Forget-Me-Not
What is Memory? For the yeshiva student, it is mnemonic devices and candle-lit pages. For the country rector, it is births and deaths and land disputes. For the peasant, it is gossip and bad winters and the old rituals. The High Priest's response may be more practiced: Memory, by his mark, Memory is a type of thought. A Memory is an image of something that no longer is, a kind of non-existence. It is the present-past, kin of expectation (the present-future) and attention (the present-present).
A Juror will say that it is whipping or burning. That is it pride and penance. That it it is Kentelken. There are the survivors, he might say. There are the memory-men.
A man in a tattered coat trembles on a corner. In the morning Sword-Altar beats him, in the evening exiles feed him. It is cold in Nachivan, bitingly cold, but it matters not to the trembler. His eyes will not focus, his ears will not listen. He has no need for present-present or present-future, no desire for any beauty this world might have to offer. The Mare's Garden Corps has gifted him sights and sounds to last a lifetime.
Across the street, a man pulls his hat down low and slips through a door, seeking cures for what ails him. Enough booze and he will stop feeling the fragments in his back - enough yamroot and he will obliterate Mind, beating back Memory's host of demons for another night.
Above a cafe, thirteen Jurors gather. Twelve are fresh off a grinding shift in Pesselpan, one has stopped seeking work. There are others who cannot be here, working other shifts. But not many. This room is the best their pooled funds can manage. A little space and some chairs, a raised cafe table for an altar and a scrap of homesewn fabric hanging on the wall. It is too small and too crude to be a proper standard, a crimson eel speared on an amber background.
This is what remains of Dargang's Blood-Eel Standard, the old foe of Nesra. This is the culmination of four centuries of warfare, four hundred years of tradition. When the Nesrans rose for the Pugilists, Blood-Eel rose against them. When Nesra sided with the Antipatriarch's march up country, Blood-Eel resisted them bitterly. When Nesra fought the will of the Infalliable Patriarchs, Blood-Eel enforced it with barely restrained glee. And when the Mare landed on Nesra's shores, Blood-Eel marched south one last time.
The men who will sit above the cafe, they survive Eykshir. As the army disintegrates and standards immolate, they stand firm and retire in good order. They march home to Dargang exhausted, hounded by the enemy, denied even enough time to bury their dead. There they meet salvation in the form of Varhan Sarbadgar, his Pale Horse, and all the other far flung standards rallying to the defense of God's Kingdom. Then they march again. Men fall out from heat and exhaustion, but not them. Their cheap boots disintegrate, but their bloody bare feet reach a priestly estate called Rechobot.
The unemployable man is behind the altar. His right shirtsleeve hangs down, pinned and empty. He is Seye, the standard-bearer of this Blood-Eel, re-elected with twenty-four votes. He hangs his sleeve as a sign, an unavoidable reminder, a challenge to this shrugging city, Dare ignore my sacrifice? Once there was an arm - now the arm is but a thought, a memory. He is done leading the prayers. It is time for a speech.
Recently, Seye says, he has dreamed of traveling home to Dargang. It will be better than the march up. On horseback, not barefoot. Meals purchased, not scrounged. He sets his own pace and smells sweet flowers instead of rotting horses, the sweat on his brow instead of the metallic tinge of blood. The horse leaves the road without orders, climbing a great slope. The branches of the trees shiver and shake, birds launch into flight, but he does not jump or duck. Here he feels safe, here he does not scan the horizon for dust or smoke. And there, before him, a valley between two gentle hills. Vines and stone walls and a beautiful brick manor. Familiar to him, but not recognized. No, not recognized.
He approaches the outer wall, fine stone blocks higher than a man. There is a gatehouse - new, unsplintered and unweathered. Not defensible, not for long. There is an image in his mind, the crack of rifle fire - just skirmishing until the guns come up to tear the wall down, then a frantic withdrawal, men in red hats - A cough snaps him out of it. A fat man in the robes of a High Priest is waiting there, his face indistinct. Come in traveler, he says, it is late and there is nowhere else to stay.
And they walk through the vineyard. It is not the season, the vines are bare, but he knows the look and taste of the grapes. Blood red, like the caps worn by the men between the rows. They are sleeping or chatting or eating, calm despite the looming assault. Then closer to the house he sees them kneeling in line, anxious, then closer they are firing. There should be a gap here, he thinks, this row was wounded by enemy action. A soupsir lieutenant slashes through the vines, a sapper's sledge in his meaty hands - but no, this is not that place.
The inner wall. He stoops down to check for the firing holes drilled that morning. They are not there. This wall is new also, no more than five years old, pristine in places. Seye stands and places his hands as if he is about to vault it, and the sounds are clear as day. Shouting in a strange tongue, the clanking pteruges on the shoulders and skirts of the red-jacketed invaders, the crackling of fire. He looks left and yes, there it is, the little private temple. But it is not burning now.
The priest invites him to dinner. He apologizes for the sorry state of the dining table, the wife says it's an heirloom and they can't get rid of it, you know how these things are - Seye runs his hands through the grooves made by bayonet, saber, and bullet, he taps gently on the massive crack made by the soupsir's sledge, he imagines himself holding it against the door as the sky falls, the weight of the Garden Corps pushing back.
Stairs are new. Unchipped by fighting, unstained by blood. So is the glass in the guest room window. Seye wonders if anything on the property is more than five years old as he looks out on the hill. The path is overgrown, but he can still picture the Gushans. There they are, charging to the rescue with wild abandon, sabers flashing - Varhan Sarbadgar prying open the jaws of death, saving what remains.
The priest catches him staring. I've heard there's some famous battlefield out that way, he says cheerfully, if you'd like to see it in the morning.
I do not need to go back there, Seye concludes, and I cannot. I do not know that estate. It would not welcome me. Rechobot as we know it...it does not exist in creation, not anymore. The land has forgotten that battle, forgotten Blood-Eel and the Garden Corps. The vines that grow there are watered by rain, not blood. Rechobot is a memory, an idea, not a place. It is here in Nachivan, not in Dargang.
Tears fall in the small audience. Hundreds of men fell within those walls, and this is their reward, their memory entrusted to a few dozen exiles. Few of these men have wives, none have children. They work mindless shifts in the Ironshrine, they sleep, and every mindful moment is consumed by remembrance. They remember absent friends, the march, and Rechobot, always Rechobot. They talk to each other because no one else will listen.
They do not follow the news or theopolitics, they do not even complain about work. They remember. There is no present for these men, certainly no future. They are living past, living non-existence. When they die, no one will mourn, no one will remember. Blood-Eel will finally be forgotten, erased for its sinful failure. The landlord will tear down that standard and toss it in the alley, just another scrap in a pile.
---
Orlachag. 30th Tislev. Standard-cult Blood-Eel lacks an altar for the day's services. They were evicted due to the 'recent unpleasantness' in the city - their landlord fears Sword-Altar, fears that a group as unsavory and 'agitated' as Blood-Eel might be targeted in their next attacks. Despite Seye's protests ("We're not radicals, Aaron, what do you take us for, those thrice-damned Nesrans in the 'Scourge'"?) the decision is final, the room has been rented out.
Desperate to find something before the holy day, Seye reached out to the prayer bulletin Day's Orders - radical, yes, but beloved among Kentelken's exiles. He begged for some kind cult to take in his flock, just once, just for the evening services. They would be fine in the morning, but if they did not light candles for Havadar before dusk, well, the ancestors would rip him apart.
Effect: Varhan Sarbadgar. A short note in the good komandir's hand, delivered to Seye's tenement. "Many such cases in Nachivan this year. The dean of Karogen Academy has made a chapel available, though you will likely have to share or take shifts etc. Present this note at the gate." And so Blood-Eel sits in the Park of Pillars, listening to distant parades. It is early morning. They wait as Jurors do, sleeping, chatting, carving sticks and playing dreidel.
Distant explosions and distant gunshots. They have heard those sounds on many mornings like this, before many battles. It fits so well with the waiting in their minds that they do not even stir until they hear the bells and the golems. At first, knowing not what to do, they sit. Then the gunfire is closer, approaching Karogen, and Seye moves.
It is a day for prayer, so they are in their finest dress. The streets are panicked but they are all order and calm, marching towards the fray in their blue jackets and red caps. By the time they arrive Karogen has already repelled the first assault, and thousands of sectarians and witches and workers are rushing to its defense.
The crowd, the Pugilists, they are not Jurors. Pale Horse is brave - every man of Blood-Eel here owes his life to that famous courage of theirs - but they are horsemen of the Hamgad Steppe. This kind of warfare is still new to them, and novelty brings nervousness. But the men in the red trousers are serene as they pull weapons out of dead Sword-Altar hands. In lieu of a staff, one ties the standard around a rifle barrel and hands it to Seye. This one they shall not lose.
This is not the present. This is not new to Blood-Eel. Besieged by the Iconoclasts, their ancestors licked condensation off the walls. Their great-grandfathers piled Nesran bodies around a customs house, a hundred men holding off the wrath of one of Camad's greatest cities. To live as Blood-Eel is to live in a world that no longer is. They look up at Karogen's battlements and dream of Rechobot.
A shell blasts a hole in the wall, and it begins again. The Pugilists jump back stunned, the Gushans flinch and draw their sabers, the men from Dargang smile because they know what follows. Silence, anticipation. Then in the smoke - the jackets look black and not red, this time they are wearing masks. It does not matter. They're coming on in the same old way.
Blood-Eel, all two dozen of them, fires and advances into the breach, a thin wall of red and blue tipped with steel. This is not the present, this is not the Battle of Nachivan. This is an image of the War of Behemoth and Leviathan presented before an audience of hundreds. Here, now, they will erase their shame. Here they will repay Pale Horse and Blood-Eel alike for their survival.
God willing, they will have luck enough to die.
---
Ten still live when the Nesran convinces Sarbadgar to create the Mass Jury. They swear his oath, but their wounds are too extensive to follow him to the Sanhedron. Three succumb before the day's end. The survivors are in no condition to light candles, but they hold a late evening service from their hospital beds. While sectarians shout at the House of Creation and the people celebrate their survival in the streets, Blood-Eel prays for their ancestors who fell at Havadar. Six will survive to be released, Seye among them. But there are small mercies. This time they bury their own dead.
Six men is not a standard-cult. It is nothing at all. But they still live and they still remember. They must talk, and listen, and try to understand the present-past that haunts them. So six men wander the streets of Nachivan looking for others like them, men struck with the Juror's curse. The city is trying to swallow them up, but this battle has left behind hundreds of memory-men. Everywhere they look they find them, in ruined streets and cafes with bloody floorboards. And Blood-Eel is kind but not smiling as it asks, What is this place to you?
And a cabinetmaker in the east gestures to the cleared street and says, That was the barricade where we tried to stop them, and we failed and everyone died except for me, but I guess we won anyway. And a cooper's son sitting at the Yovan gate says, I was there and I still don't know why. And Blood-Eel sits with them, gives them all the time they need to wander aimlessly through memory and try to describe friends they loved who are now thoughts and breath, or the things they saw, or the things they did, or anything else that seems relevant. And Blood-Eel does not judge.
Then there are meetings. The Blood-Eel Standard still hangs from the wall, but invited guests greatly outnumber the Jurors and the ratio worsens daily. And one day Seye says that Nachivan is a city with no memory, a city that refuses to have a past. The barricades are gone and the blood is washed away. Only ghosts remain. It is not healthy to stay. The Mass Jury can take them away from here.
Thus a company is formed and drilled and marched. None want to march; the amateurs worry they'll look silly, the veterans fear they'll be sloppy. But Seye insists, and he is right to do so. Children wave, women smile, and it mends wounds in Mass Juror souls.
Then, a pale horse.
The first rank slams to a halt, and the second smashes into them from behind. The men who have not yet seen collapse into cursing and squabbling, forgetting themselves. And then they spot him and freeze also. Ahead, watching them, a lone rider, their good komandir. Varhan Sarbadgar in the flesh.
Even on horseback, he seems smaller than he ought to be. Those who were at Karogen remember him impassive on the battlements or wheeling about the fray. They wonder how he could be but a man's size. The street is silent and empty. There are no onlookers, no witnesses. The great charger approaches, halting before the standard-bearers. Sarbadgar gazes upwards and his face seems carved from stone.
On the left, the flaming orange standard of the Mass Jury, elegant and beautiful. On the right, a bloody eel on amber, hastily sewn onto a sheet to enlarge it. By weight, more bedding than Blood-Eel. The komandir lingers on the second flag for a moment, and Seye thinks he sees a flash of recognition in those flinty eyes. Do they still live in his past, too?
He can see it now, can't he? Sarbadgar is on that hill again, pushing the foaming horses forward. Rechobot should have fallen two hours ago, it was only a forward position, but the men there did not take the easy way out - though outnumbered they have not fled, though surrounded they have not immolated, they stand and fight and die by inches. And now the forces of the Mare withdraw and the Gushan riders press them harshly, seeking an opening to wreak havoc. Sarbadgar looks above the whirling smoke, white from the guns and black from the fires, and spots crimson and amber. There is still time - in his mind there is still time to relieve them, in his memory there is still a chance.
And the invaders are retreating but not all of them, not yet. Burning Jurors stumble out of the temple too pained to scream, gardeners rip down the walls of the stable and butcher the men found within. In the manor house, that most hellish of hell-spots, the smoke is too thick to tell red-jacket from blue. Bayonets are useless. Men who enter become beasts, killing with knives and feet and teeth and nails. And the Blood-Eel still waves above it all, flown from the highest window and riddled with holes. He is so close now. It is too late to save the men, but the memory - he can still save the memory.
A lone figure appears on the roof, his shoulders silvered, his hat outlandish. From birth, this man's far-flung empire has shaped him for this moment. Sarbadgar sees him, realizes the brash insanity he intends, and pulls up his horse to bark orders at the surrounding horsemen. The gardener Chorbaci is placed under a withering fire by Pale Horse carbines, but he dances through it all and lunges for the edge. Even as bullets slam into the woodwork, he hangs over the side of the roof by his feet and snatches the staff out of the window. The Gushans can only watch in horror as he slides down the roof and vanishes into the smoke.
It is over soon. There are survivors, but not many. All are wounded, few seem to notice. Dozens wander the estate, mute and numb. The carnage is horrific, hundreds of bodies scattered through the orchard and the buildings, the smell is...indescribable. Outside the house stands the old standard-bearer, his uniform soaked in blood, his ruined arm hanging by his side. He does not cry or whimper. He stares blankly at the empty staff that was left behind once the gardener ripped his prize free, unable to comprehend that he failed and still lives.
And the Komandir of Pale Horse looks upon this and wonders if the gardener knew. Did he realize, when he did that absurd and courageous deed, how much damage he was doing? Did he realize how this strange land would react to him absconding with that standard? No, he couldn't have. These men fought him to a standstill. He will respect them for the rest of his days. He wanted a token of their courage - something to hang on his mantle. And so he stole their standard. That is why he destroyed their souls and sentenced them to pseudo-obliteration. For a conversation starter.
Until his death, Seye will swear that somehow he knew Sarbadgar was thinking these things. That some angel placed him inside the komandir's head for the long seconds he spent staring. That divine grace interceded to let him know there was someone else who remembered.
Rechobot, the komandir says, you were there. It is not addressed to the standard itself, though he is looking at it. It has never left Nachivan. The teenager bearing the orange standard nods and then feels like a damn fool. He was only a child when the war started. He has hung on every word of the stories, but they aren't his to claim. Seye knows it is addressed to him. Sarbadgar's eyes drop down to the standard-bearer's face, and Seye tries to hold his intense gaze. It is impossible. He looks away, and the rider scans him intently.
That was fine work, Sarbadgar says. Seye's eyes snap back to the komandir, who gives him a little nod. The eyes are still intense, but warmer now - almost human. He waits a full second to return the nod, and then the Gushan is leaving, pushing his horse through the stunned body of Mass Jurors. They want to reach out and grab something, his leg or his tunic, his stirrup leathers or his horse. Something, anything to confirm he is real and present, not merely an image. But the old guard, the veterans, they are stock still. The new blood sees their example and maintains discipline as Mass Jurors ought.
Seye stares off into space, unmoving, until he is sure the rider is long gone. Then he allows himself to collapse. Olam Seye, who did not even cry at his own unanesthetized amputation, starts to bawl in the street like an infant.
This is the sway Varhan Sarbadgar holds over these men, the discarded veterans of the War of Behemoth and Leviathan. This is the depth of their affection for him. It is not enough to say they would die for him - if he asked them to die a hundred times over, they would gladly claw at their coffin lids. It is not enough to say he has given them a future - he has given these lost souls everything they were, everything they are, everything they could be.
By his words, he has redeemed their past glories, sanctified their memories. By his actions, he has given them a place in this world, a righteous pride. By his very person, he has promised that they shall never bear such indignities again. No more will courage be met with shame. No more will honor be persecuted. No more will the glorious dead be erased.
Blessed by the Patriarch Amalgast Santsarran, approved by his Grand Sanhedron, the ever-burning banner of Extinguishment flies across Vaspukaran. The old order that crushed the warriors of the Lord underfoot is collapsing. All that is needed is one more push.
Once more unto the breach, dear friends, once more.