David DeLaney
Verified & Credited Rules Wizard
- Location
- North of Knoxville, indoors, seated comfortably
Ok. Let's just consider how Special and General Relativity treats something approaching the speed of light and has mass. The force needed to accelerate the object approaches infinity as the objects relativistic mass also does. What do you think happens to the math if you then set a speed for the object above the speed of light. Does the mass become two times infinity?
Nope. Instead, if you look at the perfectly good SR math? It becomes _imaginary_.
You can't go through c to get to speeds faster than c, because no matter how much you speed up or accelerate, you're still JUST as far from c, in your reference frame, as when you started. (This is a sign that strangeness awaits past c, among other things.)
Will happily explain FTL + SR = causality violation - just need to check first which of these you already have a handle on: future light cone / past light cone, hyperbolae, Lorentz transformation (involving the t axis, so involving a change of inertial reference frame and a change in velocity)?
--Dave, it doesn't actually matter whether you BELIEVE the results. They're right there in the math; a suitable frame change can put a point in Elsewhere _anywhere else_ in Elsewhere
ps: a change in Velocity may involve the gender axis; continue? [ynwtf?]
pps: see? see what happens when you ask the author for _CONNNFLICTT_? You get Coil conflict in the imaginary realm! (Not that there's ANYTHING wrong with that.) You get Lisa vs Coil with the help of N+3 USA secret departments and a mysterious red-haired competent female straight out of Heinlein! (...Ditto.) And you get Taylor versus the annoyances of poorly designed Tinkertech, with the entire visible spectrum falling victim in the process! Be CAREFUL what you ask for! Eyebrows are at stake here!
p^3s: Dramatic Tension: Taylor versus the speed of light. It's still in the background, but if you listen with your math & physics ears, you can hear the slowly rising overture.
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