Mami's Maisonette: Madoka Magica Megathread

Yes and when she did so she already had changed her memories meaning that she does not have knowledge of events that would happen inside the barrier before the barrier happens. this is because you state that she is all knowing via being able to be everywhere however the isolation barrier makes it so that she cant enter without alerting the Incubators that she entered, and the know she only entered once thus meaning that she does not know what happens inside the barrier before it happens and because of this she can not know how the events of that barrier would effect reality after the barrier is brought down until the barrier is brought down. In other word timaral shenanigans and reality warping were involved.
Again, she can see what happens after the arrier was destroyed before the barrier was even created in the first place, so this isn't an obstacle.
 
But you have no evidence that it isn't her plan, so can't use it as evidence that she isn't all-knowing.
This is a non provable point or a provable one with how your going on about it.
No. I'm claiming she didn't know that she didn't have all of Madoka's memories.
Your claiming that a source of exposition is incorrect.
"Although there will be many hardships to come, I still have to hold on".
Homura at the end of the anime is this.
If the story had achieve the perfect ending you think he believes was achieved then why is the character (Homura) at the same point as all the other stories before it?
 
Whereupon you failed to counter me.
No, whereupon you ignored all counters to continue asserting it was true. The final timeline relied upon a multitude of factors to happen as it did, and the fact that those factors never aligned in the exact same manner previously is not evidence against the original statement.
What "multiple occasions"? The only time I aware of is after we know she manipulated her own memories.
Pretty much every time she interacts with Homura.
And how could she think she's omniscient when she isn't? What possible limitations could she have and where could they possibly have come from? This claim is full of holes and makes no sense from a writing perspective and the author's claims.
By not knowing what she doesn't know. Thinking you know more than you do is incredibly easy.
And the author never claimed that she was omniscient, unless you can provide a direct quote saying "madokami is omniscient"
 
honestly, this has become too draining to continue. Like, I enjoy a good debate, but this isn't a good debate. It's not enjoyable, and it's not going anywhere.
 
Again, I'm not responding to Lost as he doesn't want to continue.

This is a non provable point or a provable one with how your going on about it.

Sure. It's a non-provable point. It's also a completely non-applicable point and attempting to use it is an automatic failure of logic as I've repeatedly explained and you repeatedly ignore. As such, for both reasons you can't use it as evidence of anything, so you have to leave it alone and even if you didn't, the evidence would still support me.

Your claiming that a source of exposition is incorrect.
at that point anymore.
Entirely different situation. Plenty happened in the movie afterwards and they were considering making a sequel anyway, so the fact that it cannot be completely true when you combine what has previously been established with what happens later on in the movie is enough to mean it's contradicted and thus not infallible.

Homura at the end of the anime is this.
If the story had achieve the perfect ending you think he believes was achieved then why is the character (Homura) at the same point as all the other stories before it?

He says he did. And the final scene of the anime shows Madoka whispering encouragement into Homura's ear after that, meaning that Homura isn't at that point anymore. And if you accept Rebellion (which I've told you not to, but you continue to insist on doing, so you've made your bed and have to sleep in it), the story isn't finished anyway, so that's an invalid complaint.
 
Firstly, what terminology would you like me to use? I'll gladly switch if you have a problem with "ludicrously". My point stands anyway.
No, your point doesn't stand, because Urobuchi did not go out of his way to portray Madoka as as powerful as you claim she is.

Secondly, "rewriting the laws of physics" is enough, as it's something no prior loops of Madoka were able to come close to achieving, thus proving my original argument that the "point-allocation hypothesis is codswallop" is correct.
But this isn't something you can assume. Just because she hasn't done something before doesn't mean she couldn't do it before.

For example: I don't have a pet dog. No previous version of me have ever had a dog.
That doesn't mean that I need to get superpowers in order to get one, I just need to make the effort.

Now, you might say that since Kriemhild Gretchen took 10 days to destroy the planet, it means she's weaker than Madokami. But that isn't neccesarily true (to the extent that you think it is). Because Madokami herself has never shown any capacity for planet-busting, and in fact was overpowered by a dying fourteen-year-old.
Essentially, Madoka threw in all her points into Limited Reality-Warping whereas Kriemhild decided to become a physical powerhouse.
(and yes, we see that a Magical Girl's state has an effect on their witch-form, as shown by Oktavia having 2+ different forms)

Apparently you were unaware of the start of the quote:
See, the funny thing about that quote is that it's never fully quoted. The latter half of the Afterword never gets mentioned, probably because it isn't as relevant to Madoka as the first.

I'm gonna post the missing parts even though only 1 sentence is relevant, bolded for emphasis:
Fate/zero Afterword 2nd Half said:
Honestly, I even wanted to break my pen. I remember watching Spidermen II. When I saw Peter wishing that he doesn't have the power to change his body, I also thought 'Perhaps, I wish to never write another script again!'

Therefore, I visited my friend Nasu Kinoko's house on the afternoon of the next day, and wanted to tell him my true intention. But before I spoke with him about what I've been thinking in my heart, Takashi Takeuchi got ahead of me and started talking. And as soon as he spoke he brought up an unthought-of proposal.

The parts afterwards are the same as Kinoko's notes. Although the initial plan was just a short piece describing the duel between Kiritsugu and Kirei, the wings of imagination can't be stopped once it is spread opened and finally all seven Masters and their Servants are gathered together. I found myself once again immersed in the joy of weaving together a story. It can be said that the launch of Fate/zero saved my writing career.

Right now, I've writing a piece that is saved and has a perfect ending. To be more accurate, writing a part of this piece.

Yes. This marvellous piece called Fate - its perfect united ending surrounding the protagonist Emiya Shirō is a set fact. No matter how cruel the end of Zero turns out to be, it wouldn't affect the perfect finish of this entire work.

Right now, I've finally got a chance to write a tragic ending according to my heart's desire. No matter how I display the darkness inside my heart, from an overall look I am nevertheless a partner of 'the warrior of love, Nasu Kinoko'.

Ohhh yeah.

Umm. Although it didn't completely solve my problem, however, to allow me to once again discover 'the self that has the joy of creation' is already a big improvement.

Right now, I'm moving forward step by step. No matter where I end up in the future, I am already very happy at the moment.

According to current projections, Fate/zero should end in four volumes.

At its end, the readers who witness Saber whimpering, will be so overwhelmed by anger and sadness that they will rip the last volume and go impulsively reinstall "Fate/stay night" and then they won't be able to stop until they watch as Saber gains her salvation. That's the conclusion I want to write.
The perfect ending that Urobuchi strived for? Fate/Stay Night is that.

And it actually makes sense when you think about it:
"invert black and white, and act in complete contradiction to the rules of the universe." is almost the definition of what a Reality Marble like Unlimited Blade Works does, especially when you consider the origin of the term.
"Only a heavenly and chaste soul" to a certain degree describes Emiya Shirou, who too gave up his humanity and became an eternal defender outside of time like Madoka. They are even both defenders via destruction, although thankfully MAdoka chose that role willingly.
Shirou and Saber can only be united if he's eternally looking for her and she's eternally waiting. That's a pretty accurate description of what Homura/Madoka do at the end of the original. (and boy, isn't Rebellion an interesting twist on that tale)
Heck, he even describes Nasu and his own ideal self with "Warrior of Love", one of the classic descriptors of Magical Girls.

Despite this, you cannot in good faith call any of Fate/Stay Night's three endings "literally perfect".
Illyasviel dies in any of the three scenarios. (getting a few more years in the Fate one, but still dying way before she should)
In two out of three endings, Sakura stays with Zouken.
In all of them, EMIYA returns to his previous role of Counter Guardian, losing his memories of the events like all non-Arturia Servants do.
In general, all of the Master-Servant Pairs with the exemption of Shirou-Saber and Sakura-Rider are permanently torn apart.

So the perfect ending that Urobuchi wants is anything but.

A "magical girl show" is a work that allows miracles to be written. For me, I think by [writing] Madoka I was able to write a "heartwarming story." To be able to put all these different emotions into a work... that truly owes much to this vessel called the "magical girl show".
Gen Urobuchi, DVD/BD Volume 6 Booklet.
Also of note, he never claims that Magical Girl stories allowed him to write a perfectly good ending, only a heartwarmng story. So even if we go with a classic definition of "perfect", you can't assume that Madoka fit that.

Madoka was there, but not with her and again, we see how she's coping without Madoka already.
Madoka was with Homura. Unless you have "literally next to her all the time" as the definition of with her Madoka never truly left Homura until the ending.

Given enough loops its possible she would have, but the story ended before Homura's fears in that regard became realised.


I never claimed it wouldn't be interesting. I claimed that Wraith Arc was not written because the anime set it up, but because Rebellion exists. So, Wraith Arc was not a response to a sequel hook.
I never said it was either? I said that the existance of the Wraith Arc proves that the story sold by the original's Sequel Hook was worth telling.

You see, you are clearly missing my point. The point is that that was all written after the writers had originally decided they were finished. That means they were not the writers' original plans. As such, even if they later decided to nerf Madokami's powerlevel (which would be disappointing, but whatever), it wouldn't change the original plans they had for Madokami's power, and if original Madokami is too powerful for the hypothesis to be correct, then even if retcon Madokami isn't too powerful, it proves that the hypothesis was not something that the writers wrote into the setting, thus disproving it.
See, here you are assuming that the author's original intent is more important than their later intent. That they cannot make changes to a setting if they realise that they aren't satisfied with what they originally wrote.

Like, why is the original Madokami more important than the later one? Because Gilgamesh said so?

Sayaka, the magical girl, in a state of depression. NOT Sayaka, agent of the Law of Cycles, opposing the tyranny of the Devil.
You do recall that less than a minute after Sayaka swore to remember, she forgot, right? If the next movie takes place immediately after Rebellion, Homura's main opponent will be Madoka, not Sayaka.

And if you accept Rebellion (which I've told you not to, but you continue to insist on doing, so you've made your bed and have to sleep in it), the story isn't finished anyway, so that's an invalid complaint.
Do we actually have confirmation that the next movie will take place after Rebellion, or is this an assumption like how we all assumed Rebellion would show us the Wraith-verse?
 
No, your point doesn't stand, because Urobuchi did not go out of his way to portray Madoka as as powerful as you claim she is.

Yes, he did. First, he writes her claiming omniscience. If he didn't want to portray her as omniscient, he would have never written her making that claim. Then, she elaborates, making it a really extensive claim and therefore an even more extreme version of the last point. Then, he has her describe Homura's past, giving credence to her claim. Then, he shows flashbacks of Homura's life as Madoka speaks, symbolising that Madoka knows what she's talking about, giving yet more credence to her claim, which he would have never done if he was not intending to portray Madokami as omniscient. Then, he shows her appearing in multiple places at the same time and time travelling, to give yet more credence to her claim. He even goes out of his way to show that this ability is not linked to her unwitching, showed her in the future, showed her standing in an entirely different galaxy and showed her moving tens of thousands of light years per second, effortlessly, therefore she has no discernible limits to this ability and provided us with no limit to it. Meaning that she can go anywhere in time and space, any time she wants t, meaning that if she doesn't know something, she can effortlessly and retroactively find out. Then he even showed her in multiple locations, floating, just before her speech to Homura which has the sole purpose of telling us to believe Madoka's claims about her power. Then there's the scene where Kyuubey makes a mistake when discussing Madoka's power, Madoka appears, corrects him, and demonstrates that she is right, not Kyuubey, which is a message from the author telling us to trust Madoka's claims about her power. And claims that "we didn't see her as litterally omnipresent and omniscient" are ridiculous as it's impossible for us to see that and is therefore not something Urobuchi could have included, so he included all the evidence it is physically possible to include that my interpretation is correct.

But this isn't something you can assume. Just because she hasn't done something before doesn't mean she couldn't do it before.

For example: I don't have a pet dog. No previous version of me have ever had a dog.
That doesn't mean that I need to get superpowers in order to get one, I just need to make the effort.
What it means is that either you didn't want a dog, or something prevented you from getting a dog. We know what Gretchen wants, so something is preventing her, it means she's not powerful enough to overcome it, while Madokami was.

Now, you might say that since Kriemhild Gretchen took 10 days to destroy the planet, it means she's weaker than Madokami. But that isn't neccesarily true (to the extent that you think it is). Because Madokami herself has never shown any capacity for planet-busting, and in fact was overpowered by a dying fourteen-year-old.
Essentially, Madoka threw in all her points into Limited Reality-Warping whereas Kriemhild decided to become a physical powerhouse.
(and yes, we see that a Magical Girl's state has an effect on their witch-form, as shown by Oktavia having 2+ different forms)

Demonstrably wrong.

Firstly, we see the results of a Gretchen with Madokami witch. It dwarfed the entire lunar orbit, fitting the entire planet in it's mouth, meaning it could destroy the planet in one chomp (not ten days). We know that the previous timeline had Homura, on Earth, outside Gretchen's barrier (which is much bigger than her mouth).

Secondly, Madokami is shown to have the physical power to planetbust. Madoka destroys her witch self (who again, dwarfs the entire lunar orbit) with a single arrow, proving she can bust planet-sized objects easily. And her arrows aren't "anti-witch" as she requires several in earlier timelines. She does not accomplish this via reality warping, nor does she use her standard absorbtion of full Soul Gems method. She accomplishes it with sheer, brute strength. The writers could have written the scene as a parallel to Wally's, but they didn't. They were showing off Madokami's physical might.

Being overpowered by a dying fourteen year old means squat when said dying fourteen year old is a demonstrated Universal reality warper at least. That argument is like the ridiculous claim that "Ajimu from Medaka Box cannot actually be as powerful as she was previously shown to be as Iihiko could beat her". No. That just makes Iihiko more powerful even than that.

See, the funny thing about that quote is that it's never fully quoted. The latter half of the Afterword never gets mentioned, probably because it isn't as relevant to Madoka as the first.

I'm gonna post the missing parts even though only 1 sentence is relevant, bolded for emphasis:

The perfect ending that Urobuchi strived for? Fate/Stay Night is that.

And it actually makes sense when you think about it:
"invert black and white, and act in complete contradiction to the rules of the universe." is almost the definition of what a Reality Marble like Unlimited Blade Works does, especially when you consider the origin of the term.
"Only a heavenly and chaste soul" to a certain degree describes Emiya Shirou, who too gave up his humanity and became an eternal defender outside of time like Madoka. They are even both defenders via destruction, although thankfully MAdoka chose that role willingly.
Shirou and Saber can only be united if he's eternally looking for her and she's eternally waiting. That's a pretty accurate description of what Homura/Madoka do at the end of the original. (and boy, isn't Rebellion an interesting twist on that tale)
Heck, he even describes Nasu and his own ideal self with "Warrior of Love", one of the classic descriptors of Magical Girls.

Despite this, you cannot in good faith call any of Fate/Stay Night's three endings "literally perfect".
Illyasviel dies in any of the three scenarios. (getting a few more years in the Fate one, but still dying way before she should)

So she's no longer suffering. Not seeing the problem.

In two out of three endings, Sakura stays with Zouken.

Sucky, but she doesn't in the third.

In all of them, EMIYA returns to his previous role of Counter Guardian, losing his memories of the events like all non-Arturia Servants do.
In general, all of the Master-Servant Pairs with the exemption of Shirou-Saber and Sakura-Rider are permanently torn apart.

Nothing wrong with any of that.
So the perfect ending that Urobuchi wants is anything but.
Well, I'm clearly siding more with him here. Note that EMIYA is not tricked intlo being ripped out of his role.

Also of note, he never claims that Magical Girl stories allowed him to write a perfectly good ending, only a heartwarmng story. So even if we go with a classic definition of "perfect", you can't assume that Madoka fit that.

Which, from the previous quote, tells us that his definition of "heartwarming" involves being perfect.

Madoka was with Homura. Unless you have "literally next to her all the time" as the definition of with her Madoka never truly left Homura until the ending.

Given enough loops its possible she would have, but the story ended before Homura's fears in that regard became realised.

Well, I pretty much am using that definition, but either way, we see her between leaving Madoka and the scene in the desert, so my point stands.

I never said it was either? I said that the existance of the Wraith Arc proves that the story sold by the original's Sequel Hook was worth telling.

I'm saying that the original did not have a sequel hook. Rebellion had a prequel hook. That's the reason Wraith Arc exists.

See, here you are assuming that the author's original intent is more important than their later intent. That they cannot make changes to a setting if they realise that they aren't satisfied with what they originally wrote.

Like, why is the original Madokami more important than the later one? Because Gilgamesh said so?

Because it's an utter desecration of the original work, a destruction of continuity and an assault on suspension of disbelief.

But that isn't relevant to my point. My point is, that if there was any point, at any time, even for a single second, when they designed madokami, where they imagined her as too powerful for the "point-allocation hypothesis" to work, it means that they did not design her to fit the point-allocation hypothesis and the hypothesis is thus impossible.

You do recall that less than a minute after Sayaka swore to remember, she forgot, right?
There is zero evidence of this. Homura told Sayaka that she'd better pretend not to know to avoid alienating Madoka and then she took Homura's advice.

If the next movie takes place immediately after Rebellion, Homura's main opponent will be Madoka, not Sayaka.

Which agrees with the fact that the end of Rebellion was full of sequel hooks. I only mentioned one. We see Madoka struggling to reassert her memories, Homura confirming that she won't be able to stop Madoka from remembering forever and that they will one day become enemies. Entirely in support of my claim.

Do we actually have confirmation that the next movie will take place after Rebellion, or is this an assumption like how we all assumed Rebellion would show us the Wraith-verse?

Not confirmation, but even if it isn't, my point that the story was known to be unfinished still stands.
 
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...Trying to stay out of this but still feeling the need to say something is fucking awful.
Screw it, posting then unwatching the thread so I stop being filled with dread whenever I see it pop up on my unread threads page.

What it means is that either you didn't want a dog, or something prevented you from getting a dog. We know what Gretchen wants, so something is preventing her, it means she's not powerful enough to overcome it, while Madokami was.
You know it's entirely possible for madoka to just not witch out, right?

We know that the previous timeline had Homura, on Earth, outside Gretchen's barrier (which is much bigger than her mouth).
Comparing Timeline Four to the Final Timeline is so flawed as to be completely invalid for the purposes you're trying to use it for.
And no, that is not the timeline immediately before the final one, because we never see that timeline at all and thus the gretchen we see cannot be from that timeline.

And her arrows aren't "anti-witch" as she requires several in earlier timelines.
She didn't make an anti-witch wish in earlier timelines, so this argument is invalid.

So she's no longer suffering. Not seeing the problem.
Death is not a good thing.

Sucky, but she doesn't in the third.
One out of three isn't very good, and certainly isn't perfect by any stretch of the imagination.

Nothing wrong with any of that.
Yes, there is. Or did you miss the part where EMIYA was so utterly and fundamentally miserable in his role that he tried to paradox himself out of existence?
I disagree on the master servant pairs being broken up not being a bad thing as well, but that's subjective.

Because it's an utter desecration of the original work, a destruction of continuity and an assault on suspension of disbelief.
This is a subjective opinion, and one I personally believe is wrong.

But that isn't relevant to my point. My point is, that if there was any point, at any time, even for a single second, when they designed madokami, where they imagined her as too powerful for the "point-allocation hypothesis" to work, it means that they did not design her to fit the point-allocation hypothesis and the hypothesis is thus impossible.
They never did, though, thus the hypothesis is not impossible. That's kinda the whole point.
 
Madoka destroys her witch self (who again, dwarfs the entire lunar orbit) with a single arrow, proving she can bust planet-sized objects easily. And her arrows aren't "anti-witch" as she requires several in earlier timelines.
Ok I personally am going to stop after this post for this argument because both you sereg and I am not going to change our minds however, Madoka is anti witch, her wish makes her anti-witch, any action token by her own hand has the power to destroy any witch, that was her wish and trying to say otherwise is foolish to a idiot degree, Madoka most likely could simply have just walked up to her own witch and slap it and would insta-kill the thing, Because she has the power to kill all witches with her own hands and if you want to say her arrows did not become anti witch then Madoka's existence became anti witch. her killing a planet size witch does not make her a planet buster, her killing a galaxy size witch does not make her a galaxy buster, she can not fail to kill a witch and cannot fail to not attempt to do so. That was her wish in the most central way.
 
Okay. As they've dropped it, I won't respond to their points again. As always, unless someone else brings them up.
 
PMMM Themes
Let there be fire.
Not really. Becoming a MG doesn't really mean anything for the reincarnation cycle unless, maybe, you become a Witch or enter the Law of Cycles.

As a Witch, this is not desirable. The point of leaving reincarnation is to escape the suffering caused by attachments and desires; Witchdom is essentially Buddhist Hell; never moving beyond your attachments and always suffering. If the Grief Seed is permanently destroyed, they might be able to move on to the next life, however. It's directly analogous to being a Hungry Ghost, one of the Six Realms you can reincarnate into, where you desire things you can never have, and which you can be stuck in for several human lifetimes, perhaps even millions of years.

The Law of Cycles is directly equivalent to being a Deva, a godlike being free from most forms of suffering as they have plenty of worldly pleasures ontop of all their magical powers. Deva are like saints you can pray to, and are the closest thing to a god in Buddhism in the classical sense, but it's still not desirable to be one because it's not yet proper Enlightenment. It might take thousands, or millions of years, but you are meant to transition from the state of being a Deva as well.

Madokami is a Bodhisattva, a person who's capable of reaching perfect Enlightenment, but ceases at the last moment, turning around to save all other souls before they themselves make the final leap. A Bodhisattva is the perfect, flawless incarnation of infinite and unconditional compassion for all beings who experience and feel things in the multiverse.

One day, the Law of Cycles will collect all Magical Girls, in all universes, and one day this universe will end in several Kalpas (a cosmic unit of measurement in Hinduism and Buddhism). When that day finally comes, a new universe will probably be born. Such is the way of eastern spiritual thought. When that time comes, what will the Magical Girls do?

...It'd be time for their next lifetime, if they hadn't already moved on for such. Who knows how long Madokami keeps a particular girl with her? Perhaps after a few thousand years of service as her Angel, you've emotionally matured enough that you can transition to your next reincarnation.

This is all, of course, assuming Buddhist principles are literally in play and not just symbolically, of course.

To be honest Aura, one of the things that makes me doubt the Buddhist subtext is the very nature of Madokami. I remember you once said that one of the principles of Buddhism is the balance between Hope and Despair; enter Madokami, who is explicitily a force of good who ends up rewritting reality and due to her works the balance of the original series is upset in favour of the magical girls, not taking Homura's account into a higher consideration.

Edit: We could also leave it at the setting running on a syncretic base of principles.

There probably is some syncretic stuff going on, but Madokami, while a force of good, IS balanced by the universe.

Namely, the Wraiths, and eventually Homucifer. Hell, she balances herself, because Madoka offers Magical Girls the possibility of escape from Hope and Despair (as Sayaka and Nagisa elaborate), but she does so by manifesting as Hope in your most Despairing moment.

You should also check out Wraith Arc; things aren't in the Magical Girl's favor as much as you say; a Wraith can eat a girl's magic and leave her permanently powered down, instead of being killed humans can permanently have their emotions and feelings erased, and Magical Girls can be possessed by Wraiths, when Witches didn't seem to have that ability.

And now we have our newest topic for the Maisonette. :V
 
The Morality of Sayaka and Kyouko
now this is utter bullshit your way of thinking is no different from Kyouko who refuses to save people because she has no need to ensure her survival via your own views you are evil and should be put down for it.

I do save people I have no need to to ensure my own survival. I've risked my own life to save others when they were complete strangers to me. (And was praised for it by the witnesses). So, yes, it's different from Kyouko. When Sayaka killed those men, it wasn't for her own survival. It was to protect people from their abuse. If you can't see the difference, sorry for you. (Also, I fully admit to being evil. I don't believe in the existence of people who aren't evil. I used to believe that I should be put down as well and was planning it when I realised I help people more by being alive. If I committed suicide when I planned to, I would have never protected that family. If Sayaka killed those thugs, they would have never abused anyone again. I know which I see as the better world)

She was just talking to them about the way they were talking about their girlfriends. And she'd previously talked about how she'd fight anyone more evil than a witch to protect others. Also, if it was just because she was high on grief, she'd have never gone over and talked to them. She'd just have mowed down everyone nearby.

You know, the discussion about the morality of Kyouko farming grief seeds off of familiars, who killed humans to reach that point, sorta reminds me of the trolley problem (at least, assuming that most of how that worked was simply her not interfering as the familiar went about, rather than her snagging people and dropping them in front of familiars).

And there's only one answer I have for the trolley problem:

(More seriously, my answer is "I'm a fat man, so I'll jump on the track myself. Deal with it you tenured prune.")

Your view is .... whats the point of helping people if they are evil, what is the point of of killing thous 'thugs' if the people they are with are evil. You are deciding that from a single conversation they they are truly evil enough to die.

You can not Judge a person enough to decide that they should die base on less then 100 words that the person themselves say. For by that reason.. That reason is no different then every mass murder throughout history.
  • The Bath School Disaster of 1927 – 45 Victims.
  • Virginia Tech – 2007 – 33 Victims.
  • Sandy Hook Elementary – 2012 – 28 victims.
  • University of Texas Massacre – 1966 – 16 Victims.
  • Columbine – 1999 – 15 Victims.
  • Red Lake Senior High Massacre – 2005 – 8 Victims.
I could list more or even worse but making judgements on live and death are not to be made easily not without dam good reasoning.

There were only 3 people in that train car so really she did mowed everyone nearby.

No it was to enforce her viewpoint on the world disregarding the world's own viewpoint.
What I feel is right is when people strive for being good, reaching for bettering yourself or thous around you while excepting that you may never truly be perfect, Sayaka refuses the idea by believing herself to be perfect ignoring the idea that she is wrong until the very end leading to sadness pain and in the end making things worse.

Not saying that kyoko is any better but she is sorta the opposite she believes herself to be a sinner and failed disregarding any hope for light within herself, until she has to deal with Sayaka's witching. In her final moments she excepts that she failed but that she had light that could have grown, and does her best to improve that light at the very end.

In the end both of the stories these to girls had in the anime are tragic dark depressing things, and yet they show that even in failing it is goddam beautiful in trying.

Because to help is good.



Because the people they are with shouldn't be harmed for the simple reason that they are evil.



Yes, I am. That said, I've clearly represented myself badly. I do not believe that Sayaka killing those people was the best outcome or the best thing she could do. Merely that it was a better outcome than the status quo and that it was an understandable and acceptable result in the circumstances. I do not believe that the death penalty was the most appropriate for them. However, it wasn't a terrible way to handle the situation and good came of it.



Why not? "I'm going to have so much fun raping those babies tonight!" You really think that talking to someone longer than that is going to convince you they aren't that bad?

I do not accept your premise, so the conclusion does not follow for me.



And I consider "They were boasting about abusing their girlfriends" to be that.



That would require her not to go up and talk to them.




Okay. Enforcing Sayaka's viewpoint onto the world, disregarding the world's viewpoint improves the world, so I support that.



Firstly, Sayaka never considered herself perfect. She demonstrates that even before wishing. She did exactly what you claim is right (which I think is a decent description) Secondly, I do not believe Sayaka made things worse. Nor do I see her as having failed.
hmm Sayaka believes herself to be the most perfect person around after Mami's death and refused to change her mind on anyone other then Madoka who she came to be mean to.
Also her last words talks about how she believes that all the good she'd done will bring about a = amount of bad, from her point of view she came to think that the good she has done is pointless and that she has already started to do bad, what makes you think she didn't become a lifeless doll waiting to cease after killing thous 2 men?
 
We were asked to move this here, so...

Just because you're doing your serial killer monologue before you kill everyone in the room doesn't change that you just killed everyone in the room.

It does mean you didn't just kill everyone n the room though, so you weren't a deranged hurricane of bestial instinct and no mental faculties.

I'm not even touching the Kyouko subject, my issue is Sereg saying Sayaka murdering two dudes is A-Okay. It's really fucking not, and them being scumbags doesn't change that.
It wasn't good, it wasn't noble, it wasn't right, it was just fucking murder.

Oh that, yeah definitely agree murder is never effing okay.

It's just...no one has the right to take another person's life, no matter what fucking monsters that other person is.

I feel it's better to just look them up alone so they can rot.

And I inherently disagree with this. I believe leaving a monster alive makes you guilty of all their future crimes.

For example, in my city, a trial has been going on for one of our vigilante brothers. At every trial, his entire community come and protests outside the court in support of him. A drug-lord was bribing the police so they refused to arrest him despite his drug trafficking ruining the community.He also raped and murdered a young girl and a young boy on two separate occasions and the police still turned a blind eye as they were in his pocket. So, to protect the children, this hero killed the drug-lord to praise by the community and the police arrested him.

I too support him.
 
hmm Sayaka believes herself to be the most perfect person around after Mami's death and refused to change her mind on anyone other then Madoka who she came to be mean to.

No one gave Sayaka any evidence to change her mind. Changing your mind without evidence isn't clever.

Also her last words talks about how she believes that all the good she'd done will bring about a = amount of bad, from her point of view she came to think that the good she has done is pointless and that she has already started to do bad, what makes you think she didn't become a lifeless doll waiting to cease after killing thous 2 men?

Well, she did. That was just prior to witchout. But I don't see the relevance?
 
And I inherently disagree with this. I believe leaving a monster alive makes you guilty of all their future crimes.

For example, in my city, a trial has been going on for one of our vigilante brothers. At every trial, his entire community come and protests outside the court in support of him. A drug-lord was bribing the police so they refused to arrest him despite his drug trafficking ruining the community.He also raped and murdered a young girl and a young boy on two separate occasions and the police still turned a blind eye as they were in his pocket. So, to protect the children, this hero killed the drug-lord to praise by the community and the police arrested him.

I too support him.
On one hand I agree on the other I disagree that Sayaka had enough of a reason to justify killing thous 2 men.
No one gave Sayaka any evidence to change her mind. Changing your mind without evidence isn't clever.
"There there, its ok humans are just so easily fooled and when they see something they see only what they want to see or what is wanted to be shown instead of what is acutely happening in-front of their eyes."
She already had all the information needed to at least come to the conclusion that she does lack knowledge and should most likely seek out more, she instead stuck to her first view of every person she came across, the only reason she did not try to kill Kyoko is because she knew she would fail, She had fallen to Kyoko's level of evil when she killed thous 2 people on the train. To have gain enough information to justify her murders? She should have at least check in on the women and get a read on their thoughts on the matter, for all you know Sayaka killed the only people who provided for them and they will now die of lack or be forced to rent themselves out to an even greater evil.
 
On one hand I agree on the other I disagree that Sayaka had enough of a reason to justify killing thous 2 men.


She already had all the information needed to at least come to the conclusion that she does lack knowledge and should most likely seek out more, she instead stuck to her first view of every person she came across, the only reason she did not try to kill Kyoko is because she knew she would fail, She had fallen to Kyoko's level of evil when she killed thous 2 people on the train. To have gain enough information to justify her murders? She should have at least check in on the women and get a read on their thoughts on the matter, for all you know Sayaka killed the only people who provided for them and they will now die of lack or be forced to rent themselves out to an even greater evil.
As I said, I don't think it was the best way to handle the situation. Merely an acceptable one given the circumstances. I agree that that would have been better. That said, I'm not an "ends justify the means" guy. What happened later on might be sad, but it doesn't change the good of the interim. I do not believe that every person who kills another is equally evil. As I said, I don't even consider those murders to be an evil act. Sayaka fights to make the world a better place. Kyouko causes suffering for her own gain. The two are as different as it is possible to be as far as I'm concerned.

(Also, if I was in Sayaka's position, I would also have tried to kill her. I agree with Sayaka's assessment of Kyouko)
 
That said, I'm not an "ends justify the means" guy.
ah I am a every situation is different/end justify the means sort of fellow.
What happened later on might be sad, but it doesn't change the good of the interim.
This is sort of an the flip side of the coin of things will get worse before they get better, sort term loss for long term gain is for the most part far better then short term gain for long term loss.
Sayaka fights to make the world a better place.
So was the thought process of almost every terrorist group if everyone believes that they are aiming to make the world a better place and thus doesn't even try to listen to thous around you well one would probably cause more problems then fixed.
Kyouko causes suffering for her own gain.
This is due to the fact that she believed that helping others will lead to even greater evils taking place (aka her wish for her family ended in them committing suicide and kyoko being told by her father who was given brain washing powers that she is a witch/servent of the devil.) She chooses to give up on being good because it leads to greater wrongs taking place. until the events with Sayaka happens.
The two are as different as it is possible to be as far as I'm concerned.
You do know that Kyoko was essentially as much of a hero as Mami before her families suicide? Sayaka walked down the path the that is just as dark/evil as the one Kyoko has took.
 
...I'd think of Kyouko as abrasive, selfish and cynical. She's a survivalist, and one who believes in using magic solely for herself. I'd think that for her, as long as she gets to live, not much else matters. The more altruistic, heroic side of her is buried under all that cynicism because of what happened to her.

I'd think that not killing a familiar, thus letting it go, is less severe (though still not good) than say, luring a familiar to a crowd, but that would be like comparing an act of omission or neglect to an act of commission or malice.

Sayaka tries to uphold her just beliefs, which is admirable, but she also breaks down when she realizes that she falls short of them, which is understandable. Also, there is being steadfast in one's beliefs, then there is being close-minded. There is seeing everything in black and white, then there is seeing the gray areas in between, but striving to do good and be good nonetheless.

But then again, one does have lines that one simply does not cross, and would not want to see other people crossing said lines.

...Or at least these are some of my thoughts on things.
 
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We were asked to move this here, so...



It does mean you didn't just kill everyone n the room though, so you weren't a deranged hurricane of bestial instinct and no mental faculties.





And I inherently disagree with this. I believe leaving a monster alive makes you guilty of all their future crimes.

For example, in my city, a trial has been going on for one of our vigilante brothers. At every trial, his entire community come and protests outside the court in support of him. A drug-lord was bribing the police so they refused to arrest him despite his drug trafficking ruining the community.He also raped and murdered a young girl and a young boy on two separate occasions and the police still turned a blind eye as they were in his pocket. So, to protect the children, this hero killed the drug-lord to praise by the community and the police arrested him.

I too support him.
Future crimes?
What future crimes? I'm saying rot, as in get old, mistreated, and f%&-ed up in prison, alone, in a deep, dark cell with thick concrete walls were no one can talk to you, zero access to the outside world, where the food and water is basically f*&-ing crap, and rot.

And yes, I know it's not actually that way, but dang it all, a guy can hope it will, can't he?

Basically, I want these people gone, but I don't think murder is the right choice if one can help it, self-defence being one of those sadly necessary exceptions.

Mind you, harmful injury is not something that I'm...opposed to. Just when it leads to death.

And as for that case you mentioned, yes, I don't blame the guy for what he did, that drug lord sounds like a complete monster, but....sigh, let's just say my belief in this is like yours in that it's very rock solid and I won't budge on it, and let's leave it at thet yeah?
 
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