TheSandman said:
So was the Duke vile because he considered himself to be in a genuine relationship with his elven consort (as opposed to simply using her as a receptacle for his lusts, which is acceptable so long as it's your men doing it to their women and not the other way around), or because he had the temerity to have profitable and/or militarily useful lands that were obviously not being used in the best interests of the kingdom (seeing as how the king wasn't the one who was using them)?
Well, it might have been that.
But all things considered, it was probably more due to the worship of Dark Gods, infernalism, selling peasants to the Abyss, consorting with dragons, and of course, the way that he was co-conspiring with an exiled elven traitor in something that - as far as the evidence can best be evaluated - was a conspiracy of a small cabal of Evil nobles to murder the entire royal family and make sure the Duke got the throne, as next in line. [1]
[1] Louis de la Valliere: "Small time. These Albionese have no long term vision or subtlety."
Mutton said:
I'm not sure if there is any additional commentary I could give that's not just applause; well done. I do wonder however, in dealing with our 'Murica Elves; are we talking the more modern sterotypical Texan, turn of the century robber barons, cyberpunk dystopian "corps run everything" or some other mismash of funny principles?
Technically speaking, whatever is most applicable for the current joke or object of satire.
However, certain things can be concluded. For example, the elves wear cowboy hats (like canon). They have lots of guns (like canon). They live in an inhospitable desert (like canon) and rely on their magical cooling things that humans do not have to survive in those climates (like canon). And they view themselves as being much better and more advanced than the people living in the Europe analogue (like canon).
Unlike canon, they have chronic obesity problems (especially among the poor) from too large portions of double-lembas bread with a super-sized drink of sweetened nectar, and want their damn long-haired rebellious offspring who hang around wearing dark clothes and making troubles for the elders to get a haircut and a job.
K9Thefirst1 said:
Lastly, earlier this week, a thought came to my mind about the Abyss, and the question(s) it raises keeps bugging me:
Since the Abyss is based on Modern Culture... How modern are we talking? Do they have something analogous to the Internet? Or are they more like the 1980s... As presented in Watchmen and similar properties?
Whatever is most applicable to the joke at hand, even more so than the elves. They're a mess of the Victorians, the Roaring Twenties, the Great Depression, the Eighties, the modern day, and cyberpunk dystopias. Demonic children get beaten as child labour in vast polluting factories while the rich waste their money on trying to look good for the journals and in acts of petty spite against each other (and not so petty spite). There's vast, systematic, pandemic racism based on your species with damned souls right at the very bottom. The de facto queen of the Abyss (Scarron's sister) isn't the brightest knife in the drawer, but makes up for it with extreme viciousness and brutality, setting her vast number of daughters to work who all know that if they displease her, they have lots of half-sisters more than willing to take all their privileges, and paying smarter people plenty of money to take down people who think they're cleverer than her.
It's Hell. I make no excuses for it; it's all the worst aspects of modernity turned up to eleven and used as the place of ultimate evil (or so they like to think, at least) in a 1600s setting.
Also, their technology is powered by demons or damned souls. Hence, there's a fair amount of anachronism because, for example, "technology" requires that you be able to beat a damned soul until they learn to properly work as a hand drier.