One thing that has to be kept into account is "How does the existence of commonplace magic change the 'average' medieval world?" Because sure, the trappings might be medieval, but if they have healing magic available at every alchemist's or temple, then that gets disease down. And if they have magical sewer grids that purify crap (teehee) then filth and such isn't a thing. Etcetera.

So, yeah. In the real world's medieval times, you'd spend an hour gathering water for a simple bath. In a typical isekai, someone casts a Water spell on the tub, then a Heat spell, and bam, you have a bath. Ten seconds. Faster than modern plumbing.

Never judge a fantasy world by real world standards unless you remove or severely limit all magic in the setting.
If work is that easy, then it should change the world lot more than just providing access to cheaper clothing and/or cakes.
Settings that want to explore how access to magic would actually affect the world are great, almost none do that except in extremely superficial way and completely ignore any knock on effects those changes would have.
 
If work is that easy, then it should change the world lot more than just providing access to cheaper clothing and/or cakes.
Settings that want to explore how access to magic would actually affect the world are great, almost none do that except in extremely superficial way and completely ignore any knock on effects those changes would have.
Depends. You'd think that magic would change government, but when it's hereditary, you can easily still wind up with a feudal aristocracy/kingdom. (See Bakarina for example)

You'd think it would revolutionize food production, commerce, and/or medicine. Even when it does, half the time noone notices. Look at forgotten realms. Setting has no major famines that aren't directly related to wars destroying ALL the crops, has plagues be dealt with in weeks at worst and that's when they are themselves magical, and has teleport based catalog ordering for those who can afford it and magical preservation of food to be shipped for those that don't. This in turn has lead to giant shipping companies on par with the British East India company.

But because the powers that be declared "no guns allowed" it's "generic fantasy"
 
Well, I have read this one manga where the MC has a "sniper rifle" that is actually one of those staffs with a crystal at the end made to look like a gun. There is also the Other World Assassin (I think that's the name?) where they make a "gun" , Gun-Ota and that Demon Lord with the Sniper Elves.

Chaika:Coffin Princess and Nanoha StrikerS both had magic casting sniper rifles.

Chaika Trabant and her Gundo Sniper Rifle


Vice Grandscenic and Stormrider:


StrikerS also had Teana and her magic pistols:
 
Primarily identifying people by hair color or whatever hoodoo they wield instead of by name.

It's especially confusing when you have multiple characters with the same hair color. "Yes but which pinkette are we talking about here? Big Tiddy, Hyperviolent or the other one with no distinguishing features beyond her or possibly his hair color?"

People have names for a reason!
 
Primarily identifying people by hair color or whatever hoodoo they wield instead of by name.

It's especially confusing when you have multiple characters with the same hair color. "Yes but which pinkette are we talking about here? Big Tiddy, Hyperviolent or the other one with no distinguishing features beyond her or possibly his hair color?"

People have names for a reason!
The wield part is useful for battle scenes, especially when introducing new characters or using mooks. The fact that the dude has a spear is in fact the most relevant feature he has in that moment.
 
The wield part is useful for battle scenes, especially when introducing new characters or using mooks. The fact that the dude has a spear is in fact the most relevant feature he has in that moment.

And that underscores how problematic it is the other 99% of the time.

The spear wielder is a generic spear wielder who could be replaced by any spear wielder because the spear is the most relevant feature at that moment.

The blond is a generic blond who could be replaced by any other blond because being blond is the most relevant feature at that moment.

What does it mean when they get referred to as "the blond" 5 times in one paragraph?
Or 500 times in a chapter?

It takes a character, with all of their character traits, then reduces them down to one trait.
 
Why do so many fanfics/webnovels seem to stall out after starting a magic school arc?
It's hard to create tension in a school arc unless you're going to a ridiculous school that explodes like in RWBY or Hogwarts, etc.

It is possible, but it generally has to be things like school politics drama, school competition drama, some sort of conspiracy that the MC is uncovering WHILE at school, etc.

I mean, school is meant to be essentially the safest place possible. That's not a recipe for a great story sometimes. "The Safest 4 Years" by SpiraSpira wouldn't get a lot of clicks.
 
Depends. You'd think that magic would change government, but when it's hereditary, you can easily still wind up with a feudal aristocracy/kingdom. (See Bakarina for example)

You'd think it would revolutionize food production, commerce, and/or medicine. Even when it does, half the time noone notices. Look at forgotten realms. Setting has no major famines that aren't directly related to wars destroying ALL the crops, has plagues be dealt with in weeks at worst and that's when they are themselves magical, and has teleport based catalog ordering for those who can afford it and magical preservation of food to be shipped for those that don't. This in turn has lead to giant shipping companies on par with the British East India company.

But because the powers that be declared "no guns allowed" it's "generic fantasy"
Well, Eberron at least is mostly magi-steam punk these days. Has freaking locomotives running on lightning mana or some crazy business.
 
Depends. You'd think that magic would change government, but when it's hereditary, you can easily still wind up with a feudal aristocracy/kingdom. (See Bakarina for example)

You'd think it would revolutionize food production, commerce, and/or medicine. Even when it does, half the time noone notices. Look at forgotten realms. Setting has no major famines that aren't directly related to wars destroying ALL the crops, has plagues be dealt with in weeks at worst and that's when they are themselves magical, and has teleport based catalog ordering for those who can afford it and magical preservation of food to be shipped for those that don't. This in turn has lead to giant shipping companies on par with the British East India company.

But because the powers that be declared "no guns allowed" it's "generic fantasy"
Forgotten Realms has plenty of nifty details to it, but the overall product ends up fairly generic.
Because even while it might have all those details, mostly they either don't matter, or rarely come up.
Forgotten Realms is the go to setting in DnD because it is generic and easy to get into, and you can then branch out from the generic parts into whatever bits you find more interesting, or stay in the generic parts.

Gunpowder ban is a symptom, not the cause, and saying people call FR generic because of it is at best an uncharitable description of arguments people have put out.
 
I don't like in fight scenes, especially in stadiums, when the audience can perfectly hear the conversation of the fighters. Is everyone miked? Even if you're reading lips everyone is flipping around and doing all sorts of bullshit. It just takes me out of the moment, even more so when it's clear that in the canon no one else payed attention to the conversation.
 
In an organized combat tournament, everyone actually might be miked, or atleast have a ton of directional mikes pointed at them.
 
Every shonen anime tournaments builds their stadium/fighting ring according to the standards enshrined in the Dramatic Dialogue Acoustic Fighting Stadium Treaty of 1964. That's why the crowd can hear the opponents talking to each other.

Source: I wrote a paper on it back at uni a few years ago. You can read it on JSTOR for free.
 
Every shonen anime tournaments builds their stadium/fighting ring according to the standards enshrined in the Dramatic Dialogue Acoustic Fighting Stadium Treaty of 1964. That's why the crowd can hear the opponents talking to each other.

Source: I wrote a paper on it back at uni a few years ago. You can read it on JSTOR for free.
You win this round you duplicitous feline.
 
I don't like in fight scenes, especially in stadiums, when the audience can perfectly hear the conversation of the fighters. Is everyone miked?

Normally I simply suspend my disbelief, but the problem arises when they say something relevant, and I can't actually tell if it was heard.
The audience is reacting to most of their comments, then one person says something really private... and no response.

Did they just admit to murder on live television?
I mean, the story isn't saying anything...
But the fight ended in a dramatic explosion, so maybe the news is busy?


But it is also funny to imagine them actually being miked during a dramatic shounen speech.
"No matter-"
whriiiinnnnn
"-I believe"
nnnnIIINNN
"-in y-"
NNNNGGGGG!!!!
"Can someone cut off that damn feedback loop!"
 
The problem is that they want the MC to be a "chad" or an "alpha" male. B*tch if I try that in real life I'll get slapped or get accused of mysogyny or harassment. They say they "hate" Harems and then write their own harem story, with claims of "making it better", which replaces it with their OC/SI that is more "badass" than the original.

All I want of most Harem MCs is to ask the girl (or boy) they like out. So many stories ruined with "eternal harem" syndrome, where the MC is either dumb as a rock and never notices anything romantic, or has some contrived reason to string everyone along. Sword Art Online was especially vexing since it went from a cute "boy meets girl in deathgame, they come together and win the day" story to a fucking harem setting.

I don't want chads or alpha males, just protagonists who pursue romance someway.

Hmmm, while I understand what you mean, and I agree that some people need to chill with their complaining, usually when I see these complaints is on stories when the heroine makes very, very clear that she's into the MC. So I can get the frustration of some people, stories that dance around the issue of if the main couple will actually end dating or not are quite old by this point.

And "making a move" can be as simple as asking her out on a date or flirt, there's absolutely no need for it to be something extreme.

This.

And that underscores how problematic it is the other 99% of the time.

The spear wielder is a generic spear wielder who could be replaced by any spear wielder because the spear is the most relevant feature at that moment.

The blond is a generic blond who could be replaced by any other blond because being blond is the most relevant feature at that moment.

What does it mean when they get referred to as "the blond" 5 times in one paragraph?
Or 500 times in a chapter?

It takes a character, with all of their character traits, then reduces them down to one trait.

In the moment an unknown guy appears to join a fight, they are "the spear wielder" or "the blond guy". That's how characters refer to them in their head since they don't know their name. Once they know their name, that changes. Usually. Some might, for reasons of their own, still refer to someone as "the barbarian/peasant/blonde" in their head even though they use their name in conversation.

Also, with regards to age gap, I really wonder how people don't understand the difference between adults and minors. The reason Hermione/Snape pairings are usually problematic in a story isn't the age gap per se, but that (usually) Snape is the teacher/authority figure and Hermione is the minor and student. If both are adults and not teacher/student, and there's no similar power gap, there's absolutely nothing wrong with two consenting adults pursuing a relationship despite the age gap. People have agency, folks, and if they like older partners or one specific older partner, that's OK. Certainly in settings where people live easily over a century. An adult Hermione isn't some poor innocent child who couldn't possibly be the equal to Snape in a relationship - she's easily his equal intellectually and has, as one of the heroes of the war, likely more power than he has.

(That said, I despise the pairing because Snape's a fucked-up bullying bigoted asshole who wouldn't recognise a non-toxic relationship if it hit him on the head.)
 
Come on!:mad:

Kirito and Asuna literally got married! I'd been meaning to catch up with the series some day, but this is making me doubt that it'd be worth it.
As far as I remember, the Kirito/Asuna thing never really gets broken up and he doesn't go looking elsewhere; it's just that the series keeps introducing more girls going "damn I really want a piece of that dude" who effectively make up a Kirito harem, even if he's not interested.
 
The kirito/asuna thing doesn't get broken up in the mainline, non-interactive stuff, iirc. The games, on the other hand, they go... places.

... anyway, I'm okay with dumb-as-rock harem protags so long as it's genuinely funny somehow or another. Most are not even a little funny, though, so, y'know. It's usually a negative for a story, not necessarily a deal breaking one, but a negative nonetheless.
 
The series does, however, make a harem that revolves around Kirito.
Which is not only completely pointless because he already has a girlfriend.
But is also such a total disservice to the characters who might actually be interesting in their own right.

I have nothing against harem stories in theory, but very few of them could not be improved by getting rid of the harem, or especially the harem protagonist.
 
The wield part is useful for battle scenes, especially when introducing new characters or using mooks. The fact that the dude has a spear is in fact the most relevant feature he has in that moment.

Mooks don't count. They're not people and they don't get to have names.

Also, I was referring more to things like constantly calling both Kakashi and Sasuke 'the Sharingan wielder'.
 
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Mooks don't count. They're not people and they don't get to have names.

Also, I was referring more to things like constantly calling both Kakashi and Sasuke 'the Sharingan wielder'.
I'll use blonde once a chapter to describe someone (at the most) but alternate those with other descripters like petite/lanky/or a mood. More just so I'm sprinkling reminders of physical features/personality throughout the story. Maybe once a fight scene I'll make a comment on how intense the red eyes look (for sasuke/kakashi.). But yeah, most of the time once you learn someone's name, that's how you think of them.
 
It's hard to create tension in a school arc unless you're going to a ridiculous school that explodes like in RWBY or Hogwarts, etc.

It is possible, but it generally has to be things like school politics drama, school competition drama, some sort of conspiracy that the MC is uncovering WHILE at school, etc.

I mean, school is meant to be essentially the safest place possible. That's not a recipe for a great story sometimes. "The Safest 4 Years" by SpiraSpira wouldn't get a lot of clicks.
Yeah, that all makes sense. Which makes me wonder why authors will start a school arc after the story has already been going for almost a thousand pages, and has already had life-or-death stakes.
 
Pet Peeve: I honestly have to say this is slight of a hate, I understand that it can be hard to keep inspiration to work on a story. But authors who write a few thousand words of a story and quickly drop it to start another and another peeve me. Especially in these forums, if you go as far as start a thread for the story, try a bit harder to keep writing, or on the other hand, create a snippet thread and throw all your ideas there.
 
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