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Magical Girl Phantom Ascension

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[x] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[x] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)

Even if it's risky, I think we need for Midori to be able to see us, to see how we're reacting to the things she has to say, so that she knows we're being genuine with her. And while we should try to be as truthful as possible, I'm still a little hesitant about telling her that we're besties with Death. Seems like the kind of thing she could take the wrong way if we're not careful about how we say it, and so I'd want us to get to know her better and gauge how trustworthy she can be as a partner before letting that one loose.
 
Well, shouldn't be too hard to pantomime writing on paper.

Then we just need to write that we can only interact normally while transformed.
 
[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
[X][Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X][Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)

I'm not sure how tangible we exactly are. Can people just accidentally walk into us?
 
[x] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[x] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
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[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her everything. (About dying, the Stranger, Death, meeting her, the corrupted spirit, everything.)

This is going to get wonky.
 
@SVS @PonKatt be sure to include the task indicators in your votes.

Unseelie said:
I'm not sure how tangible we exactly are. Can people just accidentally walk into us?
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Your intangibility... varies. You can learn to control it, but until then it's mainly dependent on chance, and a certain other factor. Generally speaking, though, you are indeed tangible more often than not. Not as much of a problem in a crowd, but if you bump into someone when nobody else is around, they can't quite write it off the same way.
 
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[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)

Most people are out because of the fire alarm. Should be safe.
 
[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
Hmm, I don't know what to think about transforming. By what happened last night does make it look like something or someone is using the school as operating grounds.

SpoopyGhost said:
The other was late, and they were early. The promised meeting never occurred, and they were starting to wonder if they had been duped. So they stood in the hallway, looking out over the grounds and toward the skyscrapers in the distance, wondering whether they should feel sad or angry about all of this.

They didn't get the chance to decide, a sudden darkness enveloping the hall. The other had arrived, yet there was something wrong; purple lightning crackled between their fingers and they wore a sinister smile. They tried to run, but a bolt struck them, and their consciousness began to fade. The other was saying something in a deceptively sweet tone, but the words blurred together as the corners of their vision began to darken…
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It was someone that the victim had no problem thinking would have been able to get into the building, either another student or facility member. If so they likely noticed that the wraith was gone. We did destroy a desk - we weren't subtle that someone dealt with the wraith.

SpoopyGhost said:
Usually they show up in old barns, abandoned churches, ancient temples, where the sorts of rituals they were sacrifices for were held. I… don't know what this one was doing in a school, of all places.
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And usually it appears that these things are created by sacrifices. So either something is still going on at the school or someone specifically set up the wraith to harm/kill.

Or we just have a random psycho who uses dark magic to kill and the school is in their hunting ground.

Going by the thread reaction, I think we're willing to take the risk. However we're not the only person that might be fingered, just the harder person to find. Midori is likely going to be noted if anyone looks to see who didn't respond promptly to the fire alarm.

So... a possible write-in if the QM deems it plausible. If there's a garden sink, there's a garden and thus dirt.

@SpoopyGhost

[X] Get some dirt from the botany club's supplies to write in. Offer the choice of talking via that medium or by transforming.

If the goal is a partnership- making it so Midori has a choice in the matter sounds like a good idea to me.

[X][Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
[X] Get some dirt from the botany club's supplies to write in. Offer the choice of talking via that medium or by transforming.
[X][Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)

Storyteller makes a good point.
 
[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
-[]Make it clear that there's something else which is rather important but you need more time to think about how to explain it.


i feel like things would go better if we can directly talk.
EDIT: i think this subvote is the best way we can handle the whole"i have a side job working for death" thing.
 
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[] Turn on Water Fountain, dip finger in water, 'write' out response on nearby wall/air tracing.
We are invisible, but things we interact with are not. So, we should be able to do something like this.
 
[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her everything. (About dying, the Stranger, Death, meeting her, the corrupted spirit, everything.)

She deserves to know
 
[X] Get some dirt from the botany club's supplies to write in. Offer the choice of talking via that medium or by transforming.
[X] [Explanation] Tell her everything. (About dying, the Stranger, Death, meeting her, the corrupted spirit, everything.)
 
[X] Get some dirt from the botany club's supplies to write in. Offer the choice of talking via that medium or by transforming.
[X][Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)

Storyteller's logic is pretty sound. And honestly I feel like talking about our side job with Reaper-chan would be kind of bombarding her with too much supernatural shit at once, but given that all she's told us, she at least deserves more or less full disclosure otherwise.
 
[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
[X] Get some dirt from the botany club's supplies to write in. Offer the choice of talking via that medium or by transforming.
[X][Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
[X] [Method] Transform and talk. (It would allow you to explain your circumstances clearly, but even if you two are relatively isolated at the moment, it still feels risky...)
[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)

She needs the reassurance, and getting this whole story out intelligebly is important

It's worth the risk
 
We write down everything we need to say, no need to risk getting discovered.

[X] [Method] Remain as you are. (This way feels safer, and you can try to pantomime or write on her back or something, but it could lead to misunderstandings…)

[X] [Explanation] Tell her most of it. (Explain about how you came to be a magical girl, but maybe leave out that you're also working for the grim reaper on the side.)
 
kinigget said:
She needs the reassurance, and getting this whole story out intelligebly is important

It's worth the risk
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We could let her decide. Writing it out is just slow, not unintelligible. Personally I'd think she'd probably agree with you. I just don't want to make the choice for her if this is supposed to be a partnership
 
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