Companion Chronicles [Jumpchain/Multicross SI] [Currently visiting: INTERMISSION]

Is there an actual anime that Cass is drawn from, or is it one you invented to have yourself as a character (seeing as it is marked as SI)?
It's been mentioned, that in this story, "our world" is the setup for an AtLA-inspired western animation mecha "anime". For instance, in the "real world" drones don't work nearly as well, batteries are too heavy and don't store power well enough.

I don't think we actually know the name though.
 
"One episode," I insisted.

"At least one episode."

"Just take your victory."

Oh wow, Luke got her to watch the show?! Official best character position awarded.

"Thank you." Zeke didn't give any outward signal, but he must have sent a message, because a moment later—

Oh my god, how the hell did he find Anna's route?

Anna Sanchez, Valkyrie ace extraordinaire, stepped out of the door and took a long look around the Warehouse just as Zeke had. She did a double-take at Garrus, but after a quick glance at (and likely some private communication with) Zeke, she resumed her inspection of the park. I couldn't help but wonder what her frame's sensors made of the place, given how much space-bending was going on in here—come to think of it, that may have been the reason for Zeke's long look as well, if it hadn't been plain old homesickness.

Anna, huh? I haven't read the original source here, but according to another story that I have read, I am reliably informed she is the ideal human and the pinnacle of perfection that all others should seek to emulate. :V

Cass is the author avatar from a fictional version of our world that has some divergence in our future that brings about the giant robots and other au features.

So no actual anime unfortunately.

That might have some divergence, you mean.

I mean, we don't know for sure yet. The giant robots could still happen.
 
This is the first jump that it's really hurt to see ending, honestly. The previous jumps have to some extent or another been... lessons to Cass that derailed the jump to some extent (Worm springs to mind, in the end there was no one she was particularly close to and it was a learning jump for her) or the characters all largely felt like more acquaintances than friends or... family.

But by the nature of running a bakery in a small town, even before adopting Luke certain characters just became embedded in Cass's life this go around, and especially with becoming true family to Luke it just hurts so much to see it end.

Slightly off topic I guess but the Jumpchain conundrum of caring about people in the jumps who you can't take with you reminds me of the Harry Potter fanfic "A Long Journey Home". (minor A Long Journey Home spoilers) fem!Harry through circumstances is sent back in time and becomes immortal (possibly until she can return to her own time? it's hard to say as it's unfinished) and has a love-hate relationship with phoenixes because she has a kinship with them as a fellow immortal but struggles to live like them and still love and care about people when they'll all die and she'll just keep living. It's mentioned that she went through the process to become an animagus but decided not to "because she didn't like her animal form" and it's heavily hinted that animal form is a phoenix.
 
Bonus ambiguously-canon omake theatre:
Cass: Why is it that half the time I wander into the frame I'm drying my hands?
Luke: Oh, she washes her hands a lot 'cause she lived through the Plague in the 2020's.
Cass: Ah.
Beat.
Cass: The what.
Is that a 'First year of quarantine' joke? because it looks like one.

Man, I can relate to that getting maternal thing. I wish Luke was coming. Like, I dont, because I understand it wouldnt be great for story structure going forward, and would probably be really hard on their relationship going forward. But I also wish he was coming. He's like a little mirror reflecting mama Cass' personality quirks right back at her. I hope for some interesting interactions with Jenn, when Cass starts venting about missing her baby. And maybe Zeke? That can go two ways, I guess.

Oh my god, Chloe got to realise she cosplayed Sayaka right in front of Homura. Flawless.
 
Bonus ambiguously-canon omake theatre:
Cass: Why is it that half the time I wander into the frame I'm drying my hands?
Luke: Oh, she washes her hands a lot 'cause she lived through the Plague in the 2020's.
Cass: Ah.
Beat.
Cass: The what.
Way to remind me this fic started in 2019, and also that we've had two years of COVID now. As much as her experiences have probably been a lot more personally impactful than COVID has for most people, it's nice to realize she escaped at least that particular bit of societal trauma.
 
Does anyone know what this is?


I've forgotten it. Can anyone drop me a reminder for this as well?

I don't remember the first one, but the second one was way, way back when Cassandra and Homura went to an anime convention, and the high school girls that were regulars at the bakery were dressed up as the PMMM crew... minus their Homura, because the girl who was going as her had gotten sick or something. So Homura sees them, thinks for a moment, then leaves the room and comes back in her actual magical girl costume and joins them for their thing, and no one suspects it's actually "Akemi from the bakery", or "actually Homura Akemi from the anime". Even after she pulls a camera out of her shield that shouldn't have fit...
 
Luke didn't need to think about the question at all. "I think three-point-five is the superior system, but all my best stories are from four."
Truly, a man of taste.

"No," I interrupted. "Akemi, no, you can't make that joke to him! He's an actual folklorist!"
I am exactly the kinda of wet blanket who deflates people's politics jokes so… thank you, Cass?

Cass: Why is it that half the time I wander into the frame I'm drying my hands?
Luke: Oh, she washes her hands a lot 'cause she lived through the Plague in the 2020's.
Cass: Ah.
Beat.
Cass: The what.
Honestly, I'm surprised we haven't had more jokes about living in the darkest/parody timeline.

Sorry, I was rereading and had more comments.
 
So, chapter 113 has been the autocomplete when ive come looking for this.

So I've just got Abby Thorn's cover of Steady as She Goes stuck in my head. Every. Single. Time.

It's even quite thematic, given what that chapter is about.
 
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Hey! Just got through bingeing the story - I love it so far. Side note: your depiction of Strawfield sounds bang-on for Noblesville, so you definitely did that right.
 
As the story has lengthened, I've found myself increasingly unsure of what (and often "how much") to say in response to comments. Since this is an off week, I figured I'd thumb through the thread and respond to some of the stuff I haven't replied to yet.

Eh, it's not that difficult? If she had to hear the matrix verbally, sure, but if they're written down it's only as difficult as the elements, provided you know the rules and don't have a terrible memory.

Now, with that said knowing the rules is a clear sign that you're a stem major, so Cass being unable to do addition is entirely predictable.
Well, given that most quotes I've seen of the 'average' human memory is being able to remember somewhere between 4-7 things at once for 30 seconds, I suspect you're understating the memory requirement for the problem alone, ignoring remembering the results or doing the math.
Yeah, Cass wasn't merely saying she could do 8 by 8 without "showing her work", she meant she could remember two matrices and compute the product without writing anything down at any point, which is well beyond most people's ability.

I suspect it has something to do with proliferation.

One person with an artifact might be responsible.
Everybody with access to a magic item will give you some real idiots.
This is pretty much the idea. Some things are unique, that's magic for you, but anything can happen twice can happen again.

Bwahaha! Does this mean Luke was a fan of Cassandra's cartoon?
This is first mentioned at the Con, when Megan explains why she caught the error with Darkness's make-up, and brought up several times since them.
I believe that was mentioned a few chapters ago, that Luke had seen the cartoon and liked it, and when he found out Cassandra was trans, he asked if she'd picked the name up from the character. Something like that.
Yup.

EDUT, CH4: yeah the violation as comedy in this chapter is gonna be hard to get past tbh. Ch5 is gonna need to be amazing to redeem the story now.

EDUT, CH9: ok this is really good. I just have to avoid the chapters with most of the other companions.
This juxtaposition cracked me up, thank you.

I just found this segment to be incredibly heartwarming. Normally we don't get to see this side of Homura.
Homura deserves good things in her life.

Honestly, that kind of raw emotional honesty is why we're so impressed with this fic. It feels real, in ways that we can deeply relate to on a personal level. Cassandra is, both consciously and unconsciously, using the Jumpchain to slowly but surely work on her emotional problems, and that's a much stronger emotional core to a story than whatever it is most other Jumpchain stories are doing. The fic might give us the Mortifying Ordeal of Being Known by proxy, but it also says "Hey, these problems can be lived with, if nothing else. You can come back from the consequences of feeling and acting this way." And that's not something we get to hear often outside the therapist's office.
I think you made a few mistakes here, let me fix that for you:
Cassandra The author is, both consciously and unconsciously, using the Jumpchain to slowly but surely work on her emotional problems
Much better.

CH 80 SOMETHING - I haven't mentioned it because Cass is incredibly resistant to the idea of being ace, but I have to mention that the Thanksgiving scene seriously reads as an ace romance to me, as someone who has one ace and one allo nesting partner.

Even the insistence that she isn't ace, coupled with her desires (EDUT as in, what she wants to get out of sex) for sex, read like a demisexual homoromantic struggling with comphet.

I guess that's why Zero's treatment seems so off. She's validating an internalised cultural norm that Cass reads as struggling to throw off. "You get horny when you see women" so what? About half of the ace people I know are horny as fuck, they just prefer not to involve other people. My ace partner wrote some of the horniest stuff in og whateley (I assume trans people my age will understand how pornographic that reference is), so presumably Zero would also 'know' she isn't ace too?
I'll admit that Cass is undeniably ace-coded, but not because she's ace. She's not because I'm not, and she is my SI. The thing is that I, the author and template for her behavior, have a combination of physical and mental issues that both render me "ace-coded" and offer significant problems for writing character PoVs that aren't.

Hope this clears some things up.

As for Zero, yeah, she's having a consistent empathy fail with regard to understanding why Cass is having issues—and the fact that Cass's issues are so strongly ace-coded due to authorial "decisions" that aren't so much decisions as restrictions doesn't help!

Well, Anna as a jumper seems a little indulgent but everyone loves her, so I can't really blame you.
I dare you to point to any part of this fic that isn't some degree of indulgent.

It's called "Revolution Drive" and someone made a Jumpdoc for it. Jumpdoc
Neither the name nor the doc itself are canon, though I did answer a few of the author's questions while they were working on it.

Shit, did Max prevent Brexit in Cass's timeline?
"did max prevent brexit" is the funniest speculation i have ever heard. thank you, exnihilo. i love you, and i say that sincerely.
I'd give you proper WoG on this but explaining much of anything about Max's participation in our world would be inviting a political discussion inappropriate for anywhere outside of the designated POLITICS ZONES.

Is that a 'First year of quarantine' joke? because it looks like one.

Man, I can relate to that getting maternal thing. I wish Luke was coming. Like, I dont, because I understand it wouldnt be great for story structure going forward, and would probably be really hard on their relationship going forward. But I also wish he was coming. He's like a little mirror reflecting mama Cass' personality quirks right back at her. I hope for some interesting interactions with Jenn, when Cass starts venting about missing her baby. And maybe Zeke? That can go two ways, I guess.

Oh my god, Chloe got to realise she cosplayed Sayaka right in front of Homura. Flawless.

Does anyone know what this is?

I've forgotten it. Can anyone drop me a reminder for this as well?
I don't remember the first one, but the second one was way, way back when Cassandra and Homura went to an anime convention, and the high school girls that were regulars at the bakery were dressed up as the PMMM crew... minus their Homura, because the girl who was going as her had gotten sick or something. So Homura sees them, thinks for a moment, then leaves the room and comes back in her actual magical girl costume and joins them for their thing, and no one suspects it's actually "Akemi from the bakery", or "actually Homura Akemi from the anime". Even after she pulls a camera out of her shield that shouldn't have fit...
The second one is actually the time in sixth grade when Chloe came up to Ashley and introduced herself by yelling, "Oh Em Gee you look like an anime character!" - a story which Ashley tells literally everyone who will listen, hence Chloe's complaint.

The first one is the talk with Luke about skipping classes.
This is correct. It was more explicit in an earlier draft but the vibe of "I'm not asking you, I'm telling you" is still there.

So, chapter 113 has been the autocomplete when ive come looking for this.

So I've just got Abby Thorn's cover of Steady as She Goes stuck in my head. Every. Single. Time.

It's even quite thematic, given what that chapter is about.
There's a reason I chose that for the title. Luke is very much a person struggling to escape what society in general, and his parents in particular, dictate he should do with his life.

This is one of the reasons Luke didn't end up inheriting the bakery in the final draft, as some people expected after his learning-to-bake sessions. It would have been a nice, neat way to wrap everything up, but ultimately it would have meant that Luke traded one parent-defined life track for another.

Thematically, Luke heading back to the bakery without committing to it as a career is emblematic of how I think children should be allowed to grow: using their childhood and the things associated with it (the bakery) as a stepping stone on the path to exploring their own individuality (whatever future career he finds). Baking is something his adoptive parents taught him, and he values that as a connection to them, but it's not his life because he's his own person, not just what his parents "made" him.

I know a lot of people who would probably have been better off if they hadn't felt pressured into the exact same career as their parents, is what I'm getting at.

Edits: got distracted, hit reply before I finished actually replying.
 
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Chapter 124: Welcome Home
AN: Beta-read by Carbohydratos, Did I?, Gaia, Linedoffice, Zephyrosis, and Mizu.

Chapter 124: Welcome Home


Zeke and Anna went their way, and the four of us went ours.

"Gonna go yell at Management again?" Garrus asked Max.

The latter shook his head. "Tomorrow, after I talk to those two a bit more. I'm heading home."

"Alone?"

"Not if I can help it."

The group split again, Homura and I granting the two their privacy.

"Poor Zeke," I muttered.

"Mm," Homura agreed.

We parted at the edge of the park. She turned left towards her apartment; I wandered towards the Traveler's Palace, the modern, stylishly facaded high-rise visible from nearly anywhere in the main Warehouse space. As always, it opened out into the square, where Jenn was sitting on the edge of the fountain.

"Cass!" She bounced to her feet and ran over to throw her physically-twelve-year-old arms around my waist.

"Jenn?"

"Proud of you," she said by way of explanation.

I chuckled and mussed her hair. "Come on, say it. Make me proud of myself, too."

"Sure!" Jenn let go and hurried back to where she'd started, climbing onto the rim of the fountain to put us closer to eye-to-eye. "You went and took on the role of parenting a teenager even though I know you're not super confident about it, and you did it for someone who needed it way more than me, too! Good job!" She punctuated her final congratulations by throwing her arms up in celebration.

"Thanks." I sat down on the fountain beside her and added, "To be honest, I was a little worried you'd be jealous."

"Don't be silly. You offered, remember? It's not like you weren't willing; I was the one who was busy." She used her temporary height advantage to pat me on the shoulder the way I often did to her. "'Sides, we can still Jump together whenever we want. If you keep Jumping regularly, you'll pass me in age sooner or later, and then it won't even be weird if you parent me!"

"It's funny that age can work like that here," I said. "That you can 'catch up' to people, I mean."

"Time shenanigans!"

"Time shenanigans."

Jenn seemed content to enjoy my company in silence, but some lingering insecurity prompted me to ask, "If you don't mind me asking, how much did you hear about how my first try at parenting went?"

"I followed along with Megan whenever Luke called," she answered. "He told us all about what was going on back in Strawfield, and of course we visited, too. You did a great job."

"I know I made mistakes, though. I mean, I think I did all right, but parenting is too big a job not to make mistakes."

"Everything worked out in the end, though, right?

"Hopefully." I stretched my hands high into the air before resting them behind my head, elbows out. "Maybe all we can hope for is to do a little less damage to our kids than our parents did us."

Jenn side-eyed me. "That's kinda dark, Cass."

"Not all progress is fast."

"With perks it is!"

"I dunno, I feel like being raised by someone with a 'perfect parenting' perk would fuck up a kid in a whole new way."

She laughed and sat down beside me, smoothing her sundress beneath her. I didn't tell her I hadn't been joking.

"Can I ask you something?" I asked instead.

"I might not answer, but ask away."

"Why'd you stay twelve? Or return to twelve, or however you want to describe it." I'd seen her in forms old enough to drink, so I knew she'd been an adult at some point.

Jenn spent nearly a minute worrying her lip with her teeth.

"That's a hard question to answer," she said, "because it's the result of so many different things it's really hard to synthesize an answer. It's like, you know, 'Concise, correct, complete; pick two', except it's pick one-half instead. And my reasons have changed over the years, too."

"You don't have to answer—"

"No, I want to answer. Actually doing it is a little frustrating, though."

I chuckled and patted her on the shoulder. "Believe me, I know the feeling."

"Thanks." She switched from worrying her lower lip to worrying her upper lip. "The simplest answer is that I can, but that doesn't really answer anything, does it?"

"It's good enough for me."

"But it doesn't answer the question!"

"You don't have to answer the question," I repeated.

"I already said I want to!"

I smiled and held out a hand to bid her continue.

Jenn kept thinking a moment longer, then swapped to a form roughly the same age as mine to continue thinking.

"I'm a kid because I can be," she repeated at long last. "I was twelve when I was rescued, so that's the age when I got to stop being a little miniature post-apocalypse-survivor adult and be a child again, and that wasn't easy—but at the same time it was, sort of, because the world became good and wonderful again at the same time—that is, once I stopped being incredibly traumatized. Anyway, when I say 'I can be', that's really important to me. Even if I'd survived in the old world—heck, even if Max had fixed everything—I probably wouldn't have ever gotten that opportunity if he hadn't taken us in.

"I did grow up—well, I grew old, at least. Max put down some ground rules when I begged him into letting me stay, like I couldn't mess with my age until I turned thirty 'properly', so I didn't just stay a kid and never grow up. Which was definitely the right call, 'cause the alternative would be, you know, pretty sketchy. Could I really make an informed decision on staying a kid as a kid?"

She didn't pause for an answer. "So I grew up enough to make a proper, informed decision about how I wanted to live. Uh, it's not like I give up any intelligence or anything when I'm little, to be clear. That was kind of the point of that whole process—proving it, that is. Showing congruence between my adult decision making and my childlike behavior. I'm not exactly the same when I'm being a kid—I'm more energetic, sillier, maybe a little more impulsive—but I'm still fully cognizant. But the 'chain doesn't need more adults, and I like being a child. Being innocent, I guess."

"Innocent?"

"Yeah. There wasn't much innocence left after the world ended, so part of healing was getting that childlike innocence back, and I treasure it. So I stay a kid because I want to hang onto that. I can 'put it down', metaphorically speaking, be an adult when I need to be no matter my form, but it's what I keep coming back to."

It was my turn to sit and think.

"I think I—"

I hesitated.

"—well, not 'understand', exactly, because I haven't felt anything like that—"

"You heard and comprehended," Jenn summarized.

"Yeah."

"Then that is good enough for me." She popped back into her usual tweenage form with a contented smile, kicking her legs out now that they no longer reached the street.

"Great."

I took a long look around the square, rustic-looking wood, brick, and plaster facades that wouldn't have been out of place in Wyndia incongruously interrupted by the modern construction of the Palace and backed by even more varied buildings in rows behind them—villas and skyscrapers and castle turrets and weirder things besides—then raised my eyes to the false sky, where images of fluffy clouds crawled across the flat ceiling.

"Crazy life, isn't it?" I asked.

"Crazy," Jenn agreed. "And we wouldn't trade it for anything else."

———X==X==X———​

Someone knocked on my door that evening a few hours after the doors closed for good. I rose from the desk where I'd been rereading Katalepsis and opened the door to reveal Zeke—back in casual clothing, but still… smaller in some way that he'd once been.

"Zeke!" I said. "Come in!"

He paused for a moment before stepping into the room with a noticeable level of concentration and care.

"It's fine if you want to float," I said.

He shook his head. "I don't have the core synced, and I wouldn't want to use thrusters in here even if I did."

"Not used to not having it?"

"Yeah," Zeke agreed. "It's what I'd imagine missing a limb feels like. Or an eye."

"Then why not stay synced?"

"Because now that I'm finally back in a safe place, I want to go a day without carrying a weapon around." He sighed and shook his head again. "It's not just a weapon, of course, but after fighting for so long it's hard to see it as anything else."

"I'm not going to judge. Would you like to sit down?"

Zeke took the chair. I sat down on the bed, which disturbed the sheets enough for Benny to stick his head out from under the bedding, give me a baleful look with his single eye, and burrow once more.

"It's only now that I've lived through 'existential-threat superweapon' battles that I really understand what Endbringer fights meant to capes," Zeke observed. "You were there for one of them, so I'm sure you know what I mean. How are you so comfortable with them?"

"I don't know. They're small and harmless?" I reached over and poked the lump in the sheets with one finger, prompting it to shift about and rumble in disapproval. "I guess humans really will pack-bond with anything."

"That we will."

I shot Zeke an appraising glance, which he answered with a raised eyebrow.

"So," I said, "where are the girls?"

"The 'girls'?"

"Anna and Abby."

"Oh." He chuckled. "Abby's asleep in my room, and I just showed Anna to hers."

"Cool."

Zeke nodded once.

"Were you able to visit your friends from Moperville?" I asked.

"Yeah. It was a bit short notice, but… yeah. We made it work."

"Have fun?

"Yeah."

"Good."

Zeke nodded again.

"How was the rest of your Jump?" he asked. "After I left?"

"Eventful."

"Oh?"

I started ticking points off on my fingers. "We turned the bakery into a tea cafe, I adopted a kid, that guy who thought I was a vampire came back to say hello, magic was revealed to the world, I started serving tea with fox ears on, the girl I dated for like two weeks before she freaked out and ghosted me tried to make up, Homura earned three Michelin Stars for her baking, I got to be a fairy godmother for a wedding…" Having run out of fingers on both hands, I concluded, "Eventful."

"Sounds like it," Zeke agreed.

"They were good events, though, mostly."

"That's good."

I paused to see if Zeke would offer any of his own anecdotes. He did not.

"Are you okay?" I asked.

He scoffed. "No, I'm not. Neither of us are, and we probably won't be for a long time."

"You can call it a stupid question if you want."

"Maybe it is. Why did you ask?"

I sucked on my teeth for a moment. "I hope you don't take this the wrong way, but you're… different."

"Hard not to be."

"Sorry, I wasn't—yes, of course. I meant you sound different. You had a very, um, 'specific' way of talking, before, if that makes sense?"

Zeke sighed again. "Sometimes, being weird is a luxury. I adapted. Learned to talk like other people talked, and to imitate social tics like facial expressions, body language, pauses and stutters, those kinds of things."

"You changed your presentation."

"I would've used the word 'affect'."

"That's one part of it," I allowed, "but it's more than that. How do I put it? It's not just your emotional expression, it's your diction, your tells, and all that. You're conveying normalcy."

"Normalcy isn't the goal for its own sake. It's about sending the expected signals on the expected channels."

"I wasn't trying to claim it was. It's still an attempt at 'being normal', though, isn't it?"

"Maybe. Why?"

I shrugged. "It's just that I had a similar experience, once. Well, maybe not similar, but at least… analogous?"

"Oh?"

"Yeah. I'll tell you about it sometime."

"Why not now?"

"Because we've already spent way more time talking about me."

Zeke sighed and leaned back in his chair, closing his eyes. "I didn't come in here to talk about myself. I'm still coming to terms with the last few years. Fuck knows how long that's going to take. I'm not sure how I survived." He opened his eyes, then turned to look out the window at the snowy mountain landscape beyond.

"Sometimes I'm not sure I did."

If 'Zeke' was the quirky, sardonic kid I'd gotten used to over the last two Jumps… maybe he hadn't.

He straightened up and, with great effort, put on a smile. "I'll have plenty of time to talk about me in therapy tomorrow—and probably the next day, and the day after that, because I know I'm going to need it. Right now I want to hear about you. It feels like it's been a lifetime since we talked."

"Really?"

"What do you mean, 'really'?"

"It's not about you," I said, holding up a hand. "It's just something I talked to Tess about, ages ago. It doesn't really bother me that I may not have spoken to someone in however-many years; I always feel like we should just be able to pick up right where we left off, time be damned. I thought it might have something to do with having a memory that doesn't fade with time, but Homura says it's a symptom of ADHD."

Zeke cocked his head curiously. "Wouldn't that have been cured after we left Bet?"

"I'd've thought so, but it seems to have stuck around. How is your memory, anyway?"

"Flawless."

"Yeah, I figured. That rules out it just being about memory."

"A lot happened in the meantime."

"I can only imagine," I agreed. "You've changed a lot, haven't you?"

"Hard not to."

"I guess it would be."

I hesitated.

"Are you… okay with that?"

He frowned. "I don't really have a choice, do I?"

"You changed once. What makes you think you can't change back?"

"Why would I?" Zeke asked. "It's not like I got any particular benefit out of being weird."

"I'm not saying you should, I'm just saying you can."

"Again, why would I?"

"That depends entirely on which 'you' you like better," I said. "Or, you know, if you weren't okay with having had to change in the first place."

"I think I like the me that acts like a person."

"Like what people consider 'normal', you mean."

"Like a 'normal' person, then," he said, annoyed at the pedantry.

"Sorry for being a stickler for this, but—right, how about I just tell you the story I put off earlier?"

Zeke nodded and leaned back in the chair, annoyance disappearing behind a smile. "Let's hear it."

"I mentioned that Homura said the whole 'not feeling time between conversations' thing was a symptom of ADHD, right?" I began. "Well, after that, I got curious and looked into things a bit more, and it turns out a lot of the things I thought were just, you know, 'silly idiosyncrasies' were actually just more symptoms of ADHD that weren't unique to me in the slightest. And then it turned out that there were more than a few other 'idiosyncrasies' that were symptoms of autism—high-functioning autism, but still. And that made me start reflecting on my childhood, and how it was that all the doctors I'd been to had missed it."

"The ADHD or the autism? Or both?"

"The autism. The ADHD is actually pretty straightforward; the diagnostic criteria for girls and boys are different. I wasn't diagnosed with ADHD as a young boy because I was displaying a young girl's symptoms."

"Interesting," Zeke said. "Um, sorry for the tangent, but do you think of your first childhood as 'when you were a young boy' rather than 'a young girl'?"

"I don't really think about it in either way; it's more like 'when I was a kid' without focusing on what kind of kid, if that makes sense? I meant that as far as the doctors were concerned, they were examining a young boy."

"Ah. Sorry, go on."

I waved it away. "No need to apologize. Anyway, I'm pretty sure the reason they missed the autism is that when I was a kid—probably while I was still in elementary school, I think, though I'm honestly not sure—my parents put me into a program for kids who had trouble socializing, and, uh, hmm."

"What?"

"Nothing, just… it's a little odd that I'm telling you this story now. The time I told it was back on Bet, talking to Taylor." I sighed. "Just an odd coincidence, I guess. Anyway, I don't think it was the intention, but the effect was, basically, a harsh lesson in presenting as neurotypical—allistic, I guess, if you want to be specific."

"'Allistic' being the alternative neurotype to 'autistic'."

"Yes, exactly. And while that may not have been a good way to do it, or a good thing to do at all, it did do it. I rarely had any issues presenting as an allistic kid." I let out a rueful chuckle. "I don't think it served me well in the long term, though, 'cause for one thing, any time I messed up, I just looked like an asshole rather than someone who was convincingly faking an understanding of social cues and just happened to get one wrong."

"That hardly seems like the only problem with all that."

"Yeah. Those idiosyncrasies I mentioned? I'd have understood them and myself a lot better if I'd known why I was like that. And of course there was the obvious 'never diagnosed with autism' thing that could've… I don't know. Maybe I could have gotten help in school or something?"

Zeke frowned into the middle distance as he absorbed all that.

"So your objection to the use of the phrase 'acting like a person' is that prior to your own moderately traumatic crash course in neurotypical presentation, you yourself acted in a way that might not qualify as 'acting like a person' in my words?"

I chuckled and shook my head. "It's not about the collateral damage, it's that you're putting yourself down for no reason. You've been acting like a person the whole time you've been a person because you are a person."

"You're making a definitional argument," he accused. "If I'm a person, everything I do is something a person would do. Right?"

"Yes, exactly!"

"But that's a semantic quibble. You know I'm talking about 'how people act' in the general case, not the exhaustive one."

"Which is why I'm insisting on using the 'normal' qualifier," I explained. "Otherwise, you're denying the personhood of everyone else, yourself included, and I wouldn't consider myself a good friend if I let that pass without comment."

"But you knew what I meant; you could have just responded to that instead of quibbling. Is how I say something important enough to get this sidetracked?"

"I think that sometimes 'how you say something' can reveal more about how you think than 'what you say' does."

Zeke blinked twice while he considered that argument.

"So you're saying you think I meant to deny my personhood?"

"I don't think you meant to say it, but I was concerned you thought it. And even if you didn't, talking about it that way could get you to start."

"Understandable," he said. "Now, if you don't mind backing up a bit: if it's 'not about the collateral damage', why bring up your own experience?"

"To make the point that a lot of people don't act 'normally', so there's no reason to believe that how well one follows social expectations has any bearing on personhood. And that you're in good company, if I do say so myself."

"Because your maybe-not-similar-but-at-least-analogous experience was in learning how to receive social signals like how I had to learn to send those signals?" Zeke guessed.

I shrugged one shoulder. "That's not quite right: it was about presentation for me too, not just interpretation. Besides, I don't think you ever had a problem sending signals. You were perfectly clear. You just communicated in a way that was, well, distinctly you."

"And the way I do it now isn't 'me'?"

"No, no, that's not what I meant!" I hurried to explain. "I'm just saying it was something unique to you. Distinctive, even. And there's value in that, right?"

"I did say being weird is a luxury—or presenting weird, if you prefer."

"Yeah, you did say that—and to be honest, I hear more of the 'old you' now than I did earlier, when you'd just gotten back. Not that either way is 'wrong', of course."

Zeke gave me a wry grin. "Probably because I'm talking to you."

"Old habits, huh?"

"I would phrase it as code-switching—falling back into using specific words and patterns of speech. It's still not quite how I used to talk, though, is it?"

"Not exactly, no."

He nodded. "I remember how I used to talk and think, but putting that 'affect' back on feels even more fake now than doing this did back when I started. It's strange, but at some point I stopped including things like hesitation, disfluencies, and qualifiers deliberately and started just… doing it. It's like I stopped 'emulating' them and just adopted them as part of my 'normal' affect."

"You formed a new habit?"

"Not even that—calling it a 'habit' implies that it's still an affectation, just an ingrained one. I think this is more… natural, for lack of a better word." Zeke paused, then leaned in and raised a hand to shield his mouth from hypothetical eavesdroppers. "Although between you and me, I may have played up my nervousness when I got back. Not that I wasn't nervous, of course, I wasn't sure what I'd have done if Max had said 'no', but I chose to express it more than I normally would even with the changes in presentation. I wanted him to know I was nervous, though in hindsight I can see why someone might argue it was manipulative."

I rubbed my chin in thought. "I think that's a fair thing to do," I said. "Though with perks and stuff, he probably would've known anyway."

"That's probably true. It's been a long time since I had to deal with anything like that." Zeke's eyes unfocused for a second as something occurred to him. "Now that I think about it, that might have contributed to the 'not fully acclimating to humanity' thing."

"Because with Deanna and Max, you didn't need to learn how to—how did you put it? 'Send the right signals'?"

"And the fact that they understood me anyway made me even more uncomfortable by comparison with people who couldn't—and reinforced my bias that it was everyone else who was weird and unreasonable."

"Ah. Yeah, that makes sense," I said. "Say—and this segue is only going to make sense in hindsight, but do you remember the conversation we had about my issues with writing?"

"Of course."

"Well, I'd completely forgotten that I wrote an incredibly amateur novel-length story a couple months before I joined the 'chain. Management was kind enough to retrieve it."

"Before you joined," Zeke repeated. "Before you got any help with your issues."

"Magical help, at least, but I'm pretty sure I know why. Or how, I guess, depending on how you look at it."

"How, then?"

"Because a few months before that, I'd come out as transgender," I explained. "And when I did, I also changed the way I presented—not so much 'physically', since that takes time and, you know, confidence, but I transitioned socially pretty quick. I came out to the people I spoke to online, had them gender me feminine, and… it felt right. I finally understood that trying to be a guy just didn't work for me, and I think that was the thing that had been fucking me up, if you'll excuse my language: trying to be a guy had completely stifled my ability to express myself."

"Which brings us back to the issue of presentation, which is why the segue makes sense in hindsight."

"Yeah."

He frowned. "But what does your gender presentation have to do with writing?"

"That's a good question. Maybe it was just the whole 'presenting male without feeling it' thing confusing me, but there was definitely an anxiety component, so… yeah, I don't know. There's no clear link, but the correlation is hard to argue with."

"True."

We fell silent for a moment. Zeke relaxed in his chair; I glanced back at the lump in the covers.

"You know," I said, "when I said, 'Humans will pack-bond with anything'…"

"Yeah?"

"You said 'we will'. I'm pretty sure that's the first time I've heard you talk about humanity in the first person."

Zeke stiffened slightly. He held my gaze for a second before averting his eyes, a frown creasing his forehead.

"Of course I count myself as human, now," he said. "War is always 'us' versus 'them'. Tribe versus tribe. Country versus country. Humanity versus hegemonizing swarm. Sometimes, the desire to protect 'us' is the only thing that keeps you going. Sometimes, it's the desire to destroy 'them'—though I've only seen that second-hand, thankfully."

I wasn't sure what to say to that, so I said, "Oh."

"That's not the only reason," Zeke continued. "It might be the largest one, but not the most important, if that makes sense? Even when things got bad, there was more to life than the war. This was the first time I was fully… 'immersed' in humanity in the way people talk about language immersion. I didn't have anywhere to retreat to, like I did with Deanna and Max, and… it was really fucking stressful, but it also gave me a much better understanding of why people are the way they are. All the things that used to annoy me or mystify me made a lot more sense once I couldn't step away and watch it from the outside."

"Huh," I said. "Most of the things that mystified me about people made more sense once I was able to step back."

"Because those were the parts you were missing."

"Probably."

"Deanna and Max did their best to look after me," he continued, "but that meant they always gave me an out. When I got confused or stressed or whatever, I could always leave, and that meant I never had to buckle down and properly understand everything as a whole 'package'. I only got bits and pieces."

"And no context."

Zeke shook his head. "No, I got context. I just never had to stitch together the bits where one context ended and another began, or where they overlapped, or however they happened to interact. I never had to do the synthesis."

"Even when you were in high school before your sudden, uh… 'departure'?"

"No. I probably should have, but I resented the experience enough that I never fully took that step."

"You made friends anyway."

"But that was because I was weird, not in spite of it."

I knew too much about the friends in question to dispute his assessment.

"The point I was making," he concluded, "is that my 'cultural immersion', if that phrase is appropriate when the 'culture' in question is as broad as 'human', meant I had nowhere to go to stop 'being human' and start being… well, the weird human-shaped bundle of opinions and qualia I identified as previously."

Zeke saw my objection coming and headed it off with, "And by 'human-shaped', I mean both physically and mentally. I've had a human mind since my first import, as I'm sure you're about to remind me, but I insisted on categorizing myself separately—out of stubbornness and misplaced frustration, mostly, but the point remains."

I nodded and leaned back in my chair, mollified.

"At any rate, I'd held myself in a deliberate state of derealization—or maybe some sort of 'inverse derealization', as though I wasn't 'real', whatever that means—and the whole 'immersion' experience broke that apart. Being on my own forced me to 'grow up' in a way I hadn't before. Not that I blame Deanna or Max for that: I wasn't exactly a normal child. I had more knowledge than most adults and less context than most toddlers, and I think they did pretty well given the unusual situation. I don't think I would have survived the last eight years half as well if they hadn't. They prepared me to deal with human life, but they never actually made me do it."

"And then you got whisked away to Perth."

"Where I didn't have a choice." He paused, then added, "And while it was traumatic enough that I wouldn't call it 'beneficial', it did let me grow in some ways even as it cut me down in others. My own 'harsh lesson', as you put it."

"You could have gotten that same growth in much healthier and less traumatic ways," I summarized.

"To put it lightly," Zeke grumbled. "Did I need someone or something to push me outside my comfort zone? Yes. Could it have been done safely and constructively instead of abusively? Also yes, not that Management cares about that—if they understand it at all."

I nodded.

"Anyway, 'growing up' and 'leaving my comfort zone' meant experiencing all sorts of things people like to wax poetic about 'being part of the human experience' or 'defining one's childhood'," he concluded, "and while I don't exactly agree with that sort of hyperbole, I will admit that, taken as a whole, they made it a lot harder to keep telling myself I was different. Especially when I was sharing those moments with friends who were a lot closer than I let anyone get back in Moperville."

That was as good an opportunity for a segue as any. "Speaking of friends: if you don't mind me asking, what exactly is there between you and Anna?"

Zeke fixed me with a look. "We're friends. That's all."

"She joined the 'chain for you, didn't she?"

"Good friends," he amended. "Partners, maybe—in the strictly non-romantic sense."

"And nothing more?"

"No. Are there rumors starting already?"

"I haven't heard any," I told him. "But it hasn't even been a day since you got back."

"But you're assuming there will be?"

"You brought a girl home from a dating-sim universe, people believe whatever best fits their assumptions, and not even the 'chain can defeat heteronormativity."

Zeke winced. "Ah, fuck."

"Yeah, I feel your pain." He raised an eyebrow, so I explained, "A few months after you disappeared, Zero let slip that she shipped Homura and I, which is… awkward."

Zeke winced again, this time accompanied by a look of befuddled exasperation. "Why would she tell you that?"

"It's Zero."

"That doesn't tell me much other than that she's the kind of person who would do that. The first and last time I met her was at your birthday party—though that's true of half the people there, now that I think about it."

"Really?" I asked. "Huh."

"What?"

"Nothing. I guess sometimes I forget I'm not the only person who finds a few friends and stops looking."

Zeke snorted. "This is me we're talking about, Cass. I had to be badgered into looking in the first place."

———X==X==X———​
 
AN: Someone commented on a long-ago chapter that Cass's described issues with writing spoke to them. Well, I have bad news for you, lovely commenter: either my solution is completely non-applicable, or my solution is applicable and I wish you good luck with sorting yourself out.

Sometimes I get self-conscious about how much of this story is dialogue compared to descriptions, actions, or other narration. I don't think I'd like the results of counting how many words are inside or outside of quotation marks across the whole work, and even less on specific chapters like this one!

I think the dialogue-heaviness is a product of how I interact with the world, really. I don't know if it's ADHD, autism, or socialization, but I'm bad at taking in details, always in too much of a rush to do… whatever I'm doing. Meanwhile, talking to people is one of the few things that will get me to slow down and give it my entire attention—or none of it, if I'm spacing out at the time, which happens more than I'm happy to admit. Additionally, if the characters involved are being fully honest with both themselves and each other, there's not much need to narrate thoughts and feelings because the dialogue will express those things anyway. To top it off, I spend more time talking to people online (where I can't see them) than I do in person (where I can) and am not the best at reading body language at the best of times, so I have to really strain myself to understand how someone would emote in any given situation (unless it's sighing, which I do constantly).

The fact that you're reading this means you probably don't mind the dialogue focus, but I still find myself getting self-conscious when I read anything that isn't 50% conversation by volume, which is just about everything.
 
Sometimes, being weird is a luxury.

This is my main issue with a lot of isekai stories.
They wander around being very different from everyone around them, but they often fail to recognize that they can be different because they have some cheat skill, not because they're brilliant or insightful.

It's fine to enjoy a luxury, but it can be awkward if they don't realize it is a luxury.



Sometimes I get self-conscious about how much of this story is dialogue

Don't be.

I find a lot of stories annoying because they avoid dialogue, and especially the important dialogue, which leaves the reader in the dark about motivations and perspectives.

"Wait, why they doing this again? Where this trait come from? Who the hell are these people!?"
 
I don't know if it's ADHD, autism, or socialization, but I'm bad at taking in details, always in too much of a rush to do… whatever I'm doing. Meanwhile, talking to people is one of the few things that will get me to slow down and give it my entire attention—or none of it, if I'm spacing out at the time, which happens more than I'm happy to admit.
Don't know if this is a useful datapoint or not, but personally that's extremely relatable. I've tried writing a few times, and it always ends up being mostly dialogue or internal monologue because my brain just refuses to process anything else well enough.
 
I find I like this story because if how chill it all is, its like I'm there with them as they talk about problems that I also might have. We dont need an action packed adventure to keep us hanging on because we can connect with what's going on. Also the dialogue makes these character feel alive, and not just cardboard cutouts that get puppeted around with a little voice chip saying one to two lines here and there.
 
Sometimes I get self-conscious about how much of this story is dialogue compared to descriptions, actions, or other narration. I don't think I'd like the results of counting how many words are inside or outside of quotation marks across the whole work, and even less on specific chapters like this one!

The fact that you're reading this means you probably don't mind the dialogue focus, but I still find myself getting self-conscious when I read anything that isn't 50% conversation by volume, which is just about everything.
First off, I'd like to apologize because you spent half of this post talking about how much you probably don't want this information, but when presented like that I became incredibly curious because this seemed like a very interesting automation challenge. Just in case it's too awful to contemplate, I put the data in a spoiler below. As well, before any numbers, I'd like to reassure you that the outcome is that Companion Chronicles is perfectly normal and pretty close to the average for genre fiction in general. It's more than a Harry Potter book, but less than the Great Gatsby, and almost exactly the same as a typical Sherlock Holmes book, for a random selection of fiction that I had in an easy to analyze format on my hard drive.

And for what it's worth, I really like the story either way. I didn't come into this for "barbarian sword princess sweatily defeats ten thousand orcs in lovingly detailed prose for a thousand pages." There's plenty enough of that floating around as it is lol.

A comprehensive analysis of the first 100 chapters of the story (including the Prologue) reveals that approximately 45% of the story is in quotes. There's a little bit of wiggle room to shift that based on the author's notes I didn't bother to trim or a couple of early PHO discussions which are probably "dialogue" but not in quotes, but overall I'd say the margin of error on this would be about one percent.

I've got an Excel document with the exact numbers, but I figured I'd just produce a couple of charts from the results for ease of access. The chapter numbering is off by one due to the Prologue, but otherwise, it seems pretty consistent! The total dialogue proportion has spiked in wordier chapters and I think notably whenever Cass isn't currently on a jump (because there's not much to do in the Warehouse but talk to people) and dips in chapters that tend to be more action-focused.

 
"Hopefully." I stretched my hands high into the air before resting them behind my head, elbows out. "Maybe all we can hope for is to do a little less damage to our kids than our parents did us."

Jenn side-eyed me. "That's kinda dark, Cass."
Dark maybe. Utterly accurate.
"Thanks." She switched from worrying her lower lip to worrying her upper lip. "The simplest answer is that I can, but that doesn't really answer anything, does it?"
As a DID system with mostly littles - that absolutely explains everything.
Could I really make an informed decision on staying a kid as a kid?"
Probably not. I think it's a bit wrong to force someone to try aging though. Maybe that's just my mind being weird.
"—well, not 'understand', exactly, because I haven't felt anything like that—"

"You heard and comprehended," Jenn summarized.
"But that's a semantic quibble. You know I'm talking about 'how people act' in the general case, not the exhaustive one."
Oh hey, Zeke is making the argument I wanted to make while reading the previous scene. Or at least a related argument. I find people make well meaning and 'insightful' corrections to terminology like in the Jenn scene out of adherence to formal definition rather than fluent usage out of a desire to convey a specific nuance. But the semantic quibble conveys none of the extra nuance unless the other party to your communication understands your nuance already (Jenn) or you explain the nuance at length by prompting your conversational partner to interrogate your semantic argument at length (Zeke).

I find the case where they do understand redundant, and the case where they do not is unnecessarily roundabout and duplicitous with a conversational partner you respect. It is more a form of the Socratic method, for tricking unwilling students into learning by forcing them to defend positions they hold. Not really appropriate between equals.
"You brought a girl home from a dating-sim universe, people believe whatever best fits their assumptions, and not even the 'chain can defeat heteronormativity."
I mean. Zero assumed you and Homura, the one person everyone on the chain has met is gender ambivalent with a resting state of gay male. I think heteronormativity is pretty thoroughly kicked in the face on the chain actually. Allonormativity assails a much smaller minority, and has thus not been combated at all.
 
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Honestly the lengthy dialogue portions of CC are like drugs to my ADHD brain. Just lengthy one-on-one conversations where the two participants essentially just work through their thoughts with each other? Sign me up.

Side question, because I'm curious if this is an ADHD thing: Does anyone else flounder in conversations with 3+ participants but thrive when it's a one-on-one convo?
 
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