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Or they could do the show up to the time skip and then after the time skip have everything afterwards be movies?
Yeah, that's like NBC blaming 'Milennials' on poor Olympics ratings.I think the problem is the industry. These are the same guys that made a "godzilla" movie filled with boring normal humans talking for two hours and a ten second shakey camera blurred battle between two dark black monsters against a dark black sky. Then went on to pretend there was a problem with me and that I just must not like Godzilla.
Actually...a lot of the pacing issues in that movie came from the fact that they were trying to make a film that was a hybrid of early-on Godzilla films and later ones. If you think a Godzilla movie filled with boring normal humans talking is lame, then you really won't like the original Gojira. Most of the original film was around the human reactions to the monster (and the efforts of Dr. Serizawa to deal with the beast), not the monster itself. It wasn't until later films that monster vs monster fights became a thing.I think the problem is the industry. These are the same guys that made a "godzilla" movie filled with boring normal humans talking for two hours and a ten second shakey camera blurred battle between two dark black monsters against a dark black sky. Then went on to pretend there was a problem with me and that I just must not like Godzilla.
Kind of a shame, that. For all that it doesn't match up to the books much, Ithe Dresden Files show was another one of those things that I enjoyed for what it was.For the record, tDF didn't die from lack of interest on part of the fans - rather, the financial backers went into production making plans on market revenue from a certain segment of the population (supposedly the late teen/early adult section,) and when the demographics on the actual fan base came back, the backers pulled out. This is thirdhand info at best, tho.
I wouldn't bet on that, seeing that he attacked Madrid (around 300km inland and around 40km away from the nearest large river IIRC), somehow.
Granted, Oasis would be the epitome of "hard target", but I wouldn't exclude him
No it isn't. It's a superhero universe played straight. By today's standards it isn't even particularly dark.It's a sometimes brutal teardown of the concept of superhero universes.
Worm begins as a superhero story played straight.No it isn't. It's a superhero universe played straight. By today's standards it isn't even particularly dark.
Hi, speaking as someone who is clinically depressive, it sounded really damned reductive, the way you were used it there. The two can coincide, but it's not always the case. I'm going to give you the benefit of the doubt, though, and assume you're not meaning to be kinda dickish about how you said that.Worm begins as a superhero story played straight.
Then, the narrative gets mired in both malevolent intervention, and people rolling a lot of natural 1's (especially on social checks).
It basically falls into the same category as Madoka, which people insist on calling it a deconstruction, but it is so only if you are extremely cynical and clinically depressive.
Also, if I didn't misunderstood you, today's standards consist of the Marvel Cinematic Universe. That's nowhere near dark, despite all the bad shit that keeps happening
That's how comic book stories normally go. Taylor's story could possibly have happened to Peter Parker when he was starting out if circumstances had lined up. Lucky for him the villains he had to deal with were both loners and grown men and he had no older heroes to try and impress.Worm begins as a superhero story played straight.
Then, the narrative gets mired in both malevolent intervention, and people rolling a lot of natural 1's (especially on social checks).
Also, if I didn't misunderstood you, today's standards consist of the Marvel Cinematic Universe. That's nowhere near dark, despite all the bad shit that keeps happening
I realize that nearly every Godzilla movie is done wrong (2 hours of humans talking) and that was the exact point I was making. The best one is Godzilla final wars, for two reasons. It shows a bunch of monsters vs the ridiculously over powered Godzilla and the mandatory boring human parts are power rangers fighting with space karate.
What is wrong with just having 2 hours of giant monsters breaking things and eating people and ten seconds of humans screaming in terror and fleeing for their lives?
I agree some of them got pretty silly, with Godzilla giving people thumbs up and even talking in monster language to his tag team partners. Let's agree though that the 50 mile flying drop kick was awesome.
I realize that nearly every Godzilla movie is done wrong (2 hours of humans talking) and that was the exact point I was making. The best one is Godzilla final wars, for two reasons. It shows a bunch of monsters vs the ridiculously over powered Godzilla and the mandatory boring human parts are power rangers fighting with space karate.
What is wrong with just having 2 hours of giant monsters breaking things and eating people and ten seconds of humans screaming in terror and fleeing for their lives?
I agree some of them got pretty silly, with Godzilla giving people thumbs up and even talking in monster language to his tag team partners. Let's agree though that the 50 mile flying drop kick was awesome.
She can induce trigger events, but she doesn't know what powers will come from them. So she can give someone a vial, she'l just be exactly as clueless as everyone else as to what it will do.I didn't think that Path to Victory worked on Cauldron vials. That is part of why the Case 53 problem is so bad.
So. The Path to Victory is another example of a power which should not be able to leave a human sane. Entities have no reason to design their powers for the good of their users, and Path to Victory specifically wasn't designed at all. Contessa gets almost the full force of the shard, with only the last-second limitations slapped on by Eden just before she died.
So yeah. I'm interpreting her power to completely interrupt sapience while it is active because there's no way something that is appreciably human should be able to do the things Contessa can do. Incidentally, this is why she's trying her best to never, ever be seen by Sanity's real eyes. Sanity would see Total Psychological Overlay, Sapience Suppression and decide to nope that misery right where it stood. No, not even an exacerbated by powers because there's nothing to exacerbate. Contessa, while using her power, is effectively a p-zombie.
You're right. I happen to think that the way she's portrayed in the original work is wrong on a variety of levels, which I explained above.I don't buy your thesis. It's not how she's portrayed in the original work and it looks like a cheap attempt to grab feels.
I don't buy your thesis. It's not how she's portrayed in the original work and it looks like a cheap attempt to grab feels.