There Was A Different Idea: An MCU Producer Quest

[overmind]

[X] [Series] Damage Control

Click to shrink...

Damage Control, Marvel's go to guys when it comes to repair, reconstruction, and clean-up from Superhero fights. When it first appeared in Marvel Age Annual #4 back in June of 1988 no one thought it would get its own series...which lasted about four issues from May to August of 1989. Since then it's made two comebacks with issues ranging from 1989 to 1991, every time sticking to its true and tried formula of making it a "Sitcom within the Marvel Universe".

Huh, so basically, what you're trying to do now.

There is possibility in this series. You've seen them go toe to toe with Dr. Doom, face off against the Hulk, hire Iron Man for promotional material, and even work with the X-Men in repairing their mansion. Heck, there was even one time when one of their employees gained power enough to rival the Silver Surfer and then was fired!

That was a bit out there, but it was still fun!

It's a shame that Marvel has relegated them to the background, but they still make many appearances in other title comics. Plus, they have become a beloved and integral part of the Universe, which is more than enough for you to include them in this new MCU.

First of all, you need to decide about their introduction. Unlike many of their counterparts theirs is a more subtle existence which has them make fewer appearances than most other heroes. You could go with the method of just having the entire organization already exist and introduce a new member to explore it (like in the comic) or you could try and use this season to show how the organization is founded.

Eh, something to discuss later, for now you can table it.

Then there's also the length for this show. You know that you gave War Machine 22 episodes, but that was mostly due to J. Michael Straczynski and his incredible skill at characterization. Not all series are meant to have the same amount of episodes, but then again they might also be worth it.

[] [Length] Keep these stories concise with zero filler. 8 episodes should be the maximum.
[] [Length] You're willing to go up to 10 episodes. It's a show not a movie, and there's room for more content.
[] [Length] These shows are going to be big and deserve a lot of content. 13 episodes.
[] [Length] Obviously this isn't a traditional show, but you could stretch the series for 22 episodes.

Finally you came to the Showrunner. You won't call yourself a master at comedy (God knows how that went back in the day) but you think you can recognize when someone is being funny or not. This should help you pick up the best showrunner for what you hope to be a good comedy series.

[] [Showrunner] Larry David - Well, who hasn't heard of him by now?! Between such classics like Seinfeld and Curb your Enthusiasm, Larry has made comedy gold out of socially awkward situations and continues to do so today.
[] [Showrunner] Michael Schur - He's risen in fame thanks to his work in both The Office and Parks and Recreation. Most of his stories tend to have a humanistic and optimistic bent, despite them being funny as heck as well.
[] [Showrunner] Greg Daniels - Greg has helped with Parks and Recreation, not to mention he adapted The Office and made it what it is, walking a fine line between making good characters that can bring the comedy, but also remain human and likeable. Heck, he's even written for The Simpsons!
[] [Showrunner] Bill Lawrence - He's had quite a career with his writing and TV shows. The most successful ones being Spin City and currently Scrubs which just ended last year.
[] [Showrunner] I'm thinking of Someone Else: Write in

 

[overmind]

[X] [Length] Obviously this isn't a traditional show, but you could stretch the series for 22 episodes.
[X] [Showrunner] Michael Schur - He's risen in fame thanks to his work in both The Office and Parks and Recreation. Most of his stories tend to have a humanistic and optimistic bent, despite them being funny as heck as well.

Click to shrink...

When you decided to once more make a 22 episode season you expected another fight.

Negotiation Roll: 111

This time there was hardly a whimper. By now they seem resigned to the fact that you don't ask for this things just for nothing, that you do have a plan in the works that will get them money in the end. It seems they trust you to deliver.

Either that or they are just waiting for you to fail so they can wrack you over the coals. Either way you're getting what you want.

Meeting your future show runner was another pleasant surprise. He'd been familiarizing with the Source Material (what little there was of it) and finds that most of the characters have characteristics which can be easily assimilated to the type of comedy he usually employs. He even mentions feeling like the characters should be familiar to him.

Huh, that's odd.

Well, Michael (is it just you, or do you know too many Michaels lately?) feels he can work with this; however before you start suggesting ideas he wants to make sure you're in the same page for the show.

First of all, the way he imagined the show (and how he usually begins his stories) is to begin with the entire institution already existing, and letting the viewer learn more about the setting and the characters as the show progresses. He envisions the Main Character filling the role as the audience surrogate.

This was news to you as you'd envisioned the series as introducing the character first, and then showing how they would form the company. In this way, the audience could see from the beginning the creation of the company itself.

You managed to reach an agreement quickly enough though.

[] [Series] You went with Michael's idea; Begin with Damage Control already established.
[] [Series] You went with your idea; Begin showing how Damage Control is created.

Then came what to do with the episodes. Your past experience has shown you that Serialized arcs have a great degree of success, not to mention storytelling potential. Michael however feels more comfortable with an episodic format, even if there are themes and connection between them.

You could always compromise and allow for a couple of "Mini-Arcs" for the season, allowing for a healthy number of one-off episodes as well.

[] [Form] It's basically a novel for television with 22 chapters released per year.
[] [Form] The season will have a self-contained arc but there's one-offs interspaced between plot-relevant episodes.
[] [Form] There's 2 "Mini-Arcs" per season but otherwise it's a bunch of one-off adventures.
[] [Form] It's entirely episodic. 22 one-off stories a year with no overarching plot.

The setting of the story is an important aspect as well. Damage Control is focused around reconstruction and rescue. Their appearance could have been as early as the Iron Man films, or as late as The Avengers upcoming movie...if you can actually get a script!!!

[] [Set] Just after Iron Man, when the consequences of Superhero fights are first displayed.
[] [Set] Just after The Mighty Thor and the failed invasion by the Jotuns.
[] [Set] Just after The Invincible Iron Man with the destruction and chaos caused by Vanko and his drones.
[] [Set] Just after Wonder Man and the destruction caused by the battle between Simon, Scarecrow and the Living Laser.
[] [Set] Just after The Avengers and the failed invasion of the Kree army.

John Porter, Robin Chapel and Albert Cleary, these are the three main guys that have to be a part of Damage Control to make it work. Whether their role remains as it was in the comics or changes somewhat that will depend on Michael. But for now you need to find out which of the remaining members will get as much treatment and Screen Time as the three mentioned above.

Which member will you be focusing on besides them?

(All these options will appear in the series; the ones selected will be in the center of the story. The rest will be "Retroactively Casted" in future seasons if they prove popular, or are expanded in story).
[] [Characters] Anne Marie Hoag - The CEO and founder of Damage Control...you may want to change that name.
[] [Characters] Bart Rozum - Intern at Damage Control. A bit of a goof, but well meaning. Has a huge crush on Anne.
[] [Characters] Anne Rutgers - Receptionist at Damage Control. She may come up as a ditz which hides the competent and sarcastic mind behind her good looks.
[] [Characters] Eugene "Gene" Strausser - Technician and a whiz at using machines and code. Absentminded and cheery, he would be a mad scientist had he not been hired.
[] [Characters] Lenny Ballinger - Leader of Search-and-Rescue. He's a veteran in his line of work with a no-nonsense attitude.
[] [Characters] Frank Johnson - A firefighter and member of the Search-and-rescue division. In the comics he would become Monstro before joining. You could go with that later if you want.
[] [Characters] Henry Ackerdson - The Head of Marketing, always with his head on crazy ideas to improve the company's image (and profits).
[] [Characters] Someone Else: Write In

 

[overmind]

[X] Plan Control 99
-[X] [Series] You went with Michael's idea; Begin with Damage Control already established.
-[X] [Set] Just after The Invincible Iron Man with the destruction and chaos caused by Vanko and his drones
-[X] [Form] The season will have a self-contained arc but there's one-offs interspaced between plot-relevant episodes.
-[X] [Characters] Bart Rozum - Intern at Damage Control. A bit of a goof, but well meaning. Has a huge crush on Anne.
-[X] [Characters] Anne Rutgers - Receptionist at Damage Control. She may come up as a ditz which hides the competent and sarcastic mind behind her good looks.
-[X] [Characters] Eugene "Gene" Strausser - Technician and a whiz at using machines and code. Absentminded and cheery, he would be a mad scientist had he not been hired.
-[X] [Characters] Lenny Ballinger - Leader of Search-and-Rescue. He's a veteran in his line of work with a no-nonsense attitude.
-[X] [Characters] Henry Ackerdson - The Head of Marketing, always with his head on crazy ideas to improve the company's image (and profits).

Click to shrink...

Along with the already three Main characters in the form of John, Robin and Albert you've decided to add five more. Michael had already planned for the main three characteristics so you left it to him for now.

Spoiler: Main 3

John Porter - A cocky, talented, and slightly immature Account Executive. He tends to roll with the punches and be more than willing to bend the rules when it suits them.

Robin Chapel- The more serious of the bunch, a Traffic Manager and a stickler for rules; she is in constant competition with John for a promotion in the company.

Albert Cleary - The Comptroller of the company, always obsessed with the laws and rules being followed to avoid another lawsuit. He usually has to break off John and Robin when they get into an argument (or worse...a bet!)

When it comes to casting the advantage will always be with the TV series as the longer time gives it the chance to properly give more depth to the characters themselves. Even then there will always be those who by design, or by dint of their popularity, will be the privileged ones to gain more time, more story opportunities, more characterization, etc., etc.

Heck, one just needs to see how by its last season Family Matters had become 'The Urkel Show' in all but name.

You really hope that the characters selected now will stand the test. Their own personalities will make sure they develop many story opportunities, but even so you tend to be a worrywart when it comes to the selection.

Like now for instance; when speaking to Michael he had run the idea that perhaps they could have John Porter be the new guy to be introduced at Damage Control, a man just fired from his job and starting his new day at Damage Control, making him the Main Lead as it were.

You'd agree with him as that had been his introduction in comics, but there is also merit in having Bart Rozum, the intern, be the Main Lead as he first enters the world of Damage Control on his first day and see what he just got into.

[] [Main] Go with John Porter; he begins his new day at Damage Control after being fired from his old job. He might even make it through.
[] [Main] Go with Bart Rozum; he enters his first day as an intern in this new construction company, unknowing what he just got into.

Once that was taken care of there was the need for the Season Arc. Michael thought of an arc for Damage Control which would lean on the new enterprise being in danger of bankruptcy. Many of the episodes could focus on them trying to find any work possible, and ending with the fight between Wonder Man, Scarecrow and the Living Laser

[] [Arc] Yes, go with the idea of Damage Control trying to stay afloat through the season and finally being able to survive near the end thanks to the fight with Wonder Man.
[] [Arc] No, I have another idea for the Arc.
-[] [Arc] Write In:

You've been thinking about Damage Control and its role in the MCU lately. While you had envisioned shows like Agents of SHIELD as those that can help introduce the less popular characters without having to use them in movies, you also think that Damage Control can work the same for those characters that are just either too goofy, or perhaps a bit too out there.

Heck, you can even have appearances from more serious characters to create some dissonance. Wasn't there an issue in Volume 2 of the comics where they faced the Punisher?

The best part here is that since the characters in question would appear at worst in one episode, and at best through the season, it would not be that expensive to find people willing to make an appearance in the show that way.

[] [Side] I can think of some interesting characters that can make an appearance.
-[] [Side] Write In:
[] [Side] I don't think it's needed now.

With all done you just need a name for the series.

[] [Title] Damage Control
[] [Title] Something Else: Write In

A.N: Hey guys. In order to allow you to better incorporate your idea in a "Micro" level I'm bringing you this: You can discuss future episodes, events, characters, arcs, scenes, etc., in a brainstorming session and if you have something that you think could be good for an episode, or bunch of things altogether, then you can use the option [Episode]. You'd put the episode number and/or the title, and a small description of what you want it to happen.

These are suggestions, so there is no need to vote for them, and if you have a different idea than others you can post them as well. You can also collaborate if you want. This is not mandatory, but these suggestions may help in the reception and Fandom/Critic buzz portion.

 

[overmind]

[X] [Main] Go with John Porter; he begins his new day at Damage Control after being fired from his old job. He might even make it through.
[X] [Arc] Yes, go with the idea of Damage Control trying to stay afloat through the season and finally being able to survive near the end thanks to the fight with Wonder Man.
[X] [Title] Damage Control
[X] [Side] I can think of some interesting characters that can make an appearance.
-[X] [Side] Write In: Wrecking Crew (Defenders #17)
-[X] [Side] Write In: Armadillo (Captain America #308)
-[X] [Side] Write In: Zeke Stane
-[X] [Side] Write In: Armless Tiger Man (Marvel Mystery Comics #26)

Click to shrink...

December 2011

Script Quality #1 = 110

Oh...Dear...God! You...can't...breathe... (Laughter noises)

*Pant**Pant* okay...you're good...you're fine...but that has to be the funniest shit you've read in a long time now. The mix of mundane and ridiculous that can only be done when you show the many, many, many Marvel characters that are just too much in a serious setting...oh God you're going to start again...!

ARMLESS TIGER MAN!!!

*Pant* Okay*Pant* okay, this time for real. Introducing the Wrecking Crew in their non-powered form was a stroke of genius! It helps set them out and also gave birth to the friendship between John and Elliot, a mainstay of Damage Control comics! And Asbestos Man! You'd forgotten he was part of Marvel (a terrible sin which you must rectify) but he's become one of your favorites now!

Armadillo…man for a moment you'd wondered how you were going to introduce this guy what with his origin, but just pointing at how goofy looking he is, and interrupting at every turn when he's about to explain his origins works just as well for you. Better as well, since you don't think human experimentation is going to fly in this show.

But you have to admit, for all of your love of heroes and villains, it's the regular human cast and their interaction which the script emphasizes and makes sure to keep in the spotlight. Their everyday lives and struggles (not to mention the inter-personal drama) just makes it work when it comes to lampshade how some situations are just too ridiculous for words.

You could talk about every single episode and wax lyrical about them, but you need to check with Execs now. You're not worried though, you're sure they are going to love it!

Appeal = 108
Finance = 78

When Marvel Execs laugh themselves sick in your face it's usually a bad sign. Not here though; everyone agreed that this was a keeper and a must do show! Heck you're sure you saw Ike chuckling at some parts of the script, not to mention Avi just bursting a gut at the ridiculousness of it all. You got your budget all right; a good amount of it will be going to making sure the costumes are just right.

Nothing like real live accurate costume from the Golden and Silver age to have people laughing themselves sick!

Casting Quality = 66

You'd be a bit angrier about this, but you have to admit that comedy is a niche thing on its own. Not everyone has the talent to make people laugh, as such much of the actors you have right now are those who are not under contract in another series. Well, mostly at least.

Do not vote until this post is one hour old. This will give time for additional casting suggestions. Casting suggestions are appreciated.

Casting Account Executive John Porter: Account Executive and newest hire for Damage Control. John tends to be slightly immature, but is also incredibly talented at his job, finding creative solutions to problems others might butt heads against. It gives him a cocky attitude.

Spoiler: John Porter

[] [Porter] Matthew Perry - From his stellar role in Friends he's been on a bit of a slump. Not many of his shows tend to last much despite his clear talent.

[] [Porter] John Stamos - On the opposite side is John Stamos, who's performance in Full House and General Hospital have yet to manage to type cast him.

[] [Porter] Andy Samberg - Better known for his stint at Saturday Night Live, he's very talented at comedy, and willing to become a regular if given the chance.

[] [Porter] Ashton Kutcher - Though That 70's Show is over and done not many have managed to bounce as well as Ashton. He's yet to appear as a regular in another TV show though.

[] [Porter] I'm thinking of Someone Else (Write In)

Casting Traffic Manager Robin Chapel: A serious and straight laced Traffic Manager, Robin is an ambitious woman with her eyes on the prize: Becoming the next CEO of Damage Control...or of a company if it doesn't work. She and John have a rivalry of sorts as she dislikes his more casual approach at work and crisis.

Spoiler: Robin Chapel

[] [Chapel] Hillary Duff - It's been nearly a decade but you still remember her as the lead in Lizzy McGuire. She might look a bit young, but nothing that can't be fixed in writing.

[] [Chapel] Rachael Taylor - Whether as Dr. Lucy Fields in Grey's Anatomy or Abby Sampson in Charlie's Angels, she has made an impression upon all.

[] [Chapel] Krysten Ritter - Though proficient at comedy this kind of role usually goes against her type of characters. Something tells you she can still do it though.

[] [Chapel] Sarah Chalke - Just finished her latest role as Kate Swanson in Mad Love. She has the talent and, from her performance in Scrubs, the drive as well.

[] [Chapel] Mila Kunis - She was amazing in That 70's Show; she's gone for more serious projects since, but you're sure she can still nail the role.

[] [Chapel] Rashida Jones - She likes stories where she can see that the characters were well developed, a point for you, but she might be too busy to appear now (Negotiation Roll)

[] [Chapel] I'm thinking of Someone Else (Write In)

Casting Comptroller Albert Cleary: The Comptroller and Legal Aid in Damage Control. Albert is perhaps the one person holding Damage Control from being outright sued from nearly all corners, and getting their payment on time as well. With a nearly unflappable personality, he usually is the one who has to stop any and all competitions/bets between John and Robin.

Spoiler: Albert Cleary

[] [Cleary] David Harewood - Though mostly known for more serious roles, no one can deny that David is a top notch actor. From Movies to TV he's shown quite a range and versatility.

[] [Cleary] Jeffrey Wright - His reputation for playing intelligent characters is a boon here. He could very well be a contender for the role.

[] [Cleary] William Jackson Harper - Just finished his previous role in The Electric Company and is hoping for a new break with Marvel.

[] [Cleary] Jesse L. Martin - Actor, singer, and longtime member of Law and Order, he just came back from the theater performance of The Merchant of Venice and wants to get back into the game.

[] [Cleary] I'm thinking of Someone Else (Write In)

Casting Intern Bart Rozum: An intern at Damage Control who is trying to keep his head above the water. Though he's bit of a goof and a braggart when it comes to impressing Anne, he still displays loyalty to the company. He usually accompanies John during his work.

Spoiler: Bart Rozum

[] [Rozum] Topher Grace - He's the definition of "Crash and burn" when it came to casting after That 70s Show. Seriously, who thought he could play Venom? He might do better here though.

[] [Rozum] Grant Gustin - His performance in Glee is not bad at all, and despite not seeing much foundation in comedy he can still hit the right notes for what you need in the show.

[] [Rozum] Christopher Mintz-Plasse - Despite a slight lisp he still feels, and looks, like an intern. He's still very young, though he was younger when he became famous with Superbad.

[] [Rozum] Erik Per Sullivan - Aside from playing Dewey in Malcolm in the Middle most other roles have not been as big. You've heard rumors that he was going to retire as well.

[] [Rozum] I'm thinking of Someone Else (Write In)

XXXXXXXXXXXXXXX
​

Actions for the 1st​ Semester of 2012 (Can do up to 5)

[] Network in Hollywood for a Director for a specific movie (Roll)
-[] Write In: Who and Which
[] Network in Hollywood for an Actor for a specific role (Roll)
-[] Write In: Who and Which
[] Network in Hollywood for a Showrunner for a specific TV Series (Roll)
-[] Write In: Who and Which
[] Network with Ike Perlmutter (Roll)
[] Network with Marvel Executives (Roll)
[] Network with your current Directors/Showrunners (Roll)
-[] Which one: Write In
[] Convince Marvel to negotiate with the studios (Sony, Fox, Lionsgate, New Line Cinema) for the rights of a character (Roll)
-[] Which one: Write In
[] Investigate a bit, see what your competition is up to (Roll)
-[] Sony
-[] Fox
-[] Lionsgate
-[] Warner Studios

Actions for in between Production and Filming (Select up to 3)

[] Participate in interviews and events in order to hype future movies/TV Series. (Gain +10 to Fandom Buzz)
[] Promote a character with the Execs for one of the upcoming movies/TV Series.
-[] Write In:
[] Most Production have to deal with Sets and the Art that is used in them, they could always use a hand (Gain +10 to Setting and Art)
[] You've always had some issues with the VFX no matter how many teams. Perhaps you can do something about it. (Gain +10 to VFX)
[] Choreography could do with some work in some areas (Gain +10 to Choreography)
[] The Sound Design and Score Composition can be improved (Gain +10 to Sound Design)
[] Editing has been giving you trouble lately, find a way to help (Gain +10 to Editing)
[] You can't be in the shooting, but you can recommend some special attention to be given to one of the cast (Gain +10 in Screen Presence for the Selected Actor/Actress)
-[] Write In: Which Actor/Actress

A.N: Second part of the Casting will be done in the Interlude. I'm also re-organizing the options and splitting them between options that can be done every 6 months and options that can be done in between Productions and filming.

 

[overmind]

[X] Plan Just Gonna Steal All This Meta Stuff From The Future Since I Can
-[X] [Porter] Andy Samberg - Better known for his stint at Saturday Night Live, he's very talented at comedy, and willing to become a regular if given the chance.
-[X] [Chapel] Mila Kunis - She was amazing in That 70's Show; she's gone for more serious projects since, but you're sure she can still nail the role.
-[X] [Cleary] William Jackson Harper - Just finished his previous role in The Electric Company and is hoping for a new break with Marvel.
-[X] [Rozum] Grant Gustin - His performance in Glee is not bad at all, and despite not seeing much foundation in comedy he can still hit the right notes for what you need in the show.
-[X] Network with Ike Perlmutter (Roll)
-[X] Network with Marvel Executives (Roll)
-[X] Convince Marvel to negotiate with the studios (Sony, Fox, Lionsgate, New Line Cinema) for the rights of a character (Roll)
--[X] X-Men
-[X] Investigate a bit, see what your competition is up to (Roll)
--[X] Sony
--[X] Warner Studios

Click to shrink...

Well, it's been one month and you're already feeling so much better about life in general. The Avengers are well on their way to filming (finally got that script to work), there are only five more months before Marvel becomes owner for both Deadpool (Goddammit Ryan! I get it; you want to play the bloody character!) and the Fantastic Four (Perfection in every way!) and you have just finished some of the easiest casting so far. You know, Mila Kunis may have been a late addition, but she does have that entire severe look down pat. She and Andy have already managed to form amazing chemistry between them, though not yet to the point of trying to make them a couple in script...though who knows what may come in the future.


Grant is another story though, excited to be here and ready for everything that might be thrown at him; you wonder who between him and Michael is the more excited, considering the latter had confided that he'd been thinking on quitting acting altogether. Nothing serious, but the thought had been there.

With your cast nearly there, you felt that it was time to use your position and find a way to increase your influence for the future.

Ike Networking: 50

And got stonewalled right out of the gate. Not your fault though, how were you suppose to know Ike was busy visiting his family...he has a family?! Man, you think you know a soulless and profit obsessed guy. Well, at least you didn't lose anything this day, so you'll count it as a win!

Marvel Networking: 79

Future networking with Marvel staff went great! With the success of the Marvel movies and Marvel Studios the amount of money being passed down to the company means that for the first time in a long while Marvel may be free of its debts. This has led to a more stable working environment and a splurge in creativity for the artists.

They've even managed to get the Fantastic Four back on track after that whole "Johnny Storm dying" fiasco. With him finding a way out thanks to Blastarr and the team defeating Annihilus once and for all (or at least as long as it usually lasts in comics). With them becoming a marvel property once more Ike wants them to be whole for merchandising purposes.

You'd be angrier at the fact that Ike had nearly destroyed your favorite comic if you weren't so darned happy that they're still alive and kicking.

Marvel Convincing: 83

It's that positive attitude which brings you in front of the committee to propose your most ambitious plan to date; the recovery of the X-Men for Marvel. The time is right in your mind, Fox has just crashed and burnt after a hilariously sad attempt at rebooting the franchise, and they must see that in the fight between Marvel and DC they are just...outmatched.

And it is a fight between Marvel and DC. Others may try and bring their own characters and their own sad attempts at adapting them into film form, but in the end it's Marvel who started it all, and DC who is keeping pace. All others must know that any attempt at entering this confrontation is just going to end bad for them.

They are convinced to at least give it a try.

Fox Negotiations: 42

And fail at the first try. Despite your beliefs they apparently can see that the X-Men brand still carries weight, and is lucrative to boot. They are already planning on another attempt at rebooting the franchise, and have cancelled all other X-Men films until that one comes out.

Fucking hell, they are serious about this!

You didn't come out empty handed though; you at least managed to get one of the characters Fox...owned (assholes).

Following the meeting you set to find what the competition is trying to do.

Sony Competition: 102

You hit the motherlode here! Not only is Sony having financial issues, but they are even wondering if their Superhero films are even worth it. Their previous failure with Luke Cage has actually shaken them. Their new strategy of "One Sony" may actually include getting rid of those films that make nearly no profit at all. You're sure that if you'd gone now you could have gotten at least Ghost Rider and Luke Cage on the cheap side.

They're putting their hopes on their new Ghost Rider and Spider-Man films, though now that they can't count on Avi (which explains why Luke Cage came out as it did) they seem to be trying to go at it without much knowledge of the source material.

Time alone will tell you what the result of that is.

Warner Competition: 43

Kevin seems to be running a tight ship as barely any info has come out. Though from what you've gathered there are plans to make a second Superman movie before going full into the Justice League, along with the same rumbling of wanting Batman to appear. God knows if Kevin will bend to Warner's demands.

Casting Anne Rutgers: Damage Control's receptionist. Her looks and usual language make her sound like a ditz, which only hides the competent and devious mind behind. She's good friends with Robin, and finds Bart amusing.

Spoiler: Anne Rutgers

[] [Anne] Sofia Vergara - Sofia already has become a runaway success story what with her role in Modern Family, she aims for higher and knows Marvel is the way in.

[] [Anne] Krysten Ritter - Well, if at first you don't succeed. With the role for Robin going to late applicant Mila Kunis, she now has her sight on a smaller, if no less important role.

[] [Anne] Eva Longoria - You think everyone know who she is by now. Eva's role in Desperate Housewives is coming to an end, so there would hardly be any scheduling conflict.

[] [Anne] Kate McKinnon - Her passion is not to be denied, neither is her musical talent. That she's aiming for Marvel from the start already speaks well for her.

[] [Anne] I'm thinking of Someone Else (Write In)

Casting Eugene "Gene" Strausser: An absent minded scientist/inventor who loves showing off to others, especially if it's his newest invention. Many agree that had he not been hired he would have already become a mad scientist.

Spoiler: Eugene Strausser

[] [Gene] Michael D. Cohen - Nothing exceptional, but the man knows his comedy and wants to be a part of it. You could give him a shot.

[] [Gene] Nathan Lane - The Producers was a classic and this man was one of the reasons why. That he also worked in another of your favorite movies has nothing to do with it.

[] [Gene] Kevin James - King of...something I guess? Well, there was a sitcom and it was good from what they tell you. You've watched his movies though, and he does have what it takes.

[] [Gene] I'm thinking of Someone Else (Write In)

Casting Lenny Ballinger: The no-nonsense Leader of the Search-and-Rescue division of Damage Control. He's a veteran of the job and usually has little patience to deal with others, though he has a soft spot for children and those new on the job.

Spoiler: Lenny Ballinger

[] [Ballinger] Tom Cavanagh - Hey, it's J.D.'s brother from Scrubs. He does seem to have a good balance between comedy and drama.

[] [Ballinger] John C. McGinley - Well, it seems like a reunion up in here. John C. McGinley has shown his acting chops as not only Dr. Cox, but he's played characters who don't take shit from no one as well.

[] [Ballinger] Jason Bateman - Though Arrested Development may no longer be airing, you don't think anyone is ever going to forget his lead.

[] [Ballinger] I'm thinking of Someone Else (Write In)

Casting Henry Ackerdson: Head of Marketing, always with a new idea to bring more revenue and the image of Damage Control to the public, he usually tends to go overboard what with his excitable personality just pushing him along.

Spoiler: Henry Ackerdson

[] [Ackerdson] Ricky Gervais - Just finished his Life's too short mini-series, and he likes what he's seen of the script so far. You can already imagine how this will go down.

[] [Ackerdson] Adam Sandler - There are few comedy veterans like Adam Sandler, and he does bring a haggard yet energetic look that could work with Ackerdson.

[] [Ackerdson] Jason Alexander - Jason hasn't been a regular in a series since both Seinfeld and Listen Up. But it hasn't reduced his comedic skill one bit.

[] [Ackerdson] I'm thinking of Someone Else (Write In)

Which Character from Fox did you buy back? (X-Men and Alien Races not included)
[] [Character] Write In:

You've managed to thoroughly infiltrate Sony; perhaps you can do more...
[] [Sony] Try and Sabotage the Spider-Man film (DC90)
[] [Sony] Find more information which can help you in negotiations (DC65)
[] [Sony] Have your men let you know in advance when Sony is planning a Superhero movie (DC40)
[] [Sony] Just leave it as it is for now.

Do you want to finish Damage Control, or start with another Series?
[] [Series] Continue and finish this (We continue Damage Control all the way until the end)
[] [Series] I want to work on another series (We go back and begin work on another series)
- [] [Series] War Machine - Season 2
- [] [Series] Agents of SHIELD

A.N: Well congrats, you finally unlocked the rewards for spying on the competition (Didn't think you'd get over 100 on the first try but...eh.)

No voting in plan format please.

 

[overmind]

[X] [Anne] Kate McKinnon - Her passion is not to be denied, neither is her musical talent. That she's aiming for Marvel from the start already speaks well for her.
[X] [Gene] Nathan Lane - The Producers was a classic and this man was one of the reasons why. That he also worked in another of your favorite movies has nothing to do with it.
[X] [Ballinger] Jason Bateman - Though Arrested Development may no longer be airing, you don't think anyone is ever going to forget his lead.
[X] [Ackerdson] Ricky Gervais - Just finished his Life's too short mini-series, and he likes what he's seen of the script so far. You can already imagine how this will go down.
[X] [Character] Write In: Kang The Conqueror
[X] [Sony] Just leave it as it is for now.
[X] [Series] Continue and finish this (We continue Damage Control all the way until the end)

Click to shrink...

Technical Aspect

Production Quality: 89
VFX: 38
Sets and Art: 60
Choreography: 104
Sound Design: 81
Editing: 76

...At this point you're glad that this series depends more on Sets and less on VFX, but that does nothing for the innate frustration in your chest at seeing that not even here does your luck with VFX teams abate. If this keeps going on you might start thinking you're cursed.


At least the rest of the Production handled like a dream. With Choreography giving their best when it came to the little fight scenes there were. It's a small detail, but it shows quality in a show that by all rights would tend to focus less on it. You enjoy the composition as well, it does bring to mind the sitcoms of old, but given a new and fresh sound which makes it unique.

Seriously, who'd have thought an Armadillo could move that way?

Protagonists:

Andy Samberg Screen Presence: 91
Mila Kunis Screen Presence: 46
William Jackson Harper Screen Presence: 81

Ha! You knew that Samberg kid had what it takes! He stood up to the role and made for an amazing lead from episode one! Being fired from an insurance company for helping one of their customers whose insurance had expired, his taking the position at Damage Control after helping them get the Construction Permits necessary thanks to his own connections, bluffs, and other questionable (yet hilarious) means. It pretty much defined his character for the rest of the season and gave it space to grow.

Mila however seems to have taken a look at the script and went on the opposite direction. It's not bad per se; it's just a lot more reserved and serious than what you expected. Her scenes with Andy still have that spark that you'd found so that alone makes it great, but you also want her to shine by herself, make the character of Robin be as beloved as you're sure John will be. There is still time so you can work with it.

As for Michael, man you don't know what kind of Producers or Directors took a look at him and said "No" but they must be kicking themselves now! He's a natural at the role, injecting his own energy and personality to the point that both blend together after a while. Having him be John's former roommate at college was an inspired decision, and the look of glee and resignation respectively on John and Albert's faces when they meet just sets the tone for their interactions later on.

Grant Gustin Screen Presence: 27
Kate McKinnon Screen Presence: 47

Freaking hell it just had to happen. Grant's take on comedy is simply not working; he's a bit too serious, a bit stiff and lacks the enthusiasm a new intern for Damage Control is supposed to have, coming out more like just another worker who wants the day to be over. It's really messing up Kate, who while doing her best just can't carry their scenes all by herself.

At least she has managed to keep her alone scenes to an alright standard. Kate has managed to get the character of Anne, her sarcastic bent, how she sees her looks to empower her, she shined above other in "You May Be Entitled to Compensation" when she distracted that representative while Albert found the legal papers.

Damn it, you just know she can do better.

Nathan Lane Screen Presence: 24
Jason Bateman Screen Presence: 59
Ricky Gervais Screen Presence: 111

You're not sure what happened here, except that it seems Ricky stole the freaking show in every scene he appeared in! Whether it was convincing the boss about doing a Public Service Announcement (which was interrupted by Armless Tiger Man!!!) to him and Andy doing an improv sketch in front of a wrecked home, to discussing with the Wrecking Crew about the possibility of branding...Dear God man, you're freaking glad you convinced him to come!

Which was necessary as Nathan doesn't seem to get the character of Gene at all. You don't know what happened there, but in most of the filming it's either Jason or Ricky who have to come to his rescue in the scene to make it work.

Protagonist Chemistry: 113 (Natural 100!)

And yet, despite it all, when they are together, or interacting with one another, you can see the team truly bond over the series. It's starts awkward and stiff, with problems, arguments, and apologies at first, yet you can see how in real life, just like in the show, the team cares for one another and forms an unbreakable bond over time.


This is reflected in the finale "A Wonderful Disaster" when they are packing their things and saying goodbye ...only to brighten up at the news of Wonder Man's fight and receiving the reconstruction job that just saved Damage Control and their newfound family.


It's both a charming and funny moment and you're so happy to make it happen.

(Gain +5 to all Protagonists Screen Presence Rolls)

Side Cast

Breakout Roll: 79

"Asguards and Applebee's" was not an episode you'd had much faith in. Mostly because to you it seemed like another attempt by marvel to shoehorn characters to promote them for future series and movies. Boy were you glad for it this time though as nearly everyone can agree this is one of the best episodes to be shown in the series. Gal Gadot once more dons the mantle of Lady Sif as is she'd never left it in the first place and having to deal with Bart's clear infatuation while the Warriors Three make fools of themselves as they try, and fail, to do any community service to pay their bills.

The trio exploded with the audience, everyone feeling some kinship with them to the point that Marvel may reuse them in the future rather than recast them.

XXXXXXXXXXXXX​

This whole production has left you a bit drained. Comedy is truly the hardest of all genres, as you can barely recall what Cameos you included in the series. Looking back through your list you try to refresh your memory.

[] [Cameos] Write In:

In you last TV Production you decided against a Post-Credit Scene, but should you do the same here?

[] [Post-Credit Scene] No, it's not necessary.
[] [Post-Credit Scene] Sure, let's go for it
-[] [Post-Credit Scene] At the end of the First Episode.
-[] [Post-Credit Scene] At the middle of the season.
-[] [Post-Credit Scene] At the end of the final Episode.

Only vote if Post-Credit Scene was selected.

[] [Content] Write In:

Then you have to select the order in which the episodes will be released. Something that will keep the viewers interested would be ideal, you can also just show them all at once, but otherwise there is always the true and tried method of putting one episode per week.

[] [Episodes] Just have them be shown all at once; Netflix does say streaming is the future.
[] [Episodes] Follow the one episode per week format; don't break what's not broken.
[] [Episodes] I have a suggestion (Write In)

You have 89 points to use on reshoots: You can improve any roll by 1 for 1 point. Pushing a roll above 100 will increase the cost of each improvement by 1 point for every 10 above (2 until 110, 3 until 120, etc.). Reshoots are optional.

[] [Reshoot] Write In how to distribute.
-[] [Reshoot] Re-roll to improve a result. (Costs 10 Reshoot Points)
--[ ] Reroll what result? (Write-in)
-[ ] [Reshoot] Greenlight to release.
-- [] [Reshoot] When: Write In

[ ] [Reshoot] No reshoot. Greenlight to release.
- [] [Reshoot] When: Write In

 

[Duke William of]

Matt Miller Really Hates His VFX Team, Huh?
"Our VFX team is overrated, honestly." - Matt Miller, maybe.
|==================================|​

"YOU IDIOTIC NINCOMPOOPS! YOU ABSOLUTE MORONS BORN FROM BRAINLESS ALIENS!! WHEN WE HIRED YOU GUYS, WE EXPECTED FROM YOU HARD WORK AND DEDICATION TO MAKE THE NEXT COMING OF AVATAR, NOT THIS STEAMING PILE OF HOT GARBAGE THAT'S BEEN RENDERED WITH PS1 VIDEO EFFECTS!"

Jimmy Fallon and the audience burst into raucous laughter and applause as Andy Samberg wildly gesticulated and spoke in mock anger during his impression of Matt Miller. Ricky Gervais sat beside him clenching his stomach and slightly rocking back and forth, deep in laughter as well.

"WE PAY YOU MORE THAN 40K TO DO AT LEAST A DECENT JOB, YET YOU SEEM TO TAKE THIS AS A SIGNAL TO CREATE THE CRAPPIEST PRESCHOOL ART!"

"No way, man! Was-was that really what he said?" asked Jimmy through all his snorting. (Debateable if he was truly laughing or just forcing it.)

"Yeah, he really did say it like that," replied Andy, "although, I'm pretty sure when he said it, it was far less PG."

"Definitely." deadpanned Ricky beside him, opening up more laughter from the audience.

"S-so," Jimmy, after pausing to laugh yet again, said, "it sounds like Matt was pissed at them."

Andy and Ricky turned to stare at each other, before bursting out in laughter again, with Andy turning back to Jimmy and saying, "Oh, that's a wild understatement, Jimmy. Matt is one of the sweetest, nicest guys I've met, but when he saw the VFX he just flipped. He was violently-yes,violently-walking around the set, mumbling out loud how he would beat the crew until they looked like PS1 game characters themselves. He even threw damn erasers at them!"

Everyone, the audience, the band, and Jimmy burst out laughing at that again, with Jimmy slapping his desk while wheezing like a bloody tea kettle.

Ricky chuckles slightly at that, before adding: " I remember that. His arms were moving like those paddle wheels you see on those river paddleboat things, with him throwing like two erasers per second."

"So, why was he so mad at them?" Jimmy asked. "Like I would be mad as well if they screwed up that badly, but why the eraser throwing?"

Andy giggles to himself before replying: "It's because this isn't their first big screw-up!"

Jimmy, somewhat shocked, asks, "Wait, really?!"

Ricky replies: "Apparently, the VFX team at Marvel has some sort of curse placed on it." As the audience laughs, he continues, "It seems like this curse has started since Iron Man, and that movie's praised for its excellent VFX. You can imagine how shocked we were at that tidbit of news. From there, the cure has struck Hawkeye, Wonder Man, War Machine, and now DAmage Control."

Amidst the laughing audience, Andy then yells, "And when the VFX team doesn't screw it up, the rest of the team apparently does too!!"

=========================

Behold, everyone, my comedic masterpiece of people learning about Matt's opinion on his VFX team. Please accept my sacrifice, @overmind.

Warning, I don't know how to write the way real people talk, so apologies if they behave OC-like.

 

[overmind]

[x] Plan: Go For Gold
-[x] [Cameos] Write In:
--[x] Stan Lee, leading off from his cameo as a janitor cleaning up the mess of the Stark Expo in the second Iron Man movie.
-[x] [Post-Credit Scene] Sure, let's go for it
--[x] [Post-Credit Scene] At the end of the final Episode.
--[x] [Content] Zeke Stane meeting with the Wrecking Crew, offering them a job.
-[x] [Episodes] I have a suggestion (Write In)
---[x] 4 on the first week, then 3 per week from there.
-[x] [Reshoot] Write In how to distribute. (89 Points)
--[x] 10 to reroll VFX
--[x] 10 to reroll Mila Kunis
--[x] 10 to reroll Grant Gustin
--[x] 10 to reroll Nathan Lane
--[x] 13 to Kate McKinnon (60)
--[x] 36 remaining points to the lowest rolls (after considering further re-rolls) to match the rest

Click to shrink...

Technical Aspect

VFX: 85 (Reroll) +8 (Omake Bonus)= 93

When it comes to the VFX in much of your production there always seems to be a pattern. They fuck it up, you get angry, and they fix it. At some points it gets repetitive, almost like a law of the Universe itself. One that ended up written and set as "Matt shall always be angry at the VFX" or something like that. It really makes you wonder if perhaps this is a sign that you're not meant for this, that perhaps there are other things you could be working on rather than just putting all your effort on the development and adaptation of characters that perhaps won't matter in the long run as everyone will just move on to the newest fad as time passes.

...Man, now you feel depressed. Who would've thought the side effect of those calming pills would be so strong.

Protagonists:

Andy Samberg Screen Presence: 91+5 (Nat 100 Chemistry)= 96
Mila Kunis Screen Presence: 110 (Reroll)+5 (Nat 100 Chemistry)= 115
William Jackson Harper Screen Presence: 81+5 (Nat 100 Chemistry)= 86
Grant Gustin Screen Presence: 62 (Reroll)+5 (Nat 100 Chemistry)= 67
Kate McKinnon Screen Presence: 47+13+5 (Nat 100 Chemistry)= 65
Nathan Lane Screen Presence: 55 (Reroll)+5 (Nat 100 Chemistry)= 60
Jason Bateman Screen Presence: 59+5 (Nat 100 Chemistry)= 64
Ricky Gervais Screen Presence: 111+5 (Nat 100 Chemistry)= 116

You gave some words of encouragement to Mila, nothing special just some suggestions about not having to try so hard and be more natural...the result were beyond your imagination and it certainly reinforced her image upon everyone on set that yes, she was a veteran of one of the best comedy shows that were ever produced.

Grant had some of the same problem. Bless the child but he was trying so hard to force it when he should be trying to act more natural. Well, nobody said comedy was easy, but at least Kate took the kid under her wing, and it helped that their lines and scenes had them interacting more than most. In the end he managed to find the spot necessary to be noticed, just like Kate.

Nathan...oh buddy, you don't know what happened to him but the extra time needed allowed him to final catch the bare minimum needed to get the characters eccentricities instead of trying to once more go for a more lighthearted interpretation of Max Bialystok. It works better now, and you'll keep your hopes up for the next season, but you wished he could've brought that talent you know he has in him.

XXXXXXXXXXX
​

Well, Marvel just gave you the Directive. The Warriors Three were a hit so they want to offer the actors who played them a contract for future appearances. You're not sure how to feel about this. On the one hand, sure they were great, having that balance between comedy and seriousness that could serve in future installments... on the other hand you're sure they will use this to pressure you into having Lady Sif and the Warriors Three appear as soon as possible, whether in TV or in film.

You could just delay it, you have enough Clout at Marvel to pretty much do whatever you please after The Avengers and it wouldn't affect you that much. They were still waiting for your choices for Phase 2 after all.

[] [Warriors Three] Yeah, let's do the contract (Cast the Warriors Three now)
-[] [Warriors Three] Who: Write In
[] [Warriors Three] No, delay it for later (No Casting, it will be done when you choose)

You have 29 points to use on reshoots: You can improve any roll by 1 for 1 point. Pushing a roll above 100 will increase the cost of each improvement by 1 point for every 10 above (2 until 110, 3 until 120, etc.). Reshoots are optional.

[] [Reshoot] Write In how to distribute.
-[] [Reshoot] Re-roll to improve a result. (Costs 10 Reshoot Points)
--[ ] Reroll what result? (Write-in)
-[ ] [Reshoot] Greenlight to release.
-- [] [Reshoot] When: Write In

[ ] [Reshoot] No reshoot. Greenlight to release.
- [] [Reshoot] When: Write In

Which Series do we work on next?
[] [Series] War Machine - Season 2
[] [Series] Agents of SHIELD

A.N: One change I've added. From now on you can select the release in any other month, not just the one you're in. But you won't get any more reshoot points.

Also, don't vote in plan format until I tell you to please.

 

[overmind]

Damage Control
Season 01
"So, if your home needs repair, if your business has met the end of a Superhero fight, call us. We're Damage Control, and we're here to he-*CRASH* 'ARMLESS TIGER MAN!!!' Goddammit!! Not Again!"
Showrunner: Michael Schur
Length: 22 episodes.

Starring: Andy Samberg, Mila Kunis, William Jackson Harper, Grant Gustin, Kate McKinnon, Nathan Lane, Jason Bateman and Ricky Gervais.
Special Guest Stars: Robert Downey Jr., Ryan Reynolds, Gal Gadot and Clark Gregg
Critic Score: 85
Audience Score: 95

Critic Buzz: 98
Fandom Buzz: 107
​

The response to the newest offering from Marvel to the small screen was more varied than last year. The previous disinterest which turned into an avalanche of support for War Machine now became excited and anxious waiting for what was sure to come. Thus it was that when Damage Control was announced you did not receive the brush-of-the-shoulder as it were, but instead some very well pleased nods from hardcore fans, a tilt of the head and quick review from regular fans, and a "What the hell is Damage Control?" from regular viewers.

It didn't matter at this point. The hype from The Avengers was still being felt and everyone was looking for anything Marvel to sate their great desire for Superheroics; that the show would focus more on the civilian aspect of the Marvel Universe, and that it would be a comedy at that, did not deter neither the enthusiasm nor the fans desire and trust in your brand. You'd spend nearly half a decade building up Marvel to be synonymous with "Quality Entertainment" and they knew it.

Seeing the returns from what Netflix allow you to see (assholes) brings a smile on your face, another vindication that you chose right, another triumph for Marvel and another step into complete freedom from the Committee.

The overall story might benefit from having an overall arc (mainly about trying to save the just founded company) but it has more than just that. It's the story of John Porter, who despite his antics and overall immaturity still wishes to do some good; it's the story of Robin, the ambitious and overly serious woman who still has the back of everyone around when the going gets though. It's the story of Albert, Bart and Anne who try in their own way to keep the company afloat, only to stumble due to their own hang-ups. It's the story of an entire group of unlikely people finding a new friend, and perhaps you'd dare say family, among strangers and co-workers.

A dysfunctional and bickering family, but one nonetheless.

Andy Samberg was definitely the star if the show, and with this being his first outing as a regular in comedy show he could not have done better in your opinion. His interaction with each character was on point, always with a smart remark, and with a look that he could back whatever he said. Even when he got everyone into trouble he always had the look of someone that had a plan to take them out of it again.

However, you can't pass mentioning how Mila Kunis and Ricky Gervais basically owned any and all scenes they were in. Both of them displayed all their talents, with Mila giving the performance of a lifetime as an exasperated and ambitious woman whose pride sometime gets the better of her when it comes to dealing with John and the many hijinks around the company. Gervais does not fall behind, managing to sound both respectful and insulting at the same time when proposing his ideas and lambasting those who are supposed to make them come true and fail.

The interactions between Gervais' character and Andy's own have been some of the highlights in a show that already shines due the incredible material as well as the interactions and inter-personal drama between them all. It really feels as if you're looking a group of friends just talking, helping, arguing, etc., with each other.

Overall, the show was a success, with some of the highlights already in your hand.

Spoiler: Best Episodes List

S01 E02: Crouching Tiger - Damage Control have scored their first gig yet they must face perhaps their greatest, and oddest, foe so far: Armless Tiger Man!

S01 E06: Asguard and Applebee's - John, Robin and Albert are eating at Applebee's when a commotion near their table reveals the appearance of Lady Sif and her friends, The Warriors Three...who have nothing with which to pay their food. Special Appearance: Gal Gadot

S01 E07: You may be entitled to compensation - Bart screwed up and set the wrong order for demolition. Now it's up to him and Anne to distract the angry owner of the property while Albert tries to arm a legal case.

S01 E08: Doing Asbestos he can - Ackerdson has an idea for a PSA which would increase Damage Control's notoriety, he's even found the perfect spokesperson for the role: Asbestos Man.

S01 E11: Petty Cash - Someone has stolen from the Company, and it's up to Robin Chapel to find the culprit, even if she has to dig through everyone's secrets and most humiliating moments.

S01 E13: A Stained Legacy - Damage Control has found a new patron who is willing to pay top dollar for their services, his name: Ezekiel "Zeke" Stane.

S01 E15: Collateral Damage - John is contacted by an old friend of his, Dr. Elliot Franklin, who is going through some tough times lately. John helps him by getting him a job as a Foreman under Larry Ballinger...despite him having no knowledge at all about construction! His attempts with his underling end up labeling them as a Wrecking Crew.

S01 E16: Lack of Jurisdiction - Crossover episode with Agents of SHIELD as Damage Control defend a site they are in the middle of rebuilding from SHIELD as they try to muscle in and inspect what may have caused it. Special Appearance: Clark Gregg

S01 E18: Damn, Age Control - Gene has had it with the restriction on his work! He's finally managed to get enough time and resources to prove them all-! Hey, why is that glowing?!

S01 E21: Stark Luxury - It was supposed to be a simple catering job, something with which to pad the bills...why are all these terrorists on the ship?! Special Appearance: Robert Downey Jr.

S01 E22: A Wonderful Disaster - This is it, the last day of Damage Control. The crew did all they could but in the end it was not enough. They must pack it all up before the day is done, with only the memories remaining. Special Appearance: Ryan Reynolds

Audiences laughed themselves sick, and critics could not find any fault at this kind of humor which endorsed a more humane and more positive angle than most comedies nowadays. Though the Post-Credit Scene felt a bit jarring what it seeming more serious than the tone of the show would have made one expect, the Stan Lee Cameo charmed everyone at seeing a continuation from the Iron Man films, showing a deeper level of connection between the TV shows and the movies.

Perhaps the show did not impact as much as War Machine...

Spoiler: Final Production

Production Quality: 89
VFX: 85 (Reroll) +8 (Omake Bonus)= 93
Sets and Art: 60+5=65
Choreography: 104
Sound Design: 81
Editing: 76

Andy Samberg Screen Presence: 91+5 (Nat 100 Chemistry)= 96
Mila Kunis Screen Presence: 110 (Reroll)+5 (Nat 100 Chemistry)= 115
William Jackson Harper Screen Presence: 81+5 (Nat 100 Chemistry)= 86
Grant Gustin Screen Presence: 62 (Reroll)+3+5 (Nat 100 Chemistry)= 70
Kate McKinnon Screen Presence: 47+13+5+5 (Nat 100 Chemistry)= 70
Nathan Lane Screen Presence: 55 (Reroll)+10+5 (Nat 100 Chemistry)= 70
Jason Bateman Screen Presence: 59+6+5 (Nat 100 Chemistry)= 70
Ricky Gervais Screen Presence: 111+5 (Nat 100 Chemistry)= 116
Protagonist Chemistry: 113 (Natural 100!)

Breakout Roll: 79

Spoiler: Netflix Final Score

Netflix Subscribers: 29,183,859
Weeks in Top Ten: 9 weeks
Highest Hours Viewed: 53,542,601
Lowest Hours Viewed: 18,953,574

But it made its mark nonetheless.

Post-Credits Scene: Zeke Stane is seen talking with the Wrecking Crew as he offers them a job for "A score that will last them a lifetime".

Cameo: Stan Lee Cameos as the same janitor who was cleaning the Stark Expo as he rails in an interview about some new "Corporate entity" taking his job.

 

[overmind]

War Machine was a surprise hit (Heck, even you were amazed at how good it was) but at the end of the day you had to admit it; you managed to catch lightning in a bottle, and you don't think you'll be able to do it twice.

Mostly because you don't know if J. Michael would be willing to return.

Yes, he told you that he was done after one year, but you try telling that to Ike or Avi! Their approach to you was different of course, with one side basically being as forceful and commanding without outright stating it, and the other just talking about how nice it would be to have him come back once more for the series.

Either way the message was simple, they wanted J. Michael to do another season, which you could not promise, nor had any desire to force him to do either.

Which meant having to plan around different ideas for the upcoming second season, the one everyone and their mothers will be on the edge of their seat waiting for after the masterpiece that was the first.

Joy.

Well, there was many an idea to use Armor Wars for the series, but in the end it was not set in stone. You prefer to leave your collaborators a free hand as it were for the story and characters...and themes, and arcs, and...Well, basically anything at this point.

Might as well leave them to see what they come up with, it's not like you have to do the entire thing by yourself. That way only leads to madness...and exhaustion...and depression...

Damn, perhaps you should listen to your Doctor. Those pills can't be that bad, right?

Regardless, you might as well recap what happened in the last season; The War Machine is damaged after the confrontation with AIM, Agent Ching's death was left as ambiguous as it could be done in case you wanted to bring him back, Albert Killian is dead and Maya Hansen is now leading what remains of AIM.

With all that said, let's see what we can do for this season of War Machine then.

This is a discussion update. There's no need to vote to make suggestions, just bring up your ideas for the series and I'll try to add them to the upcoming polls. You can suggest villains, story arcs, supporting characters, specific scenes; casting choices, character development, interactions, etc., etc., and anything else you might think and want to incorporate into this show.