefore a retcon that fan-translators and the audience thought that SHEBA was SHIVA, before Salem demonstrated that it was really SHEBA all along?
The audience in general possessing a mistaken impression of something doesn't yield that the creator necessarily contradicts themselves when issuing a clarification.
What the hell does this have to do with that situation?
There's a picture of Excalibur and Archer says he can project it in degraded form. This is later clarified to be "Shirou projected something else and the visuals were an art failure and Archer I guess meant a completely different weapon entirely even though the entire point of his exchange with Saber is that he's explicitly talking about Excalibur." It's a retcon, it doesn't make it bad or whatever but call it what it is. There's no need to perform mental gymnastics to 'defend' a point that doesn't need to be defended.
There's a picture of Excalibur and Archer says he can project it in degraded form. This is later clarified to be "Shirou projected something else and the visuals were an art failure and Archer I guess meant a completely different weapon entirely even though the entire point of his exchange with Saber is that he's explicitly talking about Excalibur." It's a retcon, it doesn't make it bad or whatever but call it what it is. There's no need to perform mental gymnastics to 'defend' a point that doesn't need to be defended.
Archer says he can't do something of the same magnitude of Excalibur. CM3 says he can't copy Excalibur. How is this a retcon?
Archer says that an approximation of Excalibur would be doable. HF Shirou projects something that looks like Excalibur Morgan, but we're never told how close to the actual Excalibur he got. For all we know, that projection could be in the same range of the doable approximation that Archer speaks of in UBW.
Frankly, if I could compare the HF feat to anything, it would be the hollow Divine Constructs Miyuverse Shirou projects when hooked to the Grail/Miyu.
Archer says he can't do something of the same magnitude of Excalibur. CM3 says he can't copy Excalibur. How is this a retcon?
Archer says that an approximation of Excalibur would be doable. HF Shirou projects something that looks like Excalibur Morgan, but we're never told how close to the actual Excalibur he got. For all we know, that projection could be in the same range of the doable approximation that Archer speaks of in UBW.
Frankly, if I could compare the HF feat to anything, it would be the hollow Divine Constructs Miyuverse Shirou projects when hooked to the Grail/Miyu.
Because that's not the point in contention, the argument isn't "Shirou projected a hollow Excalibur but not a full one" it's "Shirou projected something else entirely and the visuals are a lie." The argument isn't "Archer can project a hollow Excalibur but not a full one" it's "Archer can't project Excalibur at all." The retcon is precisely that we went from "Archer and Shirou can project degraded copies of the Holy Sword" to "Archer and Shirou can't project Excalibur or any other divine weapons at all."