[X] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)

Seems like a fair choice, soon enough to get it over with and with little in the way to cut the conversation short.
 
[X] Tomorrow (Your evening is already way too packed; if he can wait for another day you should be more available, provided nothing else unexpectedly comes up.)
 
[X] Tomorrow (Your evening is already way too packed; if he can wait for another day you should be more available, provided nothing else unexpectedly comes up.)
 
[X] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)
 
[X] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)
 
[X] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)
 
You squawk and flail to keep your balance
I find this mental image perhaps a bit too amusing. xD

Now it has been a little while, so I'm not sure what our schedule is like. What are we doing in the afternoon and tonight? I'd like to have a good amount of time to talk, but I don't want to put this off for tomorrow.
I believe the plan was to meet up with all the other girls after school to go interrogate the bookshop owners and figure out what exactly they're up to; then once that's over, we on our own were going to head up into the mountains to take care of a poltergeist or something along those lines. It sounded like the trip up there would be a while, so personally, I'm inclined to go with
[X]Tomorrow (Your evening is already way too packed; if he can wait for another day you should be more available, provided nothing else unexpectedly comes up.)

So long as we make sure to pen it in, so to speak, we should still be able to do it without conflicting with anything else that may come up. Guess we'll see.
 
[X] Tomorrow (Your evening is already way too packed; if he can wait for another day you should be more available, provided nothing else unexpectedly comes up.)

Okay, tomorrow sounds good. This could get emotional and complicated, don't want to have to cut it short because of work.
 
[x] Tomorrow (Your evening is already way too packed; if he can wait for another day you should be more available, provided nothing else unexpectedly comes up.)
 
[X] Tomorrow (Your evening is already way too packed; if he can wait for another day you should be more available, provided nothing else unexpectedly comes up.)
 
[X] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)
 
[x] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)

Night is the proper time for ghosts to become more solid; have to keep the appearances up!
...I never really understood all of this dancing around transformations in broad daylight. Just lead him somewhere private. He already knows you are real. So long as no one else sees you you can transform at will and avoid the hassle of a really inefficient communication. By the way, how come transforming is considered worse for operation security than levitating the manga?

Sometimes I think Yuki just likes being dramatic for the sake of it.
 
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[x] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)

This - it sets a time we know we won't be interrupted and we can just keep setting additional talks as needed.

Sometimes I think Yuki just likes being dramatic for the sake of it.

Given she is/was a teenager that sounds right
 
[x] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)
 
For Nel's sake I would like to avoid letting him know that magical girls are a thing, so I would like to avoid showing off the outfit and transformation. Telling him that we have a job that is keeping us around and lets us become visible, but we really want to avoid the awkwardness of being identified as a ghost, or partially-returned dead person, and that the house would be drowned unde the worst sort of paparazzi, would work. Though we would need to say that the job is secret and we aren't allowed to talk about it. And that we know basically nothing about "normal" life-after death because us sticking around seems to be unique and we nobody seems to come back from "moving on" to ask about it, so the world of dead-people is pretty much vacant and thus boring. I am fine with transforming in our room and getting changed into something else to have a body to meet with him though, so long as we are careful about our parents, because we are actually pretty much properly dead, so they deserve some time to get over us dying, probably.
 
For Nel's sake I would like to avoid letting him know that magical girls are a thing, so I would like to avoid showing off the outfit and transformation. Telling him that we have a job that is keeping us around and lets us become visible, but we really want to avoid the awkwardness of being identified as a ghost, or partially-returned dead person, and that the house would be drowned unde the worst sort of paparazzi, would work. Though we would need to say that the job is secret and we aren't allowed to talk about it. And that we know basically nothing about "normal" life-after death because us sticking around seems to be unique and we nobody seems to come back from "moving on" to ask about it, so the world of dead-people is pretty much vacant and thus boring. I am fine with transforming in our room and getting changed into something else to have a body to meet with him though, so long as we are careful about our parents, because we are actually pretty much properly dead, so they deserve some time to get over us dying, probably.

Heck we have everything with Death to talk about - which by itself I think would be enough to answer most of his questions. Death has decided to let us stay for a bit - and we are helping her out by dealing with bound spirits. It's not quite as connected as that but we have been lying through silence for awhile now - see us letting our team assume we are alive like they are.

Oh and if our little brother wants to help us - we put him on research duty immediately. He does not get to follow us into combat.
 
I can understand not telling him about the magic girl thing, but somethings he should know. Like not going back to that bookstore. I'd rather be honest about keeping secrets. Like, yes we're doing a job, but it's rather dangerous and we'd rather not get the family involved. They couldn't really do the fighting or ghost hunting anyway. Just ask then to trust us, we're not being stupid about this. So if we ask him or our parents to avoid a place, just assume we do know what we're talking about, even if we can't talk about it.
 
[X] Tonight (You can talk to him for a bit before heading up into the mountains, and the only limit to your time then would be the train schedule.)
 
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