The Path Unending (A Cultivation Quest)

Going back to the initial Background / Chargen choices, it occurs to me that we've encountered a representative from every background except for "The Urchin".


"Artisan's Son" is Kong Zhi, obviously.

Artisan's Son said:
[] The Artisan's Son
Your parents might not be nobility, but they are the next best thing. You come from a well known crafter clan skilled in making charms. Your family name is known throughout the land as a stamp of quality and well made products.

Benefits: You begin with higher economic resources and charms tailored to your strengths.

Drawbacks: You are untrained in physical combat. Your family has expectations that you will follow in their footsteps.


Mei Daiyu is clearly "The Ministrel's Disciple".

[] The Minstrel's Disciple
There is more to life than mere survival. There is also song, and joy, and the glory of seeing the world pass by beneath your footsteps. You are the disciple of a famous showman, skilled in the arts of song and theater.

Benefits: You begin with more general knowledge of the world. You begin with knowledge of the first Step, a small advantage over untrained newcomers. You are more personable than your average disciple.

Drawbacks: Minstrels have a certain stigma you will have to overcome. Your connections are very limited. You begin with a debt that will claim more of your economic resources.


We have three potential candidates for "The Noble", but Mo Hanying comes closest to fitting the description. Zhuan Kun isolates himself too much in training to fit the "more connections with others of your ilk", while we haven't really come across anyone "resenting Geng Tu for his advanced position" the same way that we have Mo Hanying.

[] The Noble
You are a child of privilege. Your family is high in the regard of the Imperial Court and you have been raised to one day join them at that lofty rank.

Benefits: Advancement through the first two steps is far easier thanks to familial training, with the only reason you have not already taken a Step being sect rules. You also begin with higher economic resources and more connections with others of your ilk.

Drawbacks: People will resent you for your advanced position. More is expected of you because of your early blooming. You will not have the motivation other, lesser, Artists begin with.


Teng Lim fits the description of "The Scholar", setting aside that we haven't seen him craft any charms yet and thus are unable to confirm that "he began already knowing how to craft charms".

[] The Scholar
Do you know how long the Winter Emperor reigned before being replaced by the Spring? Do you know how many drams of aura can be harvested by consuming a Late-Blooming Melon? Of course you do. You know all of that and far more besides, for you are a scholar from a great archive.

Benefits: You are far more book smart than your compatriots. You begin already knowing how to craft charms.

Drawback: Your people skills are more limited. You begin with few economic resources. You are untrained in physical combat.


Nokai is clearly "The Slave".

[] The Slave
Every man under the sun is entitled to their own body. They are allowed their own dreams, their own hopes, their own lives. Not you. For you are owned by the rich and powerful.

Benefits: You are taken care of physically. You begin trained in combat, if not cultivation. If you impress your master there are nearly endless rewards for you to gain.

Drawbacks: Your body is not your own. You answer to another disciple and are expected to heed their every order. You will begin with a negative reputation with most important people, and everyone above a certain status will expect you to kowtow to them.


But who is "The Urchin"? We know that Ming Hui and Xu Yun came from economically disadvantaged backgrounds, but they were certainly not "malnourished" when we first met them at the Sect. Sun Yijun seems to fit the wandering vagrant archetype which "The Urchin" describes and he certainly matches "begin with no social graces", but he also didn't look all that "malnourished" when we first encountered him at the Sect entrance, and we haven't come across anyone "looking down on him".

[] The Urchin
You know what it's like to be cold. You know what it's like to hunger. You know what it's like to grow up wondering which is more important, taking care of a gaping wound or buying a blanket to keep you warm at night. You are a child of the streets and for you, the world is a very dangerous place.

Benefits: You begin with a higher tolerance for negative situations, be they injuries, ailments, or hunger. You begin very a very high drive to improve.

Drawbacks: You begin malnourished and weaker than any other background. Others will almost to a one look down on you- even slaves. You begin with no social graces. You have no economic resources save what the sect provides.
 
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I don't think there is a direct 1-1 comparison for all the initial starting archetypes. Like I think that have drifted fairly heavily. There is no way that a SV lead Zhi would be Mo Hanying.

buuutttt stillll..... if we are thinking urchin let's not forget Bihai. Exuberant, thieving Bihai has "street rat" written all over him.
 
Vote closed
Scheduled vote count started by Vesvius on May 10, 2021 at 8:10 PM, finished with 102 posts and 75 votes.
 
But who is "The Urchin"? We know that Ming Hui and Xu Yun came from economically disadvantaged backgrounds, but they were certainly not "malnourished" when we first met them at the Sect. Sun Yijun seems to fit the wandering vagrant archetype which "The Urchin" describes and he certainly matches "begin with no social graces", but he also didn't look all that "malnourished" when we first encountered him at the Sect entrance, and we haven't come across anyone "looking down on him".

I'm always thought that Peng Ah was the Urchin. We only saw her a few times, the last of which was on Mo Hanying's hunt, and she was always described as flighty but driven. The one who flocks to all different tasks with gusto but without much skill, scrambling to find her path. She always seemed to act like someone waiting for the other shoe to drop, tensing against a blow she's expecting to come. Here's her last big onscreen appearance though she often shows up in random omakes or in the background of scenes.

Honestly. Why is Peng Ah here?

Your decision made, you amble over to the diminutive girl. She doesn't notice your approach until you're already beside her. You can tell when she finally does take note of your presence; it's when her back goes ramrod straight and her curly hair falls in a veil over her face. But you pretend you don't notice that. Instead, you greet her with a nod and a murmur of, "Peng Ah. It is good to finally make your acquaintance."

"What?!" she nearly yelps. Mo Hanying's amused eyes glance in your direction, and Peng Ah shakes her head. "I mean, yes, thank you. I am glad to formally meet you as well, Kong Zhi…?"

She trails off as she tries to decide if she's addressed you properly or not. You're not certain if she did either, but you cannot bring yourself to care. "Thank you," you reply. "It seems our paths have crossed yet again. I am surprised that this is the first time we have exchanged words."

Peng Ah nods with a jerky motion that tells of nerves she is trying to keep under control. "Yes, I-I have noticed the same," she answers. "Perhaps it is not all that surprising though; you did seem very focused in Elder Yixue's classes."

Oh, right! She was in the classes you took early on in your stay in the Delving Heart. You barely remember the Elder's words, truth be told. You were too busy focusing on what turned into A Moment's Respite. But you do recall something that Jai Shouxi told you in passing from back then. "Indeed I was," you say. "And my work proved quite satisfactory. How did your own work turn out after your troubles?"

Her troubles were someone sabotaging her formation, and the grimace that splits her faces shows that she remembers that all too clearly. "Poorly," she sighs. "I began anew, but the ingredients remaining were of much poorer quality. I was lucky to get a single usable pill from that yield."

Oh, she had some success? That's better than you thought. Curiously, you extend your sixth sense. A quick scan shows no core burning anywhere within Peng Ah. "At least you got the one," you reply as you release your sense. "If I may ask, what purpose did you put it towards?"

Peng Ah glances down at her feet. "I was not prepared to use it myself," she answers. "So I sold it."

"Understandable," you answer. "I hope you got a decent price for it."

"I thought I did until I spoke with others in the Market," she mutters. "Apparently I was horribly underpaid."

Your conversation stops as the fires are finally put out, but soon enough you're moving once again. You pick right up where you left off. "How much?" you ask curiously.

"Three talents," is the reply.

You have to bite your lip to keep from yelling at the thought of that. Jai Shouxi made you a pill, and while it may have been a custom order, you still paid him with A Pond, Reflected. That charm was worth at least triple the amount that Peng Ah received. . The mere idea of surrendering a piece of your art for that little offends you on a deep, primal level.

You say as much with a shake of your head. But when Peng Ah seems to shrink down into herself, you add, "At least it was a lesson learned. I'm certain your next batch was more profitable."

Peng Ah is very interested in the surrounding trees all of a sudden. "I, um, never had a chance to further my refining studies," she replies.

You quirk a brow. That… seems wasteful. While Peng Ah is likely no Jai Shouxi, she still managed to create a viable pill from substandard ingredients with two weeks of training. There must be talent there! To not use it is an interesting decision to say the least.

Peng Ah takes your silence as an invitation to continue. "It's not that I did not wish to continue refining!" she says. "But it is an expensive path. When the ingredients are not provided by the sect, I could not afford the market's prices."

"Oh," you answer. There's an obvious solution there, one so obvious that there must be something you are missing, but you have no choice but to speak it. "And you did not venture into the Heart in search of your own?"

The look Peng Ah gives you is one of mixed horror and incredulity. "On my own?" she nearly gasps. "Perhaps one such as yourself has no trouble in the wilds, but I would be helpless in the face of even the least Spirit Beast."

Your next question- why she simply doesn't ask someone to go with her- is met with a similar reaction. "Because none will venture out for no prize, and I do not have the riches to give them one. Any talent spent on assistance is one that I cannot use for my own purposes." What those purposes are, she refuses to say.

No matter what question you ask Peng Ah, as long as it has to do with her own Path, the answer always seems to come back to a lack of funds. Acquiring martial training is cost-prohibitive. Purchasing pills to advance is too expensive. Right now, Peng Ah seems limited to the least of the sect assignments, and those do not pay enough to further her goals.

Strange. Would her family not send money? Even the least Artist is a boon to any family. But that isn't a question you can just ask. You need to lead up to something like that, or…

Wait, no. You are here specifically to ask questions like that. You have no use for subtlety right now. Everything you want to say can be expressed through conversational flailing. "Does your family not support you?" you ask. "I would think they would be eager to further your advancement."

Peng Ah looks as if you've slapped her. She glares down at the soil once more, silent as another deer is spotted. Yi Tai takes this one, using thrown knives that do not start a fire. As he goes to retrieve his weapons, Peng Ah speaks up again. "They do," she allows. "In their own way. But they do not have the resources to devote to every aspect of my training."

There's something in how she said that that piques your curiosity. "Oh? What do they send you money for then?"

Peng Ah's shoulders hunch in on themselves, but her voice is deliberately calm and casual. "Other priorities," she answers. "Small, everyday things I would not think to tend to on my own. But they are not worth discussing."

She clears her throat and glances up at you. "I would much rather hear tales of your own deeds, rather than bore you with stories of my own path. You must be involved with far more fascinating events than any I could speak of!"

While this passage does speak about a family, her low social standing and struggles with money feel the closest of anyone we've met to the Urchin background. Also for a character who we've only really interacted with this once, she shows up quite a bit in random scenes like Ves is daring us to approach her more.
 
138. A Matter of Aesthetics
A/N: A big thanks to the 36 people who have pledged to me on Patreon! If you'd like to join them, you can do so here.
> Song Douyan. She is hard at work carving amethysts into interesting shapes.
> Siau Satai. She is constructing a canvas from wood and wool, with paints ready and waiting.
> Ta Riou. She is digging a firepit beside what looks like a massive jar of sand.
----------------------
You are not the type of person who can stand and do nothing for hours, nor are you the type of person to stand aside when the sound of tools biting into wood and stone fills the air. With a nod to Fan Zhao you push away from the desk, striding from the judge's station and into the midst of the workbenches.

There is no question where your attention will go first. You make a direct line right for one of the workbenches towards the front of the crafter's area, one bearing the bronze nameplate of Song Douyan. As you do, you inspect the disciple who many of the people you spoke with earlier consider the frontrunner. She is tall and willowy, with dark hair twined into a heavy braid which ends at the small of her back. Her robes are at first glance indistinguishable from the normal garb of the Eighth Circle, but closer inspection reveals them to be tailored in subtle ways to better flatter her physique. Her hands are covered with over a dozen rings and her wide, seemingly innocent features are screwed up in concentration as she works.

But it is not her appearance which catches your eye- it is her work. Sitting on the workbench before her is a pile of gemstones of every shape and color. They are not the highest quality you've ever seen, but they are more than enough for a skilled artisan to transform them into an object of beauty. It seems that Song Douyan is of the same mind as you; as you watch, a gem saw moves quickly in her hands, slicing small slivers from a sapphire and flattening it out on one side.

Song Douyan doesn't notice you as you approach and you don't speak to break her concentration. Instead you squat down next to her workbench and inspect her efforts. So far, she has taken a dozen gems and flattened down one side of each of them. All of them are of similar size and shape after she is done with them, though their colors and types are of an enormous variety. Is she planning on making one larger piece out of all of these gems? Or does she think that a parade of smaller, more detailed gems will make a bigger impression.

Before you can suss out her idea for yourself, Song Douyan finally notices you. She barely manages to keep from leaping in surprise when she spots you inspecting her work. Her heels actually make it off the ground before she pulls herself under control but you tactfully ignore that. "Lord Kong!" she exclaims, voice high and startled. "My apologies! I did not notice your approach!"

"I assumed as such," you respond dryly. "There is nothing to apologize for; such focus speaks well of your skills."

Song Douyan bows so deeply at your words that she nearly smashes her head into the table. "Lord Kong is too kind," she mumbles. "This one is but an apprentice in these arts."

You wave away her humility and return your focus to the workbench. "May I ask what you are constructing here?" you ask.

"Of course!" she chirps, gesturing towards the gems. Song Douyan scoops one up- a flattened emerald- and lets it roll back and forth along her fingers. "As this is a challenge of beauty in form, I decided it would be best to discard any thoughts of use and focus entirely on crafting a striking visual. As such, I will be bringing these gemstones together."

Her hands move back towards the gems but her words continue to flow. "Right now, I am evening out the gemstones so that I may unite them into a greater whole at the end. Once each stone is prepared, I will begin my true work of carving different designs into each stone. Then once all stones are finished, I will join them together into a large globe that can be illuminated from within."

Song Douyan looks up at you, determination writ large upon her face. "Others here may be faster than I. Some may be stronger. But when it comes to catching eyes, there are none here who can stand against this Song Douyan."

Strong words. You nod along with her as you inspect her work. Now that she has said what her final plans are, you can see them coming together. If she can truly put her plans into action then the others will indeed be hard pressed to defeat her. "Good luck, Song Douyan. I look forward to seeing the final result."

"Thank you, Lord Kong! I will not disappoint you!" she grunts out, redoubling her efforts.

Craft (Jewelry) Check: 6d10s7(1.5) (Gifts of Tiaoyue + Son of Kong Shuren). Dice Rolled: 10, 10, 10, 8, 7, 2, 4, 1, 1. 4.5, rounded up to 5 Successes!

You linger around Song Douyan's table for a long moment and watch her work. It becomes quickly apparent that while she is not at your own level, she has reason to be proud of her skills. The forms taking shape within the gems are clear and well defined, each with it's own flair that captures one's attention.

But her inexperience is showing as well. She is using too much of each gem for her designs to be properly realized. If her plan is to create a larger globe out of these individual stones then she will be forced to chip away at her inscriptions to create the joins. The result will still be striking, but it will lose something without the subtle detail work she is laboring over.

Should you say something? You would hate for her to turn in a lesser project- but at the same time, this is a competition. Should you not allow people to sink or swim on their own merits?

Should you point out Song Douyan's mistake?
[] [DOUYAN] Yes, you will draw Song Douyan's attention to her error before it is too late.
[] [DOUYAN] No, you will not interfere. If she turns in a lesser project, it will simply be a learning experience.
[] [DOUYAN] Write-In
***
Not everyone is as hard at work as Song Douyan is though. Several disciples seem to be deep in thought behind their workbench. Some are still at the supplies, carefully picking out the best of what remains now that no one is there to contest them. As you watch, Siau Satai carefully picks through the pile until she finds several lengths of wood missed by Boli Guozao in his quest to capture all the timbers. She doesn't linger at the pile after that; instead she rushes back to her workbench and flies into action.

Soon, the wood has been pieced into a square frame and deposited squarely on Siau Satai's station. Her preparations are not done yet though. With quick, sure motions, she grasps handfuls of wool and begins to twine them between her fingers. Coarse threads form in seconds and are woven over the wooden frame. Barely ten minutes after the frame is constructed, it has been transformed into a canvas just waiting to be painted.

With her base created, Siau Satai gathers pigment after pigment, spreading them out over her workstation before she grabs a worn brush from her own toolkit. She dips it in one of the pigments, brings it up to the canvas- and freezes.

She stands there for a long moment. Siau Satai could be a statue for all of the energy she is exerting. Her curls, shoulder-length and tied back with a length of green ribbon, do not twitch in the least. Her hands do not tremble as they hang over the canvas. Her robes do not shift in the slightest. She appears entirely still, as if moving will attract the gaze of a great predator.

Until finally, the predator seems to move on. Siau Satai's hands spring into motion, drawing lines of paint across the canvas with her brush. Lines become shapes and shapes become images under her careful attention.

You wait until she pauses once more to step behind her. "Interesting work, Siau Satai," you greet her.

Unlike Song Douyan, Siau Satai cannot restrain herself. Her feet lift the ground as she jumps in sheer surprise, a loud squeak leaving her lungs. When she meets the ground once more she spins and bows. "Good day Lord Kong!" she manages to get out.

"Good day, Siau Satai," you respond, responding to her greeting in kind. "I see you've decided to paint us a portrait."

"Yes, Lord!" she answers quickly. "I- I thought that doing so would prove an interesting piece in this challenge! That is, if a painting is allowed. If not, I can still-"

"Of course painting is allowed," you respond, speaking quietly as if to soothe a startled beat. "Many charms take the forms of portraits and paintings. There is no problem here that I can see."

"Oh," Siau Satai responds, voice trailing off lamely. "Good!"

The two of you stand in silence. In the end, it is up to you to break it once more. "What will you be painting for us today?"

"Um," Siau Satai helpfully responds. "I, um, well…" she gestures towards the front of the room. "I have been quite inspired by the decor of the stadium. I was planning to capture that in paint."

You follow her hand and find it pointing at the enormous Scorpion looming over the entire amphitheatre. It really is quite the impressive painting. You can easily see how someone could be moved to replicate such a work, especially if it was already done in a medium similar to their own. Siau Satai's plan seems to have merit, even if it means her final work will be a touch derivative.

The painter seems to hear your thoughts. "I, um, thought that doing so would allow me to capture the experience of this competition," she explains. "Painting the Scorpion and all of us beneath it will demonstrate the fortitude that these challenges have tested and provide an interesting commentary at the same time."

Sense Motive Check: 3d10s7(1.1). Dice Rolled: 10, 8, 8, 6. 3.3, rounded down to 3 Successes!

...you are not sure who Siau Satai is attempting to convince here, but you are fairly certain that it is not you.

Everything about her posture screams insecurity. Her words are delivered with all the conviction of a soaked child desperately trying to convince their mother that they didn't spend all day playing in the river. Siau Satai's eyes flicker back and forth from you to the scorpion to something over your shoulder, never landing any one place for long.

Her plan could be an interesting one- if that is indeed her plan. But right now, you suspect that she has no plan. You would guess that she decided to paint something without first deciding what that painting is going to be and is now struggling along to finish her work before panic truly overtakes her.

Perhaps she never had a plan. Perhaps she had an idea before the stress of the situation caused her inspiration to vanish. You aren't sure. What you are sure of though is that her final piece will be technically sound yet lacking in any real artistic spark. What a shame.

Maybe you should say something to her? You are not one for inspiring words, but your words are better than no words at all. You could attempt to jar her from her panicked state and let her talent shine on this stage- or you could do no such thing and allow her to sink or swim on her own with no guidance.

Will you attempt to inspire Siau Satai?
[] [SATAI] Yes, you will attempt to soothe her panic.
[] [SATAI] No, you will let her work without any interference.
[] [SATAI] Write-In
***
Soon, even as the noise of the audience grows, a thick silence falls over the workstations. No conversation is exchanged between the competitors; all of their focus is on the work taking shape before them. They have not one thought to spare you as you weave your way through the workstations. Those that accidentally meet your eye quickly look away, as if scared that your attention will destabilize their focus and ruin their projects.

Well, most of them look away. One does not.

Ta Riou makes no secret that she is watching you. As she boils container after container of sand in the firepit she's dug next to her workbench, half of her focus is on the work at hand and the rest is squarely on your shoulders. Every time you turn, you catch a glimpse of her watching you avidly out of the corner of your eye.

Interesting. Your curiosity is piqued. If Ta Riou is spending so much time watching you instead of working, she must be truly confident in her skills. On your next pass through the workbenches, you stop next to her station.

Ta Riou is hunched over her firepit when you approach her but quickly straightens up, holding a steel container in thick iron tongs as she does. "Good day, Lord Kong," she greets you calmly. "Give me but a moment."

You nod obligingly and watch as Ta Riou finishes her task. Under your careful gaze, she grabs a handful of powder from a jar on her workbench and throws it into the canister she's just pulled from the flame. Ta Riou moves to return the steel to the fire, but pauses, adding another handful to the mixture before giving it back to the flame. There it joins several other similar containers. Each of them boils and bubbles as the fire's intensity only grows.

When it seems like the sun-bleached blonde is done maneuvering her canisters of sand, you break the silence. "So, what will you be presenting to us today, Ta Riou?"

"I work with glass, Lord Kong," comes the instant reply. "And since you thoughtfully supplied us with so much sand, I thought it would be best to put my best skill on full display. Today, I am creating a window of stained glass."

She gestures at her workstation where a twisted maze of iron sits. "As my glass has been heating, I have constructed a mold of an image that should prove most striking beneath these lights. Now that the mold is complete, I only need the glass to properly color before I set it in place."

You nod. "I see. And what image are you creating in the glass today?"

Ta Riou smiles up at you, full lips stretched into a cheeky grin as she taps the side of her nose. "I could not spoil the surprise, Lord Kong! That would be telling!"

You cannot help but chuckle. "I suppose it would. I'm looking forward to seeing your final project."

"My thanks," comes the quick response. "I look forward to showing it to you- but before you go, might I beg for a moment of your time?"

You pause midstep, her words catching you right before you walk away from her workbench. "Yes?" you say, glancing over your shoulder.

"While I have you here," she starts, moving to rotate a canister as she speaks. "I have a question for you- if it is not too personal, of course."

Perception Check: 4d10s7(1.1) (The Gifts of Tiaoyue). Dice Rolled: 8, 5, 3, 2. 1.1, rounded down to 1 Success!

"I will not know if it is too personal until you ask it, I suppose," you respond.

A laugh escapes from Ta Riou's throat, a full-bodied chuckle that reminds you of tinkling bells. "Very well," she answers. "Then I shall just ask- it is about your eyepatch."

You pause. "Excuse me?" you ask.

"Your eyepatch," she says again. "I… no, it is a silly question. Never mind."

You shake your head and turn back to her. "No, no, please, continue. Now I'm curious."

Ta Riou nods once. "Very well. It is just… your eyepatch is so plain. It is well made, certainly, and functional above all else. But everything I have learned about you, Lord Kong, tells me that you are a person who values form just as much as he does function. Why have you not gotten a patch that more fully speaks to your sensibilities?"

....huh. You honestly have never really thought about that before. "I-"

Whatever your answer was going to be is cut off as you spot something strange happening behind Ta Riou. Another competitor, Po Yuanji, has moved past her workstation on his way to his own. But as he moves past the firepit, something falls from his hand and into one of her jars. You cannot quite see what it was, but you are fairly sure that it is not supposed to be in Ta Riou's glass.

It appears that Po Yuanji is embarking in some truly brazen sabotage. That's not unheard of, especially in competitions like this one, but it leaves a sour taste in your mouth. It is not as if he is acting against the rules of the competition though. Neither you nor Fan Zhao said that sabotage was illegal. Whatever Po Yuanji is doing is entirely permitted.

Still… you cannot say you are in favor of such actions. But should you move to counter them and risk influencing the contest?

How should you respond to the saobatage of Ta Riou's project?
[] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.
[] [RIOU] You will call Po Yuanji to task and order him to fix his sabotage before continuing on his own work.
[] [RIOU] You will stand back and allow nature to take its course. It is perfectly legal after all.
[] [RIOU] Write-In
------------
A/N: Just to remind you all, here's a recap of all you have to vote for this time!
Should you point out Song Douyan's mistake?
[] [DOUYAN] Yes, you will draw Song Douyan's attention to her error before it is too late.
[] [DOUYAN] No, you will not interfere. If she turns in a lesser project, it will simply be a learning experience.
[] [DOUYAN] Write-In

Will you attempt to inspire Siau Satai?
[] [SATAI] Yes, you will attempt to soothe her panic.
[] [SATAI] No, you will let her work without any interference.
[] [SATAI] Write-In

How should you respond to the saobatage of Ta Riou's project?
[] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.
[] [RIOU] You will call Po Yuanji to task and order him to fix his sabotage before continuing on his own work.
[] [RIOU] You will stand back and allow nature to take its course. It is perfectly legal after all.
[] [RIOU] Write-In
 
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[X] [DOUYAN] Save the critique for the end of the challenge, unlike the other two she is performing to her best capabilities.

[X] [SATAI] Yes, you will attempt to soothe her panic.

[X] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.

Douyan's actually doing well so no need to help her imo. Words of encouragement are fine I imagine. As for Riou the only reason that probably wasn't seen is because the guy took advantage of the fact we were speaking to her, so it's as much our fault as it is hers.
 
Should you point out Song Douyan's mistake?
[X] [DOUYAN] Save the critique for the end of the challenge, unlike the other two she is performing to her best capabilities.

Will you attempt to inspire Siau Satai?
[X] [SATAI] Yes, you will attempt to soothe her panic.

How should you respond to the saobatage of Ta Riou's project?
[X] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.

I agree with Wynter. I was original going to say nothing for Douyan, but I like his take.
 
[X] [DOUYAN] No, you will not interfere. If she turns in a lesser project, it will simply be a learning experience.

I feel like giving direct technical help sort of defeats the purpose of a competition. We can bring it up at the judging, as advice for the future. And hey, maybe we're wrong and she's got a clever plan we didn't think of? Probably not, but maybe.

[X] [SATAI] Yes, you will attempt to soothe her panic.

Conversely, helping someone take a breath and not panic seems fine. You can be a great crafter and still get nervous due to competition, time constraints, and an audience. I'm more interested in who is good at crafting than who is good at keeping a cool head.

[X] [RIOU] You will call Po Yuanji to task and order him to fix his sabotage before continuing on his own work.

I'm most inclined to this, but I could go with just telling him too. Doing this might discourage sabotage elsewhere. Like the Satai option, I'm really more interested in who is best at crafting, not who is sneakiest or most observant.
 
[x] [DOUYAN] Ask her how she has calculated the size of the gemstones to fit in the final product. If she catches the hint, all is well, otherwise, it is her own fault.
[x] [SATAI] Yes, you will attempt to soothe her panic.
[x] [RIOU] Pretend as though you are examining the contents of the jars, and 'discover' the additive 'accidentally' and ask her if it is supposed to be there.
 
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HRRRM!
I am most tempted to let what will be, be...But.

[X] [DOUYAN] No, you will not interfere. If she turns in a lesser project, it will simply be a learning experience.

[X] [SATAI] No, you will let her work without any interference.

[] [RIOU] You will call Po Yuanji to task and order him to fix his sabotage before continuing on his own work.
...I am reminded somewhat of certain events surrounds our feud with Jin Yazhu. Namely our sabotage of his materials. That's something I feel the need to note.
 
Dice Rolled: 10, 10, 10
Holy shit.

[X] [DOUYAN] No, you will not interfere. If she turns in a lesser project, it will simply be a learning experience.

I'm not gonna help people with technical details in a contest.

[X] [SATAI] Yes, you will attempt to soothe her panic.

Moral support is fine tho.

[X] [RIOU] You will call Po Yuanji to task and order him to fix his sabotage before continuing on his own work.

None of that now smh
 
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It's hard to justify helping any competitor with their choice of technique or composition, but easy to justify helping to prevent cheating or sabotage. Sabotage lessens the amount of beauty / excellence that the community is able to produce, and therefore works against the very purpose of Crafting itself.

There's also the matter of our protagonist's reputation to consider. A random Sect member wanted to gloat about Kong's having to ask for directions, which speaks to a serious PR problem. It is simultaneously more understandable but also more distasteful that the competitors are scared to look Kong in the eye. Understandable in that they are being evaluated, but distasteful in that they are the closest thing to "peers" whose opinions might matter that we've seen so far. It would be a major PR coup if Kong reveals a love of crafting & craftsmanship that makes him more approachable / likable.

In the hopes of revealing that Kong is an idealist who holds craftsmanship to be sacred, I am voting for the most helpful possible actions:
[X] [DOUYAN] Yes, you will draw Song Douyan's attention to her error before it is too late.
[X] [SATAI] Yes, you will attempt to soothe her panic.
[X] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.
[X] [RIOU] You will call Po Yuanji to task and order him to fix his sabotage before continuing on his own work.

I'm not sure whether Kong will be able to soothe Satai's panic, and I don't know if he has the diplomacy chops to publicly chastize Po, but I'd like this to be a nice characterization moment for Kong.
 
[X] [DOUYAN] Save the critique for the end of the challenge, unlike the other two she is performing to her best capabilities.
[X] [SATAI] Yes, you will attempt to soothe her panic.
[X] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.

Yeah, pretty much agree with Wynter, here. We're supposed to be an impartial judge, so I don't approve of helping Song before this is over, but teaching her something after she's done is fine, so I like the write-in. For Satai, some words of encouragement are fine. And Riou isn't making a mistake, she's just been sabotaged, but such things happen - it'll be on her to fix it now that it's happened, but the sabotage is done and it's not against the rules, and it's not showing too much favor to tell her about it. It also only happened because she was focused on us.
 
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[X] [DOUYAN] Save the critique for the end of the challenge, unlike the other two she is performing to her best capabilities.
[x] [SATAI] No, you will let her work without any interference.

Strive to be fair and impartial.

[X] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.

i want to fix this because in this case i suspect he could not pull this off were it not for us distracting her. It is one thing if another disciple distracted her or she failed to notice sabotage on her own, but ultimately i simply think it unfair for a judge to be involved in sabotage of any kind, planned or no.

EDIT: Changed douyan to wynters write in. its good.
 
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[X] [DOUYAN] Save the critique for the end of the challenge, unlike the other two she is performing to her best capabilities.
[X] [SATAI] Yes, you will attempt to soothe her panic.
[X] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.
 
I don't think we ought to favour any competitor with tips. But neither should we ignore sabotage when it's right in front of us.

[X] [DOUYAN] Save the critique for the end of the challenge, unlike the other two she is performing to her best capabilities.
[X] [SATAI] No, you will let her work without any interference.
[X] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.
 
[X] [DOUYAN] Save the critique for the end of the challenge, unlike the other two she is performing to her best capabilities.
[X] [SATAI] Yes, you will attempt to soothe her panic.
[X] [RIOU] You will quietly point it out to her and allow her to fix the problem before it really becomes an issue.
 
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