The Girl in the Mirror (Part Five)
Chandagnac
Broken Robot
- Location
- Nowhere
Thank you. I'm pleased that you enjoyed it.I just finished reading Sorry Your Time Traveling Priviledges Have Been Revoked. Can confirm, it is a masterpiece, everyone here who hasn't read it already should do so.
I may still go back and write a few more epilogues. I especially want to write one for Glitch: I want to call it 'A Glitch in Time', but I can't think of a storyline for it.Wish a couple more characters had gotten epilogues though... Glitch in particular, what he did after the story seemed especially uncertain, at least for a major character like him.
Also, I kinda want to write an epilogue for Dr. Szechhh in which he managed to teleport away from the Doomsmen's stricken spaceship at the last second...Oh, and I think Dr. Szechhh's fate, while slightly implied, was only explicitly stated briefly in one non-threadmarked post that I happened to read through sheer luck, so... that could have been done better.
*
The Girl in the Mirror (Part Five)
You try to create another illusory message, using the same words as last time, but before you can complete it, the woman in the mirror conjures an illusory message of her own: the words floating in the air next to her head say, "Hello, I'm Elys. Who are you?"On the other side of the portal, the woman is still deliberating: she seems very unsure of what to do next.
"Elys. Isn't that a Quellonian name?" says Phil, putting on a slight frown.
"One of their greatest heroes was a lady knight named 'Sir Elyssar'," says Venta with a nod.
"Well, considering that the Sambian Empire's history with Quellonia mostly consists of pitched battles and attempts at conquest, let's hope that she doesn't want to fight us when she finds out where we're from," says Phil.
After several moments, you finally manage to complete the ritual to create an illusion displaying the words "Hello, we found a mirror and can see you." You decided to leave off the second part of the message – which would have asked her "Who are you?" – because she has already introduced herself.
"Would you like me to take over?" asks Venta, who is not-entirely-successfully concealing her irritation at how long it has taken you to put together a simple illusion.
You nod, knowing that she has a natural talent for illusions and could carry on this peculiar conversation much quicker than you can. "Please."
"Very well," says Venta. Her eyes half-closed in an expression of concentration, she sketches words in the air with her fingers. They say, "We are being chased by older students out for blood. We're trying to escape. Can we come through the portal?"
The woman on the other side of the portal looks a little panicked by the suggestion. She quickly writes a reply in hovering letters: "I don't think that's advisable. If someone closed the portal, you could be trapped here."
"Has someone trapped her there?" asks Isolia, sounding fearful. "Is she actually a monster that they had to… uh, that they couldn't kill, so they were forced to trap her inside the mirror?"
"What an imagination you have!" Philander compliments her. "But… well, I suppose it's a possibility."
"What if she's just a wizard who got trapped inside the portal by accident?" you suggest.
"That's another possibility," Phil agrees. "We shouldn't just assume that she's a predatory monster who would rip us limb from limb if we invited her out of the mirror. Even if she could be."
Venta uses illusory writing to ask the question: "Are you trapped?"
The reply is: "Possibly. To be honest, I'm not entirely sure: I've only just arrived here."
"You're not some kind of mirror goddess?" asks Venta, looking deflated, as if her expectations have just been dashed.
On the other side of the mirror, the woman puts on an exaggerated pantomime of laughing at Venta's last message. "I'm as human as you are," she says, with a radiant smile.
"That's a misleading answer if I ever saw one," Philander scoffs. "You're a goblin: there are many who'd consider you not human at all!"
Venta looks conflicted at that, as if she's unsure of whether she should be offended or not. After a moment's consideration, she accepts it without comment.
"So… you think she's not human?" you ask warily.
"Well, she looks human enough." Philander shrugs. "But looks can be deceiving."
"Is she only pretending to be human, is she part-human, or did her answer only seem misleading?" asks Isolia.
"That is the question," you say. "Whatever she is, she must be a powerful mage: she can create illusions more quickly and easily than any of us."
"She's probably a fifth-year pupil, or the equivalent," Venta agrees.
"Perhaps she'll agree to help us; perhaps she'll turn out to be a monster who wants to eat us," says Philander, summing up your hopes and fears.
On the other side of the portal, the woman conjures another message for you to see. It says, "I can help you. I can heal your injuries. I can save you from the bullies who have been chasing you."
"What would you want in exchange?" you ask.
A few moments later, Venta repeats your question in text form.
"Just let me come through the portal," is the reply. "I don't want to cut myself on the sharp edges."
"What do you think we should do?" asks Philander. "Trust her? Or not?"
What will you do? (Choose one)
[] Accept her offer.
[] Accept her offer of help against the bullies, but refuse the offer of magical healing. (After seeing how your father has become increasingly resistant to magical healing, you'd prefer to save it for real emergencies.)
[] Run away, find somewhere else to hide.
-[] Hope that when the 'woman' comes through the portal she will attack the bullies and not you.
[] Do something else (write in).
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