The alternative is that she genuinely is the beep-boop Maximum Utility Post-Apocalyptic Rationalfic Protagonist that she basically posits herself as, but that falls apart when you consider the actual input-output of her actions, past a certain point. So either she's a badly written example of an awful and obnoxious archetype, or she's a well-written human being whose self-image largely relies on justifying her actions in that exact way. Anyway, I prefer the latter.
Of course, all things considered I actually prefer early game Taylor, who was a rather different animal, because she lived in early game Worm, which was a very different story altogether. By the end game it's honestly tricky for me to pin down very many meaningful differences between her and Alexandria, save that Skitter's right and Alexandria's wrong, largely because Alexandria, like the rest of Cauldron, is an incoherent jumble of bad decisions stuffed into a barrel labelled "Path to Victory tho".
I should perhaps clarify that I don't... really
count Taylor's behavior, up until Golden Morning, starting from when she turns herself in the PRT for... no properly set up or explained reason in some bizarre bid to strongarm them into being More Good because somehow this course of action is supposed to be self-evidently and intuitively logical to the audience??
The act of turning herself in is in no way a logical continuation of the Taylor of even five seconds before she does it, and the story goes to great pains afterward to make it clear that any vaguely rational outside observer would view her as "cold", awful, etc etc which it supports primarily by suddenly having her massively out of character. (There's
moments that feel genuine, like the "your room is bugged, but the bugs are outside, Directors", but they're very much exceptions)
If you're basing your interpretation of her off of later stuff? Yeah, I'm not going to argue that turning-herself-in Taylor isn't a hypocritical jackass, because she most certainly is.
But that part of the story is a giant mess that doesn't follow from the prior parts and feels too much to me like Wildbow finally gave up on waiting for a story-logical moment to make Taylor into a Ward and forced it to happen for no deeper reason than because he'd already planned for Taylor to become a Ward at
some point, damn the torpedoes, full speed ahead!
So I ignore it.
The lack of options doesn't mean she's not passive, mind you - but a naturally reactive, passive mindset also isn't a crime.
She doesn't analyze her options. She doesn't go "What are my options?... um. Uh-oh." She just... goes straight to "I can do nothing". (Which, honestly, is
really weird when contrasted against the Bank scene? Sometimes I want to just write off everything starting from when the Nine show up, because honestly even the non-Jack members produce some narrative contortions) Passive, helpless.
My issue with her passive mindset -aside from it being something that personally grates on me, and also aside that I have trouble thinking of a
male character Wildbow writes with the same mindset- is how it shapes my view of how she judges other people. Her judging people smacks of holier-than-thou nonsense where she can say "I would
never do X unless forced to" less because she's that moral and more because really, if she had her way, she'd never do
anything unless forced to. It's a very subtle,
nasty sort of trick, where her position is "unassailable" not because she's actually morally superior but because she's leaving out a major difference in her operational procedure that makes the comparison entirely misleading and unfair.
It's like judging a soldier for the fact that they kill people and dodging around the question of what
you would do if
you were a soldier. You, as a corporate office drone, would
never shoot anyone to death! Yeah, and?
That's why I bring up her passivity.
You're making a lot of assumptions to suit your conclusion, there. You are, for example, assuming that creating a mutant bug with a functioning digestive system capable of supplying it with enough energy to live for an extended period of time is less difficult than creating one without (note: mayflys naturally have a non-functional digestive system - this is nothing new). You are further assuming that this gap in difficulty is non-trivial. Panacea doesn't phrase it that way - she presents it as just not bothering to give them one, and Grue has to struggle to half-ass a human digestive system into Atlas.
I'm not. I'm focusing on
her wording,
her phrasing, and how she insists on having confrontational and judgmental conversations with Taylor while doing this.
Hell, she could've just said "I can make more bugs for you, for less resources, faster, if I strip out those kinds of functions. Victory now is what matters." (Something to that effect) No need to actively snipe at Taylor and make it 100% explicit her goal is to fuck over Taylor down the line.
But no, it's just Too Important to her to make it 100% clear to Taylor that she hates her and is going to sabotage her even while helping her.
There is
no need for Amy to handle things in this way. She does it anyway.
Her only meaningful social contact is with Glory Girl, the gossip-prone girlfriend of Gallant. Considering how deliberately public the actions of the Undersiders were, it seems wishful thinking to assume she hasn't heard about Skitter's ongoing career in villainy since their first, traumatic meeting.
Yes, she uses "a Villain" as shorthand for that, because Taylor is a Villain. That is to say, she's someone who uses their power to steal and injure and generally engage in ne'erdowellery. And yes, that's a term which encompasses everyone from Uber and Leet all the way through to Jack Slash, but it's not as though Taylor's given anyone but Armsmaster reason to believe she's anything but a generic costumed opportunist.
If I'm playing devil's advocate, then you're being equally uncharitable.
I feel like you're missing the thrust of what I'm saying.
You seem to be operating on the idea that Panacea's judgement implicitly incorporates information on the idea that it seems
likely she knows about these other actions, and then further assuming -for no apparent reason- that this factors into her judgement of Taylor, which then gets
summarized by saying "you're a Villain."
We get to see inside her head
twice and see her from several different outside perspectives over the course of the story. There is nothing about the way she thinks or operates that supports this. She persistently and consistently gets stuck on this
Villain label, and her own internal narrative about the danger of turning into a monster is that if she makes
one mistake she fears she will forever more be(come) a monster. Her entire black-and-white morality all but precludes the idea of contextual, complicated judgments accounting for circumstantial information, motivation, etc etc.
In addition to the Watsonian perspective, the Doylist perspective is that this portion of the story
revolves around people reacting to Taylor for no deeper reason than because "she's a Villain", with Taylor repeatedly going against the "current" to try to be nice to people who think she must needs be a monster
just because of that label.
So from both a Watsonian
and a Doylist perspective, it looks to me like Panacea's negative perspective on Taylor is
irrespective of her actual actions, bar the highly personal Bank incident explicitly coloring her perception.
If you want to call that uncharitable? Sure, fine, whatever. I've said before I tend to accentuate the negative, and other people's reactions to me tend to agree with this idea.
But no, I'm not simply going "I dislike Amy, so I will assume for no particular reason she's evil and stuff."
In fact, again: on my first read-through, she grated on me, but by the time I got to the end I only vaguely remembered her Woobie history and nothing else and shrugged my lingering dislike of her off. "Bad first impression, I guess" I said to myself, my memory too fuzzy to remember why I had originally disliked her intensely.
It was only on my second read-through -the one where I was now
biased to be sympathetic toward her because I remembered only the Woobie backstory- that I really went "Wait a second, she's
horrifying."
This may be happening because we're apparently using different standards of self-awareness? And it kind of ties into what I mean when I say I feel like you have a tendency towards reductionism. You rightly observe that her observation of her own moral failings is inspired by the painful dissonance caused by not living up to her standards... but then you treat that interpretation as mutually exclusive with self-awareness? Which doesn't make any sense to me. I don't see why personal observations/insights have to come from a place of robust comprehension of oneself or 'larger ideas about who you are' to qualify as self-aware. Even chronically myopic people can have moments of partial, narrow clarity. Like, to try and borrow your analogy, which I would also argue is misleading because pain is by definition wholly involuntary and self-reflection is not, I don't see why observing and then describing/articulating that painpoint (i.e. the observation that she is not as moral as she wishes to be) to another person (which she did) wouldn't count as self-aware, regardless of whether or not she's perceiving the more basic cause of the dissonance.
Part of my point is my impression of those moments is that it just... happens. And then she moves on.
Like, yes, it
could have been a moment where she questioned her basic assumptions. Wondered why it is the person she is disagrees so sharply with the person she wants to be and/or thinks of herself as. Poked at least a
little at some of her standing assumptions, wondering if
maybe some of them are contributors to the final product of who she is.
Instead she sort of goes: "I know I should be moral here, and I'm not being moral here. This moment of awareness of my own inadequacy makes me Sad."
pause "I shall now proceed on my current course, unchanged in every regard by this moment."
She doesn't seem to ever have an inkling that she needs to
change who she is if she wants to fix this up until she Body Horrors Victoria in her attempt to save her life.
That's part of why I used the metaphor I did: to me, Panacea is wandering through a bed of thorns, going "ow!" every time she steps on one and never going "Maybe I should put on some shoes. Or climb the trees. Or get out of this godforsaken forest." or even so much as going "man, I keep stepping on thorns. I wonder why that is?"
I still really, really don't see why the middle ground of "Holding Taylor responsible for her actual actions of personally cracking Amy over the head with a baton, taking her hostage at knifepoint, and then effectively forcing her listen to Tattletale try and spill all her darkest secrets" isn't being acknowledged, or why the point of 'it was self-defense!' is being treated as particularly exculpatory in the context of a violent felony/hostage crisis they started, but in the interests of not proving myself a hypocrite, I'm going to back off here.
Because it's not terribly relevant to how Amy frames things, and my issues with her center around how she interprets the world and then interacts with it.
She never, ever brings up the point that Taylor is a violent criminal who was actively robbing a bank. This point apparently is entirely immaterial to how she views Taylor. Her
entire lens is "You're the teammate of that girl who wronged me." I then back up and go "Tattletale had her reasons, and Taylor didn't even know what the plan
was initially, let alone initiate it," and
you then back up and go "But Taylor is an armed felon in the middle of robbing a bank"-
-but Amy doesn't go to either of those steps, because those facts apparently matter so little to her it doesn't even occur to her to bring them up.
She
could be a completely reasonable person whose behavior is contextually appropriate, given the events she's interacting with and being affected by and the people involved in all and sundry.
But she
isn't, and the fact that she
could be makes me painfully aware of how horrible she's being.
She
could be going "Yeah, what a laugh, questioning if I'm trustworthy coming from the lady who robbed a bank." She
could be going "You are literally a criminal here." She
could bring up any number of points, roll her eyes at the teenage villain who thinks they're, like, morally deep or something, and moved on with her life, satisfied she's not as retarded/evil as Skitter.
Nope, focus on the personal and retaliate with psychological torture on a basis that, out of all your possible options for justifying this shit, is pretty much literally the worst one after "for the evuls." Because she's so good, you see.
So in a display of cheap fakeoutery, the story forces her to wear a Villain Hat while letting her basically just play hero. And then it wags its finger at all the heroes for assuming she's a bad person just because she's wearing a Villain Hat. Like, no shit, she's a crimelord who through a series of contrivances doesn't ever, ever have to do the things that real crimelords actually have to do in order to succeed as crimelords. The moment Tattletale really starts gearing up her whole "pillars of the community" yakuza bullshit, Taylor's gone and off into the ranks of the suddenly tremendously obstructive Protectorate. As much as I talk her up/down, she never really stops being an undercover hero, because aside from her very first caper in a bank, the story never forces her to interact with the day-to-day mundane business of being a career criminal.
This? I 100% agree with this.
It's part of why I really,
really wanted to see more territory management. Come on! Have Taylor
actually confront how the
common citizen sees her! Once Coil goes down,
actually confront where her money is coming from.
And... no. Nope. She just... yeah. Gets bankrolled by a Bond villain who doesn't mind if she throws his money away on things that don't benefit his interests.
(Actually an argument can be made he betrayed her precisely because she was throwing his money away on, from his perspective, utter bullshit. Rachel is the only Undersider who seems to have been worse about failing to align with Coil's instructions/goals)
And then the Nine interrupt.
And then once that's done and we
have to confront this whole issue -LOLNOPE TIME 2 TURN MYSELF IN. BECAUSE. REASONS.
In retrospect I'm realizing Taylor turning herself in lost me more for this kind of relatively subtle problem than for the part where Taylor's behavior doesn't even make
sense.