No, your point doesn't stand, because Urobuchi did not go out of his way to portray Madoka as as powerful as you claim she is.
Yes, he did. First, he writes her claiming omniscience. If he didn't want to portray her as omniscient, he would have never written her making that claim. Then, she elaborates, making it a really extensive claim and therefore an even more extreme version of the last point. Then, he has her describe Homura's past, giving credence to her claim. Then, he shows flashbacks of Homura's life as Madoka speaks, symbolising that Madoka knows what she's talking about, giving
yet more credence to her claim, which he would have never done if he was not intending to portray Madokami as omniscient. Then, he shows her appearing in multiple places at the same time and time travelling, to give
yet more credence to her claim. He even goes out of his way to show that this ability is
not linked to her unwitching, showed her in the future, showed her standing in an entirely different galaxy and showed her moving tens of thousands of light years per second, effortlessly, therefore she has no discernible limits to this ability and
provided us with no limit to it. Meaning that she can go
anywhere in time and space, any time she wants t, meaning that if she doesn't know something, she can effortlessly and retroactively find out. Then he even showed her in multiple locations, floating, just before her speech to Homura which has the
sole purpose of telling us to believe Madoka's claims about her power. Then there's the scene where Kyuubey makes a mistake when discussing Madoka's power, Madoka appears,
corrects him, and
demonstrates that
she is right,
not Kyuubey, which is a message from the author telling us to trust Madoka's claims about her power. And claims that "we didn't see her as litterally omnipresent and omniscient" are ridiculous as it's impossible for us to see that and is therefore not something Urobuchi could have included, so he included
all the evidence it is physically possible to include that my interpretation is correct.
But this isn't something you can assume. Just because she hasn't done something before doesn't mean she couldn't do it before.
For example: I don't have a pet dog. No previous version of me have ever had a dog.
That doesn't mean that I need to get superpowers in order to get one, I just need to make the effort.
What it means is that
either you didn't
want a dog, or something
prevented you from getting a dog. We
know what Gretchen wants, so something is preventing her, it means
she's not powerful enough to overcome it, while Madokami
was.
Now, you might say that since Kriemhild Gretchen took 10 days to destroy the planet, it means she's weaker than Madokami. But that isn't neccesarily true (to the extent that you think it is). Because Madokami herself has never shown any capacity for planet-busting, and in fact was overpowered by a dying fourteen-year-old.
Essentially, Madoka threw in all her points into Limited Reality-Warping whereas Kriemhild decided to become a physical powerhouse.
(and yes, we see that a Magical Girl's state has an effect on their witch-form, as shown by Oktavia having 2+ different forms)
Demonstrably wrong.
Firstly, we see the results of a Gretchen with Madokami witch. It
dwarfed the entire lunar orbit, fitting the entire planet in it's mouth, meaning it could destroy the planet in
one chomp (
not ten days). We know that the previous timeline had Homura, on Earth,
outside Gretchen's barrier (which is
much bigger than her
mouth).
Secondly, Madokami is
shown to have the physical power to planetbust. Madoka destroys her witch self (who again,
dwarfs the entire lunar orbit) with a
single arrow, proving she can bust planet-sized objects
easily. And her arrows
aren't "anti-witch" as she requires
several in earlier timelines. She
does not accomplish this via reality warping,
nor does she use her standard absorbtion of full Soul Gems method. She accomplishes it with sheer, brute strength. The writers
could have written the scene as a parallel to Wally's, but they didn't. They were showing off Madokami's physical might.
Being overpowered by a dying fourteen year old means squat when said dying fourteen year old is a
demonstrated Universal reality warper
at least. That argument is like the ridiculous claim that "Ajimu from Medaka Box cannot actually be as powerful as she was previously shown to be as Iihiko could beat her". No. That just makes Iihiko more powerful even than
that.
See, the funny thing about that quote is that it's never fully quoted. The latter half of the Afterword never gets mentioned, probably because it isn't as relevant to Madoka as the first.
I'm gonna post the missing parts even though only 1 sentence is relevant, bolded for emphasis:
The perfect ending that Urobuchi strived for? Fate/Stay Night is that.
And it actually makes sense when you think about it:
"invert black and white, and act in complete contradiction to the rules of the universe." is almost the definition of what a Reality Marble like Unlimited Blade Works does, especially when you consider the origin of the term.
"Only a heavenly and chaste soul" to a certain degree describes Emiya Shirou, who too gave up his humanity and became an eternal defender outside of time like Madoka. They are even both defenders via destruction, although thankfully MAdoka chose that role willingly.
Shirou and Saber can only be united if he's eternally looking for her and she's eternally waiting. That's a pretty accurate description of what Homura/Madoka do at the end of the original. (and boy, isn't Rebellion an interesting twist on that tale)
Heck, he even describes Nasu and his own ideal self with "Warrior of Love", one of the classic descriptors of Magical Girls.
Despite this, you cannot in good faith call any of Fate/Stay Night's three endings "literally perfect".
Illyasviel dies in any of the three scenarios. (getting a few more years in the Fate one, but still dying way before she should)
So she's no longer suffering. Not seeing the problem.
In two out of three endings, Sakura stays with Zouken.
Sucky, but she doesn't in the third.
In all of them, EMIYA returns to his previous role of Counter Guardian, losing his memories of the events like all non-Arturia Servants do.
In general, all of the Master-Servant Pairs with the exemption of Shirou-Saber and Sakura-Rider are permanently torn apart.
Nothing wrong with any of that.
So the perfect ending that Urobuchi wants is anything but.
Well, I'm clearly siding more with him here. Note that EMIYA is
not tricked intlo being ripped out of his role.
Also of note, he never claims that Magical Girl stories allowed him to write a perfectly good ending, only a heartwarmng story. So even if we go with a classic definition of "perfect", you can't assume that Madoka fit that.
Which, from the previous quote, tells us that his definition of "heartwarming" involves being perfect.
Madoka was with Homura. Unless you have "literally next to her all the time" as the definition of with her Madoka never truly left Homura until the ending.
Given enough loops its possible she would have, but the story ended before Homura's fears in that regard became realised.
Well, I pretty much
am using that definition, but either way, we see her
between leaving Madoka and the scene in the desert, so my point stands.
I never said it was either? I said that the existance of the Wraith Arc proves that the story sold by the original's Sequel Hook was worth telling.
I'm saying that the original
did not have a sequel hook.
Rebellion had a
prequel hook. That's the reason Wraith Arc exists.
See, here you are assuming that the author's original intent is more important than their later intent. That they cannot make changes to a setting if they realise that they aren't satisfied with what they originally wrote.
Like, why is the original Madokami more important than the later one? Because Gilgamesh said so?
Because it's an utter desecration of the original work, a destruction of continuity and an assault on suspension of disbelief.
But that isn't relevant to my point. My point is, that if there was
any point, at any time, even for a single second, when they designed madokami, where they imagined her as too powerful for the "point-allocation hypothesis" to work, it means that they
did not design her to fit the point-allocation hypothesis and the hypothesis is thus impossible.
You do recall that less than a minute after Sayaka swore to remember, she forgot, right?
There is
zero evidence of this. Homura told Sayaka that she'd better pretend not to know to avoid alienating Madoka and then she took Homura's advice.
If the next movie takes place immediately after Rebellion, Homura's main opponent will be Madoka, not Sayaka.
Which agrees with the fact that the end of Rebellion was full of sequel hooks. I only mentioned
one. We see Madoka struggling to reassert her memories, Homura confirming that she won't be able to stop Madoka from remembering forever and that they will one day become enemies. Entirely in support of my claim.
Do we actually have confirmation that the next movie will take place after Rebellion, or is this an assumption like how we all assumed Rebellion would show us the Wraith-verse?
Not confirmation, but even if it isn't, my point that the story was known to be unfinished still stands.