It didn't really work for you, Shinji. It just filled time. You were a wreck at the end, remember? Think of how much nicer it would have been if you'd, say, talked to Asuka and both of you supported each other before things went totally to Hell? You missed out on hugs.

Yeah, I think that comment doesn't quite land where I wanted. Shinji shouldn't come off as totally happy with how the way things went, but referring to how he used to do things is an important contrast still. Expect it to be revised by next week.
 
Author's Notes: Introduction and Background
Author's Notes: Introduction and Background

Welcome to The Second Coming author's notes series. This is a topical series of notes with a some focus on the writing process, inspirations, and techniques, along with background material and thoughts on the story. I hope that sharing this information fosters dialogue and discussion about the piece, as well as about the craft of writing fiction.

We'll go into three areas of focus: worldbuilding, setting, and mythology; narrative techniques and structure; and character development, arcs, and themes.

But for now, let us begin with background: how did this story come to be?



For the answer to that, we need to go back to "Before and After." That was my first Evangelion piece, something that was deliberately character focused compared to what I was writing at the time—a more action- and worldbuilding-focused Ranma 1/2 piece. "Before and After" expands on Rei's character throughout the canon series. At the time, I felt dissatisfied with how much Rei faded to the background once Asuka's character arrived. It was during the writing of "Before and After" that I had the initial idea for this story: Rei is still around, and humanity is trying to move forward. What happens then?

That idea formed the kernel for The Coming of the First Ones (which more than one person criticized as a cumbersome title). First Ones laid the groundwork for many elements of this story: the post-Instrumentality setting, Rei and her antithesis in conflict, the arrival of new Angels, Misato in charge of a new Eva program, Nozomi as the Eva pilot, and so on.

But there were several problems with that story that left me dissatisfied. The initial chapters focused on Shinji, but after that, I used a third-person perspective to follow Maya (who was a leader in a "Cult of Lilith"), Misato, Asuka, and Rei. One reader suggested this shifting focus didn't fit with the initial vibe of the story. Some of the later chapters also focused, I felt, too much on the characters' personal issues and didn't move the overarching plot, instead developing side plots that didn't tie well into the main story. That was especially true of the Maya chapter that focused on her relationship with Ritsuko and the Cult of Lilith, and for that reason, Maya's role in The Second Coming is much reduced.

The combined weight of these issues discouraged me from writing the ending chapters. In particular, the ending I had in mind felt very scattered, with no clear means to tie all the characters together. I eventually decided I wanted to do a reboot. I wrote up to Shinji meeting Nozomi by the river before catching fever to write a Sword Art Online piece called Auld Lang Syne, which was also more character focused. After Auld, I spent a lot of time trying to figure out what I wanted to do—whether to come back to Second Coming or do something else. I spent an entire summer just working through outlines, plotting out down to the level of individual scenes all the way through the ending.

And then I got to work to finish this up, and here we are. As I did with Auld Lang Syne, I (mostly) completed an initial draft before beginning publication of the piece. That let me promise that the piece would be finished—in some way or another—and it gave me a holistic view of the piece, allowing room for tweaks and changes.

Because of that, The Second Coming reflects a number of improvements and deliberate changes to improve the base story of First Ones. The biggest difference is that it's told entirely in first-person from Shinji's perspective. I have a great love of first-person, and that will be the subject of one of the later topics, but in short, I feel first-person really focuses a narrative, and the asymmetric nature of it promotes thinking differently about different characters, as well as communicating other characters' thoughts and feelings without the luxury of getting into their heads.

Other changes are more subtle. The primary antagonist, for instance, is very rarely named, and their identity is explicitly stated only a handful of times throughout the story, compared to First Ones in which their identity is put forward in the second chapter. I hoped this technique would promote more of an air of mystery about the enemy, and in concert with that, I tried to pace revelations of their goals over the course of the story.

As mentioned earlier, Maya's role is greatly reduced. This is to the benefit of Asuka, whose character arc felt underdeveloped to me; now, she is the main focus of "The White Coat." Nozomi also has a more substantial and nuanced character arc, one that I feel is more befitting of the values and themes of Evangelion. The rewrite really helped me remember the first rule of Evangelion: everyone hates themselves, even when they should love themselves. My job as a writer in this fandom is to help them find a way to loving themselves, and to make that journey satisfying to all of you.

And finally, taking the time to do the rewrite gave me the flash of inspiration to draw up a satisfying and sensible ending. Previously, my best idea was to have Shinji and company journey into space to confront the enemy on their home turf. That was going to be weird. What's in place now is a great improvement.

I truly believe this is the new and improved, second Coming of the First Ones. Welcome to the show.
 
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....I cannot complain. I am finding the subtle, doesn't-even-need-words-half-the-time interactions between Shinji and Asuka to be some of my favorite parts of this.

You're going to love some of the stuff next chapter. The rest of the arc may be a little more difficult to get through because Asuka's in focus and there will be drama, but I'm hopeful the resolution will be enjoyable in spite of that.
 
Finally...giant robot battle! The battle in particular was written very well. I had a very clear mental picture at all times of what was going on.

7. Angel Attack
  • "You know, Nerv had to be out of their minds": Not a writing issue but a plot issue. Nerv is not just a pawn of Seele; Nerv is not just Gendo; other people had authority too and should have pointed out the absurdity, even given Gendo's influence, manipulation, and planning.
  • "we did it twice!": The "it" has no referent. The last action mentioned being taken by the Children is "take care of humanity" but that's way too far away.
  • "You have to understand something about children, though: I'm not sure children really understand bravery.": Change one of those "understand"s.
  • "but piloting Eva—it's not a snap decision. It's not something you can decide to do with courage in your heart, and then it's over, either way.": I couldn't parse this. What are you intending to say? That bravery is something that can only happen instantaneously and can't be sustained, and thus piloting Eva doesn't count as bravery? That doesn't fit with my understanding of bravery.
  • "convinces herself": Is this specifically female, or gender-balanced/gender-neutral?
  • "still had to use children in the first place.": This is ambiguous. "Still" usually refers to the present, but not always. Is Shinji referring to canon Eva and the "still" either means "regardless" or is an intensifier, is he referring to the events of The Second Coming using the colloquial form of "in the first place" as an intensifier similar to "seriously"?
  • "over the radio": This section could use a little bit more description. Maybe include some small details that make it clear Shinji & Asuka are still in the APC e.g. listening on (sharing?) the headset.
  • "It showed us ": What is the referent of "it"? The motorcade? But "show" is an active verb; it's not something a collection of vehicles can do (other than metaphorically, but in that case, it should be worded differently).
  • "Survival was a cooperative effort, and all mankind was involved in it.": Not everyone will look at "be involved in" and think "actively contribute to". "Be involved in" and "survive" both can be used in a passive connotation; putting them so close together leads the reader in that direction. (Passive "survive" means "to just barely subsist/stay alive/hang on" -- of course all mankind is doing that. The intention of the sentence is that everyone needs to actively contribute; make that clear.
  • "That was true at our destination" -> "That was the case at our destination"
  • "SDF operated several tents": That felt wrong to me. I've never heard of a tent being operated. You're intending the meaning of "operate" to be "to provide the necessary resources to a facility in order to fulfill that facility's purpose." But a tent doesn't have any inherent purpose other than shelter and privacy. Also the word order first made me think of the other meaning of "operate": make manipulations to controls in order to control what a tool does. I'd understand "operate a hospital, a temporary shelter, and a bread line inside several tents". But this is getting needlessly wordy. How about "SDF had"?
  • "Our SDF escort wasn't very chatty, either.": This feels like a non sequitur right after hearing about main power being off and the bunker still having power.
  • Similarly, "Though power" doesn't fit in this paragraph about people cooperating to survive either.
  • "That was true at... //// The same was true in" One needs to be reworded. I suggest the second one, since it's not clear what "the same" refers to. The following sentences don't talk about people or decor blending together.
  • "nondescript red pine" -- Slight disconnect here. How can there be nothing notable about it, if Shinji specifically notices the type of wood it's made of, as if it's a relevant detail? In particular, does the door look exactly like other doors, or is it special?
  • "overflowed": implies people are trying to get in and can't, or that people trying to stand near the exits get pushed out, and so the crowd spills out to adjacent rooms and corridors. I think you mean "was packed"
  • "Misato had a group" -> "Misato was surrounded by a group" / "A group...clustered around Misato"
  • "who offered Asuka a seat": I thought the room was packed? But there are empty chairs? Did he get up from his seat and switch hsi terminal to Asuka's login?
  • "It's a rare luxury to have": Phrasing seems awkward/redundant. Suggest "It's a luxury we rarely get to enjoy."
  • "for you work for me now.": Drop the "for", nobody talks like that.
  • "Asuka did a slight salute": I don't like the words "did" and "slight" here. "Salute" is already a verb; you don't need the auxiliary "did". Also two consecutive words starting with "SL" seems cheesy. I picture Asuka typically using both hands to work the touchscreens (just like in an Eva), and pausing for an instant to make a motion that's recognizable as a salute but isn't blatant. Suggest "Asuka saluted subtly, then her right hand again joined her left in moving windows..."
  • "fit right in at" - awkward to have consecutive prepositions. It's not the seat that she fits in, it's the job.
  • "an elevated platform. Misato sat down at that high table " - What's the referent of "that"? Is the platform the same thing as the table? Is she pulling up a chair next to it, or sitting on top of it?
  • "just beneath her" - It's kind of impossible to sit underneath someone else. Also readers might get ideas about being underneath Misato...
  • "computer case" -> "workstation". Maybe.
  • "To that point" -> "At that moment"
  • "about bulged" -> "nearly bulged". "About" as an adverb seems too informal.
  • "fraction of the second" -> "fraction of a second"
  • "conditions": Since this is talking about Eva condition reports, how about "status readouts"?
  • "It was midway through the checklist that I heard" Too wordy. How about "Midway through the checklist, I finally heard..."
  • "and with them so did my monitors" -> "and my monitors with them"
  • "a camera angle on" -> "a video feed of"
  • "with a large, square cleared area—a square concrete pad " Drop the first "square"; it fits better in the second clause
  • "crack running down the middle" -> I prefer "seam" since it is a straight line and obviously intentional ("crack" suggests an irregular flaw)
  • "painted on in blocky red characters" -> "stenciled in red", this is the military, right?
  • "Airborne cameras" Are these on drones? Copters? Planes? Balloons? Shinji should at least guess.
  • "pigtails": Really? After Instrumentality? Shinji and Asuka are living on their own without a guardian, but class rep Hikari still has her hair in pigtails? Deserves an explanation.
 

The interactions between Shinji and Nozomi here are top-notch. I especially liked the daylily symbolism.

  • "As a pilot...Sure...but...too" There are a lot of switchback clauses in this paragraph, but they're not all introduced by contrapositive conjunctions. I felt disoriented. Maybe reorder things? Or maybe expand slightly?
  • "Back when I was a pilot, I didn't have to deal with family constantly worrying about my wellbeing. Granted, I had family near me--technically. Obviously, worrying about me was the last thing on my father's mind. Though, come to think of it, Misato worried about me -- and she became family in all but name."
  • "only families...know": is the object too far from the subject?
  • "Asuka was the same way" as what? Is "same way" referring all the way back to "I didn't have to deal with family worrying" two paragraphs previously?
  • "We were all kept apart from any kind of family" -- contradicting two paragraphs previously where Misato is family
  • "the Horaki family./The head of the family" Word family is overused here.
  • "with a notepad in hand she scribbled down notes" -- I think that's implicit
  • "flat-footed" -- means unprepared, vulnerable, unable to react, off-balance. I don't think that's what you intend. Obviously Misato knows her lies are exposed and are going to be discussed in the meeting, and has prepared for it (as stated in future paragraphs)
  • "There's no other place an Eva can be" -- what about sniping from a km away with a positron rifle?
  • Why is Shinji even at this Horaki family meeting? He doesn't even have any lines! Asuka only has one!
  • "Believe me—no, believe in yourself. You can do this" Misato is sufficiently aware to realize she's spouting a cliche here.
  • "homely" This word has extremely negative connotations in USA English: ("ugly, unattractive, unkempt, uncomfortable")
  • "for visitors...for many guests" Dont' end two consecutive sentences with the same phrase unless it's for effect
  • " a lot of work to be done" -> "it"
  • "A stack of manilla folders rose one meter high": I don't think that's realistic; manila folders curl notably even when stacked 10cm high.
  • "high above desk corner": I can't parse this. Please rewrite.
  • " one quick look at the computer showed hundreds": This sounds like the computer screen is showing hundreds of complete documents at once. Are you talking about labeled icons in folders?
  • " In desperation, people will do almost anything." Shinji thinks almost the same thing in the angel attack chapter. Either word it differently, or explicitly call back.
  • "these children had been" -> "these children had become"
  • "edge to her look...pierce me with a look" avoid repetition
  • "someone like Nozomi": You're only talking about Nozomi, right? Are there other people who share Nozomi's determination?
  • "Such tricks" -- seems too formal for Shinji
  • "Most middle schools don't have a place for visitors to be entertained." Non sequitur. I know you're referring to the following events, but there's too much of a disconnect. There needs to me some hint, even obscure, previous to this so it doesn't come as such a shock.
  • "the paddies had grown overrun with weeds" -> "the paddies had become overgrown with weeds / the paddies had grown weeds / weeds had overrun the paddies" It's very hard to fit both "grown" and "overrun" in the same sentence since they somewhat overlap.
 
Dare I even ask what that was?

I'll spoiler it since the fic is somewhat controversial.
It's Shinji and Warhammer40K. Two of the most depressing universes in fiction, mashed together to make something hopeful and awesome. The fic suffers from its blatant (acknowledged) Gary Stuism, and the author cramming in more references to other anime and expy characters from everywhere (e.g. Yoda) than the story can comfortably hold.

This way lies madness and chaos. And also awesome. But mostly madness.

The story bogs down a bit around ch 20.

Shinji and Warhammer40k Chapter 1: Prologue: Rise, young man, an Evangelion + Warhammer Crossover fanfic | FanFiction
Shinji and Warhammer 40k / Fan Fic - TV Tropes
Tokyo-3 Fortress City Wiki
The REMASTER of Shinji and Warhammer40k
 
All right, there's quite a bit to fix here, thanks to @FourDreadWraiths' comments. Let's get to work. To avoid a mess of quotes, my responses to specific points are in red

Finally...giant robot battle! The battle in particular was written very well. I had a very clear mental picture at all times of what was going on.

I'm glad to hear that. Now, to your remarks on "Angel Attack":

  • "You know, Nerv had to be out of their minds": Not a writing issue but a plot issue. Nerv is not just a pawn of Seele; Nerv is not just Gendo; other people had authority too and should have pointed out the absurdity, even given Gendo's influence, manipulation, and planning. True, but in this case I choose to be poetic over pedantically correct. The possibility that, of course, using children for this purpose was deliberate and that the risks were intentional is still there.
  • "we did it twice!": The "it" has no referent. The last action mentioned being taken by the Children is "take care of humanity" but that's way too far away. I've revised the paragraph previous to read, "...it must be unfathomable to think that we ever put humanity's future in the hands of children."
  • "You have to understand something about children, though: I'm not sure children really understand bravery.": Change one of those "understand"s. Accepted
  • "but piloting Eva—it's not a snap decision. It's not something you can decide to do with courage in your heart, and then it's over, either way.": I couldn't parse this. What are you intending to say? That bravery is something that can only happen instantaneously and can't be sustained, and thus piloting Eva doesn't count as bravery? That doesn't fit with my understanding of bravery. I've cleaned up this passage, but otherwise, yes, the point being made is that, as the revised passage says, "bravery is a rush that ebbs away with time." I realize this may not be a universally agreed-upon concept, but it is Shinji's point of view on the matter.
  • "convinces herself": Is this specifically female, or gender-balanced/gender-neutral? This is a hint that the pilot is female.
  • "still had to use children in the first place.": This is ambiguous. "Still" usually refers to the present, but not always. Is Shinji referring to canon Eva and the "still" either means "regardless" or is an intensifier, is he referring to the events of The Second Coming using the colloquial form of "in the first place" as an intensifier similar to "seriously"? Replaced "in the first place" with "at all."
  • "over the radio": This section could use a little bit more description. Maybe include some small details that make it clear Shinji & Asuka are still in the APC e.g. listening on (sharing?) the headset. I've added most of a paragraph to this effect.
  • "It showed us ": What is the referent of "it"? The motorcade? But "show" is an active verb; it's not something a collection of vehicles can do (other than metaphorically, but in that case, it should be worded differently). Changed to "took us by".
  • "Survival was a cooperative effort, and all mankind was involved in it.": Not everyone will look at "be involved in" and think "actively contribute to". "Be involved in" and "survive" both can be used in a passive connotation; putting them so close together leads the reader in that direction. (Passive "survive" means "to just barely subsist/stay alive/hang on" -- of course all mankind is doing that. The intention of the sentence is that everyone needs to actively contribute; make that clear.Uncertain of any specific suggestion here.
  • "That was true at our destination" -> "That was the case at our destination" Accepted
  • "SDF operated several tents": That felt wrong to me. I've never heard of a tent being operated. You're intending the meaning of "operate" to be "to provide the necessary resources to a facility in order to fulfill that facility's purpose." But a tent doesn't have any inherent purpose other than shelter and privacy. Also the word order first made me think of the other meaning of "operate": make manipulations to controls in order to control what a tool does. I'd understand "operate a hospital, a temporary shelter, and a bread line inside several tents". But this is getting needlessly wordy. How about "SDF had"? Changed to "manned"
  • "Our SDF escort wasn't very chatty, either.": This feels like a non sequitur right after hearing about main power being off and the bunker still having power. The point of the harsh lights and the SDF members' relative silence is to cast Shinji and Asuka apart. They are very much alone for this stage of the journey, even if physically in the presence of others. It is uncomfortable and awkward.
  • Similarly, "Though power" doesn't fit in this paragraph about people cooperating to survive either. Agreed, there needs to be a beat establishing a different topic. I've done that and rearranged things accordingly.
  • "That was true at... //// The same was true in" One needs to be reworded. I suggest the second one, since it's not clear what "the same" refers to. The following sentences don't talk about people or decor blending together.
  • "nondescript red pine" -- Slight disconnect here. How can there be nothing notable about it, if Shinji specifically notices the type of wood it's made of, as if it's a relevant detail? In particular, does the door look exactly like other doors, or is it special? The sentence has been removed.
  • "overflowed": implies people are trying to get in and can't, or that people trying to stand near the exits get pushed out, and so the crowd spills out to adjacent rooms and corridors. I think you mean "was packed" Also removed.
  • "Misato had a group" -> "Misato was surrounded by a group" / "A group...clustered around Misato" Declined
  • "who offered Asuka a seat": I thought the room was packed? But there are empty chairs? Did he get up from his seat and switch hsi terminal to Asuka's login? Previous changes emphasize that lots of people are coming and going, without giving the impression that the room is actually full to the brim.
  • "It's a rare luxury to have": Phrasing seems awkward/redundant. Suggest "It's a luxury we rarely get to enjoy." Trying, "That combination of experience is a luxury here.
  • "for you work for me now.": Drop the "for", nobody talks like that.
  • "Asuka did a slight salute": I don't like the words "did" and "slight" here. "Salute" is already a verb; you don't need the auxiliary "did". Also two consecutive words starting with "SL" seems cheesy. I picture Asuka typically using both hands to work the touchscreens (just like in an Eva), and pausing for an instant to make a motion that's recognizable as a salute but isn't blatant. Suggest "Asuka saluted subtly, then her right hand again joined her left in moving windows..." Trying "quick salute"
  • "fit right in at" - awkward to have consecutive prepositions. It's not the seat that she fits in, it's the job. Agreed
  • "an elevated platform. Misato sat down at that high table " - What's the referent of "that"? Is the platform the same thing as the table? Is she pulling up a chair next to it, or sitting on top of it? I've clarified this somewhat to indicate that on the elevated platform is also a single station that Misato occupies.
  • "just beneath her" - It's kind of impossible to sit underneath someone else. Also readers might get ideas about being underneath Misato... I've also clarified this to indicate that Shinji and Hyuga occupy the row of stations immediately in front of (which, in my mind, is also beneath) Misato's station.
  • "computer case" -> "workstation". Maybe. Declined
  • "To that point" -> "At that moment" Accepted
  • "about bulged" -> "nearly bulged". "About" as an adverb seems too informal. Accepted
  • "fraction of the second" -> "fraction of a second" Accepted
  • "conditions": Since this is talking about Eva condition reports, how about "status readouts"? Going with "status reports
  • "It was midway through the checklist that I heard" Too wordy. How about "Midway through the checklist, I finally heard..." Accepted with some additional tweaks
  • "and with them so did my monitors" -> "and my monitors with them" Declined for alternative; phrase has been cut.
  • "a camera angle on" -> "a video feed of" Accepted
  • "with a large, square cleared area—a square concrete pad " Drop the first "square"; it fits better in the second clause Accepted
  • "crack running down the middle" -> I prefer "seam" since it is a straight line and obviously intentional ("crack" suggests an irregular flaw) Accepted
  • "painted on in blocky red characters" -> "stenciled in red", this is the military, right? Accepted
  • "Airborne cameras" Are these on drones? Copters? Planes? Balloons? Shinji should at least guess. Plane-mounted
  • "pigtails": Really? After Instrumentality? Shinji and Asuka are living on their own without a guardian, but class rep Hikari still has her hair in pigtails? Deserves an explanation. Declined. My impressoin is that the hair style is not seen as especially childish. cf. Haruka Ogasawara from Sound! Euphonium. She's a third year in high school and sports nearly the same look.

And now for "Character Sketch":

The interactions between Shinji and Nozomi here are top-notch. I especially liked the daylily symbolism.

Great, that was an important moment for sure.

  • "As a pilot...Sure...but...too" There are a lot of switchback clauses in this paragraph, but they're not all introduced by contrapositive conjunctions. I felt disoriented. Maybe reorder things? Or maybe expand slightly? I've eliminated a few of these and cleaned up the end of that paragraph.
  • "Back when I was a pilot, I didn't have to deal with family constantly worrying about my wellbeing. Granted, I had family near me--technically. Obviously, worrying about me was the last thing on my father's mind. Though, come to think of it, Misato worried about me -- and she became family in all but name."
  • "only families...know": is the object too far from the subject? Possibly. I've changed this to, "...only families know---that only people who live with you for years and years could ever know."
  • "Asuka was the same way" as what? Is "same way" referring all the way back to "I didn't have to deal with family worrying" two paragraphs previously? Changed to "had the same experience"
  • "We were all kept apart from any kind of family" -- contradicting two paragraphs previously where Misato is family I've cleaned this up somewhat.
  • "the Horaki family./The head of the family" Word family is overused here. Changed first "family" to "sisters"
  • "with a notepad in hand she scribbled down notes" -- I think that's implicit Changed to "followed everything"
  • "flat-footed" -- means unprepared, vulnerable, unable to react, off-balance. I don't think that's what you intend. Obviously Misato knows her lies are exposed and are going to be discussed in the meeting, and has prepared for it (as stated in future paragraphs) The clause is removed
  • "There's no other place an Eva can be" -- what about sniping from a km away with a positron rifle? Disagree that this is meaningfully far from "front lines". Even in that case, Shinji was under direct fire, and Kodama is more concerned about Nozomi being under fire--in combat--than she is about whether that combat is on the scale of 20 meters or 2000.
  • Why is Shinji even at this Horaki family meeting? He doesn't even have any lines! Asuka only has one! Do you think Misato has reason to put him there?
  • "Believe me—no, believe in yourself. You can do this" Misato is sufficiently aware to realize she's spouting a cliche here. I've changed this to a Gurren Lagann reference.
  • "homely" This word has extremely negative connotations in USA English: ("ugly, unattractive, unkempt, uncomfortable") Changed to "comfortable
  • "for visitors...for many guests" Dont' end two consecutive sentences with the same phrase unless it's for effect Accepted
  • " a lot of work to be done" -> "it" "A great deal
  • "A stack of manilla folders rose one meter high": I don't think that's realistic; manila folders curl notably even when stacked 10cm high. Changed to more figurative language: the stack has "taken root" and could "grow to dwarf me"
  • "high above desk corner": I can't parse this. Please rewrite. See above
  • " one quick look at the computer showed hundreds": This sounds like the computer screen is showing hundreds of complete documents at once. Are you talking about labeled icons in folders? Changed to a list
  • " In desperation, people will do almost anything." Shinji thinks almost the same thing in the angel attack chapter. Either word it differently, or explicitly call back. Sentence removed
  • "these children had been" -> "these children had become" Accepted
  • "edge to her look...pierce me with a look" avoid repetition look -> glance
  • "someone like Nozomi": You're only talking about Nozomi, right? Are there other people who share Nozomi's determination? "someone like" removed
  • "Such tricks" -- seems too formal for Shinji "Tricks like those
  • "Most middle schools don't have a place for visitors to be entertained." Non sequitur. I know you're referring to the following events, but there's too much of a disconnect. There needs to me some hint, even obscure, previous to this so it doesn't come as such a shock. The effect is deliberate
  • "the paddies had grown overrun with weeds" -> "the paddies had become overgrown with weeds / the paddies had grown weeds / weeds had overrun the paddies" It's very hard to fit both "grown" and "overrun" in the same sentence since they somewhat overlap. "had become overrun"

I'll spoiler it since the fic is somewhat controversial.

Ah yes, I shouldn't be surprised.
 
2.1 & 2.2 fixes, 4.2 retroactive changes, 4.3 SV polish, 4.4 tweaks to Nozomi's vision

Editing changelog:

2.1/Angel Attack & 2.2/Character Sketch: many changes in response to @FourDreadWraiths/posts #180 and #183 - responses and details in post #185

4.2/A Human Work: some minor wording fixes that weren't in the first published version. Also fixed spelling issue by @Ranma-sensei/post #175

4.3/The Puncture Engine: initial SV polish
  • Tweaked the gag about Shinji in a plugsuit
  • Expanded on some of Asuka's instructions
  • Tweaked Shinji's feelings of discomfort
  • Tweaked Nozomi's joke about getting divorced
  • Changed references to Akagi to Akagi's advisor
  • Tweaked Shinji's scene taking Asuka aside: he should now seem less against Maya and Aoba

second-revisions: some aborted board for rewriting Nozomi's contact with the Angel, which is not used below.

4.4/Soul Cleaver: general tweak to Nozomi's contact with the Angel
  • Added a lot more narration explaining what Nozomi went through
  • Changed Nozomi's impression more to an image or feeling
  • Added narration smoothing out the transition to Hikari taking custody of Nozomi

second-an:
  • tweaked some wording for the initial section
  • Added a section on audience targeting and community involvement

4.3/The Puncture Engine tomorrow.

The Second Coming ends in 18 weeks.
 
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Ascended Gendo is truly chilling. It's so frustrating that he's able to get into Shinji's head like that.

  • "on the way to battle": I don't like this pairing. "On the way" is very informal; "battle" is very formal. Other possibilities: "to Germany", "on her way", "en route"
  • "I should say that..." This line feels weird, especially right after saying "make sure they had no excuse to leave" suggesting that all comforts are provided.
  • "is that?" -> "would that be?" the conditional is used in place of the likely future tense, particularly among lovers. Especially since the previously line has "should"
  • "the eldest daughter": There's no parents, right? So that should be "the eldest sister"
  • "first-hand": Nope, they were not physically present. They witnessed them on camera.
  • "the most insight we had was really no more than looking at an overlay for a map": too wordy, especially the "most...no more than"
  • "So though the Angel did spin up its rings...The Angel spun up its rings" duplicate. "When the spinning of the rings reached some critical threshold known only to the Angel"
  • "He covered his headset microphone with his hand" Doesn't he press a button to initiate communication?
 
4.3 The Puncture Engine
22. The Puncture Engine

The Puncture Engine

There are a lot of things I should've considered before asking to step into an Eva again. Never mind that it was only a partial, malformed Eva with half a head at best. I should never have asked to pilot such a thing again without thinking about the stress it would exert on my mind; the pain I would suffer if it should be injured, even in a test; the nightmares I might endure from connecting with something that had only a fragment of humanity within…

Or the discomfort of a plugsuit squeezing my crotch.

First, before anyone gets the wrong idea, not all the plugsuits for Unit-14 were made for Nozomi. I was spared that repeat embarrassment, at least. No, there were plugsuits in several shapes, but not all sizes. Few of them had been made tall enough for me—and I was getting taller, honest!—so fitting in one was like having rubber bands pulling on my shoulders to fold me in half.

And that was a shame, really: the suit was fairly nice, I think. It was even elegant, you might say, with a sleek combination of white, black, and forest green. It suited Nozomi well with her cool personality, and I must admit that, despite the discomfort, I stood in the pilots' locker room for a bit and studied myself in a mirror, to see how the outfit suited me.

The tight-fitting suit left, well, very little to the imagination, and I wondered, did ancient warriors of the past run around more or less naked, and if they did, did that help show off their muscles? Did that help intimidate their foes?

While I was considering this, someone else in the locker room thought I was a madman. That person was Sasaki, one of the backup pilots. He was a shorter boy with an even shorter bowl cut, and he eyed me from the side with his mouth slightly open.

"Ikari, what are you doing?" He frowned. "Are you…having trouble with your suit?"

I bowed my head, not even facing him. "Sort of."

The locker room door banged on its hinges. "Oh boys!" Asuka's voice rang out, and she strode in without a hesitation in her step. She peered around a bank of lockers, tracking us down. "Come on, both of you—we've got a test to run!"

"Aren't you supposed to wait for people to come out first?" I asked.

She sized me up from head to toe. "Nothing I haven't seen before."

Sasaki looked aside, stifling a chuckle, and I said,

"But what about Sasaki? He could've still been getting dressed!"

"Please," said Asuka, rolling her eyes. "Does an adult need permission to lay eyes on a babe?"

Sasaki gaped at that, but said nothing.

"Asuka, please," I said, wincing.

"It's true, isn't it?" she said, leading the three of us to the hallway. "Come on."

Still, I took Sasaki aside on our way to the stairs. "Sorry about that."

He just shrugged. "It's okay. It doesn't bother me. I'm not into older women."

Asuka looked over her shoulder and glared. "What was that?"

Sasaki looked aside, albeit with a slight smile on his face, and this time it was my turn to stifle a laugh.



The simulation body pool was a wide, cavernous space. Dark red fluid flowed around the simulation bodies themselves—two malformed, half-human shapes that rested peacefully in the goo. Captain Aoba oversaw the entry plug operations: his team loaded Sasaki and me into our respective plugs. "You might need to adjust the seat," he told me as I climbed inside.

It took me a minute or two of searching the controls to realize it: there was no way to adjust the seat.

"You're not going into combat, Shinji." That was Asuka over the intercom. She, Maya, and other members of their research team observed the procedure from behind a wide, rectangular chamber beneath the water line. "Relax," said Asuka. "This should be quick."

What was not quick was the filling of the entry plug with LCL. I put my head underwater and forced my airway open as best as I could remember, but I gagged a couple times before old habits took hold. Even so, it's an unnatural feeling: you have to work harder to breathe. Even with practice, it doesn't come naturally.

Once Sasaki and I were immersed, the technicians loaded our entry plugs into the simulation bodies. The first connection was merely mechanical—the sliding of the plug into the partial Eva's neck. The second connection was not.

"Okay, Shinji," said Maya from the control room, "we're going to ease you into synchronization. It's going to be pretty low-level, so you shouldn't feel too many ill effects, but with the development of your nervous system, you may feel it a little more than you remember. All right?"

I nodded and gulped—and instantly regretted it for the taste of bloody fluid going down my throat. "Let's, uh, go for it then," I said.

"All right. We're going to initiate the secondary contacts…now."

A jolt went through my body. My right arm tingled. I looked out, and I saw goo—not the outline of the simulation body's frame on the holographic display. I saw outside myself. I saw an arm react as my thoughts moved it. I saw—

"Shinji!" Asuka snatched up the microphone. "Stay with us, Shinji. You're a human. You're not one of those things. Right?"

I blinked, and I was back in the entry plug, but the tingling sensation remained—like a huge weight behind my eyes. I tightened my grip on the controls and forced my eyelids wide. If I backed off for even an instant…

"It's okay!" I called out, breathing deliberately. "I'm here."

"Good, keep it that way. You're the one with the engine equipped, so if you screw this up, we'll have to get someone else."

At that, Maya covered the microphone and asked Asuka something. Asuka made her response, and Maya reluctantly took her hand off the mic. Asuka went on.

"Like I said, you're the one with the engine equipped, so if even you can make it work with the synch rate you have now, anyone can use it." She winked. "So don't be shy trying to impress us, Shinji."

I took another deep, steady breath, keeping my eyes fixed on her. "I understand."

"Good."

Asuka, Maya, and the rest of their team continued with the process of getting Sasaki up to speed. I have to admit I tuned out most of what they were saying. The pressure behind my eyes demanded almost all my attention to quash. It was like having a nest of spiders just behind your eyeball. You can feel it's there, and you know when those spiders hatch and start rummaging around your brain, but you can't do anything except to ignore them. You have to ignore them with a purpose.

So I watched Asuka. She spoke with technicians and pointed out to them important readouts on the monitors. She got on the intercom with Sasaki and had him position just so—not too far away from me, not too close. She was the conductor of this whole affair. Even though Maya was technically her superior, Asuka would let no one interfere with the harmony of her magnum opus. She was the conductor, and even there, I was more like a pair of drums than any of the players in this piece.

"Okay, Shinji—Shinji, are you with me?"

I blinked. Asuka was looking right at me.

"Ye—yes," I stammered, shaking myself to attention. "Sorry about that."

"Your heart rate's a little high," she said. "If you're thinking about me, that needs to wait, understand?"

"I understand."

"Do you? No problems? Nothing to be concerned about?"

"No, not—" I grimaced. The ball of spiders in my head was moving. "Well, it's a little uncomfortable, but I can manage!"

Asuka covered the microphone and talked with one of the technicians. She cast a furtive look toward me for a minute before continuing on.

"We're going to do an AT field test first, to establish a baseline. Shinji, Sasaki, bring your arms forward, like you're going to try to push each other."

Our pair of one-armed giants raised their arms, but just as we were going to press our palms against each other, a flickering barrier appeared between us, with energy rippling outward from the closest point of contact.

Asuka left the microphone to check some readouts, and Maya took over. "Good, not too much, just hold it right there," she said. "It'd be bad if you two went full power and shredded the whole building with that. Just stay put."

That was all well and good for them to ask, but just holding in that position, with Sasaki's simulation body pressuring mine was like having that ball of spiders turn into a ball of scorpions instead, stinging and crawling and grasping at my optic nerves.

"How—how long do we need to hold this?" I asked, shuddering.

Asuka raised an eyebrow. "That should be good. Shinji, you can lower your arm now. Sasaki, leave yours the way it is. Now we're going to open the interlocks for the puncture engine. Shinji, the engine activation toggle is mapped to Button 4 on your right induction lever. Don't activate it until I give the word. Got it?"

I fingered the button on the underside of the controls. "Got it. Ready when you are."

"Okay, you can activate the puncture engine with one press of Button R4 and try to grab the other simulation body's arm."

I pressed the button on the underside of the controls. Some kind of whirring or vibration went through the simulation body, and those scorpions in my head turned into a colony of soldier ants. I bit my lip and thrust the induction lever forward—too roughly for the simulation body's arm punched at the AT field. The barrier held but bent visibly under the punch's force.

Then it shattered! It shattered in a flash of light, and I saw—

I saw a woman?

Yes, a woman—unmistakably so. With a smile, she screwed a pair of eyeglasses back to one of their temples. She cleaned the lenses with lens cloth and handed them back to…someone, someone with slender, precise fingers—pianist's fingers. "Try to be more careful, hm?" she said with an affectionate lilt in her voice.

"Nice job, Shinji, that's great!" Asuka was practically clapping for the microphone. "Test number one is a resounding success, I think."

My vision cleared. The image of the woman left me. My sight was awash with orange and red hues once more.

"Resounding success subject to full analysis of experiment data," said Maya, her voice quiet—she was some distance from the microphone.

"Yes, yes, subject to analysis and all that." Still, Asuka was beaming. "Shinji, you ready to get out of that thing now?"

"Yes, please!" I cried out.

Thankfully, they didn't wait too long. They cut us out of synchronization quickly, and I was more than happy to cough up the LCL in my lungs. In fact, I was still coughing up some stuff when Sasaki was let out of his entry plug and back onto the catwalk.

"Are you all right, Ikari?" the boy asked.

"I'm not used to it, that's all," I said, putting on a weak smile.

Sasaki wiped at his eye, flicking some LCL off his skin. "I don't think anyone really gets used to it," he said.

I nodded at that, but something caught my attention—something about the boy's hand. His fingers, though still cloaked in the plugsuit's gloves, were long and slender.

There was something else about him, too: a faint discoloration around his irises, a hint of blue.

I glanced between him and the simulation body he'd just finished piloting, and I said,

"Sasaki, you need contacts to pilot, don't you?"

He nodded. "I tried my glasses, but the stuff in the plug sticks to them, and the vision isn't very good, either. The doctor said it had to do with refraction?"

"Right, I understand. Did you—did you, uh, have a problem with your glasses recently?"

He raised an eyebrow. "Yes, a screw came loose—the one that connects the lens part to the part that goes over my ear."

"Did someone fix that for you?"

"My mother did, yes. She has good hands for small things like that. Why do you ask?"

I glanced back at the observation room, where Asuka and Maya were going over the results.

"Just curious," I said.



I kept the vision I'd had to myself for a while—until dinner, anyway. Maya and Asuka were not surprised.

"Mental contamination was always a risk," said Asuka, helping herself to a serving of rice. "But you can't be violated by a dead Angel."

"That is," said Maya, who poured herself some soup, "if the engine lets us kill the Angel fast enough."

The two scientists mulled over the matter as they ate, and the rest of the table didn't have much to add.

You see, it was dinnertime on the base, and the mess staff had prepared a great meal—a meal in preparation for victory, I think. Grilled catfish, pickled radish, soup, and rice adorned the table in huge bowls and heaping plates, but despite the feast in front of us, the mood was quiet in the officers' mess. The two tables ate in an orderly, almost mechanical fashion. When one person was done with adding to their bowl, they passed the dish to the next in line, like clockwork.

For my part, I took a look at the pot of miso soup in front of us, and I thought back to my time in the soup kitchen. They didn't have pots that big in the soup kitchen, nor did the soup smell so nice. And yet in Manoah Base, all this soup was merely a means to satiate hunger. There was no time to enjoy it, no time to savor it. Indeed, some of the officers stopped by, had their fill, and left to return to duties.

Duty was never far from anyone's mind. Even while Asuka and Maya thought over the implications of mental contamination, Captain Aoba—sitting across from me and beside Maya—had a thought as well:

"Just getting close enough to use the engine is a risk, isn't it?" he remarked, putting down his chopsticks for a moment. "It's a two-way gap, isn't it, Ibuki?"

Maya looked aside and nodded grimly. "The disruption comes from within the Eva. There's no way to propagate that without some kind of gap in the Eva's own AT field."

"So you'll want to be close," Aoba concluded. "Close enough that the Angels can't find the gap and exploit it. Turn on the engine, attack, and then shut it off again—is that right?"

Nozomi scooped some catfish and rice into her personal bowl. "Sounds like it's gonna be hell," she said.

"Look, let's not overreact here," said Asuka, pointing her chopsticks at Aoba. "You—just keep the Eva together. This gap in the AT field is momentary. That's all it is. We use it to break through the enemy's AT field layers one at a time if we must."

But Aoba put down his chopsticks and folded his hands in his lap, meeting Asuka's gaze. "If the Eva's going to expose gaps in its AT field, however breifly, I'll make recommendations to the general to augment the Eva's armor."

Asuka scoffed. "Like that's going to do anything. Armor doesn't mean much against some exotic Angel attack like a quantum hole or a domain wall."

"We'll get you some data on the AT field reconnection timescale," Maya assured Aoba, and when he nodded in acceptance, Maya turned her gaze to Asuka with a resigned shrug. "If the general wants to take action based on that, that's her decision. We'll try to inform her as best we can."

Asuka frowned. With her arms folded and her legs crossed, she tapped her foot on the floor, sizing up Maya.

"Gonna make sure this has no chance of blowing back on you—is that right?" she remarked.

Maya nodded in Nozomi's direction. "That's only the best, for everyone's safety."

"Even if it costs us another city, another country?"

"Rushing to get the engine in service could cost us an Eva, or a pilot," said Maya.

"Yeah, you know, I'm too young to die," said Nozomi, who helped herself to some pickled radish. "I'm supposed to fall in love, marry someone who's got money or connections, settle down, have lots of kids who make a mess and never thank me, get cheated on because the guy's an asshole and I'm better off without him—all that stuff. You can't take my future divorce away from me, Soryu."

"Ooh, very good," said Asuka, who took a sip of tea. "I'll give you 9 out of 10 for that one."

The girls exchanged a glance, and Nozomi bowed her head like a novice taxidermist in front of a teacher. Maya, Aoba, and I looked on sheer terror. It was easy to see what was happening: Asuka and Nozomi were playing off each other—a partnership that could only spell doom for the rest of us. Their wit combined would be as massive as a black hole—and just as inescapable. We could only hope that the two of them would never work together in the future.

Thankfully, Asuka saw fit to show mercy. "Now then," she said, "what I was trying to say before Nozomi's valiant attempt to sidetrack me is this: we can investigate all these issues, sure, but we've been working on this a long time, and I like to think I've anticipated a lot of these problems. Going back to study them in excruciating detail could cost lives, too."

"I'll review your exeriment logs before we perform any costly tests," Maya assured her.

"Good, do that." Asuka leaned forward, into the steam coming off her soup bowl. "But maybe you want to do something else, Maya—like get a second opinion for our own sake?"

"Whose opinion?"

"Professor Nakamura, perhaps? Akagi's advisor?"

At that, Aoba shook his head, and he folded up his napkin to punctuate his disagreement. "He's not cleared, and I doubt anyone would clear him for it."

"He wasn't on Seele's side," Asuka pointed out. "Even Akagi wasn't on Seele's side, technically. We could use someone to vet this stuff—someone with a proper education."

"Education?" said Maya, and she and Aoba shared a nonplussed glance. "I am working on my metaphysical biology degree."

"Yes, I know," said Asuka, who picked up a couple grains of rice with her chopsticks and ate. "How many years until you're through? Three? Four?"

"How many years for you?"

Asuka shrugged. "I admit, I'm a little behind. I had to take a couple years off after my second bachelor's to pilot a super advanced cyborg called an Evangelion, so I'm still catching up, you know?"

I cleared my throat. "Asuka."

"What?"

"I think you have some stray threads on your coat. Maybe we should go outside for a little while?"

She narrowed her eyes at me, but a couple glances at Aoba, Maya, and Nozomi seemed to convince her. "All right." She rose, and she said toward the head of the table, "Captain Hyuga, may we be excused briefly?"

"Sounds like that would be for the best," he said with a nod.

Asuka blushed slightly at this, but she said no more, and I followed her out. Once we were in the hallway, I showed her aside—where careful ears within would have a harder time hearing.

"You don't need to pound your chest in front of them," I said, straightening out some wrinkles in her coat.

"You think she's being reasonable?" asked Asuka.

"I think she's can't look at it any other way. She has been the one in charge here now for what—two years?"

"That's because nobody else in the lab has a clue."

I didn't say anything directly to that. Rather, I just brushed away a few strands of hair and loose threads from Asuka's white labcoat—which wasn't even her real labcoat, mind you. You would never wear a real labcoat—one that had been exposed to chemicals and such—outside the lab. No, this one was Asuka's own; it had the coffee stains to prove that.

"Shinji?" she asked.

"Hmm?"

Her eye caught mine as I tended to one last fiber near her waist.

"What do you think?" she asked.

"I think even if you're right, Maya and Aoba aren't inclined to agree with you."

"No point in fighting them on this, is there?"

"That's…one way of looking at it."

Asuka thought about that for a while. She balled her hands into fists, and she gave me a peck on the cheek. "Thanks for taking me out here."

I nodded, saying nothing more, and we returned to the table—with Hyuga's blessing, of course. Asuka got right to it:

"Sorry, I was an ass," she said, as matter-of-factly as a weatherman announces an afternoon shower. "And Maya, I know the last thing you must want is for someone with suspicious ties to second-guess your work."

Maya looked aside. "Suspicious or not, Nakamura trained some brilliant students. It's something I'll bring up with the General as well."

"That's all I'm asking for," said Asuka. She put on a grin and set her gaze on Aoba. "Now then, Captain Aoba!"

He looked to Maya, then to me. "What's this about?"

I showed him both my hands. "I'm not a part of this."

"That's true; Shinji's not a part of this," said Asuka, "but I have it on good authority that you've been up to something in your time off-duty."

"Wh—what could you possibly mean?"

Asuka leaned forward, drumming her fingers on the table.

"Maybe…a secret rock band?"

At that, Aoba bowed his head, and he slid two bowls of food aside. He leaned forward, meeting Asuka's gaze in turn.

"Young lady, what do you know about rock and roll?"

"Not enough," said Asuka, "but I hear you're an expert. Maybe you could enlighten me?"

Aoba was more than up to the task. As dinner finished up in the officers' mess, he gave Asuka, Nozomi, Maya, and me a brief history of the genre, from the Boswell Sisters to "Shake, Rattle, and Roll."

And Asuka, for her part, engaged him with poise. She watched his eyes religiously, nodded as he spoke, and smiled. She never gave up that smile, not for the rest of the evening. She wore it as she ate and sipped her tea—and believe me, she wore it well.



Two days later, Sydney fell to the enemy, and Misato and Maya mutually agreed to certify the puncture engine as ready for combat trials.

"Is it actually ready, though?" I asked Asuka.

"Of course it is," she said. "I'd stake my life on it."

She put on that smile again. She did wear it well.

As well as she wore that white coat of hers.
 
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Older women, heh.

Actually Asuka does seem very mature here, and when she's not she is willing to listen to Shinji stabilize her. They fit very well.

Sydney just can't get a break... I'm surprised they haven't tried resorting to nuclear weapons at some point when it's not near a population Center.
 
It was like having a nest of spiders just behind your eyeball. You can feel it's there, and you know when those spiders hatch and start rummaging around your brain, but you can't do anything except to ignore them. You have to ignore them with a purpose.

That was... way too vivid. Not that that's a bad thing. I just got to that, stopped for a second, reread it, and put my phone down. And just kinda, shivered a bit. But yeah, really good chapter.
 
That was... way too vivid. Not that that's a bad thing. I just got to that, stopped for a second, reread it, and put my phone down. And just kinda, shivered a bit. But yeah, really good chapter.

And you folks wondered--you really wondered, why doesn't Shinji pilot the Eva? Is it just because Yui's gone?

Well, now you know. Now you know that when you get old enough and try to pilot Eva, brain spiders start running around in your head. You don't want brain spiders running around in your head. Nobody wants brain spiders running around in their head. Nobody.
 
She sized me up from head to toe. "Nothing I haven't seen before."
You can't take my future divorce away from me, Soryu."
I had to take a couple years off after my second bachelor's to pilot a super advanced cyborg called an Evangelion, so I'm still catching up, you know?"
I just hope those two never combine their snark.
"Shinji?" she asked.

"Hmm?"

Her eye caught mine as I tended to one last fiber near her waist.

"What do you think?" she asked.

"I think even if you're right, Maya and Aoba aren't inclined to agree with you."

"No point in fighting them on this, is there?"

"That's…one way of looking at it."

Asuka thought about that for a while. She balled her hands into fists, and she gave me a peck on the cheek. "Thanks for taking me out here."
And Asuka sure learned her lesson when she asks Shinji's honest opinion.
Two days later, Sydney fell to the enemy,
I'd say something snarky, but it would probably inappropriate.
Captain Aoba oversaw the entry plug operations: his team loaded Sasaki and me in our respective plugs.
Pretty sure that should be 'into'.
At that, Hyuga bowed his head, and he slid two bowls of food aside. He leaned forward, meeting Asuka's gaze in turn.
And that should be Aoba, I think.
 
I just hope those two never combine their snark.

I was just thinking, actually, of revising the exchange around Nozomi's "you can't take my future divorce from me" remark:

"Yeah, you know, I'm too young to die," said Nozomi, who helped herself to some pickled radish. "I'm supposed to fall in love, marry someone who's got money or connections, settle down, have lots of kids who make a mess and never thank me, get cheated on because the guy's an asshole and I'm better off without him—all that stuff. You can't take my future divorce away from me, Soryu."

"Ooh, very good," said Asuka, who took a sip of tea. "I'll give you 9 out of 10 for that one."

The girls exchanged a glance, and Nozomi bowed her head like a novice taxidermist in front of a teacher. Maya, Aoba, and I looked on sheer terror. It was easy to see what was happening: Asuka and Nozomi were playing off each other---a partnership that could only spell doom for the rest of us. Their wit combined would be as massive as a black hole---and just as inescapable. We could only hope that the two of them would never work together in the future.

Thankfully, Asuka saw fit to show mercy. "Now then," she said,
"what I was trying to say before Nozomi's valiant attempt to sidetrack me is this: we can investigate all these issues, sure, but we've been working on this a long time, and I like to think I've anticipated a lot of these problems. Going back to study them in excruciating detail could cost lives, too."
 

They say the best actors are those who can imitate someone who's drunk but pretending they're not. They have to act normal most of the time and only occasionally let off subtle clues. I think you did the equivalent writing ClinicallyDepressedShinji's internal monologue. The dialogue with Nozomi is top-notch too.

Also, noticing that the women in Shinji's life are remarkably patient and accommodating with him, even when he shows himself spineless and inconsistent. Noted the similary between Nozomi's and Rei's moving to be in Shinji's field of vision.

  • "from you into another": is a word missing here? is it supposed to be "another person"? but then it could make a baby. I'm not getting it.
  • "make more live" -> "make more life"
  • "Bzzz! A gentle buzz rang" Is it a buzz, a buzz, or a ring? I know Shinji is being kind of thick here but that doesn't make sense. Also "gentle buzz" makes me think of the electric stimulator to relax tense muscles at the physical therapy clinic.
  • "took the handset in hand" Again, is this repetition on purpose? Showing that Shinji is thinking in circles?
  • "A girl—about 150 centimeters, hair in a short ponytail, slim build." Does Shinji's security detail not recognize the Eva pilot, or are they just being discreet?
  • "organic" -- I guess that's the best possible word for "looking like an internal organ"
  • "knowledgeable" -- awkward and ambiguous. Do you mean "known" or "sapient"?
  • "But for that stack, which I slid to the corner, there was the phone" -- I can't parse this, I think a word is missing.
  • "in a grove" -> "in a groove"
 
Ascended Gendo is truly chilling. It's so frustrating that he's able to get into Shinji's head like that.

It's really the perfect button to press to make Shinji shut down.

  • "on the way to battle": I don't like this pairing. "On the way" is very informal; "battle" is very formal. Other possibilities: "to Germany", "on her way", "en route" "on her way" accepted
  • "I should say that..." This line feels weird, especially right after saying "make sure they had no excuse to leave" suggesting that all comforts are provided. The basic idea should be that the quarters are convenient...and that's all that's good about them. I have not yet found a phrasing for this that flows and gets the idea across. Right now, I'm thinking of going with, "Unfortunately, convenience was the only thing she [Misato] could offer." And I've removed the sentence reading, "What more could you ask for?" in favor of "I didn't want to be picky," say.
  • "is that?" -> "would that be?" the conditional is used in place of the likely future tense, particularly among lovers. Especially since the previously line has "should" I'm favoring a similar construction in "might that be?"
  • "the eldest daughter": There's no parents, right? So that should be "the eldest sister" accepted
  • "first-hand": Nope, they were not physically present. They witnessed them on camera. "live"
  • "the most insight we had was really no more than looking at an overlay for a map": too wordy, especially the "most...no more than" "all we could do was track hotspots on a map overlay."
  • "So though the Angel did spin up its rings...The Angel spun up its rings" duplicate. "When the spinning of the rings reached some critical threshold known only to the Angel" The second line has been cut
  • "He covered his headset microphone with his hand" Doesn't he press a button to initiate communication? He now takes the headset off partway, so as to more easily listen to Misato (or avoid hearing her twice)

They say the best actors are those who can imitate someone who's drunk but pretending they're not. They have to act normal most of the time and only occasionally let off subtle clues. I think you did the equivalent writing ClinicallyDepressedShinji's internal monologue. The dialogue with Nozomi is top-notch too.

Also, noticing that the women in Shinji's life are remarkably patient and accommodating with him, even when he shows himself spineless and inconsistent. Noted the similary between Nozomi's and Rei's moving to be in Shinji's field of vision.

A character in an altered or unstable state of mind is one of my favorite things to write. I'm glad that came off well.

People around Shinji are very patient, I agree, and perhaps they are too patient. Or maybe it just comes off that way because Shinji is at the center of things.

  • "from you into another": is a word missing here? is it supposed to be "another person"? but then it could make a baby. I'm not getting it. changing to "out of you"
  • "make more live" -> "make more life"
  • "Bzzz! A gentle buzz rang" Is it a buzz, a buzz, or a ring? I know Shinji is being kind of thick here but that doesn't make sense. Also "gentle buzz" makes me think of the electric stimulator to relax tense muscles at the physical therapy clinic. Cut the line
  • "took the handset in hand" Again, is this repetition on purpose? Showing that Shinji is thinking in circles? "put the handset to my ear"
  • "A girl—about 150 centimeters, hair in a short ponytail, slim build." Does Shinji's security detail not recognize the Eva pilot, or are they just being discreet? The building staff are not Project Manoah security
  • "organic" -- I guess that's the best possible word for "looking like an internal organ"? "organic" cut
  • "knowledgeable" -- awkward and ambiguous. Do you mean "known" or "sapient"? Literally meant to imply "the children of a Seed of Life bearing a Fruit of Knowledge"
  • "But for that stack, which I slid to the corner, there was the phone" -- I can't parse this, I think a word is missing. "But for" -> "Aside from"
  • "in a grove" -> "in a groove" Accepted
 
Author's Notes: Worldbuilding and Setting
Author's Notes: Worldbuilding and setting

Though The Second Coming features a good deal of action, the foundations of its conflict lie in character drama. For this reason, I try to practice a minimal style of worldbuilding: enough to support the action or add to the ambiance of the character drama, but that's all.

This is in contract to a story focused more on political intrigue or action for its own sake, which runs on anticipation of twists or maneuvers to defeat an obstacle or opponent. Such stories rely on density of details to give the reader pieces of a puzzle and to ask whether the reader can devise a solution. That isn't this story. Here, the pivotal points are about characters coming to terms with their flaws. Hence, the worldbuilding plays a supporting role, coming up when necesary and fading to background again when its role is over.

Still, worldbuilding and consistency of setting are important elements. They should help the ambient world support, rather than clash with, the story to be told.



One of my major goals in anything I do—whether it be writing or my professional work—is to do something unique, different, or interesting. I'm not content to paint by numbers. I prefer not to do the same thing others have done but better. The world I've imagined for The Second Coming fits that basic goal.

That world is one that is not so different from our own, despite the cataclysms of Second and Third Impact. I wanted to avoid a post-apocalyptic descent into tribalism or a massively unstable political situation. That would put the emphasis of the story on surviving a dangerous world of competition, scarcity, and strife. Such a world would be more realistic, but it wouldn't allow for the story I had in mind.

Still, I felt it important that Third Impact leave scars on this world. This is a big reason why Shinji remarks on the emptiness of the hospital in "Tokyo-2," or the desolate fields in "Character Sketch." He is acutely aware he's in a world that was built for 3-4 times as many people as there are now. That's a way to make the worldbuilding support a feeling or ambiance: all those missing people, reflected in the state of the world, make Shinji question whether it was right to come back and his own role in this new world.

Nevertheless, I use political instability where it serves me. The Chinese occupation of Myanmar is the main example where it becomes relevant in the story. Seele's role as a terrorist organization (more or less directly inspired by al-Qaeda, right down to a raid into hostile territory to capture Keel Lorenz) is part of that as well.



Though I don't strive to craft an in-depth and elaborate political situation, I still try to pay close attention to detail. The world should be realistic where such expectations exist.

That extends to the basic geography of the world. Second Impact, if you remember, would've flooded many low-lying areas. I used Firetree flood maps to look at a world map with 60-meter rise in sea level. This leads to significant changes in the map, as many capital cities are also in low-lying areas. References, for example, to Shandong Island reflect how the Chinese region of Shandong would be cut off from mainland China with such a rise in sea level. Still, this is mainly an easter egg in many of the Angel battle scenes; it's not strictly plot relevant.

The use of basic geography also informs a lot of the locations and scenery. Google Maps was a great friend to me in writing this story, and I took the basic layout of the area around Nozomi's home from using Google Maps to explore the towns north of Matsumoto (Tokyo-2). You can find Toyoshinakita Junior High School there, as well as the bridge under which Nozomi meets Shinji in "Character Sketch." I had once determined a particular house that should inspire the Horaki home, but I didn't have its location in my notes and cannot find it anymore. Nevertheless, the abandoned rice paddies and the like made an excellent setting to emphasize Shinji's isolation, especially compared to the high rise apartment the Horaki family occupied in First Ones.

The idea of using established details also inspired the basic design of Manoah Base. In First Ones, that design was lifted from Stargate SG-1. Here instead, I used a design more similar to the actual Cheyenne Mountain facility, with real buildings that are just, curiously, built underground. The control room is directly inspired from NASA's mission control, down to real computers and cubicle-like stations.



Speaking of Manoah Base, you might notice that its name is lifted from Isaiah 34, which is the chapter that mentions Lilith. The word itself means "a place of rest (or protection)." Hence, the literal idea is that Manaoh Base is part of Lilith's protection of mankind. The American and German bases also lift words from that verse or surrounding verses.

This is an aspect of the worldbuilding that I do enjoy: the mythology of Evangelion. The aspect of Rei reaching out to people to encourage them to emerge from the sea (as with Hikari in "Sisters" or what Misato mentions in "9/30") is still present, as it was in First Ones, albeit at much less importance. It's the kind of thing I want to bring to people, for it's very cool and explains a lot about the world of Evangelion.

Of course, most of the background for the story is lifted from the Neon Genesis Evangelion 2 video game: the First Ancestral Race (not directly named, deliberately so), the Seeds of Life, and all that. The challenge isn't to restate that background, which I (unwisely, I feel) stated outright in First Ones. Rather, it's to integrate it into the story, as it done here in the "Progenitors" couplet of chapters. I am immensely proud of the vision Rei gives Shinji here, metaphorical as it is. And further, it's background that is used to inform Rei's character and her struggles.

Even still, there are elements that I don't go into: the Spears of Longinus, the distinction between the Seeds of Life and Knowledge, the origin and function of the Crown of Thorns, and the exact nature of the cataclysm that drove the FAR to seek salvation. As I said before, there are some details you just can't afford to get into without distracting from the narrative.



Something that does have immediate impact on the story is the initial state of the characters. Misato is intimately involved in Project Manoah, but she keeps it a secret from Shinji and Asuka, who have their own lives. As discussed recently in the Advice and Trust thread, some people find the idea of Shinji, Asuka, and Rei getting involved in a post-Nerv organization to be distasteful or unhealthy. Others might find it all too realistic. For my part, I felt that Shinji would not have wanted to be a part of such an organization—and for that reason he initially rejects Misato's offer. Asuka jumps at the chance when perhaps she shouldn't.

And Misato? She likely doesn't want to get Shinji and Asuka involved, but Shinji's persistence in investigating the assassination attempt convinces her that may she should've given them the chance.

Regardless, the situation itself reflects on the state of the world. Project Manoah is very much a secret here. No one wants to openly discuss a pending alien invasion, even though major governments around the world are aware of it. Everyone knows that civilization is, in this situation, a fragile thing that could be shattered once again if stressed to the breaking point.
 
Editing changelog

Fixes for 2.3/Haunting and 2.4/Fugue by FourDreadWraiths

Addresses issues raised by @FourDreadWraiths in #187 and #194. Fixes detailed in #195.

Initial SV polish edits for 4.4/Soul Cleaver

4.3/The Puncture Engine:
  • Fixed issues raised by @Ranma-sensei/#192
  • Committed tweak to Asuka/Nozomi interaction at dinner, as described in post #193

4.4/Soul Cleaver:
  • Added some narration to the opening
  • Tweaked Shinji's warning to Nozomi before the operation gets underway
  • Shinji now uses a thermos instead of a cup
  • The Angels are now attacked with N2 weapons instead of Project Noah kinetic penetrators
  • Minor tweaks to Nozomi's MRI
  • Added more narration to Shinji's dream of the theater

Tweaks and expansion of worldbuilding section of AN, strip-tex fix

second-an: minor tweaks, expanded worldbuilding section to discuss the initial state of the characters.

strip-tex: added href support for bbcode


4.4/Soul Cleaver tomorrow.

The Second Coming ends in 17 weeks.
 
Last edited:
4.4 Soul Cleaver
23. Soul Cleaver

Combat test day for Asuka's puncture engine. We would've preferred a test using two Eva—just for the sake of safety—but we didn't have that luxury. Unit-14 was needed in battle, and the American and German Eva were too far away to use for a simple test. There was no other way to go about it. The puncture engine would be first used against an Angel, for better or for worse.

I reported for duty in the control room as though this battle were like any other. I went over the situation briefing one last time, and I went through the checklists with Nozomi. Asuka, however, went about things completely differently. She wasn't going to just sit back and wait for the test to come. She had a suite of last-minute instructions for the other controllers.

"Peripheral, I need you to keep an eye out for impulse transients in the right leg," she told one of the nervous system controllers.

"What kind of transients?" the controller asked Asuka.

"Anything larger than 50% above active baseline, sustained for more than four cycles," Asuka told him. "It might be nothing, but if I know there's been a transient, I can back-check through some data and look for other warning signs."

The peripheral controller sighed, rubbing his temple. "Why wasn't this in the briefing?"

"It's not a reliable failure indicator by itself." Asuka raised an eyebrow. "Is it a problem to look for this?"

"Not for you, maybe," said the controller. "Have you tried to write an alert module and get it cleared in ten minutes?"

"Is this something you can hook me into?"

The controller sat a bit straighter and started typing at his console. "If you want to keep an eye out for it, be my guest."

"Thanks," she said with a slight bow. "I'll have Shinji make you a treat for that."

The peripheral nervous system controller shot me a look. "Did you agree to this?"

"Hey." Asuka snapped her fingers. "Trust me here: you don't want me making you a treat."

The PNS controller looked back to me, and I shrugged and smiled nervously. Satisfied, the controller turned back to his console to continue the pre-launch preparations. Asuka, too, went back to her station, bringing up some of that PNS data forwarded to her. She collected herself with a sip of coffee before bearing down to write an automated alert program. And this she was supposed to do in ten minutes before launch.

I pressed the transmit button for the radio. "Nozomi."

The girl in the entry plug opened one eye, looking directly at the virtual camera. "Yeah?"

"Be careful when you activate this new device," I told her.

"Why's that? You think there's a problem?"

I glanced back across the aisle, to Asuka's station. She was knee-deep in code, splashed across two monitors, and she typed furiously to modify one section in particular.

"I think," I told Nozomi, "that there are still a few things we don't know about this."

Nozomi eyed me at that, but she straightened herself up in her seat, grasped the controls, and looked ahead, saying nothing more. I cast my gaze ahead, to the three projected screens with countdowns and satellite images and telemetry and all that.

And for a moment, just a moment, I felt as though I were sitting inside my own head. My arms moved when I wanted them to move, but they weren't really mine. I saw the bridge of my own nose from the inside and the outlines of my eyebrows and cheeks at the edges of my vision. I heard my own breath as though I were a giant, hulking, fleshy beast.

I shook my head, wiped my eyes, and blinked. The sensation passed, and I took a long gulp of tea for good measure, letting the hot fluid burn a bit on its way down. There was no mistaking that.

I emptied my thermos as the minutes counted down, and like everyone else in that room, I watched and waited.

Once again, the enemy ran rampant over a crucial city, yet I couldn't help but wonder: did it matter which city? Did it matter which country was fighting to keep them at bay?

I say that not to imply they were irrelevant, or that we didn't care about them. No, it was our duty to care about them. It was our duty to go to their aid. Yet at the same time, you can't see people's faces while they drive tanks or fly airplanes. You can't catch their eyes while they march down the streets of town. The soldiers wear green uniforms because most armies do. The airplanes are gray because it's impractical to paint them otherwise except for demonstrations or special events.

Is the city they rush to defend truly different from any other? You might notice the differences in the skyline, or in the terrain in the distance—were there mountains, or flat forests or jungle for as far as the eye could see?

Maybe it was different for others—like Misato, or Hyuga, or the communications controllers. They would talk to the other countries' armed forces. They would hear those people's calls and pleas for help. Me? I was kept at a distance from any foreign military. They never spoke to me, and I never had the chance to speak to them.

So if I tell you now that this city Nozomi had been sent to was Seoul, do you know it? Can you see it in your mind? Do you see the South Korean Taegeuk on the soldiers' uniforms? Can you imagine their tanks painted as such? Do you picture the cityscape with mountains dwarfed by more mountains in the background?

To tell the truth, I don't blame you if the picture you get of that is fairly vague. It seems vague to me. I can't put into words much that would convince me—years later—that it was really Seoul we were defending.

But there is something that stuck with me: the radio tower.

The Angels had converged on Seoul. They laid waste to skyscrapers and two-story buildings alike. The Worm Angel burrowed underneath the city streets and collapsed them from below. The Fractal Angel cut towers down with its invisible edge, leaving office buildings bisected in bizarrely precise fashion—as though a doctor decided to excise a few city blocks with a giant scalpel.

But the Angels left the radio tower untouched. They routed the South Koreans on the mountain where the tower resided, and the Fractal Angel took up a position there, to unleash its miniature Third Impact on the city.

The Angels didn't destroy the radio tower. They had no concept of symbols, monuments, or landmarks.

We did.

We understood what such things meant.

And we went ahead anyway. We bombed the radio tower and the Angel that sat beside it. We pulverized the mountainside with the all the force short of nuclear fission that mankind could muster. We kicked up so much smoke and dirt that a mushroom cloud rose over Seoul.

And that was just the first blast—the first of many. An unholy rain of bombs blasted the two Angels on the mountain. Unwilling to give up their position, the Worm Angel shielded its companion from the attack: it gave up its body to deflect and absorb the blasts. Strike after strike weakened the Worm's AT field, and two of its outermost field layers shattered under the N2 weapons' cleansing fire.

"Ops, bombardment complete," said a controller.

Hyuga nodded. "AT field strength?"

A second controller gave a thumbs-up. "Should pop like a balloon."

Hyuga looked to me and nodded. "We're on."

I switched on the microphone on my headset. "Nozomi, ready?"

Unit-14 powered up. It got to its feet and shed a heap of leaves and brush. The Eva crouched as it looked uphill, where the radio tower had shattered, leaving only a few metal supports sticking out of the ground.

"All set," said Nozomi.

"Go!"

The Eva burst uphill on all fours, putting its knuckles to the ground. It barrelled over the top of the hill and tackled the Worm Angel, pinning the alien beast to the ground.

"Am I covered?" asked Nozomi.

The Fractal Angel made no move to intervene. It glowed and vibrated with energy, floating perfectly still above the burning grass and trees.

"It's staying put," I said.

"So I'm good? Can we get this over with?"

I looked to Hyuga, who nodded again, but despite that, my gaze went past him—to Asuka. She typed at her console in bursts, taking breaks only to flip through notebooks and jot down numbers from her screen.

"Ikari!" Nozomi yelled in my ear. The Worm contorted itself around her, and its rough, gravelly skin ground against the Eva's armor plates. "I'm going to be bean paste here if I don't get an answer!"

"Sorry, you're good!" I cried. "Activate the engine!"

She pressed a toggle switch on the controls, and a faint hum came through the radio.

The Eva's right hand balled into a fist. Its target: the red orb at the center of the Worm's mouthparts.

Nozomi yelled like an Amazon warrior, and—

TCHNK-TCHNK-TCHNK! Three AT field layers snapped and reconnected around the pair, and the Eva's fist tore through the Worm's mouthparts, smashing the core and the sharp, rotating discs around it. The Angel shrieked and shuddered; its grip on the Eva went slack.

But the Eva just stood there, and Nozomi stared dumbly at the screen, like she didn't understand what she was seeing.

"Engine off!" I said. "Get out of there!"

She shook herself and snapped back to action. She switched the engine off, and she leapt clear of the Worm's body, just before the Angel's weight could collapse on top of her.

"Nozomi, are you all right?" I demanded.

She blinked a few times, taking a breath to steady herself. "I'm okay! Next target?"

The Fractal Angel pulsed with energy. Unit-14 stepped toward it, but the Fractal erupted with a burst of light and force. It shoved Unit-14 down the mountain, and the Angel cut across the mountainside forest, felling the burning trees in its wake.

Unit-14 dusted itself off, took two steps back up the mountain, and—

"Don't chase," said Hyuga, watching the feeds with me. "If they want Seoul, they'll have to come back for it."

With the Fractal speeding out of sight, that seemed the best course of action to me, too. "Stay right there, Nozomi. We're going to watch where the Angel goes. That's a good test; you did great."

"All right, but Ikari…"

"Yes?"

"Are these things supposed to mind meld with me every time I kill them?"

Asuka spun in her seat; her eyes snapped to me. And hers weren't the only ones: Hyuga grimaced, and Misato rose from her chair, too. Misato leaned forward, with one hand supporting her weight by the cubicle wall. She studied Nozomi's expression and said,

"Call her back."

I fumbled with the transmit switch. "N—No, Nozomi, they're not. Let's…"

My eyes flickered to Asuka, but by that point, she was staring at her monitors again, with her arms folded. That was probably the first time that morning she had just stopped to do nothing—nothing but think.

"Let's get you back home," I told Nozomi.



The Angel made contact with Nozomi's mind.

In some way, that wasn't a surprise. The Angels had often tried to reach us. As a pilot, it's what you should expect. The Angels before, whatever they really sought, they also wanted to get into our heads—to understand us, to make us question ourselves.

These Angels might not have been any different, and the last thing we could afford was to give them a clear channel into Nozomi's head.

It took hours—agonizing, countless hours—to fly Nozomi back to Manoah Base and get her checked out. Captain Aoba's team extracted the entry plug, and medics were on the scene to load Nozomi onto a stretcher. The infirmary doctors wheeled her to an on-site MRI machine. They let a few of us observe the procedure: Maya and Asuka came to interpret the results in context, as they were the experts on the new weapon, and I was allowed to stay for moral support. One of the base therapists conducted an interview while Nozomi was in the machine.

"You say you felt something when you killed the Angel?" asked the therapist over a microphone. "A feeling you don't think was your own?"

"Definitely," said Nozomi, who lay flat on her back within the MRI tube. "It wasn't like a word or a phrase, but an image, I guess, or an idea and a feeling to go along with it."

"Can you describe it?" asked the therapist.

On one of the monitors was a camera feed showing the inside of the MRI tube. Nozomi was there, and she closed her eyes.

"It was like I was looking at it, and it looked back at me," she began. "I felt like it was looking into me, even though it didn't have any eyes."

In the observation room, slices of Nozomi's brain appeared one line at a time on the monitors. The doctors consulted with Maya and Asuka, and they discussed regions of brain activity together with jargon I couldn't follow and combinations of words I didn't understand. After a time, Maya looked to the therapist and nodded. The therapist went on.

"Is that all?" he asked.

"No." Nozomi's brow creased. "After that, I got a flash of something. I saw the Eva dancing like a puppet."

"Not a fucking puppet!" cried Asuka in a low voice.

"The Angel despised me," Nozomi went on. "It saw me and the Eva as a puppet, and Lilith held the strings."

A silence. Regions of the brain lit up in a cascade of patterns.

"Did you get any other feelings or impressions?" asked the therapist.

"Yeah," said Nozomi. "As much as the Angel hated me for that, it hated itself just as much."

There were some puzzled looks in the observation room. The therapist let his finger off the transmit switch. It was Captain Hyuga, also in attendance, who responded first.

"Why?" he asked.

When the therapist relayed that to Nozomi, she pressed her lips together for a moment before replying,

"Because the Angel felt it was a puppet, too."

The scans glowed in ways I couldn't even fathom at that.

Yet as much as I'd worried about Nozomi's health in light of this incident, most of the staff on hand seemed guardedly optimistic. On the whole, it could've been worse: aside from this fleeting glimpse of the enemy, Nozomi had emerged from the encounter in possession of her faculties. The experience hadn't shaken her. The inconvenience of having to go through repeated brain scans may have been worse than the actual contamination.

Even so, the mere hint of an Angel intruding on Nozomi's mind was enough to raise serious concerns. She may have survived this incident little worse for wear, but when Angels get a free ride into your head, it's only a matter of time before they hit a nerve.

And Nozomi's family wasn't about to let that go, either. The middle sister, Hikari Horaki, was invited on the base to tend to Nozomi as a precaution. Asuka and I walked the two of them back to Nozomi's quarters, but Nozomi looked steadfastly away while Horaki hounded us for answers.

"You're telling me an Angel invaded her mind, and it's 'not a big deal'?"

Asuka knew she was treading on thin ice there, trying to balance her job against her responsibility as a friend. She tried to calm Horaki down as best she could. "I said it was minor, not that it wasn't a big deal," said Asuka, who kept a hand on the back of Horaki's shoulder for support. "No amount of contamination is acceptable, but it could be worse, you know?" She met Horaki's eyes at that. "Much worse."

Horaki sighed at that. "Yes, I know."

We passed underneath two sets of fluorescent lights before anyone dared speak again.

"So you're working on it?" asked Horaki. "Is that right?"

"Of course I am." Asuka balled her free hand into a fist as she walked—treading forward with force and purpose. "When I'm done with the engine, you'll worry more about Nozomi playing with teddy bears."

The rest of the day was thankfully uneventful. I had a bit of combat footage to review still, but it was late—it'd taken several hours to get Nozomi back from Seoul, of course, and by the time we were done seeing to her health, it was already well past dinnertime, so Asuka and I went to bed.

Or rather, I went to bed. Asuka had her laptop and a scratchpad out, and she muttered to herself about reconnection probabilities or some such things.

"Get some sleep," I told her. "You'll be better at solving this in the morning."

"Maybe," she said, jotting down some more equations, "but the stuff in my head won't last 'til morning. Gotta get it out now."

"Asuka—"

"The thing works." She pointed a pencil eraser at me. "It works, right? It cut through the Angel like butter. I did that."

"Asuka…"

"We are so close now." She flipped to the next page on her notepad. "I'm not letting the answer get away from me. Not now."

I turned over and shut my eyes, even as she left the light on.



Sadly, my dreams took me to a darker place: a theater of eternity, in which the past and future of the universe could play before my eyes. The glow of the movie screen was searing. As soon as I could feel the soft fabric of the theater seats, a voice spoke to me.

"She's a maker, isn't she?"

I'd been placed in the front row to watch a black-and-white film. The scent of butter permeated the room like an old man's overused cologne. It was suffocating. Even a shallow breath made me cough and wheeze.

"She's not the kind to sit still while there's something left for her to do."

That was the hooded stranger, sitting on my left. She "watched" the film too—though how she did so I can't say, for the hood should've blocked any eyes the stranger may have had.

Then again, I don't think she needed eyes to see anything.

I didn't answer the stranger. I followed her gaze to the movie and keyed in on some dialogue.

"But Dr. Oppenheimer," asked a suited man, "if the test is successful, what do you think will happen with the bomb going forward?"

World War II. Robert Oppenheimer. The man who made the bomb.

"Asuka's not a world-class physicist," I said. "These are totally different situations."

"Are they?" asked the stranger.

The film sped up. Dialogue went by in a garbled, high-pitched whir. The movie only stopped when we got to the test itself: the first detonation of the atomic bomb.

As a mushroom cloud rose over the black-and-white desert, the characters in the film watched in awe and wonder. A man in a suit and with dark hair took off some goggles and said, "It worked." He smiled, even—a smile of relief and satisfaction.

But those measured reactions gave way to something else. One scene transition later, the man slammed his car door with energy and vigor. He strutted from his parking space and slapped a colleague on the back, laughing and smiling about the whole thing.

"If she managed to fix it, you don't think she'd act the same?" asked the stranger.

I looked to my right. Ayanami was there but nowhere near enough to help me, for she sat all the way at the end of the row. She cast two helpless eyes at me but said nothing.

I shifted in my seat, looking steadfastly at the movie in front of me. "So what if she does?" I asked. "It doesn't hurt anyone. The Americans dropped the bomb on us. They turned out all right. I'm sure Dr. Oppenheimer turned out all right."

"He was banished into obscurity," said the stranger. "He associated with the wrong people and was viewed with suspicion. History is full of examples like these."

The movie speed up, turning to a blur of color. Asuka, Ayanami, Horaki, Kaworu, Nozomi, Toji, and I—seven of us were pictured sitting around a table with copious folders and notes, with drawings of white giants and the like all laid out for everyone to see.

"What do you think of what they made?" asked the stranger.

"They saved their people." I glanced over at Ayanami. "That counts for something, doesn't it?"

"And you agree with that? It was justified?"

"How could it not be?"

The film sped up again, and the shot fixed on just Ayanami—the Ayanami on the screen. She stood on a barren, rocky landscape. The Geofront loomed over her head, floating like an artificial moon over the earth.

And Ayanami—she was bleeding. She bled from her loins, and the fluid seeped down her legs, but she paid it no mind. She climbed over rocks to reach a jagged coastline, and amid the rocks and crashing waves, she lowered herself into the ocean. She submerged her legs and loins into the sea, and her blood mixed with the water.

Yet as the waves washed over her, Ayanami stared out over the water. There were no birds overhead nor guppies to nip at her ankles.

There wouldn't be any birds for a long time.

"They did accomplish something."

The stranger watched me—she watched me with eyes I couldn't see behind the hood, but I was sure. She turned her head toward me and watched my every move.

"They made you," said the stranger, "and it only took billions of years to see that through. You must be glad."

I coughed. The popcorn smell was overwhelming; it was like being buried inside a tub of the stuff while a careless concessions worker dumped gobs of fake buttery fluid into it. I struggled to lean into the row. I looked to the end. "Ayanami?"

She turned away, head bowed.

"And she is the same," said the stranger.

The screen showed Asuka—at work, in her lab, toiling over computer simulations as Evangelion body parts floated in a tank in front of her.

I jumped out of my seat, heart pounding. I towered over the stranger, and I yelled out, "Stop it! I'm tired of having to listen to you! Leave me alone!"

The stranger glanced to her right. "I'm not the one who chose to involve you."

"Then choose to uninvolve me!"

The stranger peered up at me, and with a snap of her fingers, the sound of the projector cut out.



And it was dark.

It was dark in my quarters, so I turned the light on.

I turned the light on, and I saw clearly the empty pillow beside me.

My hand curled into a fist. I clenched my teeth, and I pounded the cold pillow once—only once—and let my fist sink into the material.

I got my slippers. I carried my ID card in my hand, for my pajama pants didn't have pockets. It was light in the hallways, for it was always light on the base. There was no escape from that light. The cool, inert whiteness of it pierced through your soul, as though to show that there can be nothing inside you that isn't dedicated to the cause, nothing held back not but for the sake of working—of saving the world.

I knocked on the laboratory door, and sure enough, Asuka was there. In her white labcoat, Asuka rubbed at her eye and twirled a pen in her hand, as though that could help her stay awake.

"Shouldn't you be in bed?" she said.

I scoffed. "Shouldn't you?"

She shrugged at that. "I'm working."

"Can't it wait?"

"How's that?" Her gaze hardened. "That Angel could go attack the capital tomorrow."

"There's only so much you can do about that right now. You're a human being. You need sleep." I brushed some lint off her coat collar. "Please, Asuka. I'm worried about you."

She scratched the back her her head, looking aside. "I know. Sorry. I'm just close on this. Gimme some time. Come inside; it'll help."

"I—" I shook my head. "I don't know if I should. This isn't right."

Her eyes narrowed, and she tightened the coat around her shoulders. "Well, if that's how you feel, fine. Do what you think is right, Shinji."

"Asuka, please—you can't expect to make this perfect, not right now!"

Her mouth hung open at that, and she let out a small sound of shock. "I can't?" she said. "Of course I can. Who do you think I am?"

With that, she took a step back, and she tapped a button on the door control panel.

"I'll sleep tomorrow," she said. "We'll be good by then."

"It is tomorrow," I said.

She blinked in surprise, but the door slid closed between us, and that was that.

I shuffled my feet on the way back to my quarters, and I sat down on my side of the bed for a while, in the light of the endtable lamp.

And after I was done staring at the wall, I picked up the phone. I dialed a number and got a fair bit of runaround from the other end of the line. Some places don't like it when you call for their residents in the middle of the night, but when it comes to family, you can needle them into an exception. It also helps to be a regular caller.

So they did let me through, eventually, and a weak voice answered on the other end of the line.

"Hello? Shinji? What's going on at this time of night?"

I smiled apologetically, even knowing she couldn't see. "I need to talk to you about Asuka. Are you free in the morning?"

"Morning? Better make it afternoon, after this."

I bowed my head, laughing to myself. "That's fine. Thank you. I don't want to keep you. I'll see you tomorrow around one?"

"Yes, that's fine. I hope you're doing well, Shinji. You sound tired—more tired than you should be even at this time of night."

"I'm trying to hang in there," I said, sighing a little. "Thanks again. I'll see you tomorrow."

"All right. Good night, Shinji."

"Good night, Aunt Kyoko."
 
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They laid waste to skyscrapers on two-story buildings alike.
'on'? is that supposed to be 'or' or 'and'?
It was Captain Hyuga, also in attendance, who answered first.

"Why?" he asked.
Since he's asking a question, 'answered first' feels weird. 'Responded'?
"Maybe," she said, jotting down some more equations, "but the stuff in my head won't last 'til morning. Gotta get it out now."

"Asuka—"

"The thing works." She pointed a pencil eraser at me. "It works, right? It cut through the Angel like butter. I did that."

"Asuka…"

"We are so close now." She flipped to the next page on her notepad. "I'm not letting the answer get away from me. Not now."
That's... very her. Brilliant, driven, and I know that feeling of 'I've got to put this idea down on paper, since I know if I wait it will evaporate and I won't get it back.' She's... pushing very hard, though, and in her stress is ignoring Shinji's urging to rest and collect herself by going to bed.
"Asuka's not a world-class physicist," I said. "These are totally different situations."
She's not? She's doing cutting edge work on a field most of human science is barely fumbling at. Face it, Shinji: Your girlfriend is no-joke a genius, and a literal world-class authority in a key field.
"Good night, Aunt Kyoko."
Well well well... someone came back from the Sea alive and whole? Or there's also the chance this is one of Shinji's relatives... but I'm betting this is Mama Soryu.
 
She's not? She's doing cutting edge work on a field most of human science is barely fumbling at. Face it, Shinji: Your girlfriend is no-joke a genius, and a literal world-class authority in a key field.

Hm, good point. Even then, speaking from experience, a grad student (which I imagine Asuka to be) tends to have knowledge of a very specific problem or area while a supervisor (more like Maya, but Maya doesn't have a Ph.D.) has probably done that in the past but now has a broader perspective and several projects to manage. Basically, Asuka might be the world's foremost expert on the puncture engine, but other aspects of metaphysical biology may be only known to her through the literature.

There's also the possibility that Shinji is merely in denial.
 
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