There Was A Different Idea: An MCU Producer Quest

In their first fight, Thor throws Creel through a table or over the liquor counter or something of that nature, causing a bunch of chaos. Then in the climax, after he becomes worthy, he seemingly throws the Mjolnirized Creel through a trailer park, shot the same way—only to pull him back at the last second and punch him towards a barren cliffside instead.
I think in this case it would be better instead to have Jane & extras shocked and appalled at Thor's violence against Creel initially and for him to scoff and not consider their viewpoint and verbally mocking the humans who want him to show mercy, while once he's matured he's learned to respect the local's custom and culture.
 
I think in this case it would be better instead to have Jane & extras shocked and appalled at Thor's violence against Creel initially and for him to scoff and not consider their viewpoint and verbally mocking the humans who want him to show mercy, while once he's matured he's learned to respect the local's custom and culture.
I frankly think this makes him come across as more villainous than Loki at this point in the film, to say nothing of the fact that it would probably imperil his relationship with Jane.
 
I think in this case it would be better instead to have Jane & extras shocked and appalled at Thor's violence against Creel initially and for him to scoff and not consider their viewpoint and verbally mocking the humans who want him to show mercy, while once he's matured he's learned to respect the local's custom and culture.
Dude, I'm sure not even the Asgardians would condone something like that. While the Asgardians are more prone to violence than Earthlings, I'm sure this isn't a cultural thing.
 
I frankly think this makes him come across as more villainous than Loki at this point in the film, to say nothing of the fact that it would probably imperil his relationship with Jane.
I mean, did he not do this exact same thing against Frost Giants? Except he killed the random frost giants that he came across, instead of merely insult/ignore them.

A fight scene ensues in the vault and the Frost Giants are all eventually destroyed.
Numerous Frost Giants are killed

So Thor killed numerous frost giants that were NOT responsible for the vault break-in, considering the ones responsible for that were all already killed.

Dude, I'm sure not even the Asgardians would condone something like that. While the Asgardians are more prone to violence than Earthlings, I'm sure this isn't a cultural thing.
It's not about Asgardian culture vs Midgardian though, I'm more talking about Thor's arrogance so he wouldn't listen or care about the opinions of most humans. He didn't care about Odin's opinion, so him caring about random human extras in the crowd seems hilariously incongruent.

to say nothing of the fact that it would probably imperil his relationship with Jane.
Then they could have a conversation where she confronts him and changes him, making her more than just a romantic interest, adding drama to the story, making the relationship more interesting, etc. This could raise the prominence of the role and could mean we attract better and more ambitious talent.
 
Last edited:
I mean, did he not do this exact same thing against Frost Giants? Except he killed the random frost giants that he came across, instead of merely insult/ignore them.


So Thor killed numerous frost giants that were NOT responsible for the vault break-in, considering the ones responsible for that were all already killed.
I mean it's not the same thing in terms of scale or situation. Carl's just kind of an asshole who didn't do anything actually illegal at this point in time.

Thor did kill frost giants that weren't responsible for the vault break-in but there are two mitigating circumstances. Firstly Thor thought of all of them as enemies of Asgard and threats to his people hence why he wanted to retaliate for the strike. Secondly due to the conversation the frost giants had the audience is aware that at the very least Laufey, the leader and person in charge of the frost giants had to have somehow condoned/organized the vault break-in.

Going after the Frost Giants is a lot more justified in my opinion and there is more nuance to the situation. He's not right in either situation but it's never Thor going "puny mortals don't matter Thor KILL!" so much as him trying to use force to solve situations where doing so isn't actually going to make things better despite the short term gratification.
It's not about Asgardian culture vs Midgardian though, I'm more talking about Thor's arrogance so he wouldn't listen or care about the opinions of most humans. He didn't care about Odin's opinion, so him caring about random human extras in the crowd seems hilariously incongruent.
I mean this is Thor after he got banished to Midgar and has started trying to adjust to living as the human Donald Blake and working with people. It feels a little forced to make him as bad if not worse then he was at the start of the film when he's already kind of been humbled a bit by this point even if he hasn't fully figured things out.
Then they could have a conversation where she confronts him and changes him, making her more than just a romantic interest, adding drama to the story, making the relationship more interesting, etc.
Eh, I'm not really a fan. Not only am I not exactly fond of having Thor's realization about violence come from an outside source he listens to because he wants a romantic relationship with and that I generally don't like encouraging the idea of "I can change him from a violent person" as a good healthy dynamic for a relationship to have, I don't think it really adds much relevant drama to the story or makes it more interesting besides giving Jane Foster really strong overtones of being a woman who repeatedly gets into abusive relationships which is not an implication I think you were going for.

I don't think I as a writer would feel comfortable including that in this pitch as is.
 
Last edited:
It's not about Asgardian culture vs Midgardian though, I'm more talking about Thor's arrogance so he wouldn't listen or care about the opinions of most humans. He didn't care about Odin's opinion, so him caring about random human extras in the crowd seems hilariously incongruent.
That's the exact point I was trying to make, man. If Thor was reprimanded by Odin for his bellicose behavior, it wouldn't be a matter of Midgardian and Asgardian culture clash. The way you phrased your point makes it seem like he's scoffing at Jane and the other earthlings because he looks down upon their more-pacifist beliefs and culture.
while once he's matured he's learned to respect the local's custom and culture.
When you use this line, it makes it seems like Thor is some kind of Asgardian cultural supremacist.
 
Last edited:
King crimson's Thor (Movie Pitch)
Updated Thor Pitch
So here's the updated version of the pitch. This is the version that probably ought to be threadmarked unless someone discovers a glaring issue with this version.

The Plot
The movie opens with a description of Asgard and of the gods and magic that inhabits the world. The movie then shifts to a spar between Loki and Thor. Thor effortlessly trounces Loki in the fight due to simply being a better warrior. The people watching proudly cheer on Thor and this gets to Loki. He decides to start cheating, using his magic to weave his illusions suddenly putting Thor on the backfoot.

There is a bit of a public outcry at Loki's blatant breaking/bending of the rules of the spar but Thor still manages to come out on top due to being able to use the powers of Mjolnir to basically lay Loki flat on his back. Loki yields and tries to play the whole thing off as a joke which Thor accepts. People though still think poorly of Loki for his "mischief" and praise Thor even more for being able to deal with it.

Odin comes and takes his two sons aside to talk to them. He tells Thor how proud he is of him and that while he needs to work on his temper he's sure that one day Thor will be capable of becoming a fine king of Asgard. Thor basks in the praise and Odin then turns to Loki and more lightly praises him for his skill in magic but at the same time scolds him for not being more like a proper Asgardian warrior like his brother and resorting to using his magical gifts to cheat and lie during a training exercise. Loki noticeably sulks at being snubbed compared to Thor. Odin talks to Thor about what being the king of Asgard means while Loki slinks off on his own. Thor mostly doesn't listen to Odin's advice and ideas completely convinced of his own success.

Some time passes and Loki and Thor bicker with one another. It's clear that Thor and Loki still do care for one another but that Loki is intensely annoyed at always being second best and Thor doesn't quite pick up on it.

Suddenly there's an alarm that goes off and it's revealed that Frost Giants, old enemies of Asgard have broken into one of the vaults containing numerous magical devices and artifacts. The Frost Giants talk amongst themselves and reveal that they're doing this on the orders of King Laufey using a secret passageway they'd discovered to slip between the realms and that they can't linger for long. Furthermore they have to be deniable assets so as to not break the peace of Asgard. They search for artifacts when suddenly they are beset by Thor.

A fight scene ensues in the vault and the Frost Giants are all eventually destroyed. Thor wants to retaliate against them further, seeking to go to Jotunheim, but Odin denies him this, telling him to be patient and that they ought not to squander peace for the sake of war. Thor says he's not afraid and Odin says that he ought to be as a good king doesn't make his people needlessly suffer for the sake of his own pride. Thor is not fully assuaged but he eventually backs down.

Thor meets up with Loki about all of this and complains about the unfairness of Odin's edicts. Loki does point out that Odin is trying to prevent the peace from being broken, but seeing a chance to needle Thor, points out that in his youth Odin would have fought for Asgard heedless of the risks of war. Besides if Thor can be deniably said to be doing this on his own then there will likely be no consequences for Asgard officially. Thor buys into what Loki is selling and Loki smirks at this.

Thor arranges an attack on Jotunheim with a group of warriors who go along with Thor due to his charisma and bravado. When they arrive at Jotunheim Thor and those following him are greeted by an armed contingent of Frost Giants. The Frost Giants demand that Thor leave and Thor demands restitution for the attack on Asgard. The Frost Giants deny any involvement with the incident and claim that Thor has no proof. Thor grows angry especially when it's mentioned that because the invaders all perished there's nothing to link them to Laufey's command and eventually due to the Frost Giant's hostility Thor snaps and throws Mjolnir starting the fight. Numerous Frost Giants are killed in the ensuing bravado and Thor is about to confront king Laufey himself when suddenly Odin arrives and stops the fight, Loki appearing behind him. He apologizes to King Laufey and there's a bit of negotiations where Odin agrees to banish one of his sons in exchange for keeping the peace and Laufey agrees.

The Asgardians all return to Asgard and Odin chews out Thor saying that this was an incredibly stupid thing he did and that now he has to banish Thor because Loki couldn't tell him early enough to prevent what was happening. Thor says that Loki was the one who told him that if the retaliation was deniably tied to Odin's orders they could get away with it. Loki points out that it was a hypothetical and that Thor is the prince of Asgard he can't exactly be disconnected from Asgard's leadership. Thor then says that this is what Odin would have done when he was younger and stronger and Odin responds that this is the very lesson he was trying to teach Thor since he didn't want him repeating his mistakes. He then states that perhaps banishment would do some good and teach Thor humility. He makes mention since Thor cannot understand how to use all of his powers properly Odin will be removing them with his magic. He strips Thor of all of his powers and casts him out to Midgar.

Thor wakes up and tries to find his hammer, which is being kept by SHIELD. He attempts to reclaim it but cannot pick it up and eventually gets disabled by SHIELD agents. Thor is interrogated as he comes to and eventually Philip Coulson leaves him in the hands of Dr. Jane Foster, their chief scientist researching the hammer and just the phenomena that they could discover of the Bifrost.

Thor forms a connection with her and shares some of his knowledge of magic with her though he admits his brother Loki would be much more knowledgeable, stating that while Loki might not be a great warrior himself, he's nearly peerless in magical skill in Asgard and he could easily enchant a wide bevy of powers onto an individual that would defy the normal rules of reality. Thor slowly struggles with being a normal more or less human and takes on the cover identity of Donald Blake. Eventually Thor and Jane become romantically entangled.

The two of them encounter Carl Creel, an ex-boyfriend of Jane's and a former SHIELD agent who lost his job due to harassing Jane, in a dive bar. Carl rudely and lewdly makes comments about Jane that make her uncomfortable but she doesn't respond. As Carl approaches Thor stands up to defend her. Carl approaches Thor and insults him before "accidentally" spilling his drink on Thor. Carl insincerely apologizes and turns to leave when Thor snaps and decks him in the face. A fight ensues that utterly trashes the bar as Jane flees outside. The entire place gets trashed but Thor comes out victorious despite having escalated things massively. He eventually leaves the bar once he realizes that Jane has left.

He then leaves to go talk to Jane and they have a conversation about how Thor was just trying to defend her but Jane points out that though it was sweet and noble of him to want to defend her, but he really ought not to do it in such a way that gave Creel the fight he wanted and that on Midgar people don't often solve their problems with their fists and expect it to work long term. Thor doesn't quite get this since from what he understands defeating an enemy in battle means you've won but he agrees to try and think more about when to fight to hopefully make things up to Jane. Thor continues to struggle with being a seemingly normal midgardian.

Meanwhile back on Asgard Loki is luxuriating in being the crown prince. Now people have to respect him. He lets his new authority go to his head and starts rubbing it in the faces of the people who'd always looked down on him as less than Thor.

Odin eventually warns Loki not to go too far as he merely promised Laufey a temporary banishment, Thor will still return eventually and that he only promised the banishment of a son, not Thor specifically. Loki tries to wheedle out of consequences saying that Odin wouldn't really banish him after all the issues Thor's caused and Odin responds by saying that Loki's been so eager to prove he would be a better crown prince than Thor, now is his chance to prove himself. If he doesn't shape up the roles will be switched.

Loki leaves at this and becomes panicked. Loki doesn't believe that the people of Asgard would ever accept him as better than Loki and so if Thor comes back or he doesn't permanently keep Thor out of the way he'll have issues. He uses his magic to scry for someway to keep Thor out of commission when he finds Carl Creel cursing out Donald Blake/Thor. Loki sees the opportunity and sends a magical projection to Carl. He offers Carl a deal where he'll use his magic to grant Carl power to absorb and overcome anything that hurt him so long as Carl takes Thor out of commission for a bit. Carl believes this is a dream and accepts. Loki is convinced that he's done well enough as Carl won't kill Thor but having Thor cause another rampage will surely make him look worse in Odin's eyes. The next day Carl walks up and he manages to turn his arm into concrete after touching concrete and he realizes that it's not a dream.

Carl goes on a rampage and confronts Thor, defeating him now that he has power. He tries to convince Jane to get back together with him once more but she refuses saying that Carl never cared about anything but himself to the point he lost his job over it. Carl gets angry at this and decides that he's going to wreck the the things Jane cares about so that she'll come to understand that he is more important than all of them now that he has the power to make it that way. He breaks into the SHIELD compound and eventually manages to touch Mjolnir. Even with greatly diminished powers of Mjolnir, Creel can now blast lightning and he proceeds to go on a rampage wrecking SHIELD's stuff and starts approaching a nearby town, high on his own destructive capabilities.

Seeing all the destruction Carl is wreaking, Thor finally understands the lesson his father had tried to impart on him that starting fights is awful even if you win because it means innocents can get hurt in the process and it can do damage in the long term down the road. Thor becomes worthy once more and he's able to call Mjolnir to him. More than that with Creel taking on the powers of Mjolnir, Thor can move Creel towards himself and effortlessly manages to demolish him in a fight. Thor pointedly makes sure not to demolish the environment or drag in uninvolved people like he did way back when neither he nor Creel had powers. He still manages to defeat Creel handily despite this more careful approach. Creel lets slip something about the man with the horned helmet promising him that this power would be sufficient to defeat Thor and Thor realizes that Loki was behind everything.

He drops Creel off into SHIELD custody, unconscious and without the properties of Mjolnir. He then apologizes to Jane and to SHIELD but that he needs to sort out what's going on back home. He then takes the bifrost back to Asgard where he encounters Loki who is trying to suppress his mounting panic and dread and has moved to stop Thor from returning. Loki shapeshifts into various forms to try and guilt Thor into not returning to Asgard, the midgardians whose homes he destroyed and needs to repair, a disapproving Odin who considers him a foolish and unworthy prince who'll just bring harm to Asgard and even a despondent Jane Foster asking why Thor doesn't love her enough to stay with her.

Thor sees through these tricks and questions why Loki is doing all of this. Loki bitterly lets out that he was tired of living in Thor's shadow and always being second best to Thor. He angrily admits that with Thor the golden child standing next to him Loki would always look lesser. So he got rid of Thor and managed to be the best for once and never really hurt anybody seriously. The world is so much better now so he'd really rather Thor didn't come back to Asgard and ruin everything for him.

Thor realizes that the root of all of Loki's issues is that he feels unworthy compared to Thor even though he was well aware of all of his faults. Thor voices some variation of these thoughts to Loki and Loki loses it, attacking outright. A recreation of the sparring fight from earlier occurs only this time grander and yet more vicious as Loki goes for killing blows, lightning strikes and illusions that are incredible cheap shots (like turning into people Thor became close to on earth) while Thor uses bigger blasts of lightning and fights with more control than before.

Eventually the outcome of the fight echoes the one at the start of the movie and Thor defeats Loki, sending him tumbling back to the edge of the bifrost. Thor cries out in horror and tries to save his brother who is desperately clinging on to the edge for dear life.

Thor says that he'd rather they both return to Asgard together and tries to pull up Loki.. In that self same moment Loki makes his choice. Loki's panic which had been mounting up until this point reaches a climax and it seems to fade into a sort of serenity. He dryly and sarcastically states that he's never been much of a traditional Asgardian warrior but that just this once he'll fight like one of them and die before he surrenders and stabs Thor causing Thor to drop him. As Loki falls, he declares that he'd rather die than be doomed to live eternally in Thor's shadow. Loki plummets into the endless abyss below the bifrost with a smile on his face and with Thor aghast due to seeing the choices his brother made.

There is then a time jump to Thor returning to earth to speak with Jane Foster. He informs her that with the disappearance of his brother and his own proof of worthiness of his powers, he was able to return home. Odin managed to renegotiate with Laufey that so long as Thor remained solely in Asgard for a set amount of time, and Loki remained banished instead, then Thor could return home. Thor apologizes for not being able to stay with Jane but says he has a duty to his people. That being said he promises to return as soon as he can.

The post-credits scene showed Loki survived and is now planning something on his own.

Some thoughts
So there are a few improvements in this version.

First of all I made exactly what happened in Jotunheim a lot clearer to make the frost giants less sympathetic (Thor was fighting armed warriors who were denying the truth, even if Thor didn't have proof that they were associated with the frost giants who attacked the vault) and made it more clear why Thor would attack them (he's still reckless and angry but he was more clearly baited into it.

Second of all I elaborated on the situation with Creel. I showed both what he did to push Thor into a fight and how the fight escalated beyond control. I did have to add in an additional scene with Jane and Thor discussing the fight which hopefully reads alright despite Jane not really condemning him (due in part because she's not aware of the full extent of what Thor did did) and despite Thor not really learning his lesson at this point in time even if it helps build towards it.

Thirdly I tried to show some echoed parallelism between the first fight with Creel and the second though I'm not quite sure how well it worked out.

Fourthly I tried to highlight that Loki is panicking in the final climax of the movie even if he's doing his best to hide that so people don't see his "weakness". Loki is trying to seem as though he's in control and hopefully the decision to stab Thor now makes more sense as a move he made out of desperation and panic. I do actually like the stabbing scene more as it shows Loki basically committing an act of violence for short-term gratification without thinking of the long consequences which is what Thor was struggling with and enhances their status as foils without explicitly calling it out.

I did consider including a mention that Carl has a broken nose when he meets Loki that gets healed when he gains powers but it felt unnecessary to me and I couldn't figure out how to integrate it smoothly into the overall structure of the story.

Hopefully people like this version of the Thor pitch more. Unless people have strong suggestions for improvements or objections to specific elements I think this is good to be threadmarked.

Edit: I edited some stuff to hopefully make a few things a bit clearer and to attempt to address the criticisms of Orion Ultor that I thought were actually fair and relevant. I'm still not totally happy with the talk after the bar fight so I'd appreciate being given some idea of how to further improve that.
 
Last edited:
Odin eventually warns Loki not to go too far as he merely promised Laufey a temporary banishment, Thor will still return eventually and that he only promised the banishment of a son, not Thor specifically. Loki tries to wheedle out of consequences saying that Odin wouldn't really banish him after all the issues Thor's caused and Odin responds by saying that Loki's been so eager to prove he would be a better crown prince than Thor, now is his chance to prove himself. If he doesn't shape up the roles will be switched.
I feel like this scene would be enhanced by Loki using his magic to show Odin how Thor was brawling, skipping to after the part where Creel spilled his drink and already turned around but before Thor threw the "first punch" and the aftermath to everyone else, to put Thor in the worst light possible.

He's a liar, manipulator, obviously has access to scrying magic as he uses it find Creel to begin with, and is in an argument with Odin about how he's better than Thor is.

Putting that all together, it really makes the most logical sense for him to show Odin the brawl and use it as part of his argument.

It does kind of detract from the next part of the pitch, where Loki feels insecure (because the brawl scene is pretty convincing for his side of the argument), but that can be addressed by Odin telling Loki that Thor may have fits of rage but always has the potential to prove himself worthy. (Something Odin himself hopes for) and *that* could set Loki off on wanting to ensure Thor can't return. This line, of Odin having hope could also be thrown back at Loki if we ever want to redeem him in the long run of the Thor franchise.
 
Last edited:
I feel like this scene would be enhanced by Loki using his magic to show Odin how Thor was brawling, skipping to after the part where Creel spilled his drink and already turned around but before Thor threw the "first punch" and the aftermath to everyone else, to put Thor in the worst light possible.

He's a liar, manipulator, obviously has access to scrying magic as he uses it find Creel to begin with, and is in an argument with Odin about how he's better than Thor is.

Putting that all together, it really makes the most logical sense for him to show Odin the brawl and use it as part of his argument.

It does kind of detract from the next part of the pitch, where Loki feels insecure (because the brawl scene is pretty convincing for his side of the argument), but that can be addressed by Odin telling Loki that Thor may have fits of rage but always has the potential to prove himself worthy. (Something Odin himself hopes for) and *that* could set Loki off on wanting to ensure Thor can't return. This line, of Odin having hope could also be thrown back at Loki if we ever want to redeem him in the long run of the Thor franchise.
I respectfully disagree. I think including it would actually weaken the scene not strengthen it.

We've already seen Loki as a liar and a manipulator and we've both seen and learned of his magical capabilities so it's not establishing anything new about him.

Furthermore it makes no sense for Loki to be prepared for Odin to drop the "don't get comfortable you might get banished" bit on him. The whole point of the scene with Odin and indeed the bit both preceding it (where Loki starts rubbing his status in peoples faces and lets his authority get to his head) and after it is meant to show that Loki was not prepared for Odin saying what he did to him. Having Loki have an already prepared magically recorded scene to show Odin why Thor sucks kind of misses the point of the scene. Loki is not having an argument with Odin, Odin's basically warning Loki and Loki is thinking "oh shit I need to fix stuff in my plan as soon as possible so that things don't blow up in my face".

Loki basically had a scheme to get rid of Thor without killing him and it succeeded so he got arrogant and rested on his laurels and all of a sudden Odin comes and bursts Loki's bubble and now he's scrambling to get the pieces of his plan together to ensure he still remains on top. He shouldn't have anything ready for Odin's comments because the point of the scene is that Loki isn't ready for it and that's why his plans ultimately fail.

Furthermore I'd rather not include any lines about Odin having hope for Thor as it also misses the point about what Odin says. Odin points out that Thor is coming back no matter what ("he merely promised Laufey a temporary banishment") and then he basically threatens Loki to shape up or he'll be banished instead. Loki then tries to plead his case and Odin hears none of it and basically tells Loki to prove himself or he'll be tossed out.

Adding onto this if there is a Loki redemption scene I'd rather not throw the words of Odin, the guy somewhat responsible for making Loki into the villain he becomes, and whose interactions with Loki have either involved disappointment or veiled threats or both, be used as some source of inspiration. Loki does want to impress Odin and be seen as the best but that's why he's trying to get rid of Thor. I'm not a huge fan of the idea and I'd rather have Loki's "redemption" come from him no longer trying to compete with Thor in any sense and tying that back to the father who pretty blatantly encourages comparison between the two in such a way that exacerbates Loki's issues rubs me the wrong way.

Edit: Yes it might "logically" make sense for Loki to be perfectly prepared for this moment if Loki were to perfectly plan everything without ever letting his emotions get involved but Loki's not meant to be a perfect unstoppable planner and having him scramble and panic to try and deal with something he wasn't expecting seems as good a reason as any for him to stop going for more subtle safer plays and for why things fall apart. He got arrogant thinking his plan had succeeded, got a rude awakening from Odin that his plan had not in fact succeeded and might blow up in his face and then scrambled to put together a way to keep the scheme going despite a lot of the choices he makes not actually being that great for him in the long run and being different than the more subtle clever plans he used before he was put into panic mode.
 
Last edited:
??? Where did I said he would be prepared?

Why not just have him scry then and there, after the argument has begun "show me Thor's unworthiness"? You're assuming many things in your post.
I'll reiterate that what's going on between Odin and Loki is not an argument. It's not a dialogue between the two. It's Odin basically warning Loki nothing more nothing less and Loki trying to take the bite off of Odin's warning and failing.

Secondly I assumed it would be prepared because I didn't want to introduce chronological and logistical problems into the movie. The scene where Loki and Odin talk does not appear to occur concurrent in time to when Thor was in the bar brawl. By the way the movie is structured the bar brawl has already ended and we've moved forward in time past it. Loki could have scryed the past but then it's weird that Loki suddenly manages to immediately hit the perfect point to make an argument to Odin why not to let Thor back in, in such a small amount of time. Why does the scrying magic show only that one point of unworthiness that Loki has no knowledge of instead of say Thor nearly starting a war with the frost giants? Were they suddenly happening concurrently and things just happened to work out the Loki spotted the perfect moment the moment he started scrying? Unless it's prepared in advance it makes no sense for Loki to pick that specific moment especially when he wasn't keeping track of Thor at all.

The fundamental assumption that Loki's supposed to have an argument misses the point of the scene in my opinion because it's not meant to be an argument, it's meant to be a fairly one sided warning from Odin that Loki needs to shape up now or he'll take Thor's place.

Edit: I feel the scene would benefit more from having Odin shut down any attempts at scrying because that's more or less what he does when Loki tries to bring up the line of dialogue that Thor is unworthy.

The scene oversimplified goes like this
  1. Odin tells Loki "Don't get arrogant, Thor's coming back eventually no matter what and I only promised a son would be banished which means I'm implying that you might end up taking his place".
  2. Loki responds "But Thor's unworthy and causes problems"
  3. Odin responds "You talk a big game of being better and more worthy, prove yourself"
The issue is never whether or not Thor is unworthy, the issue is Odin basically implying that he thinks Loki might be worse and Loki needs to prove otherwise or he and Thor are going to switch places. Having Loki actually show Thor acting unworthy is a waste of time since it's repetition of something the audience already knows and it's not relevant to what the scene or conversation is actually about.
 
Last edited:
I have a few problems with this script, partly because it leans on too heavily on the OTL version in that the Asgard/Midgard parts of the plot would not have interacted with each other if not for Loki's interference, places a little too much importance on the romantic subplot between Thor and Jane, making Creel's involvement as a stand-in for the Destroyer, and a half-measure so as to introduce more of SHIELD at the expense of the Asgard plot, and partly because it reads as a missed opportunity to not include more of the actual mythological elements present in the comics or in actual Norse mythology; not to mention that some of the characterizations reads a little off.
Odin comes and takes his two sons aside to talk to them. He tells Thor how proud he is of him and that while he needs to work on his temper he's sure that one day Thor will be capable of becoming a fine king of Asgard. Thor basks in the praise and Odin then turns to Loki and more lightly praises him for his skill in magic but at the same time scolds him for not being more like a proper Asgardian warrior like his brother.
Here's a good example.

First, Odin is more than just some war god who only celebrates the valorous acts of war, he's a god of poetry with a hundred-odd names that describe his many deeds, some of them just as magical or wily as Loki's; in this instance, as a father to them both, he'd have praised them for their strength of arms and magic and chided them for slacking in their studies of either. Second, Thor's certainly a valued and vaunted warrior of Asgard, but he's not the favored son, that's Baldur; and while Baldur doesn't exactly make an appearance in the comics, that's because Odin hid him in the modern cycle (more on that latter).

[EDIT: In the comics, because of their nature as the living embodiment of stories, the Asgardians are stuck within a cycle of death and rebirth that are the result of their own gods, The Ones Who Stand Above In Shadow, who feed off the energy. This is why, even in the comics, there are a few inconsistencies between the different incarnations of the Asgardians, because they wake up with different inclinations, overall behaviors and even appearances...it does not help that most of the time, only Odin remembers the previous cycles.]
Suddenly there's an alarm that goes off and it's revealed that Frost Giants, old enemies of Asgard have broken into one of the vaults containing numerous magical devices and artifacts. The Frost Giants talk amongst themselves and reveal that they're doing this on the orders of King Laufey using a secret passageway they'd discovered to slip between the realms and that they can't linger for long. Furthermore they have to be deniable assets so as to not break the peace of Asgard. They search for artifacts when suddenly they are beset by Thor.
First, in the original myths Laufey's a woman [her being depicted as male in the comics probably stems from a misreading of Loki's matronymic name (Mother's child) as being patronymic (Father's child) by one of the comics writers], making Queen the more appropriate title here.

Second, this reads as essentially being a little too similar to OTL, when we could just as easily have the inciting incident that leads to his banishment be something else, such as having Thor be the one to initiate it instead of the Jotun and tying that situation to Creel's as some sort of thematic mirror.
This is sort of anachronistic, as Jane Foster's still a medical practitioner in the comics (she's described as having her own practice in 2006, even though I think she only had a Nurse's degree) and a large reason for Jane having an astrophysics degree, a completely different discipline altogether, was Natalie Portman negotiating for something more important and related to the overall plot.
Eventually Thor and Jane become romantically entangled.
And how are we addressing his marriage to Sif? We going to go down a similar route as the comics and just have them be childhood sweathearts, or we gonna go for something else, such as having her depicted as having passed away or did she divorce him (early Iceland has this as precedent) because of his behaivors?
The two of them encounter Carl Creel, an ex-boyfriend of Jane's, in a dive bar.
Why was Carl in a divebar closeby? Did Jane get recruited locally to study the hammer? Is Carl a SHIELD Agent?
Carl rudely and lewdly makes comments about Jane that make her uncomfortable but she doesn't respond.
Depending on whether why he was there (SHIELD Agent), there would have been so many training seminars shoved down his throat the only way this could have happened was if HR was slacking in their duties (no way Jane wouldn't have reported it) or if he was already smashed when they walked in, making that fight way too easy for Thor.
He then leaves to go talk to Jane and they have a conversation about how Thor was just trying to defend her but Jane points out that though it was sweet and noble of him to want to defend her, she'd really rather he didn't do it in such a way that gave Creel the fight he wanted. Thor doesn't quite get this but he continues to try and adjust to living life as a semi-normal midgardian.
If he'd gone overboard on that fight, as you're implying, this went straight past sweet and into something that implies something more about her (she's into violence) or Thor (he just wanted an excuse to fight).
Meanwhile back on Asgard Loki is luxuriating in being the crown prince. Now people have to respect him. He lets his new authority go to his head and starts rubbing it in the faces of the people who'd always looked down on him as less than Thor.
Again, Odin has other children and Baldur is more likely to have been regent.
If he doesn't shape up the roles will be switched.
That makes zero sense for Odin to punish the kid whose ego is swelling and banishing him, and bringing back the kid who caused the mess in the first place, especially since if there are other heirs involved and Loki was already chastised and punished for not speaking out, meaning he should be working his ass off to get back into his father's good graces.
He offers Carl a deal where he'll use his magic to grant Carl power to absorb and overcome anything that hurt him so long as Carl takes Thor out of commission for a bit. Carl believes this is a dream and accepts. Loki is convinced that he's done well enough as Carl won't kill Thor but having Thor cause another rampage will surely make him look worse in Odin's eyes. The next day Carl walks up and he manages to turn his arm into concrete after touching concrete and he realizes that it's not a dream.
He breaks into the SHIELD compound and eventually manages to touch Mjolnir. With the powers of Mjolnir, Creel can now blast lightning and he proceeds to go on a rampage wrecking SHIELD's stuff and approaching a nearby town.
Where the hell did Loki get the power or knowhow to do this and why didn't he use it in the fight at the start of the movie, to get Thor's hammer off of himself?
Carl goes on a rampage and confronts Thor, defeating him now that he has power. He tries to convince Jane to get back together with him as he's "stronger now" but she refuses saying that Carl never cared about anything but himself. Carl gets angry at this and decides that he's going to wreck the work that Jane considers so much more important than him.
Not only does this read as a little weak, because what even compelled him to go on rampage in the first place and where would have Jane given him the impression that she wants someone stronger, but also like it was taken from Megamind but without the setup to make it work.
 
Last edited:
I have a few problems with this script, partly because it leans on too heavily on the OTL version in that the Asgard/Midgard parts of the plot would not have interacted with each other if not for Loki's interference, places a little too much importance on the romantic subplot between Thor and Jane, making Creel's involvement as a stand-in for the Destroyer, and a half-measure so as to introduce more of SHIELD at the expense of the Asgard plot, and partly because it reads as a missed opportunity to not include more of the actual mythological elements present in the comics or in actual Norse mythology; not to mention that some of the characterizations reads a little off.
I agree that I was similar to OTL. I don't think it leans too heavily on it as it significantly diverges in key parts and drops entire elements present in the original whilst including its own.

Furthermore I've been given significant reason to believe that trying to introduce too much of the nine realms and of the greater Asgardian mythos will lead to backlash from executives and leave general audiences lost. I pared down the movie to what it is in order to try and avoid those issues.
First, Odin is more than just some war god who only celebrates the valorous acts of war, he's a god of poetry with a hundred-odd names that describe his many deeds, some of them just as magical or wily as Loki's; in this instance, as a father to them both, he'd have praised them for their strength of arms and magic and chided them for slacking in their studies of either. Second, Thor's certainly a valued and vaunted warrior of Asgard, but he's not the favored son, that's Baldur; and while Baldur doesn't exactly make an appearance in the comics, that's because Odin hid him in the modern cycle (more on that latter).

[EDIT: In the comics, because of their nature as the living embodiment of stories, the Asgardians are stuck within a cycle of death and rebirth that are the result of their own gods, The Ones Who Stand Above In Shadow, who feed off the energy. This is why, even in the comics, there are a few inconsistencies between the different incarnations of the Asgardians, because they wake up with different inclinations, overall behaviors and even appearances...it does not help that most of the time, only Odin remembers the previous cycles.]
This is not a relevant criticism in my opinion. No movie will manage to accurately cover Odin/Wodin/Wotan. The dude is too many things to even attempt to try and get into one movie considering he's literally king of the gods, leader of the wild hunt, the basis of santa claus, a literal prescient being and more.

I made the choice to focus on Odin as the king of Asgard and a bad father who prefers Thor to Loki. I don't think the criticism of "you didn't include literally everything about Odin" is particularly relevant or fair. Balder's not in this movie because I don't want to introduce the additional element of a third son and instead wanted to keep the movie focused on Thor and Loki. The issue is also less Loki using magic and more Loki using magic to cheat in a duel. I don't think it's bad for the adaption to have Odin be biased and like Thor more than Loki.
First, in the original myths Laufey's a woman [her being depicted as male in the comics probably stems from a misreading of Loki's matronymic name (Mother's child) as being patronymic (Father's child) by one of the comics writers], making Queen the more appropriate title here.

Second, this reads as essentially being a little too similar to OTL, when we could just as easily have the inciting incident that leads to his banishment be something else, such as having Thor be the one to initiate it instead of the Jotun and tying that situation to Creel's as some sort of thematic mirror.
First Laufey has been a man in Marvel comics since 1965. It's not a new thing and while I'm not opposed to making Laufey a queen, I don't see it as a huge issue that I stuck to how the comics have done things for literal decades at this point. If it's a huge sticking point for you that we need to be mythologically accurate in a movie where Thor and Loki are brother I'll change it but that seems a little ridiculously stringent in my eyes. Secondly Laufey could literally be replaced by Ulik and the frost giants by trolls and nothing of value would change. I just picked frost giants since they're a classic Thor enemy I figured we could get away with killing them on screen easier than flesh and blood trolls or cgi fire giants or something like that.

Thor also still initiates the actual fight that's wrong. The vault fight isn't the moment screws up, it's the retaliatory strike against Jotunheim later in the movie (which Thor does initiate). That works as a thematic mirror just fine. The vault fight scene is not meant to be a thematic mirror to what happens with Creel later because it's setup for when that does actually happen.

I don't think either of the two criticisms are particularly relevant as you're criticizing me for copying a decades old detail in Marvel comics on a throwaway enemy I only picked because I thought his minions would be the ones we'd most easily get away with killing onscreen, and because you're criticizing the first fight scene for not doing everything the second fight scene where Thor goes and launches a retaliatory does later.
This is sort of anachronistic, as Jane Foster's still a medical practitioner in the comics (she's described as having her own practice in 2006, even though I think she only had a Nurse's degree) and a large reason for Jane having an astrophysics degree, a completely different discipline altogether, was Natalie Portman negotiating for something more important and related to the overall plot.
It might be a little anachronistic, I can admit to this much. That being said I wanted to make Jane Foster more important and related to the overall plot so I did that. I went a step further and made her a SHIELD agent so as to not introduce conflict with SHIELD into the movie but yes I might've made Jane Foster anachronistically more important and central to the plot than she was up to this point.
And how are we addressing his marriage to Sif? We going to go down a similar route as the comics and just have them be childhood sweathearts, or we gonna go for something else, such as having her depicted as having passed away or did she divorce him (early Iceland has this as precedent) because of his behaivors?
Either or. I personally would rather have them be childhood sweethearts who grew apart. I don't think we need to address Sif in this movie without Sif in it immediately but that is how I would do it.
Why was Carl in a divebar closeby? Did Jane get recruited locally to study the hammer? Is Carl a SHIELD Agent?
He happened to have been there. I could see Jane getting recruited locally to study the hammer due to being an expert on the matters. Carl is not a SHIELD agent as I saw it but I'm fine with making him one who lost his job due to his issues with Jane.
Depending on whether why he was there (SHIELD Agent), there would have been so many training seminars shoved down his throat the only way this could have happened was if HR was slacking in their duties (no way Jane wouldn't have reported it) or if he was already smashed when they walked in, making that fight way too easy for Thor.
First of all I don't think this is particularly relevant due to me not wanting Carl as a SHIELD agent.

But as I said I'm fine with making Carl a SHIELD agent who lost his job due to his issues with Jane which I think neatly nips this issue in the bud even if it's not super relevant.
If he'd gone overboard on that fight, as you're implying, this went straight past sweet and into something that implies something more about her (she's into violence) or Thor (he just wanted an excuse to fight).
I kind of agree with you here. This is a line I had to introduce to compensate for the elaboration on what happened between Creel and Thor. I think it's symptomatic of me not being able to write romance in detail all that well and so I don't know how to handle it properly. If you've got an idea of how I could handle it better without nuking the relationship between the two or having Jane completely spell out the lesson Thor has to learn or such I'd appreciate it.
Again, Odin has other children and Baldur is more likely to have been regent.
Again in this movie Odin has not been shown to have other children. Baldur might just be hidden away like in the comics if we want to bring him in. This is not really a relevant criticism.

If we want to go full-bore copying the myths then Loki is Thor's uncle. It's okay to take some creative liberties with the characters.
That makes zero sense for Odin to punish the kid whose ego is swelling and banishing him, and bringing back the kid who caused the mess in the first place, especially since if there are other heirs involved and Loki was already chastised and punished for not speaking out, meaning he should be working his ass off to get back into his father's good graces.
What? This criticism makes no sense.

There are no other heirs involved, there are no other children of Odin introduced in this movie I don't know why you insist on repeatedly dragging them into things. Loki was not chastised and punished for not speaking out (Loki told Odin where Thor went and that's why he was there to stop Thor in Jotunheim) so that's not relevant.

Lastly Odin's not actually punishing Loki. He's threatening Loki with this in such a way that Loki believes that he'll do so but he's not actually carry out the act. And yes people will make threats they don't intend to follow through on in order to motivate others to behave better so that's not something incomprehensible for Odin to do.

I don't think this is a relevant criticism.
Where the hell did Loki get the power or knowhow to do this and why didn't he use it in the fight at the start of the movie, to get Thor's hammer off of himself?
Loki always had the power and knowhow to do this from the start till the end of the movie. He didn't use it in the fight at the start of the movie because he doesn't want to touch the hammer that's being swung at him.

On top of that I never elaborated that Thor placed Mjolnir atop Loki but even if he did, Thor's hammer does not have the power to lift Thor's hammer so it makes no sense for Loki to try and take the properties of Mjolnir there.

That being said I understand somewhat where you are coming from with this point and so I'll add in a few lines to imply that Carl is using the "diminished" powers of Mjolnir as opposed to the thing's full strength when he absorbs its properties
Not only does this read as a little weak, because what even compelled him to go on rampage in the first place and where would have Jane given him the impression that she wants someone stronger, but also like it was taken from Megamind but without the setup to make it work.
I agree it's a little weak.

I disagree that it seems like it was taken from Megamind, I think my issue is I didn't set up the specific details with who Creel was and what he thought of Jane well enough to have it work. But I think it can be tweaked to be improved and fixed.
 
Last edited:
Box Office and Reception: The Incredible Hulk (June 13, 2008)

The Incredible Hulk
"Hulk can't...Banner can!"
Directed by: Louis Leterrier
Starring: Hugh Dancey., Lena Headey, Christopher Eccleston, Tom Skerritt and Garrett Hedlund.

Critic Score: 92
Audience Score: 80


Critic Buzz:
92
Fandom Buzz: 83
The results for the Hulk movie were not what you had expected, and in the end you can't even blame the higher ups for it. Though the fans had remained as excited as before, in the end, the Hulk was something that had been done before, and only five years prior. How much change could be done in such a small amount of time? And with all the news about delays, re-casts, and reshoots to boot?

Then the actual results started coming in, and you have to say...it's not all bad.

Sure, it's not the explosive rise and enthusiasm from before, but all fans and regulars had good reason to enjoy the movie. It was not the clash between Hulk and Abomination that many had hoped for, but it was more than Ang Lee had delivered. The clash between the Hulk and the military, with the final battle having them join to stop the Leader kept everyone on the tip of their seats. The friendship born between Bruce banner and Rick Jones as each saved each other in turn served as a great contrast with the always alone Leader. The romance may not be as some expected, but it was not a flop either.

Thus, it started slow but it grew as word of mouth spread. The Incredible Hulk was actually good! Fans were accompanied by more regulars who once more took a chance on Marvel's Jolly Green Giant and found it to their liking. International viewers seemed to love it as well, though you can guess Europe and Great Britain's numbers were mainly thanks to Chris in that regard. He has managed to create a career there after all

Besides that, critics were effusive in their praise in his favor. They just can't seem to get enough of "The Leader" as well as his depth of personality, his deviousness and moments were he just seems more vulnerable than one would think. They haven't shied away from praising Hugh and Lena either, the first's take on Banner showing such a flawed yet well-meaning individual trying to overcome the mistakes of his past, with the second taking what could have turned into just a romantic interest and making it into a multifaceted person in their own rights.

Hulk had managed to surprise all around, and with a Post-Credit scene teasing a possible fight with Abomination, it was not a surprise then...

Production Quality: 29
VFX: 67
Choreography: 74
Sound Design: 53
Editing: 90

Hugh Dancy Screen Presence: 96
Lena Headey Screen Presence: 85
Garrett Hedlund Screen Presence: 58
Protagonist Chemistry: 107
Romance Chemistry: 57

Christopher Eccleston Negotiations:
22
Christopher Eccleston Screen Presence: 98
Tom Skerritt Screen Presence: 74
Antagonist Chemistry: 59
Domestic Box Office: $312,502,472
International Box Office: $283,793,148
---------------------------------------------
Total Box Office: $596,295,620
Production Budget: $142,721,083
----------------------------------------------
Final Box Office: $435,574,537
...you'd gained Marvel's approval to continue.

Mid-Credits Scene: Agent Phil Coulson is seen cleaning up the disaster area, when he makes a call asking to keep a "Hawk's Eye" on further problems.

Post-Credits Scene: General Ross is seen looking for anyone that can hunt the Hulk, finally settling on a single name: Blonsky.

Cameo: Stan Lee cameos as a man throwing some medication in the garbage after seeing Gamma Mutants rampage through town.
 
Last edited:
Great result overall. I was a little worried that if there was some bad cgi it might turn some people off but it seems like everything turned out alright.
 
Guys, remember when that guy from Universal said if the Hulk movie made more the three-hundred thousand dollars, we could have Namor and Hulk? Well... :D
 
King crimson's Hawkeye (Movie Pitch)
Well I figured now's as good a time as any to drop this since we got to see how the Hulk movie (where the post-credits cameo for this dropped) turned out and it was a success. I wrote this pitch with Duke William Of supervising and adding in ideas and just general quality control stuff and contributing to it. Let me know what you all think.

Hawkeye Pitch
The movie opens with Hawkeye giving a narration of what SHIELD is, the Strategic Homeland Intervention Enforcement and Logistics Division, the American government institution that deals with everything extranormal, supernormal and paranormal. If there's a word with normal in it that doesn't mean normal SHIELD deals with it. They're the people who keep the rest of the world safe from things lurking in the dark. Of course sometimes the unknown doesn't like to stay quiet and pacified.

The scene then transitions to a SHIELD facility somewhere in the middle of nowhere. The peace of the base is interrupted when a wall is blown up and a lone swordsman breaks in. The agents rush to confront him but are all defeated and cast aside. However as the various agents are all subdued, the swordsman accesses a computer to try and pull information off from them. He succeeds in getting a little bit and remarks that after months of searching and multiple attacked bases he finally found what he was looking for here to a downed agent who wasn't instantly killed. The agent asks why the swordsman is telling him this stuff and the swordsman remarks that he finds honesty is in such short supply with spy games so he'd rather give the people he kills honesty instead of lies, especially since it'll comfort them and no one else will know.

The agent accidentally looks at a camera. which draws the swordsman's attention. The swordsman briefly remarks that "that's new" and promptly destroys the camera cutting the screen to black temporarily.

The scene shifts to Hawkeye landing arrow after arrow in a target in SHIELD headquarters. Hawkeye gets called in by his superior (probably Phil Coulson) and asked to debrief. Philip tries to ask Hawkeye about his wife and kids. Hawkeye dryly mentions that his wife also works under Phil so he knows better in the immediate sense. Phil apologizes and he states that agent Morse is doing wonderfully but that he does care about his agents as more than just agents. Hawkeye then states that he likes to keep his home life and work life utterly separate and that if Phil called him in he's got a job he needs to do. Philip sighs and tells Hawkeye that they got footage from multiple attacked bases and that Nick Fury wants Hawkeye on the case. Hawkeye notes that the swordsman's moves are familiar but that he can't quite place where he's seen him before.

The conversation shifts to Hawkeye accepting the mission and heading out to try and find this mysterious swordsman. Hawkeye through clever detective work ends up figuring out that the swordsman is someone who knows about the location of SHIELD bases and has been deliberately picking to attack targets that are both remote, and that have information about where various information and objects are kept. As such he deduces the base that the swordsman is most likely to attack next as well as about when it'll get hit.

He arrives at that base and informs the people of what might be happening and that they need to be on guard. He talks with someone about what the swordsman might be looking for but is utterly unable to narrow it down.

Some time passes and Hawkeye sees a group of figures who aren't SHIELD agents within the base. Hawkeye effortlessly takes them down with a series of sniped trick arrows and martial arts, mowing through a practical squad of unknown mercenaries. As Hawkeye drops the last of the goons a sultry and seductive voice dryly and sarcastically comments that truly these mercenaries were worth every cent spent on them.

Hawkeye immediately whirls around and knocks an arrow as he comes face to face with the infamous Black Widow. Black Widow responds to him pointing a weapon in her face by saying "Hello Clint, we haven't seen each other in quite some time"

Clint snarls that this was by design as Black Widow is a manipulative liar who poisons everything she touches. Widow responds by saying that he's being rather rude, after all she's the one who found a little circus brat and saw his potential and now little Clint Barton is one SHIELD's star agents as Hawkeye.

Clint angrily responds by demanding that she tell him why she's here and the Black Widow responds by asking if he would believe that she came here as a friend. Hawkeye answers that no he would not believe her especially when she had her hired goons attack him.

Black Widow playfully responds that she knew that Clint would be unhappy to see her so she got Clint some human stress bags to relieve some tension on. She then jokes that you really can buy everything but decency in Madripoor.

Hawkeye sighs and is unamused and Black Widow stops playing games and tells him that she came to inform Clint that the swordsman he is looking for is after an index SHIELD keeps of individuals of interest. He was searching for it and now he finally has its location and he's going to attack it instead of this base.

Hawkeye asks how she knows this and Widow says that she still has to keep some secrets even if Clint is her favorite SHIELD agent. She then slips away and leaves Clint to figure out her words as other SHIELD agents come in to deal with the commotion.

They ask Hawkeye if he's alright and if they need to go into even higher alert due to the swordsman making a second pass at this place. Hawkeye curses as he realizes how Black Widow just played him. By attacking the place with some throwaway goons she set the place on alert and now the defenses were up and everyone outside would likely know it so the swordsman likely wouldn't attack the place due to his preference for lightly guarded areas. Hawkeye explains to the agent what's going on and that he now has to pursue a different lead he has but that they should still secure this base just in case because the Widow might be playing some long con he can't see quite yet.

Hawkeye leaves and goes to the SHIELD base where the index is kept. He gets a tour of the facilities and informs Phil of what he's learned. However before Hawkeye can start doing too much to arrange the defenses of the place the entire facility is attacked by the swordsman, this time with a ton of goons and helicopters backing him up. The base is under siege and Hawkeye sarcastically remarks about how people apparently have such great timing.

Hawkeye once more wades his way through various goons until he realizes that they're just a distraction to pull as many people as possible away from the index, they're not trying to break in. He races to where the index is headed and he spots the swordsman using SHIELD codes to move past security and completely avoiding conflict.

Hawkeye confronts the swordsman right as they enter the vault where the index is kept. The swordsman dryly states that he'd rather not fight but if he had to be confronted by anyone he's glad that it's Barton. Clint asks who the hell the swordsman is. The swordsman chuckles and remarks that Clint's a smart man he's sure he could figure it out.

The swordsman picks up the index and stows it away in a pocket before turning to face Clint. Clint asks where the swordsman got all of his men and resources and the swordsman dryly responds that "you can buy everything but decency in Madripoor". The two face off against one another and there's a moment of tension before the fight begins.

Clint unleashes a volley of arrows but the swordsman almost lazily cuts them out of the air with seemingly no effort, seeming to know where Clint is going to aim for before he even fires his shots. The swordsman then remarks that Clint will have to do better than that and that he knows he can be more creative than that.

Hawkeye grits that he'll give the swordsman creative and fires a trick arrow at the floor that promptly explodes. The swordsman vaults off of a nearby wall/structure to avoid the explosion and continues charging at Clint, even managing to slice out of the air the follow up shot Clint sent. The swordsman remarks that this is better but not good enough.

Hawkeye strafes backwards, using a variety of trick arrows but the Swordsman just keeps on advancing. Eventually he gets within range to swing his sword at Hawkeye. Hawkeye ducks under the motion and pulls out an arrow from his quiver to make use of as a makeshift dagger.

The swordsman takes a half-step back to avoid Hawkeye's counter thrust but then presses back in making use of the fact that his weapon has the superior range and that Hawkeye can't meet his blows and can only dodge them. He charges in and eventually manages to kick the arrow out of Hawkeye's hand.

Hawkeye desperately draws out another arrow desperately avoiding the swordsman's ceaseless advance and whirls around in such away so that he isn't looking at where the arrow head is as he makes a seemingly desperate swipe.

The swordsman grins as he thinks he's won but then the arrow goes off as a trick flashbang arrow that blinds the swordsman. In the instant the swordsman is blind Hawkeye rushes in, his vision utterly unimpaired. He causes the swordsman to drop his sword with a well timed strike and then promptly decks him in the face, sending the Swordsman staggering backwards. Seeing that the sword is on the floor, Hawkeye promptly kicks it far out of reach of any of the two of them. He then cockily asks if that's good enough.

The swordsman replies that it was utterly fantastic and that as a teacher it fills him with pride to see one of his students excel like this. The swordsman takes of his mask and Clint can see that staring him in the face is his former mentor Jacques Dusquene.

Clint asks why agent Dusquene is attacking SHIELD. Jacques gently chides Clint not to call him that as he's not exactly here as Clint's mentor or an agent of SHIELD. Besides as one of his best students who genuinely caught him off guard, Clint has earned the right to call him Jacques.

Clint angrily reiterates that he doesn't care about all of that stuff he wants to know why Dusquene is fighting against shield. Jacques once more brings up one of the first things he ever taught Clint. In the world of espionage, you can't ever fully trust anyone and nobody is ever just going to tell you why they are doing things. You have to be smart enough to figure it out on your own.

Jacques then charges at Clint. The two engage in a martial arts fight but with Clint still unbalanced emotionally he's unable to fight Jacques properly and eventually loses.

Jacques knocks Clint to the ground and remarks that this always was Clint's greatest weakness as an agent of SHIELD. He gets too sentimental. Jacques then strolls over to pick up his sword and leaves.

Clint eventually recovers from the beating he got at Jacques' hands and he goes over what was lost in the fight. He informs his superior of the swordsman's true identity as Jacques and that he got away with the index. His superior tells him that this is awful and they need to find Jacques and stop whatever he's planning now.

Clint says he's on it but he needs to figure out everything he can about what happened with Jacques. His superior agrees and sends Clint the files. Clint looks through them and discovers that Jacques had apparently been dishonorably discharged from SHIELD due to embezzling money. This makes no sense to Clint but it's the only lead he has. It means that Jacques' motive is likely tied to money. However Clint has to figure out where someone would be able to buy and sell an index of individuals SHIELD thought were important.

He goes over the conversations he had with Jacques when he realizes that "you can buy everything but decency in Madripoor" and that Black Widow, the person who tipped him off seemingly for no reason as to what Jacques was up to and where he'd really attack had said the same thing. That could have been just a coincidence but in spy stuff coincidences were uncommon at best and this was not just the only lead he had but something that answered a few of his questions about how Black Widow knew things, she and Jacques were working together because she had manipulated him somehow. Clint gets a plane and races off to head to Madripoor.

Meanwhile back with Jacques he arrives at a base in Madripoor that's been made out of an old abandoned ship. There he is greeted by the Black Widow and more Madripoor based goons. Black Widow compliments his work and says that the two of them are going to be rich off of this and that she is glad he was able to do his part. She calmly hands Jacques some money and says that this is only going to be the first of their dividends. Jacques replies that he's just happy he got to get payback on SHIELD for screwing him over. Black Widow flirtatiously remarks that being able to mix business and pleasure is a special kind of fun but Jacques doesn't bite, stating that he's a married man and thus uninterested in Black Widow. Black Widow states that it's never stopped people throughout history. Jacques amends this by saying that he also doesn't trust her as far as he could throw her.

Black Widow playfully says in a bit of false hurt that she's been nothing but forthright and honest with him and done nothing to deserve this kind of suspicion from him. Jacques counters that he's too much of an old hat to be taken in by the ingenue act especially when Black Widow isn't really trying. Black Widow drops the act and happily admits that she's a liar and a killer but really they all are and that life's generally more pleasant when you don't dwell on the terrible things you do to get ahead.

Jacques storms off saying he's not like her or the two-faced liars at SHIELD and if he didn't need the money he wouldn't be working with her. Black Widow sarcastically remarks that he sure is feeling touchy today.

We now cut back to Hawkeye who has arrived in Madripoor alongside a squad of SHIELD agents including Jimmy Woo who is the squad leader nominally actign under Hawkeye's command. They spot the ship where the auction is being held and it's packed to the brim with criminals of all sorts. Black Widow and Jacques are there and they begin to attempt auctioning off the index. The bidding rises but the SHIELD agents manage to surround the place. Seeing that this is their chance to prevent irreparable damage from taking place. Hawkeye shoots out a series of flashbang arrows which blinds the criminals and causes a panic.

The fight scene commences and Hawkeye wades through a massive amount of struggling chaotic criminals, handily taking down every one that got in his way. He eventually gets a reprieve and he spots Jacques and Black Widow fleeing from the fight.

Hawkeye goes and chases after them. Jacques shoves a SHIELD agent out of the way and both he and the Black Widow manage to make it back to the docks. However Hawkeye continues after them, firing arrows all the while.

Eventually in a moment of panic and not thinking clearly Jacques hands the index to Black Widow and tells her to run he'll hold off Hawkeye. Black Widow noticeably doesn't say anything and slips away from the fight.

Hawkeye and Jaques engage each other in a fight for a little bit but neither one of them gets much ground and they remain at a stalemate on the dock. Hawkeye asks why Jacques embezzled money from SHIELD not believing that it's as cut and dry as the reports made it sound.

Jacques replies that he didn't embezzle the money, he was framed. However because the evidence was there he had to take the blame for the SHIELD higher ups. All his years of service meant nothing to SHIELD and he was cast out and dishonorably discharged with barely any real investigation into the evidence that implicated him.

Clint sarcastically states that this totally justifies selling classified documents to terrorists. Jacques asks Clint if he's got a family. The question catches Clint off guard and he replies that he does.

Jacques then elaborates that he knows that you ought to do everything for your family. He then continues on stating that without his income from his work at SHIELD his family couldn't afford to live the way they did. Uncaring callous cruel SHIELD administrators destroyed his life and the life of his family with nary a second thought only unlike the field agents they made it excruciatingly slow and painful. When the Black Widow approached him with the money to save his family and a scheme that would let him get filthy rich while hurting SHIELD well then he leaped at the chance to do so.

Clint fires back that Jacques is better than this and he knows better than to let Black Widow lie and manipulate him. Jacques responds by stating that regardless of what happens tonight his family has already received enough money to live well. The Black Widow might be the least trustworthy person alive but she treated Jacques with more respect and honor than SHIELD ever did. He urges Clint to walk away but Clint refuses saying he still has to do what's right.

The two of them proceed to fight and like before it's a constant spectacle of the two improvising and adjusting and working around each other's skillset. This time though when they both lose their main weapons and it becomes a hand to hand fight, Clint doesn't hesitate and he manages to take down Jacques, pinning him to the ground. Jacques congratulates Clint for finally having fully surpassing him and Clint responds with a dry "Thanks Jacques"

Jacques asks how Hawkeye managed to track him to Madripoor and Hawkeye reveals that both he and the Black Widow talked about Madripoor and Black Widow's unexplained information on Jacques schemes lead Hawkeye to conclude they were likely working together on something in Madripoor.

Jacques lets out a wild bitter laugh as he realizes just how he's been played, stunning Clint. He then goes on to call Black Widow a magnificent bitch who was playing him the whole time.

A bit of semi-sarcastic clapping alerts the two men to the Black Widow's presence nearby. She honestly remarks to the two of them that they both played their parts wonderfully in this little production.

Hawkeye doesn't have his bow but he still pulls out an arrow and he angrily demands that Black Widow explain to him why she manipulated Jacques and for how long.

Black Widow admits that she was manipulating Jacques from the very beginning all on the orders of SHIELD. SHIELD offered her a whole lot of money in order to effectively let them set up a sting operation to catch a whole lot of their enemies all at once and so she arranged the whole show.

Hawkeye realizes that she manipulated someone into acting as SHIELD's enemy about to sell valuable information on them, and manipulated an agent into finding him in time and stopping the scheme while arresting everyone else and kept both parties she manipulated totally unaware of her real goals and plans so they couldn't break character and everyone observing them would believe that the situation was as it appeared on the surface. Hawkeye points this all out and Black Widow simply smiles and doesn't say anything as good as admitting to it being the case.

Hawkeye angrily demands that she has to explain why him, as that still doesn't make sense and Black Widow replies that he's the SHIELD agent she knows best. After all she's known exactly what makes Clint tick ever since he was a lost little circus boy. It's not exactly like this was a new experience for either of them.

Clint loses his temper and tries to strike Black Widow but due to being tired out he is easily floored by Black Widow and dropped to the ground. Black Widow once more remarks that the violence was really unnecessary considering they were technically on the same side now. She then goes on to state that she already got what she wanted out of the index and so Hawkeye ought to take it so he could really be the hero of the hour. He deserves it after all. She gives him the index and then walks away content in how everything has played out.

Some time passes and now Clint is getting briefed by his superior on the mission. His superior apologizes for the deceptions required but remarks that the sting was a massive success. Clint remarks bitterly that all the paranoia and distrust and the lack of faith in the agents is what made Jacques so willing to become their enemy. When the superior remarks that Jacques family is now being well taken care of, Clint remarks that this isn't really the point. All the lying and manipulation left them open to be exploited and people died because of this scheme. He's not going to quit SHIELD but he wanted to deal in lies and betrayal without any heroism he would have stuck with the Black Widow through and through.

His superior promises that they'll do better going forward and that he's glad that Clint's with them because they need moral people in SHIELD to keep it grounded. Clint accepts it for now and he tells his superior that for now he wants to go home and be with his family and get his head on straight. The movie ends about here.

The post credits scene shows Black Widow offering a shadowy figure an incomplete copy of the index as proof of her loyalty so she can work with them. The shadowy figure accepts saying she's "earned a spot at the table".
 
Last edited:
Now that we've got Namor, all we need is to take back the Fantastic Four and then we can have Namor trying to flood New York City in a tidal wave in order to get Sue Storm to marry him.
 
...you'd gained Marvel's approval to continue.
This is great, if a little disappointing that it didn't do so well.
I agree that I was similar to OTL. I don't think it leans too heavily on it as it significantly diverges in key parts and drops entire elements present in the original whilst including its own.
You've given your reasons, but it fundamentally does not read this way in the slightest.

It still reads more like the overall plot structure remains the same, that you swapped out the Science Is Magic for Magic Is Magic, did the same with the Destroyer by exchanging him for Creel and made them a onenote, focused overmuch on the Thor-Jane relationship but with the one complication being Creel's involvement, and continued with the setting up Asgard and SHIELD at the same time at the expense of both as they did in OTL.
Furthermore I've been given significant reason to believe that trying to introduce too much of the nine realms and of the greater Asgardian mythos will lead to backlash from executives and leave general audiences lost. I pared down the movie to what it is in order to try and avoid those issues.
I don't agree with this assessment, given that Lord of the Rings, greatly inspired by the myths and sagas of the Scandinavia [even with its Christian core ideologies], was released in full a few years ago with great aplomb and that one of our current competitors, Harry Potter, is a worldwide success given that for the longest time it was treated as a gateway to Satanism in the American heartland (and sometimes still is).

But if that is still such an issue, as you believe, there's still other things to try and other avenues to explore. Examples: Want Thor to fight a dragon, why not have it be Fin Fang Foom? Want Odin standing off against an enemy, why not Dormammu or even Cthon?
This is not a relevant criticism in my opinion. No movie will manage to accurately cover Odin/Wodin/Wotan. The dude is too many things to even attempt to try and get into one movie considering he's literally king of the gods, leader of the wild hunt, the basis of santa claus, a literal prescient being and more.

I made the choice to focus on Odin as the king of Asgard and a bad father who prefers Thor to Loki. I don't think the criticism of "you didn't include literally everything about Odin" is particularly relevant or fair.
That isn't my compliant, mine is more that you've taken a fairly complex character that can be played with a fair bit of nuance that can focus on one, maybe two other important aspects of his being, and given him a characterization more befitting of Zeus and a thugheaded barbarian, that contrary to your belief that he's a king when he acts anything but in your script.
Balder's not in this movie because I don't want to introduce the additional element of a third son and instead wanted to keep the movie focused on Thor and Loki. The issue is also less Loki using magic and more Loki using magic to cheat in a duel. I don't think it's bad for the adaption to have Odin be biased and like Thor more than Loki.
It's all fine that you don't want to have Baldur being in the movie because it interferes with the story that you want to tell, of brotherhood, but that's just as easily solved by him being an older brother whose off doing other shit (who might have already abdicated, alongside any other sibling), him being the younger brother who can't be involved in these sort of things yet, or by already having him be dead and that being somehow tied into Loki's growing frustration with being in Thor's shadow, since they were already struggling to get out of Baldur's.

As for Loki using magic in that match, it being something he cheated with, you described it as a spar. The point of a spar is to train your martial prowess, and if the point was to train, then what's the issue with Loki using a weapon in his arsenal, magic, against in a opponent using a weapon he cannot directly compete against? And if the issue was that it does not aid in his growth as a warrior, then Thor's use of Mjolnir should also be chastised, since it neither helps him nor Loki get anything out of the spar [not to mention it's a bludgeoning weapon that can severely cripple or outright kill somebody]. So even if Odin's feeling a little biased that day, it shouldn't effect things overmuch.

Also, what's with the idea that a parent, who chose to take in another child, be biased against that child because of said adoption?
First Laufey has been a man in Marvel comics since 1965. It's not a new thing and while I'm not opposed to making Laufey a queen, I don't see it as a huge issue that I stuck to how the comics have done things for literal decades at this point. If it's a huge sticking point for you that we need to be mythologically accurate in a movie where Thor and Loki are brother I'll change it but that seems a little ridiculously stringent in my eyes.
I understand his history in the comics, but we are literally at the point of adaption with the choice to pull from any and all sources to make our version of the characters a little more unique, a little more fleshed out, with this being one of the more simple changes that costs us ultimately nothing.

And as for being stringent with the source material, aren't you trying to argue for the same by focusing more on the comics interpretation?
Secondly Laufey could literally be replaced by Ulik and the frost giants by trolls and nothing of value would change. I just picked frost giants since they're a classic Thor enemy I figured we could get away with killing them on screen easier than flesh and blood trolls or cgi fire giants or something like that
I also understand there's a separation between the Frost Giants and Trolls in the comics, but they're literally the same thing in the myths. Not something I'm nitpicking, just pointing out.
I don't think either of the two criticisms are particularly relevant as you're criticizing me for copying a decades old detail in Marvel comics on a throwaway enemy I only picked because I thought his minions would be the ones we'd most easily get away with killing onscreen, and because you're criticizing the first fight scene for not doing everything the second fight scene where Thor goes and launches a retaliatory does later.
I'm arguing that it's unnecessary when there's other options available, because with what you've written the Jotunn aren't even related to the overall plot, other than to get Thor banished [which wasn't even permanent, meaning they require other restitution], or either of its main villains, removing the one strength of the OTL which was to make Loki more of a tragic figure when they properly explained his origins, which your version doesn't even attempt to do.
Either or. I personally would rather have them be childhood sweethearts who grew apart. I don't think we need to address Sif in this movie without Sif in it immediately but that is how I would do it.
You might not think it's important to address her presence, that she shouldn't be a focus in this story, but I'd argue that not only SHIELD would have gotten the mythological data to ask about [ex. Are dwarves and dragons something we need to be concerned about? You're infamously a drunk that likes to overeat, is that something we need to be concerned about with you? Is Odin watching us now, and is Valhalla a real place?] but also that Jane would have asked about the parts more relevant to her when they would have gotten romantically entangled [Aren't you married with kids? I don't want to be a homewrecker...].
He happened to have been there. I could see Jane getting recruited locally to study the hammer due to being an expert on the matters. Carl is not a SHIELD agent as I saw it but I'm fine with making him one who lost his job due to his issues with Jane.
That still doesn't explain why he's still in the area given that, as a government employee, he'd have been sent back to wherever his home is at, or at a processing center while they got all his paperwork in order (it infamously takes weeks to months for military members getting out), unless whatever he did was actively criminal, in which case he'd be in prison.
There are no other heirs involved, there are no other children of Odin introduced in this movie I don't know why you insist on repeatedly dragging them into things. Loki was not chastised and punished for not speaking out (Loki told Odin where Thor went and that's why he was there to stop Thor in Jotunheim) so that's not relevant.
In this instance I was specifically referring to Thor, given the potential for his return, and I admit to misreading the part in your writing where it had Loki not get to Odin in time.
Lastly Odin's not actually punishing Loki. He's threatening Loki with this in such a way that Loki believes that he'll do so but he's not actually carry out the act. And yes people will make threats they don't intend to follow through on in order to motivate others to behave better so that's not something incomprehensible for Odin to do.
This. This right here is where you lose me in believing he's anything but a terrible king of Asgard, because that is not how you treat an heir or how to properly threaten somebody who's acting out; it reads like a complete butchering of either version of Odin.
Loki always had the power and knowhow to do this from the start till the end of the movie. He didn't use it in the fight at the start of the movie because he doesn't want to touch the hammer that's being swung at him.

On top of that I never elaborated that Thor placed Mjolnir atop Loki but even if he did, Thor's hammer does not have the power to lift Thor's hammer so it makes no sense for Loki to try and take the properties of Mjolnir there.
What, he didn't utilize the ability in the fight to enhance his physique and durability in order to survive against bludgeoning attacks? That he didn't use it as an opportunity to, if not lift, then shrug Mjolnir off his chest?
 
Last edited:
I don't agree with this assessment, given that Lord of the Rings, greatly inspired by the myths and sagas of the Scandinavia [even with its Christian core ideologies], was released in full a few years ago with great aplomb and that one of our current competitors, Harry Potter, is a worldwide success given that for the longest time it was treated as a gateway to Satanism in the American heartland (and sometimes still is).
I got a hint point blank from the QM that the original pitch that was discussed with Laurent and explored the nine realms more deeply would likely have issues due to not being centered around Earth and not having a strong reason for Thor to come back to it. I made the decisions I did with this additional context. I actually cited Lord of the Rings as a way to potentially make a magic movie work but the warning I got is still relevant since the Lord of the Rings movies are kind of lightning in a bottle (no other fantasy world centric movie has come even close to being as good or as popular as them).

Furthermore Lord of the Rings, whilst it is drenched in generally Norse mythos, had its movies drop a lot of the greater magical context of Tolkein's books and had ingrained itself in pop culture much more effectively than Norse myth or Thor comics by the time the movies were made.

Harry Potter is not our competitor (we try and compete with Harry Potter, a series so big that it still makes billions even after the author did nearly everything she could to ruin the series once it was completed, then we will lose) and even besides that one of the key elements of Harry Potter is that the magic is almost entirely unexplored save to give plot points. Like what are the rules and limitations of Harry Potter magic that are explained by the movies?

You can still disagree with the assessment I'm coming to but I personally have not been swayed at all by the evidence you're putting forth here.
But if that is still such an issue, as you believe, there's still other things to try and other avenues to explore. Examples: Want Thor to fight a dragon, why not have it be Fin Fang Foom? Want Odin standing off against an enemy, why not Dormammu or even Cthon?
I'm not against doing things that are different but I'm not up for doing different for the sake of different especially when we need to introduce these things and where they come from.

Of the three ideas you presented I like the Fin Fang Foom idea the most (I don't particularly want to use Dormammu or Cthon who are big deals not traditionally linked heavily to Thor in the comics on the first Thor movie based around introducing his characters first) but I don't think going "man wouldn't this be neat" is good enough justification for a movie in and of itself. Give me a working story that ties Fin Fang Foom cleanly into the plot and I'm all for it but then potentially might you end up with more problems. Saying it would be cooler and more different than OTL isn't wrong and I think you can criticize that in the broad strokes I am very similar to OTL Thor but I don't think it's as big of a deal as you're making it out to be.
That isn't my compliant, mine is more that you've taken a fairly complex character that can be played with a fair bit of nuance that can focus on one, maybe two other important aspects of his being, and given him a characterization more befitting of Zeus and a thugheaded barbarian, that contrary to your belief that he's a king when he acts anything but in your script.
I think we need to simplify the characters a fair bit in order to adapt them effectively. I don't think I made him a "thugheaded barbarian" when a central point of the movie is Odin valuing peace and using diplomacy but I will admit that I can see him acting a fair bit like how Zeus is typically portrayed.

Give me an idea of how you want Odin to be portrayed differently whilst still leaving him somewhat responsible for the issues present within Thor and Loki and I'm happy to switch over to that version. I think you're reading the work as uncharitably as possible but if you give me a viable path to take the characterization beyond bland "do this better" type statements then I'm happy to make the adjustment.
It's all fine that you don't want to have Baldur being in the movie because it interferes with the story that you want to tell, of brotherhood, but that's just as easily solved by him being an older brother whose off doing other shit (who might have already abdicated, alongside any other sibling), him being the younger brother who can't be involved in these sort of things yet, or by already having him be dead and that being somehow tied into Loki's growing frustration with being in Thor's shadow, since they were already struggling to get out of Baldur's.
Yes I could do all of this. However I think it complicates things unnecessarily by having to show the dynamic with a third brother who doesn't contribute to the plot onscreen. Furthermore I come from the school of thought that unless we have a plan to utilize a specific element we should not introduce that element into the adaptation.

If we include Balder he needs to have a purpose either for this movie or some specific role in the greater cinematic universe beyond just being there and we need to justify why are we showing this now when we could instead be focusing on other things. I simply do not think Balder is important enough to justify placing in the first movie when he can just as easily be included into a sequel neatly if we want to use him.

Edit: I hated the "secret eldest daughter of Odin" thing they pulled with Hela in the OTL but the box office numbers don't lie and general audiences didn't have problems with it at all. We could very easily do something similar with Balder (except maybe not make him a villain) if we want to.
As for Loki using magic in that match, it being something he cheated with, you described it as a spar. The point of a spar is to train your martial prowess, and if the point was to train, then what's the issue with Loki using a weapon in his arsenal, magic, against in a opponent using a weapon he cannot directly compete against? And if the issue was that it does not aid in his growth as a warrior, then Thor's use of Mjolnir should also be chastised, since it neither helps him nor Loki get anything out of the spar [not to mention it's a bludgeoning weapon that can severely cripple or outright kill somebody]. So even if Odin's feeling a little biased that day, it shouldn't effect things overmuch.
The point of a spar is to train under set conditions to hone certain skillsets. A spar without magic is meant for people to hone purely martial skill. If the rules of a spar state "you can use weapons just no magic" then breaking the rules by using magic is kind of not something you're supposed to do and defeating the purpose of the exercise.

Thor wasn't flinging around lightning with Mjolnir or using it's magical capabilities until Loki started using magic himself and broke the rules first. He broke the rules in response to someone else coming at him who'd already broken the rules.

The bit about it being a bludgeoning weapon feels like an incredibly minor nitpick. At that point you're arguing "scenes with Thor sparring with any type of hammer are not okay because of this detail that most people don't know".
Also, what's with the idea that a parent, who chose to take in another child, be biased against that child because of said adoption?
Loki's not adopted in this pitch. He was in pitch A which was abandoned but the idea in this pitch is that Loki and Thor are full on brothers by blood. Odin just likes one kid more than the other (which despite what parents will tell children is normal even if it's not great).
I understand his history in the comics, but we are literally at the point of adaption with the choice to pull from any and all sources to make our version of the characters a little more unique, a little more fleshed out, with this being one of the more simple changes that costs us ultimately nothing.

And as for being stringent with the source material, aren't you trying to argue for the same by focusing more on the comics interpretation?
I was attempting to point out why I made the decision I did. I have no issue making Laufey a queen in a general sense I just don't think it's a particularly pertinent change.

As for focusing on the comics more I'll full well admit that I prefer to adapt from the comics over the actual Norse myth for the comic book movie we are pitching. I'm not dead set on it but I think the decision I made is as justified and "correct" as your suggested improvement. I have no issue with making the alteration but it's a literal matter of preference and not really in my opinion a tangible improvement of the movie in any meaningful manner as an adaptation of the comic book source material.

To reiterate, sure Laufey can be a queen but how does that significantly change or improve the pitch at all?
I'm arguing that it's unnecessary when there's other options available, because with what you've written the Jotunn aren't even related to the overall plot, other than to get Thor banished [which wasn't even permanent, meaning they require other restitution], or either of its main villains, removing the one strength of the OTL which was to make Loki more of a tragic figure when they properly explained his origins, which your version doesn't even attempt to do.
I'd appreciate it if you gave me a viable alternative then that doesn't require the entire pitch to be thrown away completely. The Jotun aren't super relevant to the plot and yeah that is a fair critique. I'd rather not write them out completely since I'd like to try and set up at least a little of one of the other nine realms that isn't Asgard and who Asgard has conflicts with but if you've got an actual suggestion on how to improve it than I'd appreciate hearing it.

As for not doing what OTL did that's kind of the point? I made the change of making Loki just Thor's full on blood brother and a son of Odin since that seemed simpler and not a change people would hate since that's the core of the dynamic already.
You might not think it's important to address her presence, that she shouldn't be a focus in this story, but I'd argue that not only SHIELD would have gotten the mythological data to ask about [ex. Are dwarves and dragons something we need to be concerned about? You're infamously a drunk that likes to overeat, is that something we need to be concerned about with you? Is Odin watching us now, and is Valhalla a real place?] but also that Jane would have asked about the parts more relevant to her when they would have gotten romantically entangled [Aren't you married with kids? I don't want to be a homewrecker...].
I have no issue with some of this stuff being included in the film as questions SHIELD asks (probably would be, you know when they interrogate him earlier that this stuff is established and not with Jane) but I don't think it's so pressing that we immediately need to show onscreen Jane asking Thor about Sif. It's just not relevant to the movie being told as it kind of gets answered and does nothing.
This. This right here is where you lose me in believing he's anything but a terrible king of Asgard, because that is not how you treat an heir or how to properly threaten somebody who's acting out; it reads like a complete butchering of either version of Odin.
I'm attempting to show Odin as a decent king but an utterly terrible father. I don't think it's a stretch to give Odin those traits when both of the children who spend the most time with him and under his care kind of end up as screw ups.

Odin's not supposed to be a perfect paragon of a king, he's supposed to make mistakes that directly feed into Loki and Thor's flaws and the issues they overcome. I don't want Odin to be a perfect king. I still think you're reading it as uncharitably as possible but if both of them come off as butcherings of Odin's characterization I'd appreciate a suggestion you could give on how to write Odin as a flawed father who makes mistakes, is biased and for all his skills as a ruler, indirectly sets up the issues of Thor and Loki and drives them towards coming into conflict with one another.
What, he didn't utilize the ability in the fight to enhance his physique and durability in order to survive against bludgeoning attacks? That he didn't use it as an opportunity to, if not lift, then shrug Mjolnir off his chest?
Yes because Asgardians are inherently more magically durable then Creel's greatly diminished Absorption capabilities. I don't point that out in text that's fair but I don't think that in an open arena with a hammer in Thor's hand, there are going to be a lot of materials that Loki can easily come in contact with and whose properties would make him significantly more durable against Thor's blows that he could gain the properties of, especially when for the first part of the match he's not supposed to use any magic and in the latter half he's not thinking fully rationally.

Furthermore it doesn't matter what material Loki is made of if Mjolnir is on his chest, his physical strength, angle of approach, the environment and the enchantment that you have to be worthy to lift it are the same regardless of what substance Loki is made out of. If the weight of Mjolnir is heavy enough to pin Loki then it doesn't matter what material Loki is made out of it won't help him not be pinned by it.

I suppose Loki could change what material he's made out of in order to dig out of the ground and shrug it off easier that way but that feels a little bit like a ridiculous min-maxing strategy that people wouldn't naturally think of.

This feels less like a critique of the plot of the movie and more like a cinemasins "critique" that's more of a nitpick than anything else and doesn't in my opinion need to be fixed. We can find little things like this to nitpick in every story no matter how well written it is.
 
Last edited:
One or two more successes like this and we might have enough leverage to get rid of the Creative Committee—and then the sky's the limit.
 
Back
Top