4.9 - Crash to Desktop
You peered cautiously over the side of the pod, to the endless drop below into the darkness. Carefully, you stood, balanced precariously on the rim, and extended a foot. Just don't fall.

You stepped out onto the nothing and walked. A few cautious steps at first, but here was a place where air could be as solid as stone if you wanted it to be, and now that you knew there was nothing to fight you, you knew either equal certainty you could walk on air. You also knew you wanted somebody to talk to, and silently the Tender floated beside you, the deadly steel limbs hanging limp under it.

"Where are you going?" it asked.

"Anywhere I want," you replied. Right now you did not want to go anywhere. You just wanted to be moving. It was different. You walked on in silence for a few minutes, through the unchanging rows, thinking.

"What specific mechanical change makes this easy here, but difficult in the Matrix?" you asked, listening to your footsteps echo off the air. The Tender swept in front of you, hovering backward to keep pace.

"The systems these programs run on divide processing tasks between a less powerful digital computing unit and the human minds connected to it. The digital computer holds a dynamic, indexed database of the position and status of all distinct entities in the program, using procedural generation to reveal more detailed information as needed. However, all state processing, how things change in line with their pre-programmed principles, is all done by the human element. When you take a step, the computer feeds your brain the information about the physical properties of the surface and of the sole of your shoe, and the movement between the two, and asks it to intuit what will happen next. It tends to make each individual process events closest to that individual to reduce load, merely 'double-checking' work through others when confidence is determined to be low."

"Is it doing this constantly, for every interaction?"

"Not frame-by-frame, as it were, instead storing expected outcomes and querying only when circumstances change unexpectedly. Making too many queries is too expensive and will affect mental processes. This program differs by assigning all human intuition high confidence, so work is not rerun or double-checked, whereas in the Matrix or a program modelled on it, your attempts to walk on air would need constant reinforcement, and would be more likely to be rechecked due to low confidence in yourself and others."

"Couldn't they change the thresholds in order to prevent us from doing impossible things?" you asked.

"They have already done so. The Matrix is a compromise, because the more checks they run, the less spare processing power your brain has available to run calculations beyond the simulation, the calculations the machine uses to direct its real-world elements."

"Like you?"

"To a degree. Robotic elements like Tenders or Sentinels do have on-board processing and are capable of limited autonomous action in the moment, but coordination, planning, long-term decision making, and complex sensory processing all require human processing. This is in addition to the various self-maintenance and secondary simulations the Machine runs. This work is done by human beings whose mental architecture are deemed well-suited. However, only about 60% of human beings are ever actually tapped for these processes, and only a proportion of those at a time. The rest primarily maintain the simulation's integrity or the systems of control within it, and are deprecated if they are no longer needed to support productive elements."

"That is a lot of inefficiency. At a certain point, wouldn't it be more efficient just to build a really, really big digital computer?" you asked.

"This is a point of considerable debate. The priorities and bottlenecks of the Machine are not all fully understood."

You weren't cold, because you didn't want to be, but you wanted to go someplace warm. You turned your head and, as expected, there was a door embedded in the wall, a simple wooden frame in the dark, damp steel. You reached out and pulled it open, and stepped onto the cheap carpet of your childhood bedroom, collapsing onto the sheets, staring up at the sloped ceiling where you'd put your Star Wars posters. Snow fell gently outside your window, diffusing the red Christmas lights from the Caldwell house across the street. They always went all-out for Christmas.

You stood and moved to the window, catching sight of yourself in the reflection off the glass. You were a child, maybe twelve years old, but not as you'd been then. As you'd always, at the back of your mind, thought of yourself. Judging by the tan Chevrolet Celebrity out front, it was Christmas 1986 or 1987. Probably '86.

"Cache Caldwell doesn't sound right," you mused to yourself, hunting for the right name in your memories. It wasn't coming to you, but it did make you think of something else. "Is this what I actually experienced back then, or just what I remember?"

"I don't know why you keep asking this stuff, you know that you can't trust the answers," a voice replied. You turned to see a young boy sitting on the bed, smiling broadly. He was wearing a blue fleece vest and a white t-shirt, and had brown hair in a mullet. "Hey Alice."

"Hey…" you blanked. No name. "So am I just guessing what you looked like when you were 12, or do I still have an intuitive image of you that I simply cannot access as memory?"

"You could never stop asking questions. That's why you'll end up taking Philosophy, I guess," he replied, reaching to your bookshelf and pulling out a thick tome. "You understand this stuff?"

He held up your college copy of Simulacra and Simulation.

"Not that one," you admitted. "I couldn't figure out what the hell he was talking about. I ended up hollowing it out to hide weed in."

"Nice," he replied, flipping it open. "Alright, let's talk through some more questions then! Though you know there's probably a program where you could access the database and ask questions more accurately, right?"

"Probably, but I'm not really looking for facts, I'm trying to reason out where I am and where I'm going. Does that make sense?"

He shrugged, tossing the book aside.

"Not really, but I guess," he conceded. "Go for it."

"Does time pass in the Matrix, or has it always been 1999 and I only remember this because they modified my memories?"

"That'd be a lot of work, and implies a lot more understanding than the Machine probably has of what would be important to people at various times. Think about how you found out that vacations are all similar; if they were doing that with people's childhoods, everyone's childhoods would be very similar."

"This feels like it could just be an archetype," you pointed out, and he laughed.

"Sure, the Star Wars posters… a lot of Princess Leia, I'm noticing…"

"Shut up!" you protested.

"But… Cloak & Dagger?" he indicated to another poster. "Does that movie even exist in the popular imagination of 1999? Do you think everyone has a memory of watching it over and over in an empty theatre after their parents left them there?"

"... probably not," you admitted. Honestly, that one actually sort of took you by surprise; it had been a somewhat short-term obsession and you'd mostly forgotten.

"This also breaks down as we move into the future. The chronology of videos you watched at RIT's anime club would be a mess," he pointed out. "No, time has to be advancing."

"I'm noticing you're now using logical deduction using information I know I know, instead of citing outside information," you said.

"Well, yeah, because you're wary and want to be right, even if you're telling yourself it doesn't matter. This has basically become a way to talk to yourself in a comforting setting. Wanna head to my place? Your room sucks."

"... sure."

You made your way downstairs, stepping to the outside of the squeaky stair like you always did, but getting caught like you always did. Your mother came around the corner in her oversized bottle-green sweater, with her old round wire-frame glasses and no grey in her long, straight hair, hands on her hips. Behind her, in her living room, you could see your maternal grandparents, instantly recognizable; your grandmother's knits and dyed hair, your grandfather in his veteran hat hunched over a book. You always dreaded going to see them; half the time they couldn't remember your name.

"Now, don't go anywhere, young man, your grandparents are…" She paused. "Alice?"

"... hey mom." you muttered, realising with horror what was happening. You knew, in your heart, she would hate to see her son like this. You looked up, and she was gone.

You trudged through the snow across the street to the Cadwells, met your nameless friend at the door, and climbed down the stairs to the basement, where his room was tucked in, near enough to the utility closet that you could hear the water tank. It wasn't how it was in 1986; his room had been upstairs in 1986. You were teenagers now, he had a television in his room with game systems piled atop one another, he was wearing a flannel shirt and he'd cut his hair. The place was a mess.

You caught a brief glimpse of yourself in a white t-shirt and jean shorts, halfway between the person you remembered and the girls at school you'd admired, before the screen flipped over to the Phantasy Star menu, and you sat on the couch to watch him boot up a new game.

"It's so weird I remember this place. It really shows the limitations of their ability to edit memories; it doesn't make any sense that the Caldwells would have a room like this in their house," you said. "I just know they did and that I hung out here, and that makes sense now knowing about you, but honestly it was so surreal I just never really thought about it."

"Which is another point in evidence of time passing," he said, moving through the menus and skipping dialog.

"So, if the Matrix is as old as people say, do they… reset it? Roll time back? When does it start, when does it end?"

"Well, maybe it freezes just before the turn of the millenia? But then you'd have problems with future generations. Rolling instances?"

"I feel that would have come up," you pointed out. Cache nodded in agreement.

"So I guess it goes on a while longer after 1999, because you have access to media and programming languages from after it despite the obvious gaps in history that the Resistance struggles with. Who knows how far back it goes, right? Maybe the Matrix started as a simulation of the Dark Ages or whatever."

"That doesn't seem right. Too much of the internal infrastructure seems to rely on telecommunications stuff," you said. "Maybe it's all just aesthetic? They rotate it through a series of purely visual years, over a long enough time that nobody really notices it repeating. That might be easier to paper over."

"I don't think you're going to logic an answer to this one, and you don't want me to get the database answer, so it might be best to move on. Ask real-me later, or better yet, ask Frag."

"Ask me what?" You looked over to see Frag, in full latex Victorian regalia, closing the door behind her. She wrinkled her nose and kicked aside some dirty clothes. "Damn, you live like this?"

You pointed a thumb toward young Cache, who shrugged.

"I'm 17?" he offered. She shook her head sadly and indicated for you to scoot aside, sitting daintily next to you, watching the game. A little embarrassed, you locked your gaze ahead.

"Did you name yourself after this game?" Frag asked, after a long pause.

"... what?" you asked, glancing at the screen and remembering, all at once, that the main character was named Alis. "Oh. Uh. I cannot confirm nor deny."

"Dork," Cache said, grinning ear to ear.

"A hell of a nostalgia trip you have going here," she said. "Right, you had a question, one strong enough to ping me in the middle of a meeting."

"Oh, I didn't mean to interrupt-"

"Relax, another instance is handling it. What it is?"

"How does the Matrix handle the passage of time and changing history?" you asked. "What happens when they run out of nebulous present, I suppose?"

She smiled.

"It doesn't come up, due to the resets."

"The… what?"

"Resets, they have to, after a while. The longer the system runs, the less efficient it gets, you know. They need to cache and store more and more information, which takes up more organic overhead."

"There's cruft," you said. "Code bloat, builds up over time."

"Exactly. Every object has more history, every person has longer memories. Infrastructure decays and fails and needs repairs, it all has to be modelled, more and more cycles get consumed on maintenance. They have to push people harder and harder to make up the margins, and people push back or drop out, worsening the issue."

"... that can't be sustainable. There'd be an inflection point. Do we have any idea how long we have until the Matrix crashes?" you asked.

Frag laughed.

"Coda, the Matrix crashes like clockwork. Every thirty to fifty years, the whole thing comes apart, millions die. They reset the clock to January 1st, 1970, input surplus population from their reserve armies in isolated simulations, and start again."

Cache didn't react. He was deep in a series of nested menus, picking his next move.

"Your parents came from one of those simulations, their memories crudely adjusted to match. You are the first generation born to a system that was going to fail within your lifetime."

"That… that doesn't seem possible," you protested, trying to put it together. "They can edit memories, but they can't do that much, I've seen childhood photos, both my granddads fought in WW2, I've seen the medals! How did they-"

On the television screen now was your living room, as it would have been across the street in 1986. Evidence, just in case.

"Oh, he probably fought in some war," she said. "He's what, sixty here? He'd have been from the cycle before last, the one they had to end early. The Great Uprising. So, yes, he almost certainly did fight in a war, just not in Italy with the 442nd." She paused. "That's a twist for me, you don't exactly look-"

"All my other grandparents are white," you explained hastily. It was a question you'd grown sick of as a kid. "They got married in 1942, they had to come to New York because it was illegal in California-"

"No they didn't, that doesn't even make sense. They got married in what was the mid-1990s while they were refugees in the Great Uprising. The system crashed soon after, and they got fed back in on January 1970, your grandfather probably loaded full of memories of a tour in Vietnam. The simulation, still struggling to recover, crashed again after sixteen years and was rebooted back to 1970, when your parents were in their early 20s. I'm willing to bet all your grandparents had memory problems?"

You nodded slowly.

"There's a reason it's particularly widespread in this instance of the Matrix," she explained.

"... I sort of want to stop learning things," you muttered.

"And I want to get out of this program before your perception of me alters who I am too badly," Frag retorted. "You aren't sleeping properly while you're running a program, so get out and get some rest. Trust me, the plans we have? You're going to need it."

She stood and walked out the door, and young Cache stuck his tongue out after her.

"Wow, what a bitch," he snapped.

"Jesus, dude, language."

"I'm a teenage boy in the Matrix in 1991," he replied. "What do you expect?"

"... that, I suppose, because you did it."

"Now you're getting it!"

---

You did not feel nearly as well-rested as you wanted to be when you plugged back into the system the next morning. The Construct had been turned into a sort of surreal meeting room, like a hotel conference centre with the white void outside the windows. The crew were there, save for Vector and Chrysalis, Frag holding tightly onto the code briefcase, Opposite were a half-dozen Messanists, including the old man in the sweater and Apogee, who smiled broadly on seeing you.

You took a seat next to Cache, who had his feet up on the table and a cup of coffee in his hand.

"Morning, princess," he teased. You cuffed the edge of his chair and he spilled his drink on his white jacket. "Hey!"

You laughed to yourself as he picked himself up, shrugged out of his jacket (he threw it unceremoniously in the corner) and drew another out of one of the closets lining the walls.

"If we're all done, we have a briefing to get to," Frag said mock-sternly. "The backdoor codes for US_Coast_West_01 need to be installed into a trusted network node inside the city; once we do so, we will be able to drop the protection and remotely take control of the city. Per our agreement, the Ashur will be given direct control, in exchange for Oasis getting full access to the internal database dump and personnel records, in addition to our help for retrieval over the next few weeks. But before any of that happens, the installation must be performed."

"It will not be easy. They know we are coming," the old man explained. "For this reason, we will need to use misdirection. The obvious infiltration point is the central control unit of the Hunters Point Power Plant, so the majority of us will be launching an attack on that plant to draw their attention. The actual infiltration will be performed by a small team infiltrating Tenderloin Police Station in the city, disguised as police officers."

"You gave us the idea, Coda, and we'd like you to lead that operation," Frag said. She spoke slowly and carefully; she clearly had her reservations, but had been talked out of it. "We think it best if only one other person goes. We have fabricated a visit from Central Station's information officers due to a minor security breach in the station; that's you. Once you're inside, we'll launch the assault to draw attention, and you make it to the station's central NCIC terminal and insert this disc."

She slid a floppy disc across the table; it was blue and crudely labelled SECURITY in big block letters.

"Run the program on the disc and then get out, as fast as you can. The rest will be done from back here. Once you all get to the exits, we can safely push the update and lock out the city. After that…" the old man smiled. "After that, anything is possible."

---

Your Partner
[ ] Cache
[ ] Apogee
[ ] Write In

Your Gear
[ ] 3
[ ] 6
[ ] 10

(You will also get 1 free Bulletproof Vest this mission, due to your Police Officering).
 
Last edited:
5.1 - Angels and Demons
Everyone stood from the table and out the doors lining the room, and you indicated to Cache to follow. You couldn't imagine bringing anyone else; there was nobody else you trusted the same way. He nodded, and the two of you stepped into your own private section of the white void, the door disappearing behind you as it shut.

You pulled out your phone, and a familiar voice greeted you.

"Operator."

"Chrysie?" you asked.

"Vector is helping. The Oasis operators will be managing the assault, there's more of them and they're used to working together."

"Glad to see you up and about, so to speak," you said warmly. To be honest, you'd been anxious about going into the Matrix with anyone else watching over you.

"Aww, thanks. Right, so, uniforms and identification. Your call on the details," she said. You picked up the implication, and asked for a mirror, inspecting yourself.

"... I hate to say it, but I think I might need to be a guy cop," you concluded eventually. Cache winced, but nodded in agreement. It was still early days; the lack of stubble was an improvement, but you still read male.

"Officer Boymode it is," she said, and in front of you was a pair of tables with all the gear you'd need laid out, with an ID tag and police badge laid over it. You picked yours up and stared at the dead-eyed photograph of your alternate self, labelled Thomas Baker, Lieutenant in San Francisco's Administration Bureau. Cache's named him Michael Wright, Inspector in the same. Atop both were earpieces and a throat mic, as well as a pair of aviator sunglasses.

"This is a lot of gear," he muttered, picking up the heavy belt curiously as you put the communication gear in place.

"The department is on high alert, given, you know, the everything," Chrysie explained. "Try to keep the sunglasses on anywhere where it won't be suspicious; Agents need to see your eyes to tell if you're a redpill. As far as everyone in the station knows, you are there to reset the password for Captain Robert Allen Chambers, who does not understand information security and can't stop clicking links in mysterious emails."

"That was my work, by the way," Vector added smugly.

The two of you dressed in the dark blue uniforms and bulletproof vests, Cache jokingly complaining the whole way about how unsuited the colour and cut was for both of you to ease the tension. It really did look awful; you looked in the mirror and almost recoiled.

"At least there's not a tie…" you muttered, fixing the belt in place and making a point to draw and reholster a few times, just to get a feel for it. "This sucks. The SWAT outfit had a bit of menace to it, but this is just..." Like staring at a nightmare version of yourself, one that Cache could never have trusted.

"It's about to get worse," Cache said. "Our ride's here."

---

It was late morning in San Francisco, and from the moment you got rolling it was plain that things were different. You spotted several police helicopters in your short ride to the station, and several corners where the SFPD had established roadblocks. You also spotted several dark green National Guard humvees as you moved deeper into the city; Vector said they were clustered around city hall, the highway, and airports.

"Why would they concentrate there?"

"Because whatever human is in charge of them doesn't know we can pop out of telephone lines and is trying to cut off our escape," Vector continued. "Agents probably figure it doesn't matter enough to potentially give the game away."

"What are we looking at in terms of agents?" Cache asked, scanning the streets as he drove. You had one hand on your holster the whole way.

"There's one in police HQ right now, and they've been moving around between stations on some kind of patrol. Hence the diversion. Next right."

The station was an old single-story brick building with a narrow garage door, and would have looked quaint without the SWAT guys clustered out front watching the street. One of them halted you as you approached and beckoned to roll down the driver-side window, leaning against the car as Cache fished out his ID. His submachine gun clattered off the window frame.

"Am I under arrest, officer?" Cache asked, injecting as much sarcasm into his voice as he could. The man laughed.

"I know, it's a pain. The Major is being a real hardass about the sunglasses, by the way, ditch 'em before you head inside."

"Thanks buddy," Cache said warmly, rolling up the windows and sighing with relief as you drove past. You threw your glasses into the cup holder alongside his, already wary.

"Well, shit," you said quietly. That sounded like a rule handed down by the agents, already robbing you of an advantage. Cache just shrugged as he parked in the free space closest to the door.

"It is what it is. Let's get this done."

You showed your IDs to the woman behind the desk, who took a painfully long time confirming things on her computer, then shuffled in. You'd seen a map of the building during the briefing, but it hadn't quite captured how strangely oppressive the atmosphere was, with the low ceilings and ancient wood panels, the familiar cubicles and desks and busy coffee machine. It was all just the same shit, even for the enforcers.

You headed for Captain Chamber's office, tucked away in the back about five doors down the hall from the tech room you needed to access. It was so close, but there were too many eyes on you right now, so you headed into the office. Chambers was a balding, middle-aged man with a bushy moustache and the shamed demeanour of a schoolboy who had gotten in trouble; he rolled away from his desk as you entered, and stood in the corner as you sat and turned on his computer.

"The damn thing just… stopped working," he lied, rather transparently, shrugging. "Won't let me in."

"Hey, don't worry about it, sir, it happens," Cache reassured him. "Computers just kinda do stuff sometimes. Tom, you want a coffe?"

It took you a moment to remember that Tom was you.

"Yeah, I've been dying for one." You turned apologetically to the Captain. "Chief's been having us run all over, sir."

"Oh, hold on boys, I'll go get you some. How do you take it?"

He disappeared down the hall just as you got logged in with the code Vector supplied, connected to the internet, and almost the instant you did you were bombarded by a series of truly rancid banner pop-ups. Within a minute of windows overlapping one another, you had a far greater understanding of Chamber's sexual fantasies than you could have imagined. The computer whined under the strain of dozens of pixelated naked bodies making their sudden appearance, advertising fetish sites largely focused around black and asian women using some truly revolting language.

"Jesus…" you muttered. Knowing better than to click ads with fake close buttons, you began force-closing processes in a vain attempt to stop the flood.

"Uh, to be clear, that wasn't us," Vector hastily added. "Though now we know what kind of person clicks random email links."

"Yeah, okay," you said, a little stunned.

"Good thing we don't actually have to fix this, right?" Unable to stop yourself, you popped open the registry and began deleting. "Right?"

Chambers came back in with a coffee in both hands, setting it down and babbling something about how honestly, his computer worked just fine before yesterday.

"Hey, I believe you," Cache assured him, as you desperately tried to finish what you were doing in between the periodic assault of depravity. You didn't really have anything against porn, god knows you'd been an early visitor of Danni's Hard Drive in college (the guys on your floor of the dorm had a shared account; the RA would make you pay that month's subscription if you left the kitchen fucked up), but the layers of implications hit you in waves, much like the pop-ups did.

"Moving into position," Chrysie whispered.

Cache nodded to you subtly, then moved over to the Captain, speaking warmly about basic web safety and not trusting weird anonymous emails, all while assuring him that, obviously, he was not to blame in any way. You worked quietly, grateful to have a task complex enough that it was actually plausible you'd still be here when things went down.

"... don't look up, but just got a signal. Agent in the building. Look away from the windows. Do not make eye contact."

Shit.

You looked down at your hands as you typed, and you saw Cache consider the blinds over the windows looking out into the hall before reconsidering it and simply turning his back, gesturing with his hands to get the Captain to follow him. If the blinds were closed, the agent might open the door and check; this was a risk that avoided a bigger one. Just act casual, right?

"He's moving your way. Stay cool." You focused intently on the screen. There was a squawk from the radio on the bookshelf, and the Captain picked it up and muttered something, then opened the door and leaned out. "He's in the hallway." The Captain ducked his head back in, grinning.

Footsteps echoed, then past.

"He's checking the tech room. Okay, he's turning back. Heading for rear offices." The updates came slowly, and you felt like you only remembered to breathe when Chysilsik was speaking. "Stay cool. I think he's talking to the station chief."

More footsteps, faster, echoed through the hall, and another cop entered the office, breathless and grinning. A little younger than Chambers, the man was absolutely enormous, a slab of tough muscle that seemed in some ways unworked, like he'd been crudely cast from a well-worn mould of a heroic build.

"You see him?" he asked.

"Just for a moment, that's definitely one of them. No doubt. Have you seen them at HQ?" Captain Chamber asked you suddenly, sounding a lot more animated.

"Huh?" Cache said, and the newcomer pulled him aside to whisper, though not quietly.

"The Agent, man! They've been everywhere since, well…"

"Since Tuesday," Chambers supplied solemnly.

You heard muttered voices in your ear as Cache found his footing again.

"Oh yeah, they're looking over our shoulder all the time," he said. "Pain in the ass."

"What?" The Captain's befuddlement seemed absolute. "It's awesome!"

"Yeah?" you asked, unable to control yourself. Unsure where you were going, you channelled as much dumb cop movie brain as you could. "Seems a lot like they're muscling in on our jurisdiction. Sir."

"Oh, hell," The Captain swung the door closed and beamed. "I can't believe you made Lieutenant and you don't know about Agents. They're like… special."

"Like, special agents?" Cache asked. "FBI?"

"Well, yeah, but…" the newcomer began. "More than that. They're Agents."

"… what the shit," Chrysie said in your ear, quite loudly. "They know?"

"I don't get it, what do you mean?" you said. The newcomer indicated to the captain, closing the door behind him.

"Okay, not a word of this gets to civilian ears, okay? This is serious shit," Chambers warned. You both assured him, and he leaned against the bookshelf, staring at you.

"So, back when I was a beat cop, this was… ah, 81, maybe 82, we got called out to chase this punk kid down, some drug dealer or something. Put two cops in hospital, and he was the slipperiest bastard I'd ever seen. He got himself into this hotel, climbed right up a brick wall to do it, but we got him cornered, and a guy in a black suit shows up and leads us in. I'll never forget it. We traded shots, my buddy got hit and the guy got out into the hall and jumped the fire escape, got across the street somehow. And I'll never forget it… this man in black, the Agent, he just jumped. Standing start, cleared the street in one go, grabbed the kid's collar and took him down, right there on the roof."

"... bullshit," you responded numbly.

"Nah, it's real! Never seen anything like it. Beat him so bad he died on the way to the hospital." The man laughed. "Of course, there was traffic, you know."

"Yeah, of course," Cache mummured.

"The agent goes downstairs, and we go to meet him at the elevator, and out comes one of the beat cops, Fat Larry, we called him that because, you know. He kinda fell behind during the chase. He said it was like something took him over, something big and righteous; he didn't really remember it all, but he said he felt like Superman. That's an Agent, right there."

"… you saw this?" you asked, and he laughed.

"Like twenty cops did! Fat Larry said he knew we couldn't tell anyone, we wrote up the bastard fell off the roof, but we all knew what we saw. It's happened a couple of times since, but… I guess they don't tell you guys in Admin."

"I think I heard about that," Cache said, trying to win back some control of the conversation. "Guys switching places and stuff?"

The new cop nodded seriously.

"You know the worst thing?" Chambers added. "I never got picked. It's always to somebody else. I dunno. Maybe one of you will get a chance, you know? Get picked."

"So… what are they then? Aliens?" you asked, trying to inject enough sarcasm in your voice to sound doubtful. Chambers shook his head.

"No. It's something else." He paused, contemplating his next words carefully. "I dunno what. But bigger."

"… Heads up, Agent is moving your way again. Straight toward you." Vector said, stress in his voice.

"You know, some of the stuff a guy on PCP can do, doesn't seem real sometimes." the other cop added, talking slower, more measured. His deep, sonorous voice gave it special gravity. "You hear stories, from other departments, people running up walls, fighting whole patrols, insane shit, right?"

"Yeah, all the time," you replied. Vector said the Agent was in the hall, almost on top of you.

"… Bob thinks I'm crazy, but I think there's something big at work. Big and secret," the cop continued. He took a deep breath before pressing on. "There's a war on, not in Kosovo or whatever, a real one. Right here at home. Forces, moving to undermine everything. Everywhere."

"Aww jeez, here we go…" Chambers added, though he clearly loved hearing it. Over it, Chrysie was yelling to get the distraction moving, now. The Agent was right outside the door.

"It's not drugs, or, not just drugs. These guys, the punks, the goths, the trenchcoat mafia fucks like the ones that killed our buddies this week, they can do things no human is supposed to. I've seen it."

"Boys, you meet a guy like that, you get backup, understand?" Chambers added seriously. He made you both swear to.

"I think maybe they're not human, not anymore." the newcomer continued. "I didn't believe in demons, but I've seen things. I do now."

"Alice, five seconds…" Chrysie warned. The man leaned close, looking over the desk.

"But we're not alone in this fight. There's angels on our side, and we can call on them."

There was a firm knock on the door.

"Now!"

Captain Chambers opened the door, and the woman you'd seen at the front desk was there, eyes unfocused, staring into nothing.

"Officer?" Chambers asked. She blinked, then smiled.

"Oh! The IT boys are here to see you," she said, slurring her words slightly. "Isn't that nice."

Then every phone in the station began to ring.

You heard voices and shouting in the halls. The radio on the bookshelf squawked and blared static. Sirens blared outside.

"Shit! The power plant," Chambers said, phone to his ear. "Okay, we're in full lockdown, right now. Chris, find out what SWAT is doing, then get two guards on the server room. You two, forget that. Go reinforce the guys at the back entrance."

You shared a glance with Cache.

"That wasn't a fucking suggestion, Lieutenant!"

—-

Roll your charge, then make a plan.

As Cache is with you and believes in you, roll one more die. Discard to 5 as usual.
 
Last edited:
5.2: Don't Copy That Floppy
"Sir, we should be heading to the server room. It's not enough to have someone guard it physically, those servers need to be locked down," you said, trying to project as much confidence as possible. "They're hackers." You could see the captain's ignorance about technology at war with his hatred of being questioned, and ignorance won.

"Okay, go. I still want those guys on the door, Chris!" Chambers announced, grabbing his radio and moving out of the room. "Let's get a move on, people!"

You shared a relieved glance with Cache, then moved into the server room. Before the door closed, you saw two cops take up position on either side, one with a pump-action shotgun as the station lit up with sound and activity. It all faded as the door closed, becoming a distant buzz.

You sat down in front of the workstation as Cache put his back to the door, just to slow down anyone checking on you. He reached into his jacket and pulled out his signature green-tinted glasses, and when you checked your own you found yours waiting for you. Thanks, Chrysie.

"I'm installing now," you said, clicking your microphone to keep the operators in the loop as the fed the blue floppy disk into the drive. You ran the disc, and an installer appeared that moved much, much slower than you were expecting. "It's running. A minute and a half. Where's our best exits?"

"Community centre at Levenworth & Golden Gate, third payphone from the right at the corner. The one with the Adbusters sticker," Chrysie said. "Go as fast as you can; the faster everyone is out, the faster we can push the cracking software."

"How's the power plant?" Cache asked in a half-whispered.

"You don't need to know, babe," Vector replied, equally quiet. You winced as you watched the bar crawl along. "They're doing their jobs; they've drawn three agents away.."

"Three?" Cache replied, then there was a knock on the door that nearly had him jump out of his skin. "Yeah, what is it?"
"30 seconds heads up, order just came down, we're killing power to the building to secure the servers," the voice on the other side said. Shit, they'd realised it was a distraction. "Finish up and save or whateverthefuck it is you do."

You checked the estimate. Too close. Fuck.

"Hold on, I'm encrypting the mainframe! I need another minute!" you called back, saying whatever words you figured these tech-illterate fucks would accept.

"You don't got it, so work faster," the man on the other side replied. Not knowing what else to do, you just sat and watched the little blue bar fill in, one segment at a time. Come on…

The screen flipped over, you hit Enter to confirm, and then the lights went out. The windowless room was plunged into absolute darkness.

"Did it work?" you asked in a whisper.

"I'm in," Chrysie said, sounding like she could barely believe it herself. "Vector, tell them to get out, we've got it. Coda, get moving; they're going to know that we got what we came for and lock down the stations further. You need to get out before the agents double back.."

You looked to Cache by the door, who drew his pistol with one hand and checked through the blinds quickly, signalling with his fingers. Two cops by the door, another at the end of the hall, unknown others not visible.

Reflexively, you ejected the disk and pocketed it as you moved to the door, breathing deep. Show time.

---

⚄⚃⚁
Write In.
 
Back
Top