I think they more of meant saber, where the only way for him to be with her is never give up searching, and for saber to never give up waiting
Goddamn Last Episode, and this interpretation, is so garbage, I prefer Continuation of the Dream so much more.

I forgot about that, actually.

What chapter was that in, anyway?
8.2, the second half, where Kirito busts into the room like he's Kramer
8.2 said:
There was a knocking on the door, and then it flung open as Kirito bustled in. "Hey!" He said cheerfully, "you two were surprisingly hard to find, you know that?"

Shirou turned, and looked over his shoulder at the boy that had burst into the room.

Argo also turned, resting a hand on her hip, before she dismissed him from her attention, turning back to her practice. She slowly breathed out, raising a hand. Underneath her palm, one of the [Throwing Picks] that was laying on the ground floated up, hovering over the floor.

"Why were we hard to find?" Shirou asked in surprise. "Even then, couldn't you have just sent us a PM for directions?"

Kirito rolled his eyes in an exasperated manner. "You always write the shortest message you possibly can, and Argo has hers set up to auto-reply an away message right now."

The throwing pick glowed bright yellow as the [System Assist] applied a skill to it, and then it launched exactly as if thrown, before plinking against the painting hanging on the wall they had designated as their arbitrary [Target]. Since it was a picture of a bull mob from the second floor, naturally Argo insisted they aim at the literal [Bull's Eye]. Then she turned to address Kirito. "I can't just blow off my clients, but I don't want any interruptions when I'm practicing. That's the obvious solution, Kiribou."

She turned back and pouted at her miss as the [Immortal Object] prompt came up over the wall, her pick falling to the ground.

Kirito's eyes lit up with understanding as he saw what Argo had done, rubbing his chin with an excited look in his eye.

Shirou took his turn, levitating and launching the [Throwing Pick] all in one smooth motion.
The [Immortal Object] prompt came up over the painting again, and Argo glowered at him. He hadn't missed even once since they had figured out how to combine the [Telekinesis] with the [Throwing Skill].

"Why the first floor, anyway?" Kirito asked. "I mean, this is a pretty out-of-the-way place to hang out."

Shirou sighed. "Ilya got in a fight with Liz." He explained, and Argo and Kirito nodded seriously as if that explained everything. Honestly, it really did. Shirou shook his head slightly, gesturing to the nearly forgotten anvil and hammer off to the side. "This is the cheapest [Blacksmithing area] that can be rented, so I've been lying low here."

"Kya ha ha." Argo cut in, laughing. "Shirou can thank me for providing that intel!"

"Yes, yes." Shirou dryly replied. "Thanks for that, Argo-sama."

"That's nice." Kirito said, with the voice of someone who was dismissing it out of hand. Then he placed his hands on his hips and puffed up with a proud smile, saying, "you'll never guess what I found!"

Argo drew out a long hum that expressed her low expectations of whatever Kirito had found before she appropriately guessed. "Your most recent bed-and-breakfast place has a masseuse." She accented her words by launching another [Throwing Pick].

Kirito was prepared, and with a superior grin, flicked the pick he had in his right hand, hitting the [Bull's Eye] directly, before turning to address Argo. "I'll tell you for free: No." Kirito shot back. "Ah, but that does sounds cool, huh?" He sighed. "Man, I hope I can find a place like that someday."
"Hm." Shirou pursed his lips, before he also guessed. "Was it an NPC that sells really delicious food?" Since it was his turn, he absently gestured, launching his own dart. It would have been rude to look away, so he kept his attention on Kirito. He could see the target with his mind anyway, so he didn't need his eyes.

Kirito started at him, glancing over his shoulder in a double-take, before sighing in even deeper depression. "No, that's… no."

Argo raised an eyebrow, glancing from the target back to Shirou with an incredulous look. There was no need to check; Shirou had known it was a hit the instant the pick had fired. Argo turned to address Kirito. "Is it a place that sells [Cool Hats] for cheap?"

But Kirito shook his head, before looking up with a stern expression. "No. And I'm not going to let you guess anymore, because that turned out to be surprisingly depressing."
honestly I'm surprised he knocked
also pasting from FFN is really awful, it doesn't copy any of the spacing. I guess that's because of their scripting that normally prevents highlighting and copying.
 
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His backstory is going to seem incredibly suspicious, what with him being twice orphaned, and unable to remember much (if any) of his life before the fire. Add in that Ilya is also an orphan, and whoever is asking is going to be increasingly sure that both are AI.
Shirou remembers his life before the fire just fine. Well he repressed some of the memories so he tries his best not to think of them but its mentioned in the Fate route that right after the fire he would go to his house that wasn't there, walk through a hallway that wasn't there, and greet his mother who wasn't there. This continued until he finally accepted that this wasn't all just a bad dream he would wake up from.
 
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Shirou remembers his life before the fire just fine. Well he repressed some of the memories so he tries his best not to think of them but its mentioned in the Fate route that right after the fire he would go to his house that wasn't there, walk through a hallway that wasn't there, and greet his mother who wasn't there. This continued until he finally accepted that this wasn't all just a bad dream he would wake up from.
After Shirou decided to move forward in place of everyone that died in the fire, he sealed all the memories he had before that including of his parents as that Shirou was already 'dead'.
 
Eh, point. For actual servants. But using the 'dead' players on some sort of ghost and/or summoning floor wouldn't be nearly as much of an issue.

We've already seen a ghost* NPC at some point. I don't think a player making some sort of a deal with a still "living" NPC to get a smarter, more independent familiar is out of the question; probably something like a [Ghost Knight] (or something else that has a high "freak out Shirou" quotient).

(*ish, there was an argument)
 
After Shirou decided to move forward in place of everyone that died in the fire, he sealed all the memories he had before that including of his parents as that Shirou was already 'dead'.
He didn't seal them, he discarded them. He had to keep moving, and surviving.

Goddamn Last Episode, and this interpretation, is so garbage, I prefer Continuation of the Dream so much more.

How is it garbage, it gives a chance for them to be together again, and prevents Shirou turning out like Archer. This is actually my favorite ending.
 
Plus, seeing Argo learn about Shirou's love life and yakuza connections would be hilarious.
While that would indeed be hilarious...

I'm also surprised that Argo and others are not putting more effort in investigating Shirou. I mean, asking him "where are you from" in casual conversation should be rather simple with their current [Bond Level], and then they can just try and find other people from his place and interview them to see if they know him. I mean, it's possible that those are also AIs made to seem like Shirou has past, but that's well into crazy conspiracy territory.
...in canon SAO it was considered to be an incredibly strong Taboo to ask people about their Real Life, for obvious reasons. I haven't seen anything in this story that make me think the situation is any different so far.
 
He didn't seal them, he discarded them. He had to keep moving, and surviving.
No.
Shirou on his memories said:
I just thought about going forward in place of all the people that died.
I couldn't think of anything else.
I sealed any memories before that so that I would never think about them.

People kinder than anyone else.
Memories of those who were my parents.
So as not to recall them and go back…
…I sealed them tight, thinking I was already dead.
 
Modify the URL slightly to access the mobile version of the page. None of that scripting exists on the mobile website.
yeah but then I have to use the mobile site
I mean, I can highlight and copy and paste fine thanks to some userscript I installed years ago when they first did it, it just doesn't seem to copy the spacing correctly.

How is it garbage, it gives a chance for them to be together again, and prevents Shirou turning out like Archer. This is actually my favorite ending.

Because the whole point of Continuation of the Dream, and the Fate route as a whole, was accepting the past and moving forward, not clinging to the past and chasing your dead waifu so hard you give the universe a hernia and unite.

Saber was released from her past weighing her down, and was instead able to look back on her life with pride, and she became happy and found rest, peace.

Shirou took to heart what he learned and strengthened his resolve. He would never forget all the good, but as it was he was moving forward towards new dawns. No regrets, season of new beginnings, walking to school with Rin, all that stuff.

But Last Episode is essentially immense backtracking of the greatest magnitude where he was so weighed down by Saber's absence that he instead abandoned any idea of moving on and instead pursues Saber endlessly. He's supposed to be chasing their ideal, the dream they shared, not her, personally.
 
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I'm not sure there's that much of a difference between "sealing" and "discarding," in practice, here. Shirou was not a magus at that point in time and had no special ability to manipulate his own memories; while his mental image might be different, the underlying psychology will be mostly independent of his actual will, depending only on mundane psychology plus whatever lingering effects that cursed fire might have had.
 
It's a minor moment but we did get to see a thing when Shirou was playing darts and Argo/Kirito wordlessly reacted to him getting a perfect shot while talking to them and not even looking at the board.
Which was utter bullshit. He can hit a target with a bow every time, that's much less difficult than throwing a dart over his shoulder without looking and getting a bullseye.
 
Which was utter bullshit. He can hit a target with a bow every time, that's much less difficult than throwing a dart over his shoulder without looking and getting a bullseye.
No, it's exactly as difficult.

The thing is, Shirou's kyudo has almost nothing to do with anything we'd recognize as archery. It's honestly closer to magecraft, a path to the Root.

Kyudo's eight-step process begins with making yourself empty (which, I mean, Shirou), perfectly empathizing with the target (...accumulated years) and then identifying oneself with the arrow and the target at once, at which point striking the target becomes a matter of proprioception. It's as much philosophy as martial art.

As a result, the actual conditions are irrelevant. Hitting a rotating palm-sized paper bullseye in a windstorm three miles away is exactly as difficult as hitting a target two inches from your nose, so long as the shot is "possible" - because you're not doing any of the computation, you're taking a conceptual shortcut.

Think of it as Shirou having a high rank in an archery-style Breathing and Walking-alike.
 
I think they more of meant saber, where the only way for him to be with her is never give up searching, and for saber to never give up waiting
and when you cut out all the poetic bullcrap it really just boils down to "If I believe I'll see my dead girlfriend again and never stop trying to, then one day I will. Because, you know, I'll be dead too."
Edit: I always thought that the Last Episode End was more of a continuation from Fate's end, it wasn't so much of turning back from the morals of the Fate route as a way of rewarding Shirou and Saber. If Shirou could stay true to his ideals and see his path to the end and if Saber, who had already accepted her past, never forgot about what made her move on from her past then maybe, just maybe, at the end they might discover that which was lost was not as far gone as they believed.
 
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No, it's exactly as difficult.

The thing is, Shirou's kyudo has almost nothing to do with anything we'd recognize as archery. It's honestly closer to magecraft, a path to the Root.

Kyudo's eight-step process begins with making yourself empty (which, I mean, Shirou), perfectly empathizing with the target (...accumulated years) and then identifying oneself with the arrow and the target at once, at which point striking the target becomes a matter of proprioception. It's as much philosophy as martial art.

As a result, the actual conditions are irrelevant. Hitting a rotating palm-sized paper bullseye in a windstorm three miles away is exactly as difficult as hitting a target two inches from your nose, so long as the shot is "possible" - because you're not doing any of the computation, you're taking a conceptual shortcut.

Think of it as Shirou having a high rank in an archery-style Breathing and Walking-alike.
I've read the conversation with Archer too. And the one with Mitzusuri. I don't think this interpretation is borne out by the text. Philosophically, sure. But in practice?
 
Which is absurdly impressive all on it's own.
I think the only Archers who are really better at Archery than EMIYA are the freaks from the AoG. You know the demigods and monsters and such that human limits never really applied to in the first place. Too many people always turn Shirou into a swordsman (which is understandable given that both Shirou and EMIYA were canonically prone to using melee instead of just putting an arrow in the target's chest) when his true (and really only) talent lies in the bow (or being a housewife).
 
Shirou's Origin is Sword.

I kind of feel like he'd be super-talented at any and every martial art he did, because he is in a sense a weapon himself. The reason he's so good at kyudo is just because that's the martial art he got involved with, he probably would have been even more of a monster compared to his peers if he picked kendo instead.

And EMIYA's whole battle style was based on assuming he was the more skilled fighter. Never the fastest or strongest, but the most skilled, with better feints and better timing. It was a style lacking in pride... but it was still predicated on EMIYA having better technique than anyone.

In a way it's kind of ironic; he's almost ideally suited to Tohsaka Nagato's "approach Root with Kung Fu" magecraft, but that's not really what Nagato's descendants do anymore.
 
And EMIYA's whole battle style was based on assuming he was the more skilled fighter. Never the fastest or strongest, but the most skilled, with better feints and better timing. It was a style lacking in pride... but it was still predicated on EMIYA having better technique than anyone.
I think "skilled" isn't quite the right word for this.

At actual fighting he isn't the most skilled (he openly admits that Saber is way, way more skilled at using a sword than he is), but his pragmatism and lack of any pride in his own skills open up way more options for him in combat, and let him fight in ways that opponents of similar ability would never expect.
 
Shirou also cheats thanks to UBW.

he got the weapons history (which includes the user/s skills.) He can use that to test out good and bad ideas. He can also read his enemy fighting style and adjust his style to perfectly counter his enemy.

Unless they use fists or something.
 
The way I see Emiya and his fighting style is that it's based on the assumption that anyone he fights who has skill will use a weapon, because that's the sensible approach. Exceptions like Bazzett do exist but they are exceptions. Monsters and won't use weapons but he will have the skill advantage on them so it evens out.

When the enemy does have a weapon though UBW kicks in and downloads everything about it to him, including the skill of the people who have used it.

So by reading the enemy's skill through their weapon he enters the fight already knowing all their tricks and patterns. It's the difference between fighting a boss in Dark Souls for the first time and fighting it after 50 tries. Emiya gets to skip to attempt 50 right from the start.
 
The way I see Emiya and his fighting style is that it's based on the assumption that anyone he fights who has skill will use a weapon, because that's the sensible approach. Exceptions like Bazzett do exist but they are exceptions. Monsters and won't use weapons but he will have the skill advantage on them so it evens out.

When the enemy does have a weapon though UBW kicks in and downloads everything about it to him, including the skill of the people who have used it.

So by reading the enemy's skill through their weapon he enters the fight already knowing all their tricks and patterns. It's the difference between fighting a boss in Dark Souls for the first time and fighting it after 50 tries. Emiya gets to skip to attempt 50 right from the start.
So EMIYA's power is that he's really good at "Git Gud, Son." So good, in fact, that he can do it first try.
 
and when you cut out all the poetic bullcrap it really just boils down to "If I believe I'll see my dead girlfriend again and never stop trying to, then one day I will. Because, you know, I'll be dead too."
Edit: I always thought that the Last Episode End was more of a continuation from Fate's end, it wasn't so much of turning back from the morals of the Fate route as a way of rewarding Shirou and Saber. If Shirou could stay true to his ideals and see his path to the end and if Saber, who had already accepted her past, never forgot about what made her move on from her past then maybe, just maybe, at the end they might discover that which was lost was not as far gone as they believed.
This I agree with, well put. I never saw it as Shirou abandoning his way, I saw it as a reward for sticking to his beliefs no matter what.
 
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