I stopped checking SV for a month or two and had fallen behind on MS before that. Imagine my surprise when I saw this was apparently complete! I thought it would literally never end!
I'm sad it's over, but everything did get wrapped-up very nicely and they were kinda running out of major threats and enemies. The world goes on without us, to a better and brighter future.
Thank you for writing this CmptrWz, it has been a joy ever since I discovered it.
I loved the actually reasonable and moral PRT, Cauldron, and other authority figures from the start (the S9 being a roving therapy group is so bizarre to think of that I keep forgetting and wondering "When are the Nine going to show up?" or "Ooooh, that's gonna get Jack's attention, guess I know where they're heading next..." forgetting that in this he's her uncle and a licensed PRT therapist), and the sheer degree to which you subverted the canon in those regards was pleasing and novel to me (such as Costa-Brown having a Presidential Order allowing her to keep her position despite being Alexandria, or the lack of anti-heroes being because a previous president stupidly forbid it) and made the whole story (kinda) feel more 'wholesome' and happy without that (though there was still plenty in the background (E88 are still violent Nazis, Bonesaw caused likely millions of deaths across numerous Earths and virtually wiped-out the senior population by accident, etc.) so it wasn't just whitewashing either). Virtually everyone was a reasonable and rational person, even the Shards and Entities, that I could at least imagine existing in reality instead of being warped caricatures of evil, callousness, and/or apathy.
One thing that I've been thinking about for the past while that bugs me a little: It didn't feel like Taylor ever really felt/emoted anything much stronger than 'mildly/sardonically amused' to 'somewhat annoyed,' at least in the last while in-story. No real extremes of emotion, joy, rage, sorrow, despair, love, etc. are really detectable from the story it seems (at least to me), despite us generally getting insight into what she's thinking and feeling.
That could be the PoV/tone though, as it's a somewhat odd third-person omniscient/hyper-aware first-person clinical thing that I've never really seen before and am not quite sure how to describe. Like we're getting it all retold to us as an after-action report or something, we know everything that went on and what people/she was doing and/or thinking, but it's sort of... stripped of subjectivity or something?