The Best Damn Fics You've Ever Read.

Reminder that Im still here and stuff.

This one is on me. I would say that it certainly seems well written in the limited amount that I have read. Roommates: Memoirs of the Hairless Ape is not of a fandom to which I have any interest. And it is Slice of Life apartment AU. And it goes for 300k words, nearly. I am going in with no attachment to any characters, and not inherent desire to read the genre.

The last point compounds the first two. If it were an order of magnitude shorter, I would be a lot more willing to sink the time in to keep going because I said I would try. With that length, though, I made it a couple of chapters in, and I just do not care. Like I said at the start, this is on me, nothing wrong with the story far as I can tell.
 
Got two completed fics in a series for the Temeraire fandom. Author is WerewolvesAreReal
Mutiny on the Reliant - Shortly after Temeraire hatches and bonds with Laurence, a storm batters the ship and the Captain is lost at sea. The remaining crew become more irritable and superstitious until they end up declaring Laurence and Temeraire ill omens and maroon them on the captured ship. It turns out, having a dragon makes it very easy to cow a pirate crew into obedience. And then another. And then another. And before you know it, Lawrence is in charge of a fleet of ships whilst trying to remain true to his ideal and patriotism. And Temeraire is loving the pirate's life.
The Battle of Dover - The continuing adventures of Laurence and Temeraire who are accidentally on purpose in charge of a pirate fleet. More ships! More crew! More locations! More dragons? Takes us all the way to the climatic battle of the first novel.

This author has captured Laurence and Temeraire's characters so well, with Laurence's propriety and Temeraire's innocent thirst for knowledge about society and life being spot-on to how they are presented in the books. There are multiple original characters composing the majority of the cast, and they are colourful, unique, and appropriate for the historical period and the universe. There is a great deal of comedy, the plot progression is relatable and engaging, and I find myself drawn to rereading them without much prompting.
 
Last edited:
Running On Air - (Harry Potter)

"Draco Malfoy has been missing for three years. Harry is assigned the cold case and finds himself slowly falling in love with the memories he collects."

I am legitimately fucking amazed that I'd never heard of this before stumbling upon it in a reader's bookmarks list. It's Draco/Harry, which isn't a ship I like, and I still blew through this without hesitation.

I enjoyed the first half, which is more mystery, almost detective oriented, but the second half, which is more melancholic character study, is very good as well.

I'm going to use the word melancholy again. This whole fic feels like a meditation on choices and the paths our lives take, with a heavy motif of traveling and driving. The word that came to me was saudade. This fic makes me feel saudade. Perhaps it resonated more with me because one of my happiest memories is of a long drive through the country, but I can't think of the last time I connected so strongly with the vibe a fic put out.

This is a story that really nails that sense of late 20s ennui and worry over your life choices, where you're losing the optimism of youth and starting to feel stuck in your trajectory.

The prose is beautiful, and everyone feels very in character for what's happening.

I thought it misstepped a bit on some of the magical stuff in the middle, and some of the second half feels a bit dragged out, but these issues are extremely minor, and I call this a recommendation I make without hesitation.

Tldr: You ever watch those gifs with sound compilations on youtube? Think of the ones where it puts someone traveling through beautiful landscape to music, and your heart aches to think that you will never see that slice of the world. This is that as a fic.
 
Last edited:
So I have a Marvel fanfic that hasn't been rec'd here. Easily some of the best comedy out there. There is some sex scenes (which are well written), but that means I can't link directly. The fic is "Life of Crime", by neveralarch.

Summary from author:
As a supervillain supercriminal contract worker with a morality deficit, Clint Barton leads a glamorous life. You know, stolen cars, dangerous women, a really confusing relationship with a meddling do-gooder, the works. It's pretty awesome. Except for, uh, medical bills, the mob, and being on the run all the time. That part isn't all that awesome.

(A supervillain AU where Clint shoots arrows at people and gets beat up a lot. So, not really that much of an AU.)

Easily my favorite Marvel fic. Do note that the Carol Danvers isn't the MCU Carol Danvers, as this came out before that.
 
I have returned once more, with the longest fic I have yet considered worthy of the title "Best."

Tales from the Blue Seas is, in my experience, the best damn Naruto crossover ever written; and, as if that wasn't good enough, it is the best One Piece fan fiction I have ever read. It is a fusion crossover where the Elemental Nations are worked into the world of One Piece as a mysterious, never before accessed island in the middle of the Grand Line, and Akatsuki is lead by a very different, very fun, but effortlessly menacing Tobi into an unprepared world, with Naruto and Sasuke in pursuit for personal revenge. It is also AU as of the Uchiha massacre and Madara's meeting with Obito, but that can be best explained in the story. To say the least, Sasuke isn't quite so revenge driven as his Canon counterpart. He does however, know of Danzos involvement in the massacre, as the elder was declared a missing nin for his part in the massacre and fled to join Akatsuki, making for a great...deuterantagonist? Watching Akatsuki and the Straw Hats rampage through Paradise on a parallel course makes for an amusing and gripping story arc, and the way the original Straw Hats draw Naruto and Sasuke into the crew during the Journey is fantastic.

To be quite honest, the way Tarhish, the author, writes is a perfect take on Oda's humor and storytelling style. His ability to tie humor and action together, as well as the way he weaves character arcs throughout the story, is masterful. There are jokes and character revelations literal years in the making of this fic, and I cannot help but say to you all: read this! You'll thank me later!
 
Tales from the Blue Seas is, in my experience, the best damn Naruto crossover ever written; and, as if that wasn't good enough, it is the best One Piece fan fiction I have ever read.
Seconding this one - Naruto/One Piece crossovers are obnoxiously difficult to get right, but this one doesn't stumble once that I can remember. And the quality is quite high even aside from that, so it's definitely worth a read.
 
I'd like to recommend Fragments by pipistrelle. It's a Ancillary Justice story where another ancillary body of Justice of Toren One Esk runs off with Awn after the events of Ors.

It's been a while since I've read the book but from what I remember it captures the feel of it pretty well, and it's extremely well written and super cute. Worldbuilding is good, and doesn't try to steal the spotlight from the plot and characters. It also hits a sweet spot in length that's pretty rare with fanfics in my experience - 30K words, enough to have a solid plot, but not enough to get bloated.
 
This fanfic has a few elements that I find quite good, namely that Gold D.Roger met with a young Itachi and ended kick starting a chain of events that ended in a slightly altered sequence of events, one where itachi points Sasuke to the wide wide world beyond the tiny island that's the elemental nations (and tiny in comparison to the rest of the world).

The idea of those two traveling around the world is quite good and the diverging characterization is a good idea.

That said, I am going to have to de rec this, its a boring slog of a nearly incoherent mess of a plot where things aren't particularly well executed, and feel very amateurish. Namely Akatsuki also going out to the open seas and not!Tobi/Obito entire plot line was a mess.

Sakura and Hinata's popping on the plot felt like it was too late and an afterthought, they show too late and their relevance and characterization are kinda gutted as a result, leaving potential tools to the wayside.

I am also not exactly a fan of this sort of in medias res kind of story telling as it feels like a missed opportunity to explore this changed dynamic of T7.

On the other hand, I do find interesting that Gold D Roger not only managed to land on the elemental nations, but also get out alive from there, not only that, but that he was also able to see Madara Uchiha and live to tell the tale.

Overall I think the fic has some cool ideas, but I can't call it the "best" because it has too many issues in my opinion.

I'd honestly schew the OC that supplants Tobi / Obito in favor of Tobi / Obito whose motivations are genuinely more interesting than "I have no idea who I am", given Obito's motivation was "This world is honestly shit and its too far gone for a reform, so I'd rather give everybody their perfect dream world".

Given the changed characterization I'd honestly would have Sakura with them from the get to go in order to explore how Itachi's actions caused a ripple, as it is, we don't see enough of this.

Its a fic that's a cut above the usual crap you find in ff.net, but its also nowhere near the quality of what I use as a measuring stick, One Small Kindness.

De rec.
 
Last edited:
I haven't finished it yet, but while I'm enjoying it quite a lot I also feel the need to De-rec Tales from the Blue Sea.

My main problem is that this feels like a pretty fun One Piece fic, with bits of Naruto tacked on. The Naruto characters don't fit properly, and their characterization pretty heavily suffers for it. One Piece is a lot more wacky than Naruto, and attempting to merge them has done neither side any favors. Neither Naruto or Sasuke feel like themselves, even given the allowances made for their backstory changes. Kakashi is way off in what little we saw of him in the past. I will say that Hiruzen is actually treated pretty well in his scenes, but a lot of the stuff around him doesn't make much sense. Sakura is a nonentity as far as I've gotten, which is a serious problem for a story where Team 7 is supposed to be a light more tight nit.

Naruto and Sasuke are basically just being dragged through silliness, making one or two vague comments, then One Piece takes over again.

I also have quite a few problems with the technical writing. Outside of people feeling out of character, the way it's written feels very rushed and hurried. Things are constantly happening, and it feels like the pacing is always trying to get to the next witty line or badass moment. The characters, while mostly identifiable, all somewhat speak with the same voice, making dialogue a little bland to get through. The fights themselves are not particularly interesting, describing what it going on without really getting the reader into the action. The fight between the Straw Hats and Hidan, for instance, is pretty boring to read through despite being full of what should be fun characters.

There's also plot details which really should have been on screen. We just get told that Tobi tells Naruto he was the one who killed his parents, and it all happened offscreen, and doesn't even seem to really affect him. Naruto learning that story in canon was a massive character moment that he carried with him for the rest of the story. Here it's just a boilerplate reason for him to join Sasuke in seeking revenge. But it doesn't really feel like that's what they're doing. They're just along for the fish out of water story, there isn't any real sense of urgency or drive behind it. It's the reason, but it doesn't feel like a motive.

I will say, there is plenty of like about it. A lot of the strictly One Piece stuff is a lot of fun. The first few chapters are legit good, and it's an interesting concept.

I'm enjoying it, but I'm gonna have to De-rec it. Maybe it gets better, but if it does, then it still have a weak start and I can't rec something like that.
 
Last edited:
I want to recommend The Canals are Burning by Cuofen.
Race, class, politics, and belief. Two decades after the end of the Hundred Year War the city of Ba Sing Se is changing. At the river harbor foreign ships unload their cargo, in the inner rings professors and ministers debate the fate of the nation, and in the shadowed alleys new magic emerges. Ayika is a poor servant but she will soon be at the heart of a crisis in this new world.
It captures the feel of Avatar: The Last Airbender's setting while expanding on existing threads to make a well-plotted political thriller with an all-original cast.
Just came across this fic on my own, saw it had already been recommended without too much additional discussion, and wanted to add my second to it. Adding on to this rec, I'd like to say it's also a fantastic urban fantasy story, steeped in mysticism and rich worldbuilding. It's not 100% original flavor--if you were looking for something just like ATLA or LOK, you'd be disappointed--but it's different in a way that complements ATLA, rather than clash or detract from it. Both the slices of Ba Sing Se it focuses on and the spiritual traditions the author develops feel very real and connected to the story and world built, and the characters seem to truly come alive in their connections to both.

If you've ever been interested by the idea of urban fantasy in Avatar, this is definitely the fic to check out. The only downsides are that it's definitely a bit of a slow burn, and that the prose sometimes sinks into telling and not showing; the author seems to have a lot of story and ideas to tell, and definitely glosses over some connecting moments to get to the big scenes quicker. Not necessarily a bad thing depending on your tastes, but it can be a little jarring.
 
telling and not showing
I do hope that someday the idea that this is always bad can finally die. I haven't read this fic (yet), but "show, don't tell" was literally anti-communist CIA propaganda, and has no basis in actual writing quality. It can be done well or poorly, just like every other part of writing, but having a bunch of exposition isn't inherently bad.

The fic looks interesting, though, I'll try to remember it for when my house's rewatch of Avatar is done.
 
I do hope that someday the idea that this is always bad can finally die. I haven't read this fic (yet), but "show, don't tell" was literally anti-communist CIA propaganda, and has no basis in actual writing quality. It can be done well or poorly, just like every other part of writing, but having a bunch of exposition isn't inherently bad.
In my experience having a bunch of exposition is much more common in bad writing than good writing.
 
I do hope that someday the idea that this is always bad can finally die. I haven't read this fic (yet), but "show, don't tell" was literally anti-communist CIA propaganda, and has no basis in actual writing quality. It can be done well or poorly, just like every other part of writing, but having a bunch of exposition isn't inherently bad.

It's still good advice when your writing fanfiction. Like most rules of writing once your really good you can start bending it, but unless you know exactly what your doing exposition is less interesting than watching it play out. Also, the guy who's arguing aginst for the blog does not seem to be arguing against what you think he is. He's saying that you can and should build a world different enough to need exploration, but at the same time the novel he points to as an example does not do that with unbroken blocks of exposition, which is usually what people talk about when saying a fanfic is telling not showing.

so TLDR: in the context of this thread, telling not showing usually means long blocks of boring exposition, which is bad writing even if you disagree with the term used.
 
I should've kept my longer rant, I guess. Or at least part of what I cut, which was along the lines of:

"Too much exposition" is an actual criticism. "Got boring in parts" is an actual criticism. "Awkward to read" is an actual criticism. "Nothing happens for long stretches" is an actual criticism. "Word count feels padded" is an actual criticism. "Explained everything from canon multiple times when it didn't change any of it" is an actual criticism. But when someone invokes "show, don't tell" they don't actually clarify if the story does any of the above, or which, or if there just was some points that needed exposition at all and was therefore no good.



In the case of this fic, it sounds like none of those apply (haven't read it for myself), and if so "show, don't tell" is just a warning to people that unimportant parts will be glossed over. I cut the rant down because I didn't want Renewal thinking this was directed at him specifically or anything like that. But "show, don't tell" has been the basis of other criticism here, and it's... really not a good way of explaining anything. It doesn't tell me if there wasn't enough action, or there was too much talking about things, or what. It feels like a very generic label that's hard to argue because most stories need some exposition, cool down, and the like to be good.
 
I do hope that someday the idea that this is always bad can finally die. I haven't read this fic (yet), but "show, don't tell" was literally anti-communist CIA propaganda, and has no basis in actual writing quality.
This is false. Like everything it is possible to overdo the showing, but as a general rule "show don't tell" works, because 99 times out of 100 that is the better choice, especially for beginning authors.

It is possible to make telling very compelling story, just like it's possible to make balancing a checkbook sound fascinating, however as a general rules it's a bad idea for most authors to try.
 
In the case of this fic, it sounds like none of those apply (haven't read it for myself), and if so "show, don't tell" is just a warning to people that unimportant parts will be glossed over. I cut the rant down because I didn't want Renewal thinking this was directed at him specifically or anything like that. But "show, don't tell" has been the basis of other criticism here, and it's... really not a good way of explaining anything. It doesn't tell me if there wasn't enough action, or there was too much talking about things, or what. It feels like a very generic label that's hard to argue because most stories need some exposition, cool down, and the like to be good.
In the specific context of my rec, it's mostly that there are scenes intercut through the fic where the story straight up is just narration stating so and so did or said this, without actual dialogue or description of specific action, between moments where the story does go in depth with fuller, more robust prose. And it's not that I think the author was entirely wrongheaded in doing so—most of the time these are connecting scenes, as I mentioned—but that I had the sense that these moments could have been fleshed out without detriment to the overall pacing and structure of the story, especially since often those glossed over scenes do have glimpses of strong characterization and emotion in them.

Like I said, my impression was that the author just had a lot of story to get through—the fic is just shy of 300k words—and just had to put some scenes down in as perfunctory a form to get to more important ones. The heart of my criticism I think is that the texture of the fic can be a little uneven in parts. Also, this is definitely more weighted to the earlier parts of the fic, where there's a ton more character and setting building going on that necessitates that sort of quick structural writing. Climactic scenes definitely don't have this flaw.
 
I forget, did we ever have a ruling on oneshot collections?

Not to my recollection. I did rec The Adventures of Kotohime, but that collection is marked as complete.

I am disinclined to leave the only objective rule out for any reason. I see no reason why you could not rec an individual chapter, but am against giving unwritten future chapter oneshots a free pass onto the list.
 

I'm going to second this. The fic starts off relatively strong- the prose is relatively limited but it actually allows the story to have a really interesting noir vibe to it, effectively building intrigue and creating a really interesting and mysterious atmosphere. The story does some interesting work when it comes to blending together memories and reality, something that (if slightly underutilized) really comes home in the second half of the narrative.

The story in general does some really interesting reflection on the past and how it collides with the present- of a Harry Potter that is unsatisied with his life, but knows of no other true life to live, and his struggles with coming to terms with his own unhappiness and his struggles with learning what to do about it. The sharp contrasts between younger Harry's idealism and current Harry's sense of utter entrapment ("ennui" is indeed a good way of describing it) is fantastically done.

The first half of the story isn't necessarily about the mystery of Draco's disappearance, despite the synopsis; it's far more about Harry's struggles to really figuring out a way to escape his current circumstances and find a true home for himself, and it's in those parts of the narrative that the story really shines, and is a deeply compelling adventure.

The first arc of the story resolves in a way that holds together and is compelling enough, and you get to some of the best stuff of the story; really seeing Draco and Harry navigate each other's boundaries in this new life they have together, the new connections they share, and building up their dynamic. There's a lot of really interesting character building here, and the characters play off each other absolutely effortlessly.

There is a section of the second act that is just Harry and Draco driving, with no particular destination in mind, and you really get that sense of an aimless road trip, just travelling just to travel, and examine the world at the various stops that they visit. And each stop manages to add something to the characters, their experiences, and their relationship with each other.

Harry is a deeply relatable character while still feeling like a realistic outcome from Rowling's narrative, and everybody else is quite effectively captured too, with thoughtful analysis and contrast done between the canon selves and genuinely impressive character work done here. A bit more could have been done in a couple cases- Astoria could have been a bit more developed mainly- but that's a quibble. The characterization is, in general, absolutely fantastic.

The prose has two forms, the more sparse style of the first arc, and the more detailed and loving descriptions of the second arc, that really bring backgrounds to life. But the two flow together basically seamlessly, to the point that I'm uncertain I could point you to where one ends and another begins, and both are absolutely fantastically written.

There is absolutely no bashing, despite there indeed being Harry/Ginny in the story; Harry and Ginny's relationship is actually an important part of Harry's character flaws and his arc, and Ginny is portrayed wholly sympathetically, even if she doesn't have that much of a role.

This is an absolutely stellar story that you absolutely don't have to be a Draco/Harry shipper to enjoy, as somebody that isn't one herself. Read it.
 
I've been reading a lot of Fire Emblem Three Houses fanfics recently, and while most of the ones I really, really like aren't finished, there is a few that have. Out of those, Our Path Is Crooked But True stands out to me as the best, completed, long fic I've found.

It's an Ingrid focused story set during White Clouds that explores why she might transfer to the Eagles. It has incredible worldbuilding, excellent writing and is very good at making the reader uncomfortable at the situation of a girl who wants to be a knight but comes from a poor noble family who need her to marry someone wealthy so that they stop starving (with all the people she would be marrying be interested in her for her Crest).

While it also touches on topics that a lot of other fics also go into (institutional racism, the messed up nature of the church, toxic chivalry, abusive feudalism and other examples of Fodlan's ills), I haven't found another fic that shines as bright and uncompromising a spotlight on what Crestbabies, arranged marriages and the accompanying misogyny truly represent. Chapter 11 is probably the height of that theme, and parts of it made me feel incredibly unclean and I had some trouble rereading that chapter of the fic when making sure I would list it in his thread. The quality of the writing helped get through it.

Example passage from right after Ingrid's paralogue
Edelgard's face bore outwardly the cool composure that Ingrid had grown accustomed to over the last several months, but her eyes and her mouth gave the lie to any semblance of calm. Her mouth was a thin, pinched line, and her eyes were blazing. The harsh, wrathful light of Ailell seemed dim and feeble in comparison to this, a searing anger that Ingrid knew would burn if she stared into it directly.

In light of that, her hand was markedly gentle on Ingrid's arm.

"I'm fine," Ingrid muttered, avoiding Edelgard's gaze.

"Are you?" Edelgard asked softly, though in Ingrid's ears, it sounded more like a retort.

"Yes," Ingrid snapped, but when she looked back into Edelgard's face, she faltered, her stomach swooping unpleasantly.

The anger in Edelgard's eyes had faded not one bit. There was something else in there with it, something softer, and unless Ingrid was very much mistaken, it was only making the fire in her eyes blaze all the brighter.

Were Ingrid alone and she did not have to worry about sullying the reputation of her house, she thought she might have been sick.

And then, the feeling of nausea only heightened when the rest of the group swarmed her all at once.

"They didn't hurt you, did they?" Dorothea demanded, her hands falling hard and trembling on Ingrid's shoulders.

As soon as Ingrid managed to get out a response, her voice was drowned out by more exclamations, in varying tones of disbelief and—she realized this with a jolt—fury.

"I can't believe this!" Caspar raged. His hands were visibly shaking, but clearly not with fear or distress of any sort. "Did that just happen?! Did those guys really just try to kidnap you?! What kind of place is this?!"

"Fódlan," Ingrid told him tiredly. At least one of them, it was clear, had not been raised on the same kind of stories as her. "This is Fódlan."

Edelgard snorted. Her hand slipped from Ingrid's elbow, fingertips lingering on Ingrid's sleeves for one long, agonizing moment, before slipping away entirely. "What an accusation," she muttered. "This happened because this is Fódlan." Leaning a little closer towards Ingrid, eyes questioning: "And why must it be this way, just because this is Fódlan?"
 
Got two completed fics in a series for the Temeraire fandom. Author is WerewolvesAreReal
Mutiny on the Reliant - Shortly after Temeraire hatches and bonds with Laurence, a storm batters the ship and the Captain is lost at sea. The remaining crew become more irritable and superstitious until they end up declaring Laurence and Temeraire ill omens and maroon them on the captured ship. It turns out, having a dragon makes it very easy to cow a pirate crew into obedience. And then another. And then another. And before you know it, Lawrence is in charge of a fleet of ships whilst trying to remain true to his ideal and patriotism. And Temeraire is loving the pirate's life.
The Battle of Dover - The continuing adventures of Laurence and Temeraire who are accidentally on purpose in charge of a pirate fleet. More ships! More crew! More locations! More dragons? Takes us all the way to the climatic battle of the first novel.

This author has captured Laurence and Temeraire's characters so well, with Laurence's propriety and Temeraire's innocent thirst for knowledge about society and life being spot-on to how they are presented in the books. There are multiple original characters composing the majority of the cast, and they are colourful, unique, and appropriate for the historical period and the universe. There is a great deal of comedy, the plot progression is relatable and engaging, and I find myself drawn to rereading them without much prompting.

These are great and I rec them as well they deserve to be on the list. People should also check out their other Temeraire fics as they are just as good if unfinished.
 
Back
Top