Of Stars and Melodies - A Girls Band Party Quest (No Setting Knowledge Needed!)

[X]That's interesting
[X]...I'll have to buy a new one.

Better to start with a fresh keyboard before we start doing gigs and are mostly doing band practice.
 
[X]That's interesting
[X]...I'll have to buy a new one.

"Interesting" because I want Hibiki to be open to new ideas. "New one" because holding on to this one feels childish(?). She can still use it at home whenever she feels really down.
 
[X]That's interesting
[X]...I'll have to buy a new one.

Let's put it this way, Waggaki Band exists. I'm not sure what opportunities might come up to interact with this unknown Shaminsen First-year player given she's in Haneoka, but I do think that it would pique Hibiki's interest to know that someone with a potentially alternative musical perspective is out there closer than Hibiki thinks. At the very least, I'd prefer a Hibiki with a certain level of musical curiosity and an open mind to different ideas.

As for the keyboard vote - once again, I think buying a new one reinforces Hibiki as a person willing to explore outside her comfort zone.
 
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[X]That's interesting
[X]...I'll have to buy a new one.

While rebuilding a keyboard might sound emmotionally satisfying, i worry it would just mean rebuilding it again soon after, there is only so far you can keep a thing going.
Get a new one to carry around, keep the old one at home.
 
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Ok, let's try and stick to a 36 hour voting window for now. I'll decide whether to go back to 48 hours or not afterwards.

So, huh, this means that the vote will close in about 18 hours.
 
I doubt my vote will make a difference...but what the heck, I'm a sentimental hoarder.

[X]That's interesting
[X]...Let's rebuild it.
 
Okay, vote closed.

Well, 12 votes in 36 hours (ok technically a few minutes less than that, sorry) isn't bad at all, so I think we can stick with this new 36 hour voting window, unless you guys have objections.

Hmm, I don't mind bandwagons, but sometimes I kinda wonder why earlier votes were more contested. Is it the choices I give? I thought about that but several times you guys have picked what I considered the most unlikely option so it can't be that - or just that at least. Maybe it's because you guys have reached a rough consensus on how Hibiki should act? Anyway, it's pretty interesting.

By the way, somebody please roll 1d100 for Luck: Booking - DC is low please don't fail lol
 
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There may be a bit of a bandwagon effect, but i suspect that the choices are not that difficult.
Write ins especially will suffer from band vagon effect, because it takes more effort, so if nobody feels strongly about the situation it is easy for the first write in to just be it.

edit-
shit
Valmond threw 1 100-faced dice. Reason: Booking Total: 21
21 21
 
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...like, you passed. By one.

Also, easy choices. Noted. I'll try to make things more interesting.
 
Thing is, this is a chill quest, so there are no huge stakes for people to get upset over, that makes it easier to just go with the flow.

That said.
I think people prefer to be pro active instead of reactive, so a vote between going out and looking for members is going to be more popular to just putting up a notice and hoping for best.
Same for weird/interesting, one feels more likely to lead to entertaining interactions in the future, which will prejudice people towards it.

Voters want more story, anything that promises that, will have a huge advantage.
 
...like, you passed. By one.

If we had failed, I suspect this quest would have gone into a... fascinating direction. Circle is not the only Live Studio out there, and an alternate base of operations would have had massive implications on the slate of possible narrative interactions that could have arisen, though at the expense of narrative interactions that exist at Circle. Of course, this would have caused alot of headaches for the QM, so thank you for at least allowing for the possibility of an interesting failure.

That being said, I also wonder what are the narrative implications of a very bare success, by a margin of 1 on a 1d100.

Well, 12 votes in 36 hours (ok technically a few minutes less than that, sorry) isn't bad at all, so I think we can stick with this new 36 hour voting window, unless you guys have objections.

At this stage of the quest, given there's still under 20 voters in this quest, voting generally peters off after the first 24 hours. Keeping to the 36-hour voting window should hopefully make a difference in having the quest move faster. I think that until the number of voters really climbs or we are looking at really contentious votes (which gives ample reason to reconsider the voting window time), 36 hours is a good compromise in my opinion.
 
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Service Announcement
Hi! The update is currently on schedule and should be up within the day. It might not, but the delay shouldn't be more than a few hours. This is partly related to a small announcement I have to make:

@Andmeuths has offered to give me some structured feedback on the quest. Since he's pretty knowledgeable about Bandori and very good at picking stuff apart (you've seen his effortposts) and the number of questers is solidly above ten (about 15-20, going by likes and previous votes) I've decided to make him a beta reader.

Of course this means he will no longer be able to vote. He might or might not still write his posts depending on what he wants to do, but they are going to be neutral in tone. Obviously, don't expect spoilers from him :p

See you soon with the next update!
 
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Band Story 0.3g
Yeah, I definitely took 'a few more hours' to finish this, but hey, at least it's ready now!



[X]That's interesting
[X]...I'll have to buy a new one.

10 people have voted
[X]That's weird
[X]...I'll have to buy a new one.
1 people have voted
[X]That's interesting
[X]...Let's rebuild it.
1 people have voted


"I...I see."

Your voice doesn't break, you keep your composure. You're a big girl - you can manage that, at least.

Your free hand still curls into a fist at your side.

In theory, one could say that an instrument is little more than a tool to make music - if it can no longer work it has outlived its usefulness, and should get no more regard than a dry battery.

You've never been that cynical, though - so it hurts. It was - it still is, your first instrument. Old, third hand, sure - but it was the closest thing to a piano you had at home, something you could play everyday, your introduction to the world of synths and their many sounds.

You are going to miss it.

Because yes, you could try and restore it, and yes, if you give the shopkeep enough time and money she could probably make it work better than new but... what then?

You'd still be running around - maybe even performing - with a decade-old third hand instrument, wondering if maybe spending that money on something newer and keeping your old keyboard as it was would have been better.

It's an important piece of your past, sure - but the Hibiki of a week ago probably wouldn't have decided to form a band after jamming with two strangers in a music shop, either.

Might as well turn that page.

You slowly unclench your fist.

"...I'll probably have to buy a new one, then," you say, meeting the middle-aged woman's eyes. If you took a long time to answer, she doesn't mention it. "And keep this one as-is. Sounds like the sensible thing to do."

"Very well," the owner nods. "I imagine you will need some time to pick a replacement so I'll just ring up the repair bill for this right now," she says, walking back behind the counter. "If you need any assistance, feel free to ask me or Uzawa-kun. I'm sure she will will be more than willing to help."

"Yes, I probably will, thank you." You silently hand her the money (not as much as you expected, to be honest - though whether it's due to sympathy or just competitive pricing you cannot say), bow, and head for the exit.

"For what is worth," the woman adds as you reach the door. "I find one's instruments to be much like pets. The first one is always special, but in time one comes to treasure each of them in their own way."



At the tram stop near the store, school bag in hand and instrument case on your shoulders, you take a moment to breathe in the cool afternoon air.

Then, you allow yourself a deep, tremulous sigh.

This hasn't exactly been the best day ever.

One more thing.

Picking up your phone and unlocking it with a swipe, you search your contacts.

There it is: 'CiRCLE'. You're glad you had the presence of mind to ask Marina-san for the studio's number. A quick tap, and you press the phone against you ear.

"Hello, this is CiRCLE Live House and Studio," someone picks up after almost five rings, words rushed as if to make up for the lost time. "Tsukishima Marina speaking. How can I help you?"

"Marina-san? Uh, good evening" you start, not really sure what to say, exactly - you've never booked a live house, before. "It's Saotome-san. I, well, I talked with you two days ago about booking a slot for practice?"

"Uhmmm...Ah, yes, Hibiki-chan, right? - weren't you trying to find someone to play with?"

"Yes, that's me. And I managed? We're just three people for now, is that enough for the band discount?"

"Ah, yes it is. Congratulations!" you can't see Marina's face right now, but she sounds fairly impressed. Then her voice turns more business-like: "We're really busy this weekend but there should still be some space - please wait a sec." you hear a faint clack then some muffled conversation "Ok, I have the logbook right here, did you have a day in mind?"

"Well, I was thinking either Friday or Sunday afternoon."

"Well, we do have some space on Friday - it's the very last free slot. I'll keep it for you, but you probably should come and sign on it as soon as you can, since people are booking slots like crazy today."

"Ah, I see," you hum in thought, pulling the phone away from your ear for a moment to look at the time - then you glance at the tram timetable. Luckily, there's more than enough for a quick trip to CiRCLE before going home.

"I can be there in five, ten at most."

"Great! I'll be waiting, then. See you later, Hibiki-chan."

"Later, Marina-san. Than-"

The call abruptly drops with a click. Huh, she must be really busy.

...you should probably hurry, too.



  • suzuki michiko
    So, did you girls find anything about a bassist, btw?
    nishimura yuki
    eeeh shrug nope, sorry I asked around a bit in class
    but the only bassists they know are those already in a band you know
    I heard there's at least another but I didn't even get her name so
    gonna ask around in the string section at the orchestra
    if the violinists don't kill me with their smug I'll let you know

    suzuki michiko
    😝 that bad?

    nishimura yuki
    You have no idea 😑
    Smuggest instruments, smuggest players
    What about you? Found anything?

    suzuki michiko
    Well something yeah
    I think asked around a bit at lunch
    and at the club
    turns out we have at least two bassists at school
    free bassists I mean

    nishimura yuki
    two?

    suzuki michiko
    Yeah
    Hirano Izumi from 1D and Asato Haruka from 2C
    Hirano-san is a beginner
    seems she started playing only a few months ago
    but they say she's pretty good
    Asato-san actually has band experience
    but people say she left her band early this year or something
    point is, she's not in a band anymore
    so...

    nishimura yuki
    😶
    Ok
    that's a lot
    I feel kinda jealous

    suzuki michiko
    wait
    I'm not done
    I heard about someone in Haneoka too
    Akishima-san
    maybe she's the one you were talking about?
    she's a third year

    nishimura yuki
    Uh
    great
    anything else I should know?

    suzuki michiko
    Dunno
    heh
    someone mixed up my question
    thought I was asking about double bass players
    turns out we have one in 2D
    Higashi Fumiko do you know her?

    nishimura yuki
    Ah, Higashi-san
    yes
    I know her
    yeah double bass
    not really what we're looking for I think
    still 3 bassists is a lot right Hibiki-chan?

    nishimura yuki
    Hibiki-chan, you there?
    saotome hibiki
    yeah I'm here Yuki-san
    I'm alright
    Thanks for the info Suzuki-san
    Uzawa-san gave me some names this morning but nothing more
    the Haneoka girl's name is Shiori
    so she's a third year?
    have you met her Yuki-san?
    nishimura yuki
    heard of her
    but I don't really know her
    saotome hibiki
    I see
    I've actually met Asato-san two times myself
    suzuki michiko
    you did?
    could have told me
    saotome hibiki
    I didn't know she was a bassist
    not until this morning
    anyway
    I called circle
    they say they have a slot open tomorrow afternoon
    I'm going there to book it
    nishimura yuki
    they didn't let you book by phone?
    I mean
    this is the 21st century
    saotome hibiki
    I know right?
    suzuki michiko
    they probably want to make sure we're going to use it
    since they're really busy right now
    imagine if someone booked and then didn't go
    saotome hibiki
    huh
    that actually makes sense, I guess
    anyway, just got there
    suzuki michiko
    Right

    nishimura yuki
    You better tell us how it goes, Hibiki-chan!
    saotome hibiki
    yeah yeah I'll keep you posted
    don't worry




Stepping into CiRCLE again gives you a strange sense of deja-vu: the same wooden furniture, floor to ceiling windows, the same posters on the warm white walls.

"...and I just said you can't go and give the studio to someone just because they're in a band, Marina-san! This is the second time in four days."

"I'm really sorry, Chou-chan, but they booked it a few minutes before you walked in."​

There's even the same people arguing at the front desk-

Wait, seriously?

Almost stumbling in surprise, you do a double-take.

"P-please, Marina-san - I really really need a bit more time to go over this song!"

"Oh, come on! She just got out of a studio, I didn't get to practice all week! Please, Marina-san!"​

On a second look, no, that's not quite right.

The first girl is the same as the last time - you quickly recognize her by her dark grey hair and, frankly, by her temper (it seems like every time you spot her she's angry for some reason) - she waves her arms around as she speaks, the weirdly shaped case on her shoulders (a saxophone, maybe? some other kind of brass instrument?) swaying with the motion.

On the other hand the short, chin-length black hair and red eyes of the second girl seem somehow familiar - even if you're quite sure you've never met her before.

"Ah, well, Rimi-chan, you see..."​

The name jolts your memory. ''Rimi-chan'... didn't Uzawa-sempai mention her just this morning? When listing all the bassists she knows? You kinda zoned out at some point so you probably missed a few details but she was from... Poppin'Party you think.

'Ah! Ichigaya-san's band!' You resist the urge to snap your fingers.'Rimi-rin's the bassist', Toyama-san had said. Yeah, that's where you've seen her before - in a chibi-style portrait on her band's fliers. Sure enough, you can see a bass case at her side.

You take a few steps forward, then stop. What should you do? One one hand you don't want to get in the middle of an argument, on the other, you do need to book that studio. And if people are already fighting over who gets studio time then you better hurry up.

"...my sister's birthday is next week, I need tuh get dis song- to get this song ready in time, Chou-san, and I c-can't practice it at home..." the bassist says with a soft voice and a determined expression - she's clearly uneasy, but unwilling to back down just yet.

"Look, I said I got it, but you can ask your band for help," the other girl shoots back. She isn't enjoying this either. In fact, she looks both upset and weary. "I don't have that - and this is the only place close enough to school that I can-"

"Girls, please," Marina-san tries to stave off the argument. "I'm sure you both have your good reasons, but as I said, someone has already booked the studio for a band. You know I can't just cancel that," she pleads. "I'll try and make it up to you girls in the future but-" the manager trails off as she spots you. "Ah, Hibiki-chan, good evening!" she greets you as she waves you over. It's funny, you never knew a single gaze could convey both relief and dread at the same time. "You're here to sign on that practice slot you booked for your band, right?"

The way the two girls immediately lock onto you is unnerving.

"Uh, right," you confirm, taking a few more steps towards the front desk "tomorrow afternoon, so-"

"But you haven't signed yet, right?" the saxophonist - Chou-san if you heard right - cuts you off. "So it's not official yet. Look, could you give me your slot? Please?" she all but whines, "it's been a long week, and I'd really like to just play in peace for a bit."

"Hibiki...sempai? You're Saotome-san, right?" the bassist, Rimi, chimes in. "Kasumi-chan and Arisa-chan said they met you the other day. I-I don't want to steal your practice time," she all but squeaks, sounding genuinely sorry, "but there's a song I really need to finish soon and-"

"You just told Marina you were almost done," the other girl retorts, "I heard you."

"B-b-but there's so many details I have to go over and I need to make sure that..."

As the argument restarts in earnest you exchange a look with Marina-san, who looks as weary as you'd expect. You imagine that for her, this is a lose-lose situation. To be honest, you aren't happy either. On one hand, you hadn't meant to place these two girls in this situation, but on the other you really want to jam, and you don't want to disappoint Yuki-san and Suzuki-san, either. What should you do?

{Choose one}

[]Go ahead and book the Friday slot.
It may not be what Chou-san or Rimi-san are hoping for, but your band is counting on you to arrange a practice this weekend. Besides, Marina-san might not be terribly happy but she's right, rules are rules, this is the last free slot at CiRCLE and you booked first.

[]Reach a compromise.
Maybe there's a chance to salvage this situation. No one's going to be perfectly happy, but if you can arrange something...
-[]With whom?
-[]How? (The first idea that comes to mind is maybe splitting the time slot, but perhaps there are other solutions?)

[]Let it go.
Maybe you could just drop this and look elsewhere. You have no idea where you'd start looking, but if you managed to find another place -for tomorrow or Sunday afternoon- and these two reached a compromise then everyone would be happy. Maybe, you're not sure how your bandmates would take it.

[]Serendipity (1 star point to unlock)
You decide to let it go and look for another place, but you needn't have worried - events, or perhaps fate, conspired to give you a place to practice. Someone in the band has an alternative - but why hasn't it come up before?
(if this option wins, a follow-up vote on how the Star Point is used will ensue)

[]Write-in



Ok, so. I took a good look at the feedback you guys gave me, especially that about choices and plot. I generally try to make sure each vote option and each dice roll leads to more plot (even if not overtly), but I realize that maybe this doesn't always come across as well as I'd like. In this update I tried to make sure you guys had many interesting choices, each with its own equally interesting plot opportunities, and that the choice between them wasn't obvious.

A big thanks to @Andmeuths for spotting typos and clunky phrases, acting as a sounding board for my crazy ideas, discussing game mechanics and making sure the text of the vote options themselves was understandable rather than my usual cryptic mess :p

Given the multiple options and the presence of a star vote option, I'm placing a 8 hour moratorium on votes. The new standard 36 hour vote window will start after that.

A note on Star Points:

This is the first time you can unlock a vote option with Star Points, so let me explain them one more time: Star Point are, essentially, fate, luck or perhaps the power of friendship music friendship between musicians. You will be able to use them to do a number of things, like solving a problem in a way that doesn't contradict established facts, or introducing new plot elements and opportunities.

They aren't 'backup lives' in the sense that I don't plan to place you in 'game over situations' you have to escape from (there can be setbacks, but life isn't a videogame) and even failures can open story opportunities. It's not even a currency to buy an 'enhanced plot': opportunities opened by using a star point are different, but not objectively better - that depends on your preferences.

It's important to note that Star Points are (and will remain) limited, but that you earn them by doing interesting stuff and resolving plot arcs. At their heart, they're meant to reward you, the questers, for your input - so when using it consider what is most fun for you.
 
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[ ]Serendipity (1 star point to unlock)

Getting an in with popipa and a favor with saxophone gal seems good. Heck, might try inviting her.
 
perhaps the power of friendship music friendship between musicians.

Thanks for the chapter! Helping with it was a fun process.

There's one typo that got away though

perhaps the power of friendship music friendship between musicians.

Getting an in with popipa and a favor with saxophone gal seems good. Heck, might try inviting her.

I believe you meant to propose to Reach a Compromise, not Serendipity. You might want to give abit of thought of fleshing out the compromise you have in mind.
 
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Moratorium anyway, so it isn't like I can vote :p

We probably have to pick which of them got to use the studio though, and now that's hard. It seems unlikely star point would allow all three of us practicing place.

Wonder if we're persuasive enough to convince saxophone gal to join our session, eh.
 
My reflex is "SAVE THE SHINY FOR LATER!!!". That said, I don't see how we can make everyone happy here, given that there are 3 parties interested in the slot. I feel worse for Chou-san than Rimi-san because I know what it's like to be stressed out and just want a break. Maybe we can split the time slot with her and leave Rimi-san to her band?
 
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