- Location
- A Random Dimension in the Infinite Multiverse
Smirk had not even began to really get into the match when the Neutral ground had an intruder. He instantly stasised the monitor, and had, moving as quickly as he could, tried to move to stop BADAM, but the Balefire was too quick, and by the time he had even began to form a coherent action to try to fight it, he was already feeling the waves of energy from the entirety of reality bending, the fire apparently having more pure reality warping than even Alethea, as all of reality shifts, pulls, tears apart and rewrites itself to its whim, that of a single item erased years prior. As all this happens, Smirk thinks 'if Adam isn't already dead when this is over, I'll have to kill him myself for not having his stupid Time Police prepped for this.'
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
And then Smirk wakes up in another body. It is like his own, but in a ragged trenchcoat, and with a quick check of his pocket dimensions, he finds a distinct lack of setup, implying reality was indeed altered significantly. For Pete's sake, even his full replica of the modern kingdom of Ozymandias, complete with rewind functionality, was missing. Either this version of him was significantly dumber up until now, he hadn't been able to use reality warping prior, or he'd been preoccupied in this timeline. Whichever it is, he'd have to figure it out later, first thing's first, he needed to figure out what happened to this universe.
(First action: )
First thing's first, he scans the void beyond the world quickly, seeing if the easy way works. He also tugs on reality just right to make a reasonably large pile of dirt appear far away from the radius of this world, but still within observable distance, so that he could see if whatever the cause was is perpetual, or temporary, because if the latter, he already had a thought in mind.
(Second action: )
"Adam, if you're still around here, I've got a few quick questions to run through on Badam's henchmen, or rather, statements.
Labolas is a Blue Mage,
Leraje is a Knight,
Ipos is a Ninja
all three the variations from 8 bit Theater, for the record, except the Blue Mage being the variation Black Mage thought it would be.
If not, I'm outta immediate ideas, but you have to start somewhere."
He then proceeds to out of nowhere teleport straight up to Leraje, his fist grabbing him in a chokehold, and then both of them vanish.
Suddenly, Leraje finds himself in the middle of a great city, towering buildings, gleaming infrastructure, glistening gardens, the works. Good food, animals, anything one could feasibly need to consider it a paradise. As he explores more, he would find the entire city operated and maintained by robots, large or small, rushing to and fro to keep the city active. At the center of the city, there stands a statue of a man, wearing a regal attire, standing before all, with a stern, commanding frown on his face.
And on the pedestal the statue is bore upon, these words can be read:
"My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!"
Perhaps Leraje knows what this means, perhaps not. It matters little, for he suddenly feels a shift upon the reading of them. The world around him seems to suddenly, abruptly, begin to decay, robots losing charge or being broken down beyond repair. Buildings crumpling under their own weight, gardens picked up by the winds and sent waywards. All around him he would see this horror, but does he care? Who knows. What can be told, however, is that time is no projectile, it is a function, and as Leraje sits there he can feel it enacting itself upon him. Decay, rot, ages and ages of it, all around him turning to sand as he sits there, feeling eons go by in what feels like moments, with both sun and moon flinging themselves around in a mad dash across the heavens. From this, Smirk's voice suddenly booms down, quoting a poem Verbatim:
'I met a traveller from an antique land,
Who said—"Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."'
Pausing, he then becomes visible before Leraje, seemingly unaffected by the same temporal effects plaguing the demon, for some reason wearing a full suit and tie, in spite of the dust swirling around them. "I am reminded of that poem, by what BADAM just did. Here I was, convinced I was going to fix everything, and then there it all went, time and space folded inwards, all my work down the drain in an instant. Now I don't know if you are a part of BADAM, just a shield, whatever, but I hope very much it's the first one, so that some piece of him can feel this as well. It gives a sensation of a stab in the gut, wouldn't you agree"
Leraje would then look down, and see that while talking, keeping his face calm until the word "stab", Smirk had managed to create a spear out of raw temporum, and stabbed him cleanly in the gut, all while monologuing to keep Leraje distracted from it. If he can bleed, then Leraje does, and if not, he still feels the time passing through him even faster, his components falling to pieces, and then pieces more, over and over, until he is naught but sandy dust floating in the wind of a dead world. "The lone and level sands" Smirk says as a shimmering green portal appears, pulling out Leraje back to the 'real world' "Stretch far away" as he too returns.
(Third Action: )
Smirk then looks over to the Arbiter.
"Heya. How are you? Also, any idea what the heck happened to blow up the worlds? I'm not quite that up to speed on Voidic History to know the greatest hits of 'times Alethea averted omnicide', but apparently there was at least one, and either BADAM just made the biggest shot of Balefire to ever Balefire, or it was recent."
He then begins to draw some blueprints in midair. They disappear as he makes the next symbol, but anyone with a degree in transchrono spacioparadoxic reality would instantly recognize the symbols, if not the specific context.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
And then Smirk wakes up in another body. It is like his own, but in a ragged trenchcoat, and with a quick check of his pocket dimensions, he finds a distinct lack of setup, implying reality was indeed altered significantly. For Pete's sake, even his full replica of the modern kingdom of Ozymandias, complete with rewind functionality, was missing. Either this version of him was significantly dumber up until now, he hadn't been able to use reality warping prior, or he'd been preoccupied in this timeline. Whichever it is, he'd have to figure it out later, first thing's first, he needed to figure out what happened to this universe.
(First action: )
First thing's first, he scans the void beyond the world quickly, seeing if the easy way works. He also tugs on reality just right to make a reasonably large pile of dirt appear far away from the radius of this world, but still within observable distance, so that he could see if whatever the cause was is perpetual, or temporary, because if the latter, he already had a thought in mind.
(Second action: )
"Adam, if you're still around here, I've got a few quick questions to run through on Badam's henchmen, or rather, statements.
Labolas is a Blue Mage,
Leraje is a Knight,
Ipos is a Ninja
all three the variations from 8 bit Theater, for the record, except the Blue Mage being the variation Black Mage thought it would be.
If not, I'm outta immediate ideas, but you have to start somewhere."
He then proceeds to out of nowhere teleport straight up to Leraje, his fist grabbing him in a chokehold, and then both of them vanish.
Suddenly, Leraje finds himself in the middle of a great city, towering buildings, gleaming infrastructure, glistening gardens, the works. Good food, animals, anything one could feasibly need to consider it a paradise. As he explores more, he would find the entire city operated and maintained by robots, large or small, rushing to and fro to keep the city active. At the center of the city, there stands a statue of a man, wearing a regal attire, standing before all, with a stern, commanding frown on his face.
And on the pedestal the statue is bore upon, these words can be read:
"My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!"
Perhaps Leraje knows what this means, perhaps not. It matters little, for he suddenly feels a shift upon the reading of them. The world around him seems to suddenly, abruptly, begin to decay, robots losing charge or being broken down beyond repair. Buildings crumpling under their own weight, gardens picked up by the winds and sent waywards. All around him he would see this horror, but does he care? Who knows. What can be told, however, is that time is no projectile, it is a function, and as Leraje sits there he can feel it enacting itself upon him. Decay, rot, ages and ages of it, all around him turning to sand as he sits there, feeling eons go by in what feels like moments, with both sun and moon flinging themselves around in a mad dash across the heavens. From this, Smirk's voice suddenly booms down, quoting a poem Verbatim:
'I met a traveller from an antique land,
Who said—"Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."'
Pausing, he then becomes visible before Leraje, seemingly unaffected by the same temporal effects plaguing the demon, for some reason wearing a full suit and tie, in spite of the dust swirling around them. "I am reminded of that poem, by what BADAM just did. Here I was, convinced I was going to fix everything, and then there it all went, time and space folded inwards, all my work down the drain in an instant. Now I don't know if you are a part of BADAM, just a shield, whatever, but I hope very much it's the first one, so that some piece of him can feel this as well. It gives a sensation of a stab in the gut, wouldn't you agree"
Leraje would then look down, and see that while talking, keeping his face calm until the word "stab", Smirk had managed to create a spear out of raw temporum, and stabbed him cleanly in the gut, all while monologuing to keep Leraje distracted from it. If he can bleed, then Leraje does, and if not, he still feels the time passing through him even faster, his components falling to pieces, and then pieces more, over and over, until he is naught but sandy dust floating in the wind of a dead world. "The lone and level sands" Smirk says as a shimmering green portal appears, pulling out Leraje back to the 'real world' "Stretch far away" as he too returns.
(Third Action: )
Smirk then looks over to the Arbiter.
"Heya. How are you? Also, any idea what the heck happened to blow up the worlds? I'm not quite that up to speed on Voidic History to know the greatest hits of 'times Alethea averted omnicide', but apparently there was at least one, and either BADAM just made the biggest shot of Balefire to ever Balefire, or it was recent."
He then begins to draw some blueprints in midair. They disappear as he makes the next symbol, but anyone with a degree in transchrono spacioparadoxic reality would instantly recognize the symbols, if not the specific context.