Ammo in Violin Cases (Gunslinger Girl)

[X] General training routine
[X]Jean and Rico.

Rico tends to be more focused and professional. At the end of the day we're training a killer. The better trained she is, the safer she is.
 
[X] General training routine
[X]Jean and Rico.

The combination of teaming up with one of the more professional teams in addition to the chance to play the nice guy (even if only in comparison) seems like a good choice.

Also I'm glad to see an update of this quest, it's been great so far.
 
Plus Rico also exhibits loyalty to the agency, she's one of the few who remember her life before the agency. (In some or even most cases being memory wiped is a mercy for the cyborgs)

Crippled, unable to walk, entire life spent in hospital, the agency gave Rico a new body and pretty much gained her complete loyalty. (Interesting how Jean scolds Jose about keeping Henrietta's conditioning on low when it's implied he does the same, (at the least, going by Rico's personality she is certainly not on heavy conditioning) however Rico is undeniably a more effective cyborg than Henrietta..)

Basically we're trying to show Fiorella what she should aspire to be. The agency is a hell of a lot better than the alternative in most cases. Not that we're not using her, she's a weapon. But she is however a valuable one. Keeping her in top condition means keeping her fit physically and mentally.

Which brings to mind another point. The conditioning. Using it shortens the cyborgs lifespan, the more you use it the more of their warranty you use up. In an ideal world we'd keep the conditioning low to wring as much use from them as possible, however it's not always possible, having the conditioning low can mean that they exhibit emotional imbalance due to the... stresses they're placed under.

At the end of the day we're creating a product. We're training a cyborg operative, it's job is to kill people.

Will we be sad when it eventually goes? Sure, but if all goes well it will go quietly, with us knowing that we taught it well and that we can work to improve the lot of our next cyborg.

So, our relationship with Fiorella? Perhaps even all our cyborgs? That of a student and mentor. Of course there's an emotional investment, that's the nature of the Fratello's. At the least there will always be an attachment on one side due to the conditioning, even if unrequited.

TLDR: Random musings. If the option comes up any time soon I'd like to write in to consider Fiorella and ideally all our cyborgs as our students. It's our job to teach them after all.
 
And, let's call this vote for now. Fun times ahead, I promise.

Vote tally:
##### 3.21
[X] General training routine
[X] Try to coordinate with one of the fratello
-[X] Claes
No. of votes: 1
veekie

[X] General training routine
[X]Jean and Rico.
No. of votes: 4
BoSPaladin, WorldSlayer, wingstrike96, lavanderjasmine
 
Girl 1: Preparation
Ultimately you decide to keep with a standard training regimen. With everything you've seen of Fiorella's performance thus far, there's no need to focus on any one thing in particular. You just need to work the basics, and everything should be fine.

Still, even if she has the basics that's no reason to be complacent. The conditioning gives her what she needs, but that won't mean anything without experience to go with it, and experience is something that she can't learn by herself.

So if she can't learn it on her own without going into the field, she'll just have to learn it from someone who does. Which sadly disqualifies Claes, but you don't think that she'll mind. You'll need to find someone else who's had experience in the field and can show Fiorella how things really work.

Well, with Triela out of town how about Rico? She's professional and knows how to get the job done, if only because of the way that she and Jean interact if nothing else. You aren't sure if that's the sort of relationship you want to have with Fiorella, but at the very least it's the sort of thing that will make her a useful teacher.

It's as good an idea as any, and you resolve to work on that particular project later. It's a bit late to do anything about it now, and you'll have plenty of time in the days to come. Jean would probably appreciate that, if you don't miss your guess.

With the schedule worked out it's just a matter of finishing the rest of your paperwork, labeling out expenses, reporting on Fiorella's condition, your appraisal of her situation, that sort of thing. Not that there's much to report on besides your initial impressions of her given how soon it has been. But ultimately that's probably a good thing. You don't want a lot of change in a job like this.

Once your paperwork is done you take your leave, headed home to a glass of campari, and some sleep. It's been a job well done, but another day waits for you.

- - - -

You talk to Jean the day after.

You catch him in the main office, during one of the times when you have a free period of your own. Fiorella is off with the rest of the girls, taking part in class and catching up on her education. Even if they are essentially military cyborgs, you never know when this stuff may come in handy, and it does help them have the semblance of a normal life.

Well, ultimately that sort of thing isn't your decision, and it does give you some free time that you can use for other business. Like this, as you approach the man, who is in turn by one of the guys who works in the main office here.

"Jean," you say to him as you come to a stop near that same desk, looking things over. He doesn't seem particularly busy, so now's as good a time as any. The other guy there seems distracted by his own business, so even if Jean is here to talk with him you'll have a few moments to converse.

"Gregorio," he replies in turn as he gives you his attention. "How are things going with Fiorella?"

Dressed in your business suit and remarkably similar to everyone else in the room, you shrug in answer to his question. "Not bad so far. She seems to be settling in alright. Though I did want to ask you something."

"What is it?" Cool, professional, you can see where Rico gets it, even if it's just a result of what Jean wants from her. That's not really a bad thing anyway, is it?

You attempt to maintain a general air of nonchalance as well, with the understanding that he probably isn't going to shoot you down for no reason. You've been here long enough to figure that out. "Well, with how new Fiorella is to all of this, I figured that it couldn't hurt to have her learn from one of the girls. With how professional Rico is, she seemed like a good choice. That alright?"

Naturally, asking Rico herself isn't required since she'll just do whatever Jean says, and she'd probably agree to it anyway. Jean himself doesn't keep you waiting for long, much to your appreciation. "That seems fine to me," he agrees. "Would tomorrow be a good day to start?"

"Tomorrow is fine," you confirm with evident relief. Again, not that you were expecting him to refuse, but having it confirmed is weight off of your shoulders. Fiorella can only benefit from the experience. "I look forward to it."

Jean is a tad dismissive, but you can live with that. He has a lot to do, given the position he holds within the agency. "Is that all?"

"Nope, that's everything," you reply, shaking your head. There's nothing you can think of in the immediate moment anyway. "I'll leave you to it then."

"Right." With that you walk off, leaving Jean to handle whatever business he needs to tend to. You've done what you came for, and now it's time to get on to other things. Fiorella will be getting out of class soon, and when she does you want to be ready for it.

- - - - -

The next few days pass by without incident. There are no major disturbances by Padania, no major crises that need to be addressed by the Agency. Just the peace and quiet that Fiorella needs to get caught up to speed and to take her place within the Agency as their newest cyborg.

It takes her a bit to get to know the people there, but soon enough she manages to get used to things. The staff treat her well as one would expect, since most of them have at least a passing ability to work with children. Whether you can say the same for Section 1 is fairly irrelevant at this point. The same can be said for the other girls in the process, as she strikes up a quick friendship with Henrietta, Rico, and Angelica, and a more respectful one with Claes.

The only problem is Elsa, who continues to maintain a cool distance, seemingly uninterested in interacting beyond a professional scope with Fiorella. You suppose her other friends make up for it though. Oh, and after asking around it turns out that they won't move her to another room unless Lauro requests it, and he doesn't see a need to. Oh well.

Still, she is definitely improving as far as being an agent goes. Jean has made good on his promise, and Fiorella and Rico have spent quite a bit of practice time together, so your cyborg can learn from the combined wisdom of you, her, and Jean. You'll still have to wait, to see if it holds up in the field, but for now it looks like things are going alright.

Gun training, accuracy, speed, reflexes, strength tests, educational learning, all of those things take place as Fiorella joins the general curriculum. You get to know her better as well, just as she gets to know you.

The first start is made in helping her settle in as well, purchasing a new set of clothes for her as well as an antique clock. Not that she really needs a clock, but it will help her decorate the room. It's not like Elsa has made any effort to do so, and you promise to get her some more stuff later. With how much, say, Jose dotes on Henrietta, you surely can't go overboard.

- - - -

It's during one of the many exercises you run that Jean decides to present you with an offer.

Rico and Fiorella are running one of the outdoor courses together, brick and wood set up to mirror an urban environment, like the interior of an apartment building to some extent. They move through in tandem, eliminating the terrorists while making sure the civilians emerge unharmed, a scenario that could all too easily play out in reality some day.

It's a test that goes over reflexes, reaction speed, accuracy, and judgment. They have to quickly eliminate the threats, without shooting the civilians. Fiorella had trouble the first couple of times, but recently she has gotten to the point where she can keep up with Rico, and not cause unnecessary casualties. Which is pretty important, as one would guess.

While they do the run again, you and Jean are in the control room, watching the exercise on the many cameras set up to observe everything and record it. He is sitting at the table, while you stand back with your arms folded across your chest, getting a better look. The two of you are observing her though, gauging how things are going.

"She's getting better," Jean notes aloud, not taking his eyes from the screen as Rico and Fiorella enter another room, guns blazing in quick and precise shots.

You nod, following the action as well. "Yeah." She definitely has, acting with more confidence and less hesitation, not to mention overall performance thanks to the tutelage of the other cyborgs, especially Rico. Just as you had hoped would happen.

Silence descends for a few moments before Jean shifts a bit, a prelude to broaching the new topic with you. "Hirscher reported in earlier. Apparently they were able to locate a Padania cell, and he wants backup. They're thinking on sending you and Fiorella so she can get some experience in the field."

"I see," you reply contemplatively, rubbing your chin. There's certainly nothing wrong with that particular logic, and it could be useful. With Hirscher and Triela there it's unlikely that anything bad will happen, and if something challenging does arise then you'll merely have to adapt.

Still, it has been pretty recent since she was finished with her surgery, and you suppose that a few more days to practice and get everything down pat couldn't particularly hurt. With how things are, taking a bit longer to get to actual fieldwork won't be that detrimental.

For the moment though Jean is waiting for an answer in that particular demeanor of his, at last leaving the screen to look back at you. "So what do you think? Is she ready for it?"

As her handler it is ultimately your choice, and you expect that Jean will accept it either way even if he may disapprove personally with whatever you do. Glancing back to the screen where Rico and Fiorella are nearing the end of the course, you prepare to make your decision. It seems that things may get interesting very shortly.

[ ] She can do it
[ ] We need more time
 
[X] She can do it

Time to get some field experience. We can get some ice cream afterwards.
 
[X] She can do it

It's what she's built for. What she's been training for, she has to start sooner or later and it will let us asses her in an actual situation and let her get some hands on experience.

And if things do go sideways there will be another Fratello right there with us. An experienced team ready to step in and support or guide us.
 
Girl 1: Journey
"She can do it," you tell Jean without hesitation. The benefits outweigh the risks by a wide margin, and it's a chance that you are willing to take. Fiorella needs this opportunity, the experience it can provide her, and you will not regret the decision.

Taking that in, Jean turns back to the monitors, letting silence grow for a second or two before answering. "I'll let Hirscher know you're coming."

With a nod of approval, you look back to the monitors as the girls head into the last room to finish the run. "Thanks. We'll get going soon." There's no point in waiting around to get going, not when it won't really yield any benefit for you in the short term.

The run is swiftly finished with an efficiency to be expected of the girls. While Jean remains in the observation room for the moment, you leave to go meet Fiorella as she exits the course. She looks to be alright, cyborg enhancements meaning that she is not out of breath, and has not really strained herself running the course.

"Good job girls," you tell the both of them before focusing on Fiorella. "I want you to go back to your room and pack your things. We're leaving in an hour."

Rico takes on a knowing look as she glances at Fiorella, giving her a smile and a wave as she heads off to go talk with Jean. "Good luck," she calls over her shoulder, leaving the two of you alone for now.

"Where are we going," Fiorella asks as she follows you away from the course and towards the dorms. You'll have to pack as well, even if it probably won't be that long of a trip. There is some stuff you can't exactly leave behind after all.

You walk along at a moderate pace, making sure that she can keep up as she looks up at you in eager anticipation. "We're going to Milan to help Hirscher and Triela with an operation. If it goes well then we'll be able to do a lot more of that sort of thing in the future."

Fiorella practically lights up at the news, eagerness to fulfill whatever mission she is given presumably mixing with her eagerness to get out and see the world. "Okay," she agrees without hesitation. Not that you expected her to disagree.

"Well, hurry on and get ready. We'll meet at the front gates when it's time to leave," you tell her, a subtle nudge to get on to business.

She nods before running off, headed towards the dorms. You watch her go for a moment before turning on your heels and heading off to do the things you need to handle. Is this what watching a kid grow up is like? Heaven forbid.

But you dismiss that from your mind to focus on the task at hand. It won't be long now until you're off to work, and there's a lot to do.



The train is the fastest way to get from Rome to Milan, good when speed is critical. It also has an advantage in that the company which runs a majority of the rail network in Italy is owned by the state, meaning that certain individuals such as black ops units composed by cyborgs can use it without having to worry about discovery at a higher level.

It is the faster option though. It's just a matter of taking the rail from Firenze to Bolognsa, and then on to Milan. Unsurprisingly, that is what you're doing right now, Fiorella sitting across from you as you take the commuter rail in one of the cheaper seats.

Fiorella is practically glued to the window, eyes widen and taking in every detail of the countryside that you pass as the train moves along. There is plenty to see, that's for sure, and you don't try to stop hr from doing so.

"You like it, huh," you ask as you relax in your padded seat. Not the most comfortable thing in the world, but for mass transit it will do. Right now all your attention is focused in front of you. How else are you going to get to know her?

She glances back to flash you a bright smile before looking out the window once more. "Yeah! It was kind of scary at first, being with all those people, but I like it now. It's nice to feel the sun on my face, the wind through my hair, and just being able to run around forever!"

The sheer exuberance, the wistfulness that holds her in place, it brings a smile to your lips. A remnant of her old self, you suppose, from being stuck in that room for her entire life. Anyone would be eager to enjoy the freedom of the outdoors in a situation like that.

"We should take a car next time," you idly note to yourself. It'd let her see more, and she could enjoy herself along the way. Perhaps a car trip or two through the Italian countryside, could be something worth looking into for later operations.

Naturally the prospect of that seems very exciting to Fiorella, though at this point it'd be difficult for her to be happier than she is already. "Really?"

"When we have the time to do it," you clarify before she can make any false assumptions. "the job has to take priority, and we may not have the time to drive." It may be for coming back to the Agency more, but you can at least make the effort for her.

Fiorella nods in understanding. "Alright," she agrees without complaint. You're sure that she can understand the need to put the mission above personal wants and desires, especially since she was conditioned to be that way.

She turns back to look out the window, watching the countryside as it rolls past. At this point it'd be hard to stop her, not with this burgeoning desire to let her do what she wants, to enjoy the life she has been given before she loses it again.

In the meanwhile you decide to do a bit of reading instead, producing the book that you brought with you for this trip. It's nothing too special, 'The Name of the Rose' by Umberto Eco, but you enjoy it nonetheless. You have to have your own distractions after all.

Eventually your train pulls into Porta Garibaldi station, where you have arranged to meet with Hirscher. The both of you carry your luggage as you exit, moving into the throngs of people that are also disembarking the train. It is one of the main stations for commuter traffic in Milan, so it's no shock to find the place pretty busy.

Yet the crowd does have an effect on Fiorella, as you notice from the corner of your eye. She seems to stiffen up, more alert and ready for any threat that may emerge from the crowd (even if it is only a remote possibility). Yet she does take on a slight hesitation, less quick to react, to follow after you.

"It's alright," you reassure her, placing a hand on her shoulder to provide the support she needs. For how happy she was before, her trouble with crowds wasn't so easily overcome it seems. You'll have to work on that, in order to keep it from being a liability in the future.

She glances up at you and nods, allowing you to lead the way as you move on through the train station. There aren't any major problems to worry about, no significant delays, and soon enough the two of you are able to exit onto the street with your luggage in tow.

Hirscher and Triela are parked up the street in a rented van, with Triela positioned outside. She waves at you as you draw near, directing the two of you over to the car that she is standing by. "Get in," she says once you draw close enough, slipping into the back seat of the car herself immediately after that.

Luggage stored in the trunk of the car, you take the other front seat while Fiorella gets in back with Triela, for ease of communication if nothing else. "Hirscher, good to see you again," you tell the black haired man as you buckle up.

"Good to see you too Montagna," Hirscher agrees before starting the car once more, pulling away from the curb and heading off into the streets of Milan. "How have things been going?"

"She's coming along," you tell him while looking out the window. There's plenty to see, even if you're practically operating in enemy territory. There are more than a few Padania sympathizers in Milan. "Hopefully this will be enough to work out any problems there might be left."

Meanwhile, the two girls interact behind you as one would expect them to do. "So you're Fiorella right? I'm Triela. Welcome to the Agency," says the blond haired girl with a warm smile as she looks across the seat to her companion.

"Thank you," Fiorella replies with a weak smile, once again needing the time to warm up to the older girl. "It's been nice at the Agency so far, and I'm looking forward to working with everyone."

Triela continues to watch Fiorella with a calm eye, doing a silent assessment of her. "It's a lot of work. But it's worth it when it comes down to it. Someone has to do this job after all."

"Right," Fiorella agrees eagerly. "I'm still new at this but I'll do my best. For everyone."

Hirscher glances over at you but says nothing as the car drives along, with you fully understanding what he's getting at. She owes that loyalty to you, to the Agency itself, and she'll do her best to fulfill it even if it kills her. Well, you won't let her do that if you can help it, but saying as much right now would probably be a bad idea.

Eventually the car arrives at the safe house that Hirscher has been using for this operation, a hotel room located some distance away from the center of town. It's located on the third floor with a view of the street below, an adequate spot for the purpose it was rented for. There's a single bedroom, bathroom, a kitchen, and an open area which is where you all conglomerate after doing a quick sweep for bugs, observers, and the like.

"So what's the situation," you ask, seated on one of the small couches in the living room. Having come all this way, you're eager to get on with the mission.

Hirshcer produces some photographs, laying them out on the table for you to look at. They're of a two story home, relatively towards the outskirts of the city if the background is any indication. There are also people as well, conversing and moving about the place.

As you look at it, Hirscher explains what it means. "We've found a house owned by Ricardo Brambilla, a Milanese believed to have ties to Padania, which has had several consistent visitors in the past few weeks. We believe that they're using it as well as a nearby abandoned warehouse to train Padania operatives."

"What are we looking at in opposition," you ask as Hirscher presents a few more photographs, showing the warehouse in question. It's not particularly big, previously used for storage and eventual import of good and raw materials to factories within Milan itself. Which presumably is why Padania thought it would be a good little training ground for their bombers in the making.

"The numbers fluctuate a bit, but the most we've seen there are eight individuals," Hirscher says as he sits down in one of the chairs nearby. "The current plan is for us to hit them in the early morning. One fratello goes after the house, the other goes after the warehouse and then assists the first group after it's secured. That way we make sure none slip past, and they don't have a chance to destroy any evidence."

You give a slow nod, examining the photographs as your mind works. So that's why they needed someone to help them. There was just to much ground for the two of them to adequately cover by themselves. Well, you'll just have to do your best. How hard could it be?

"Sounds good," you agree at last. You meet Hirscher's gaze as you lean forward to get a better look at the pictures. Time to hammer out the details on this plan, and make sure that Padania never sees you coming.

[ ] House team
-[ ] Write in
-[ ] Write in
[ ] Warehouse team
-[ ] Write in
-[ ] Write in

Alterations to the plan:
[ ] Write in
 
How big is the warehouse compared to the house?

[X] House team
-[X] Triella
-[X] Hirscher
[X] Warehouse team
-[X]Fiorella
-[X]Montagna

We may as well keep the Cyborgs with their handlers. No need for anything fancy here.

Alterations to the plan:

Well first off, I'm assuming that if we go after them in the early morning most will be still asleep. I'm also assuming that there will be less people in the warehouse.

Basic plan stays the same, keep it simple. One team attacks the house at the same time the other attacks the warehouse. Synchronise both teams. Triela and Hirscher know how they work best together.

Normally we'd send Fiorella in first, fact is she's more durable than we are. Plus the reaction to grown men will probably be shoot them. A girl might make them hesitate. However with Fiorella being so new we'd probably be best staying close to her.

[X] Write in
-[X]Warehouse team, Montagna goes in with Fiorella, the pair of them sweep the building together, clearing the target with lethal force. To enter just have the cyborg kick the door in. Bring along a 'Shotgun masterkey' in case we need to shoot out the hinges. If we can take down any targets non-lethally do so. Trying to take one alive for questioning however is a secondary objective to keeping all operatives safe. The priority is on moving quick and securing any physical evidence such as explosives or documents we can.
-[X]If possible and we have night vision then cut the lists when we go in.
-[X]House team probably know better than we do what to do at their location.
-[X]Whichever team finished first supports the other. Once both locations are clear we call in police if needed, just to help secure any evidence. (if they haven't already been called due to the sound of gunfire) Making sure to keep the cyborgs somewhere out of the way and out of sight.

And that's about it? Assuming that Hirscher has no problems with it. He's the lead agent here. We should probably default to his leadership if he thinks any of it is a bad idea.

Any other players see any issues?
 
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[X] BoSPaladin

If we're synchronized, it shouldn't matter if we do this loud and fast. Seems fine to me.
 
[X] BoSPaladin
-[X] If possible cut the lights when going in.

Sounds like a decent plan to me.

Both places are probably equally risky I suspect so there's no easier option for us to take. The house likely has more people and more walls obscuring line of sight while the warehouse is more likely to have people awake.

Actually it might be a good idea to also cut the lights before we go in and use night-vision to get an edge. Should be simple enough to rig something up at the fusebox or even at the powerlines so we can cut the lights the moment we hit them.
 
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