[X] The Left Closed Door, Upstairs. (On the other hand, this one feels promising; if this is their living space, you may just get a better idea of who -or what- these people truly are… Though whatever's on the other side of the door may be just as dangerous as it is enlightening.)
 
Voting is now locked.
Scheduled vote count started by SpoopyGhost on Jul 9, 2022 at 9:12 PM, finished with 23 posts and 13 votes.

  • [X] The Left Closed Door, Upstairs. (On the other hand, this one feels promising; if this is their living space, you may just get a better idea of who -or what- these people truly are… Though whatever's on the other side of the door may be just as dangerous as it is enlightening.)
    [X] The Right Open Door, Upstairs. (The office is sure to have important documents or the like, right? If you can snoop around there, you might be able to learn more about what the owners are really up to and their true goals here… If you have time to go through it all, that is.)
    [X] The Back Room, Downstairs.
 
Last edited:
Happened across this browsing through the quest forum. I enjoyed this quite a bit. The ghost premise is interesting, the lore for Nel and Death is cool, and I anticipate getting to know the magical girl squad members more.

I did notice one old minor error on my go through:
Still, you can't quite bring yourself to leave the scene of impending violence, and cast about for any possible solution. You quickly notice a small red box on the wall - a fire alarm. It's out in the open and much too close to where Hotaru is threatening Daido, so even if anyone else noticed it their reluctance to take that route is understandable. Still, you don't have that problem, do you? After another moment of hesitance, you slip out of the crowd and step up to it. At the same time, Hotaru throws her first punch, a harsh smacking sound from behind making you wince.

And then you pull the handle. A brief moment later, an ear-splitting beeping fills the hall, with periodic blinding strobes from the alarm lights.
The fire alarm here is described as being mounted in a box with a lever for activation. However, Japanese fire alarms are activated by a button, and seem to generally be installed set into a wall. As seen here. This gag is mainly the reason why I know this, though I've noticed them in other pieces of Japanese media since.
 
I have written the next update and sent it off to my betas. I am looking forward to seeing what speculation this one may bring...

Happened across this browsing through the quest forum. I enjoyed this quite a bit. The ghost premise is interesting, the lore for Nel and Death is cool, and I anticipate getting to know the magical girl squad members more.
Thank you, I am glad you enjoy it so far!
I am also very excited to develop and explore the team more as this goes.

I did notice one old minor error on my go through:
Also, thank you for this correction. It has now been fixed.
 
A line from the first draft of this update that I regrettably had to cut as it did not fit smoothly with my revisions:

All the same, you feel like you've been given planty more pieces of the puzzle, but are further away than before from seeing the full picture.

The misspelling was intentional.
 
3M - Phantom Intrusion
Nothing ventured, nothing gained, right? Or so you tell yourself, swallowing nervousness as you step away from the stairs, and instead look to the doors at the end of the hall. You are here to get answers, and if nothing else, you're confident that going back downstairs now would be wasting this opportunity. With your mind made up, you creep past the bathroom door, listening intently in in case the sister reappears. When you are instead greeted by the sound of water through pipes and the resultant hiss of a shower turning on, you relax ever-so-slightly and scurry the rest of the way down the hall.

One door is already open, so you try that one first. Taking a quick peek into the office, you find nothing but abject darkness, outside of the dim strip of light from the door revealing just a chair and an unlit computer screen. Off to the side, you see a thin rectangle glowing a dull orange around the edges, and deduce it to be a shuttered window looking out over the alleyway you passed through just earlier. You feel for a lightswitch, finger hovering over the pad, but pause in thought.

If that woman was speaking another language, would it extend to keeping all their records like that too? You're sure you would be unable to read any of it; stealing it to translate elsewhere would be noticed, and you don't have the means to easily make a copy either. Glancing back at the darkened screen, you realize there may be other obstacles to contend with as well. Part of you wants to stay and figure this out, but at face value it just seems like a waste of time.

Time that you are not sure you have, glancing back the way you came. How long until the sister is done with her shower? Or until the others' distraction efforts end and the brother comes upstairs? The muffled sounds of arguing drifting from below doesn't fill you with confidence.

Instead, you withdraw from the office and turn your attention to the last remaining door. An experimental jimmying of the handle shows it to be unlocked, and shoving down sudden anxiety, you waste no time in pulling it open and sliding in. Closing the door as quickly-yet-silently as you can once you're through, you turn to take in their living space.

At first glance, it seems to be a fairly standard apartment, all things considered. A couch flanked by bookshelves on one wall, a television stand with a stereo system and no television on the other, and a coffee table in the middle littered with fashion magazines and random knick-knacks. A small desk with its own tall stool are pushed up next to the door to the hall, while on the far wall you see a bar counter leading to what seems to be a kitchen space around the corner, and another pair of doors. It's all almost disappointingly normal, at least at first. But as you examine further, several things suddenly stand out to you.

The first thing that strikes you is the atmosphere, smelling cloying and sweet and tangy, like the tastes of citrus and mint mixing on your tongue. The air isn't any more warm or humid than outside, but it just feels heavier somehow, like wading through a muggy summer day without any of the dampness and sweat. It's quieter, too, aside from the rustling of leaves that whispers at the edge of your consciousness. Somehow, you sense an intent to the noise, more than just meaningless sound.

Secondly, nearly every surface is covered in plants. Aside from the kitchen area counters and the coffee table, there are dozens of pots and troughs of dirt of all sizes scattered on the stand, along the bookshelves, on the desk, even several just placed out of the way on the floor. In the corners of the room, particularly large urns host saplings that stretch to the ceiling, wrapped in red string lights. (Though you also notice they look rather sickly and dead compared to the rest, with a scattering of shriveled leaves on otherwise barren branches.) You could almost mistake this place for a greenhouse, if not for the other furnishings.

Finally, the third thing you take notice of is the lighting. You'd seen it under the door before, but it's only now that you realize how eerie it is, the back of your neck prickling as you struggle to process what you're seeing. The lightswitch is off, the ceiling fixtures unlit, yet the room is permeated by a strange glowing, more like the blacklights you remember from a science class last semester than a normal color. Rather than looking faintly purple like those, however, this is both a watery green and vivid magenta, the colors overlapping without blending somehow. You blink in a futile gesture to force away the cognitive dissonance, but the paradox persists.

You have a gut feeling this isn't something you would have been able to detect before becoming a ghost.

Even if it does not come from the ceiling fixtures, though, the light is not sourceless. Instead, you realize it seems to be coming from all of the plants scattered about, and this leads you to examine them all more closely. What you first dismissed as just an excess of flora turns out to be unsettlingly strange.

The tall saplings, the only ones that seem to be perfectly normal if unhealthy, turn out not to be wrapped in lights at all. From the dirt around them grow creeping vines that wind their way up the trunk and branches, wreathing the struggling trees in a latticework of red ivy and draping from its branches. It is the stems of these that seem to be the source of the magenta glow in here, particularly concentrated in small buds growing along their length that you'd previously mistaken for bulbs.

Drifting over to one of the bookshelves, you find a wide assortment of smaller shrubs and weeds, with a respectable amount of actual books wedged in between. (You note the spines, some written in japanese, while others have clearly western characters, but you don't stop to read any of the former, let alone try to parse the latter.) Glancing at each briefly before moving on, you only linger long enough to get the impression that most of them loosely resemble different types of succulents that you don't know much about, just that they shouldn't be quite like this. Small flowering segmented cacti that divide and form into elaborate maze-like structures; a few of what you can only describe as a Venus Flytrap but worse; and one that resembles a tight bundle of Aloe that almost seems to bend space, spiraling infinitely inward to a center you can never see now matter how deeply you get drawn in. You have to make an effort to tear your gaze away from that last one, and resolve not to get trapped again, lest it be for good.

Many of these seem to be the source of the green light, but another plant catches your attention, that like the vines produces more of the magenta glow instead. At first glance it appears to be a fern, but rather than fronds, each blade is lined with long, rigid needles akin to those of a fir or spruce tree. More surprisingly, it's bearing fruit. Halfway along the shafts of some of the leaves, a branching stem hangs down and carries an oddly-shaped spheroid, looking as if someone rolled one of the blades up and bent the needles inward. With some amusement, you think it almost looks like the ten-sided dice from your ill-fated tabletop games, just comprised of a bicycle wheel's spokes with thin glowing membrane stretched between.

A thumping sound reverberates through the floor, reminding you that you can't afford to dawdle. What is even happening downstairs? Biting your lip, you fight the urge to retreat, and make another sweeping glance around the place to see what else you can find.

In the bright yet dim glow, the shadows look deeper and more dangerous, and you find yourself glaring suspiciously at random objects, wondering what secrets they may hold. A stray hairbrush, an unmarked wooden box, a tiny Eiffel Tower miniature, a discarded instant coffee packet, all get stared into submission before you realize you may just be getting silly with this now.

Your gaze finally alights on the other doors, along the back wall. Bedrooms, perhaps? Peeking in the first one, you're greeted with a sight similar to the office - pitch darkness, and the outline of a window that must look out over the main road, were it not also shuttered. Moving on to the second, you find more of the same exotic flora on shelves in here, particularly the needled ferns and another pot of red ivy, though these vines are wrapped around a traditional gardening trellis instead of something else alive. In the unlight cast by these, you see a mostly ordinary bedroom, save for one other oddity.

Rather than a futon laid out on the tatami mat floor like usual, or even a western-style raised bed, the only sleeping arrangement you can see is what appears to be a strange mixture of a hammock and a sleeping bag, hanging from a pair of heavy-looking hooks bolted into the ceiling near one corner. You blink, rub your eyes, look again, but still it hangs there. Somehow, after everything else you've found, this is what befuddles you the most, and you can't help but wander closer in curiosity.

Up close, the resemblance to a sleeping bag is more apparent, with a perfectly ordinary zipper running along the edge. However, unlike the heavily-padded ones you've gone camping in before, this seems much lighter, the bottom side cushioned against the ropes that hold it aloft, but the top cover being a soft, translucent silk-like material that slips through your fingers like water, with holes near the top for breathing. For there is a top end, the ropes set so the whole thing hangs at a shallow diagonal angle. Between that odd arrangement and the beautiful but abstract celled pattern of the silk, the whole thing is starting to remind you of something else. Perhaps a co-

Your rumination is cut off with a startled jolt, as you hear footsteps approaching. Whirling around, you see the door out to the hallway open, and the sister step through. Still dripping from her brief shower, she's wearing a fluffy red bathrobe and slippers, drying off her hair before carelessly tossing the towel onto the couch. You shrink back into the room despite yourself, peering around the edge of the doorframe to watch, wondering if she'll notice your presence.

Thankfully, she has not done so yet, carefree and comfortable as she moves about the living room. Humming some unfamiliar tune, she picks up a pair of clippers from the coffee table and snips a fruit from one of the fern-like plants. Taking that to the kitchenette, she drags a blender out from a remote corner of the countertop, and drops the fruit in, before adding something else from the fridge.

Just as you're about to instinctively cover your ears to block out the impending noise, another thump from below catches her attention. Turning away from the blender, she gazes around warily. "Qu'est-ce que cet idiot prépare?"

Still lurking in the door to the bedroom, you shrink back as her gaze passes over you. She clearly cannot see you, but still an uneasy feeling sits in your gut, especially when her head cocks to the side as if to hear something better, and especially when she suddenly grabs a large chef's knife out of the sink and holds it out threateningly.

You notice the rustling noises from earlier have gotten louder, and the plants are visibly trembling.

Staring around the space with a grim suspicion, she raises the weapon off to your right. "Ce bâtard de Seelie t'a envoyé?" A moment later, she adds in Japanese, "I know you're in here somewhere. Show yourself!" To your surprise and confusion, she shrugs her shoulders, letting her bathrobe slip down to her elbows and bust; were the situation not so tense you might look away, but right now your eyes are too fixated on her knife. She is stepping closer all the while; you have to think fast.

What To Do?
> Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)
> Confound! (Take advantage of your invisibility to throw her off-balance, then try to knock her out peacefully.)
> Flee! (Forget subtlety; get out to the hallway and down to the shop, even if it means she sees you opening the door to get out.)
> Fight! (Transform and try to subdue her; even if she has something else up her sleeve, you know now how to use your powers.)
 
Last edited:
[X] Back into bedroom, and wait for her to enter. Once she's in, step around her and carefully make for the downstairs.

Just take it nice and slow. Remember that we're already dead.
 
[X]Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)

First rule when finding yourself in deep shit: Play it cool, man. Just be cool. It's way too premature to be thinking about getting into a fight with these people anyway.
 
[X] Fight! (Transform and try to subdue her; even if she has something else up her sleeve, you know now how to use your powers.)

I get the impression that these folks are basically just some magical weed dealers. I think we can take 'em.
 
[X]Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)

They are a bit weird, but nothing springs out to me as evidence of anything truly shady.
 
[X]Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)
 
[X] Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)
 
[X]Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)
 
[x]Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)
I'm in a nonconfrontational mood. I also kinda want to see what she does to find and kill us...
"Ce bâtard de Seelie t'a envoyé?"
I do not know, but "Seelie" and "envoy" leave me with suspicions...
Remember that we're already dead.
We are still vulnerable to anything that can manipulate ghosts, and some of that flora makes me nervous.
 
[X] Poltergeist - You've been had but she can't see you. Toss something to the side to drag her attention to that and charge out. Grab one of the odd fruits as evidence if you can.

Changed vote.
 
Last edited:
[X] Back into bedroom, and wait for her to enter. Once she's in, step around her and carefully make for the downstairs.
 
[X]Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)
 
@SpoopyGhost
Would this work as a write in?

[X] Poltergeist - You've been had but she can't see you. Toss something to the side to drag her attention to that and charge out. Grab one of the odd fruits as evidence if you can.

We've been had. She noticed us somehow and I'm suspicious it's the plants. Something is here, that's what she knows but by the knife waving she doesn't know where.

I don't want to fight because so far nothing seems actually malicious with these two. Personally I think it's a case of the correct response to hearing your plants tell you someone's in your apartment when you can't see them. Because let's be honest this is probably a case of protagonist horror episode. Sakamoto just steps out of the shower, is making herself a meal when the plants apparently whisper that something or someone is there. And neither she or the audience can see it.

Especially as the second bit of French translates to "That Seelie Bastard sent you". They aren't assuming teenage ghost girl here.

But they are decidedly far from home, and I really don't want to fight a plant wizard in their own personal garden. We've got the evidence that we're barking up the right tree. Let's grab something we can give to Nel to narrow the options for what is going on here.

We were here for evidence that something is up so let's get it.
 
[X] Poltergeist - You've been had but she can't see you. Toss something to the side to drag her attention to that and charge out. Grab one of the odd fruits as evidence if you can.
 
[X] Poltergeist - You've been had but she can't see you. Toss something to the side to drag her attention to that and charge out. Grab one of the odd fruits as evidence if you can.

This works.
 
So something I have been thinking for awhile, but haven't had a chance to type up is that it makes so much sense that Midori is really really attached to Kikuko right now.

The thing that keeps coming up with Midori is that she is a frightfully good actress, and has more than a bit of artifice to her. We see this a lot, there's a reason that her club captain is worried about the theater club snatching her up. She can switch between personas quickly, enough so that Kikuko's narration brings it up as frightening. (Something I do have to say is that Kikuko is not the best with people, but she's not stupid. The fact that Midori feels its necessary to be like that is genuinely concerning and it takes practice to be that good at hiding utter devastation. Something is not right.)

Hesitantly, you slip over to her desk, and find her notebook lying open. You're not sure what you expected to see, but the completely normal class notes with not a single sign of the previous night's turmoil scares you somehow even more than any alternatives.

Much like with her notebook, she seems frighteningly normal despite all that's happened, and you're not sure what to think anymore.

These two happened in one section but this is from the current mission:

Trailing in back, Midori has her hands buried in her hoodie's front pocket, hunched over slightly and staring at the ground with the same glower you'd noticed her wearing before. She catches you watching her, and straightens up with a quick (and unnervingly convincing) fake smile, but when you start to turn away, in the corner of your vision you see it drop away just as quickly.

Except, and this is the crucial bit, with Kikuko Midori does seem to show more vulnerability. But that makes sense. The first time she truly spoke with Kikuko besides the fight prior was her destroyed over her crush dying:

Among those is the other girl, curled up against the wall with her face hidden in her knees and arms. "Is the universe mocking me? Is this all some kind of sick joke?" She asks rhetorically.

"But you look so much like her." She's suddenly in your face, hands gripping your shoulders hard. Her eyes are wide, crazed and confused and in pain, like an injured animal backed into a corner. "So much like her that it terrifies me. I don't understand why any of this is happening!"

She retreats just as suddenly, looking away in shame. "I… I'm sorry. I'm just… a mess right now. You should probably just go; you don't need to know my problems."

"Well, maybe I want…" you stop yourself again. No need to make this about you. "Nevermind that. Just… talking to someone about this may help a little. If you don't feel comfortable with me… I guess I can understand that, but at least someone should be willing to listen."

An awkward silence fills the room, and for a moment you worry that she's gone catatonic or something. You stand up to leave, but she suddenly speaks up again. "There was this girl in my class. We never really got to talk, but I kind of admired her. She seemed like she always had something on her mind, and I wanted to…" she glances at you, blushes, and looks like she's rethinking her words. "...to get to know her better. But it just never seemed like the right time. I had clubs, she went straight home, and aside from that she always seemed so distant, distracted; I never felt confident enough to pull her away from that."

Small point of order here - this is Midori. She of the lying mask, and a whole lot going for her it seems. She had such a bad crush.

"I'm sorry. I didn't mean to spill all of that, especially not on you. You must think I'm such a creep… Who knows, maybe I am." And suddenly she smiles, crying again even as she laughs. "I just realized… I never even got your name. I'm Kazane Midori. Who are you?"

As these things go - worst and I mean worst way to reveal a crush.

So you know, when she was bawling her eyes out over her crush's death that just straight up wrecked her. . Except, and here's the thing. Kikuko didn't freak out. She saw Midori at probably her worst, and her response was:

After you've hesitated too long, her expression becomes wary, and she hides her face in her knees again. Gently, you turn around and crawl partway onto the bed so you can reach better, and set a hand on her shoulder. "Thank you," you say, trying to pour as much of your confused gratitude into your voice as possible. "Thank you for caring that I was gone."

Lots of comfort, and honesty. Given the fact that something is driving the deceit skill level sky high, well Midori unintentionally bared her heart, and got it carefully handled and not torn from her chest and pulped in front of her. Which is not helping with the crush situation, let's be perfectly clear. Midori unfortunately fell super hard for Kikuko before talking with her. Which - let's be clear here, Kikuko's ability to get through a class answering questions is... distinctly her.

Nel makes some garbled approximation of a throat-clearing noise, and you suddenly realize you've been standing there like a deer caught in headlights for far too long now. Remembering your hurried readings in class, you decide to just resort to the same tactic here as well.

Squaring your shoulders and letting out a deep breath, you stride forward to Nel's desk with the same feeling as a prisoner marching to their execution. (The thought that the former doesn't really matter without lungs and the latter would simply be redundant, fails to bring you any comfort.) Once you reach it, you turn sharply on your heel, stiffly stare at the back wall to avoid meeting anyone's gaze, and do your best to get this over with fast.

(Like I have to emphasize just that this is the person that Midori couldn't work up the courage to speak to. Kikuko. It'd be cute and funny if it wasn't for the fact that Kikuko is a ghost and Midori seems to be cruising for a broken heart.)

And Midori noticed that she had a tremendous crush for someone she never spoke with before.

In the present she's not done, choking out words even as she cries harder. She's trying desperately to rub the tears away with the sleeves of her hoodie, only to leave liquefied makeup and snot smeared all over; she doesn't seem to care. "What the hell is wrong with me? I didn't even know her, not really. She could have been a completely horrible person… or someone wonderful. And if- if it had been anyone else in our class, I would be sad, sure… but not like this." She takes several wavery breaths, forcing herself to calm down and failing miserably. As she continues, her voice rises in pitch and her words blend together, almost hysterical. "Her funeral was today, and I couldn't even bring myself to come, I just stayed in here crying for hours. Why can't I make myself get over this random girl I never even talked to because I was too much of a coward, why does this hurt me so much, what is wrong with me!?"

And, she's getting the answer to the type of person Kikuko is. A bit of a blockhead, still extremely prone to nerves. Observant, willing to chase after false nurses, and to fight monsters. There's a reason why the crush is strengthening and a part of it is that Midori is looking to have good taste in decent people beyond Kikuko just acing the first impression category and the trust fall.
 
[X]Conceal! (Retreat into the back of the bedroom here, maybe the closet. Lay low until her guard lowers or she leaves, then make your escape.)
edit:
[X] Poltergeist - You've been had but she can't see you. Toss something to the side to drag her attention to that and charge out. Grab one of the odd fruits as evidence if you can.
 
Last edited:
Back
Top