Now My Read Begins... (A Song of Ice and Fire Let's Read and Commentary)

He's been king for...checks wiki...15 years at this point.

I had forgotten how complicit Robert was in Lady's death. Christ.
Yeah, he's a shit - but honestly, inexperience is probably a worse word to use on my part than... Apathy? Incompetence? I meant to emphasize that Robert just has not really done his job. He's evidently shit at this, he doesn't turn up to the meetings of his ministers etc.
 
Sandor is a monster, it's very jarring as the fandom and fanfiction tend to avoid but he's been Cersei's attack dog for years at this point and I wonder how many little people he's murdered in her name just because she was in the mood.
 
Sandor is a monster, it's very jarring as the fandom and fanfiction tend to avoid but he's been Cersei's attack dog for years at this point and I wonder how many little people he's murdered in her name just because she was in the mood.
It's honestly something I find rather offputting when I go searching for ASoIaF fic over on Ao3 - there's a disturbing amount of Sandor/Sansa pairing, which, ick. Not casting shade on the people who write/read it, because I feel the Sandor in their heads is very different and they're thinking of the significantly older show Sansa (which is still gross, but the fandom seems to have rather normalized this aspect of the setting, unfortunately), but I am curious what that comes out of. I guess just Sandor showing a modicum of care for Sansa when she's trapped in the Red Keep under the Lannisters, later on, and people sort of attaching to that proverbial lifeline for her? Feeling that he's vicariously giving her some of the comfort they wish they could?
 
It's honestly something I find rather offputting when I go searching for ASoIaF fic over on Ao3 - there's a disturbing amount of Sandor/Sansa pairing, which, ick. Not casting shade on the people who write/read it, because I feel the Sandor in their heads is very different and they're thinking of the significantly older show Sansa (which is still gross, but the fandom seems to have rather normalized this aspect of the setting, unfortunately), but I am curious what that comes out of. I guess just Sandor showing a modicum of care for Sansa when she's trapped in the Red Keep under the Lannisters, later on, and people sort of attaching to that proverbial lifeline for her? Feeling that he's vicariously giving her some of the comfort they wish they could?
I think it's a interesting case of chicken and egg, apparently Martin expected the fandom to utterly hate Sandor early on but as people liked him may have started playing to the crowed? Not to say Martin does not have some icky stuff about Sandor having romantic feelings than being sickly obsessed but seems a unexpected case of fandom reaction changing the material.

Though for his popularity I think it does make a lot of sense when you consider people want Sansa to have a protective feel and sorta project what they want onto Sandor. Him being a jaded cynical yet with a heart of gold than the reality like you said vicarious comfort.

Though as you said the fandom tends to imagine GOT Sandor when they think of him than the book version who early on was far worse.
 
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Poor dog. I haven't read any of the books or seen the show, though before I got started I knew a few things from hearing people talk about Game of Thrones and A Song of Ice and Fire. Based on what I've heard so far, I get the impression that we're not supposed to like the Lannisters, and we're supposed to emphasize with the Starks. That's certainly my opinion.
 
Sandor is a monster, it's very jarring as the fandom and fanfiction tend to avoid but he's been Cersei's attack dog for years at this point and I wonder how many little people he's murdered in her name just because she was in the mood.
1. He's Joffrey's attack dog, not Cersei's. But that is hair splitting.

2. He definitely does monstrous things, but that's not exactly uncommon in Westeros. Even the nominal good guys do those kind of things.

3. He has the dubious honor of being the younger brother of Gregor Clegane. And when your brother is The Mountain that Rapes (yes I k it it is Mountain that Rides, I am making a point), you have to try really hard to not come off as sympathetic.

Not really excusing anything that Sandor did, even if I find him likable. Just giving some context.
 
Bran III (Fly, Not Cry)
Content Warnings: None

So, this is going to be an odd chapter to do, seeing as it's almost all a trippy dream, but I'll do my best.

We begin with Bran, feeling like he's been falling for years. A voice in the darkness around him whispers for Bran to fly - but he doesn't know how, so he keeps falling. He remembers the little clay-boy Maester Luwin made and threw off a roof to try and dissaude him from climbing. "But I never fall," says Bran, falling. The ground below is indistinguishable in whirling gry mists. He thinks about how you always wake up just before you hit the ground.

A voice asks what happens if he doesn't. The ground is closer - still far, but closer than it had been. Bran wants to cry. Not cry. Fly, says the voice.

Bran protests that he can't. The voice asks if he's ever tried. Bran looks around to see where the voice is coming from, and sees a crow spiralling down with him as he falls. Bran asks it to help him. I'm trying, the crow replies, then asks for some corn. Bran reaches into his pocket and pulls out corn. The crow lands on his hand and begins to eat, while Bran asks if it's really a crow. The crow asks if Bran is really falling. Bran says it's just a dream. Is it? asks the crow. Bran says he'll wake up when he hits the ground; the crow says he'll die when he hits.

Bran looks down, and sees mountains and rivers in dark woods far below. He starts to cry. The crow berates him, telling him to fly, not cry. Bran points out it's easy for the crow to say; it's got wings. The crow asks if Bran has wings too, and muses about different kinds of wings, as Bran tries feeling along his back for feathers. Bran stares at his arms, seeing how skinny and emaciated they are; he tries to remember if he was always like that, and thinks of Jaime's face instead, his words: "The things I do for love." Bran screams, and the crow pecks at him, telling him to forget all that, he doesn't need it now, put it away.

Bran asks the crow what it's doing to him. The crow replies it's teaching him how to fly. Bran says he's just falling - every flight begins with a fall, says the crow, then tells Bran to look down. Bran looks, and sees the whole world spread out beneath him.

He sees Winterfell, tiny beneath him; Maester Luwin with his telescope, Robb practicing swordplay, Hodor the stable-boy carrying an anvil, the weirwood - which raises its eyes from its reflection in the godswood pool to look back at Bran. He sees a galley racing across the sea, with his mother and a bloodstained knife in a cabin, and Ser Rodrik heaving on the rail. Further south, he sees his father pleading with the king, Sansa crying herself to sleep, and Arya watching on, with monstrous shadows around them: One ash-dark with a hound's face, one armoured like the sun, and over both looms a stone-armored giant with nothing inside but darkness and black blood.

Bran looks east across the narrow sea, sees the Free Cities, the plains of the Dothraki Sea, Vaes Dothrak under its mountains, the lands around the Jade Sea, and finally to Asshai by the Shadow, where "dragons stirred beneath the sunrise."

And finally he looks north. He sees the Wall shining like blue crystal, Jon shivering in a cold bed, and past the wall to frozen forests, frozen shores, glaciers and dead icy plains. He sees "the curtain of light at the end of the world, and then beyond that curtain. He looked deep into the heart of winter, and then he cried out, afraid".

The crow sits on his shoulder, and whispers that Bran now knows why he must live. Bran doesn't understand, and he's still falling. The crow says that winter is coming. Bran looks over at the crow and sees it has three eyes, the third full of terrible knowledge. Bran looks down and sees a wasteland of ice, with spires on which are impaled a thousand other dreamers.

Bran remembers his father telling him that when a man is afraid is the only time he can be brave, while the crow says to choose: Fly or die.

Bran spreads his wings and flies. He swoops up into the sky again, and cries out in delight. The crow flaps up against his face, then pecks him fiercely between the eyes. Bran cries out - and wakes up, to the face of a serving woman from Winterfell, who drops what she was carrying and runs out, crying out that Bran's awake.

Bran feels the spot where the crow pecked him, but there's no wound. He feels weak and dizzy, and when he tries to get out of bed nothing happens. Something moves beside his bed, and lands lightly on his legs - but he doesn't feel anything. Bran looks over into the eyes of his wolf, much-grown.

When Robb dashes in, to find the wolf licking Bran's face, Bran looks up calmly and says the wolf's name is Summer.

So, yeah! That's the chapter. Pretty short, but really fucking laden with symbolism - though not much we don't know already. Also, by far the most overt bit of magic we've seen; it's not really reasonably possible to dismiss this as just a dream, when Bran literally sees what's happening with a bunch of other characters at the same time. Also our first meeting with the Three-Eyed Crow, who comes across... Not exactly playful in this chapter, but somewhat mischiveous - and a lot less dark than when he's eventually met in person much later. 'Flying' here is pretty clearly symbolic of magic or the control over it, and that seems to require a degree of self-control - Bran must 'fly, not cry'.

Bran's vision also has some pretty ominous hints - apart from the whole heart of winter thing, it's unclear whether the 'dragons stirring in the sunrise' is a prophetic dream of the hatching of Dany's dragons, or a vision of some other dragons out beyond Asshai, and there's also the mention of the 'bones of a thousand other dreamers'. Is Bran the first one the Three-Eyed Crow has contacted this way, or just the latest? There's an interesting theory that Euron Greyjoy (a terrifying psychopathic sorcerous pirate) may have been contacted by the Crow this way as well - based mostly on him also using the metaphor of flight for magic later on, and various other associations, like his nom de guerre of 'the Crow's Eye', his sigil being a red eye under a black crown supported by two crows (the Three-Eyed Crow is Brynden Rivers, aka Bloodraven, a supposed sorcerer from a hundred-odd years ago who was notable for being albino). The stone-armored giant is also a bit of foreshadowing for the next chapter - the sigil of House Baelish is the head of a stone giant, and this is a bit of foreshadowing for the next chapter that , though not a bit that you could get on a first read-through, seeing as that sigil hasn't been presented yet.

Next chapter, Catelyn IIII is significantly more substantial, and contains Catelyn's meeting with her... 'friend' Petyr 'Littlefinger' Baelish, and the whole can of worms he opens up.
 
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Honestly when reading about the Stone Giant, I'm given to think of the Mountain Gregor Clegane rather than the Baelish.
 
Catelyn IV (Mockingbird and Spider)
Content Warnings: None

We begin with Catelyn an hour out from King's Landing, and offering a tip (some might say a bribe) of a silver stag for each of the crew of the ship she's on. The injury she received from the dagger is still troubling her; she can't move the last two fingers on her hand, and the others have lost dexterity, but she thinks it's a fair trade to save Bran - though I don't think she knows at this point that Bran's woken up.

Ser Rodrik appears on deck, and Catelyn passes on the good news that they're almost there. Rodrik is very grateful - he's sacrificed his facial hair to the trip, not for disguise but because his constant seasickness had made it impractical to keep them. Catelyn's plan at this point - to reach the king's master-at-arms and ask about the dagger - seems... A little desperate, to be honest. Rodrik says Ser Aron Santagar is vain but honest, so there's something there, but also cautions that there are people at court who will know Catelyn on sight. Her mind immediately goes to Petyr 'Littlefinger' Baelish, and she remembers him as a boy, and the time they'd spent together at Riverrun when they were both children.

Ser Rodrik awkwardly tries to ask what exactly was between them, and Catelyn runs through their history: Children together at Riverrun, when Catelyn was betrothed to Ned's elder brother Brandon, Petyr challenged him to a duel for Catelyn's hand - an absurd idea, given that Brandon was twenty and Petyr barely fifteen. Catelyn had to beg Brandon for Petyr's life, and he was sent away with a scar. She also mentions a letter she received from him at Riverrun, after Brandon's death, which she burned unread - which is a first clue that Catelyn might not be clearly thinking about how Petyr thinks of her now.

Rodrik points out that Petyr is on the Small Council now - more or less one of the king's ministers - and Catelyn reflects that she's not actually surprised he rose so high; which is a lot of confidence in a boy who belonged to the smallest of noble houses (owning a tiny tower in a bit of horrible wind-swept coastal moor, and only two generations away from landless mercenaries) and who finished up his education by trying to break up a betrothal made between two Lords Paramount, sleeping with another daughter of one of those Lords (though from information that comes later it seems to be the case more that Lysa initiated that encounter than Petyr did), and got banished back to his tiny holdings again. She says Petyr was always clever, but not wise - which seems about right.

The ship pulls into port, and we get a canned history of King's Landing, and its general chaotic appearance, as well as the three big landmarks of the place: The Great Sept of Baelor with 'seven crystal towers' on the hill of Visenya, the ruins of the Dragonpit on the hill of Rhaenys1, and the Red Keep on Aegon's Hill.

Ser Rodrik proposes that, especially given his changed appearance, he should go up to the castle and bring Ser Aron Santagar to her, rather than Catelyn making the trip herself. Catelyn agrees, and asks the captain of her ship for a recommendation of an inn to stay in. He gives her one - and also tries to get the money she promised to the galley's crew put in his own hands for 'safekeeping', before Catelyn overrules him and puts into into their hands herself. A nice little character moment there for Cat; she's good with economy and such.

Catelyn and her things get through to the inn, and Ser Rodrik sets off to the castle, promising to be back before nightfall. Catelyn decides to get some rest after a long and tiring voyage, and gets a nap - before waking up to a pounding on her door, when the sun is setting outside. A voice calls to open in the name of the king, and Catelyn snatches up a dagger and wraps herself in a cloak before opening the door. Men of the city watch enter, and say that she's to come up to the castle, presenting a ribbon marked with the seal of a mockingbird - Littlefinger's.

Catelyn agrees to go, and makes a few small excuses to get the men out of the room. She changes her clothes, bathes her hands, and thinks through how Petyr might have heard of her arrival, eventually settling on Moreo, the captain, telling him. She goes with the men when they come back, and is let in through a side postern gate, and up to a tower, where she meets Petyr.

She's quite cold with him at first, asking why she's been brought here in this fashion, and saying that "as a boy you still knew the meaning of courtesy". Petyr meanwhile, seems somewhat shocked by her hands, but quickly recovers himself and apologises, looking contrite - a contriteness Catelyn reminisces was his common expression back when they were children and he'd got into trouble.

They begin talking properly, and Petyr says that it was Lord Varys, the spymaster, who heard of Catelyn's arrival - but that Varys came to him to talk to her, as Varys knew Petyr knew Catelyn. He says that Lord Varys knows everything, except why Catelyn is here. Catelyn tries to pretend she's just here because she misses Ned and her daughters, but Petyr sees through this pretty much immediately, and asks her to let him help - before someone knocks at the door, and Varys enters.

Varys is an interesting character; he's definitely described in a pretty classic sort of 'decadent' fashion; he's a eunuch to start with, a state which tends to bring to mind 'eastern' or 'exotic' locals (This is your brain on orientalism...), and is described as "plump, perfumed, powdered, and as hairless as an egg. He wore a vest of woven gold thread over a loose gown of purple silk, and on his feet were pointed slippers of soft velvet. ... His flesh was soft and moist, and his breath smelled of lilacs." On the other hand, we've just had a demonstration of the extent of his power; a near-omniscience within his sphere that makes it very clear that, however he may look and however he may greet Catelyn with this kind of overwrought concern and effeminate manners ("Varys said with great solicitude" ... "Sweet lady" ... "Varys giggled like a little girl") he's a powerful, and above all knowledgeable man. And he proves that by, after commenting on Catelyn's injured hands, expressing worry over Bran and so on, asking to see the dagger.

For a moment, Catelyn wonders if Varys is an enchanter, then asks what he's done to Ser Rodrik. Varys assures her he's done nothing - Rodrik talked with Ser Santagar about a dagger, then they both went down to Catelyn's inn, where they are still waiting for her. Catelyn asks how he heard this, and Varys says he heard it from "the whisperings of little birds". Catelyn brings out the dagger, and challenges him to name who it belonged to. Varys tries the blade and cuts himself, before Petyr picks it up, commenting on it being Valyrian steel, and saying that if she wanted to know to whom it belonged she should have gone to him, not the master-at-arms.

Catelyn asks who the dagger belonged to, then, and Littlefinger does a trick with it, throwing it point-first into the door, before saying it's his - or was, until he lost it in a bet at the tournament on Joffrey's birthday - to Tyrion Lannister.

Now, that's the end of the chapter, but - as this won't be entirely cleared up for several books yet - I'm going to point out that this is a lie on Petyr's part, and a pretty bald-faced one at that. Varys, infamous for knowing everything, is literally right there, and this bet was a pretty public thing - he even talks about Jaime and Cersei losing things as well. Varys has to know this is bullshit (Tyrion later on says he never bets against his brother Jaime in the jousting, which is what Petyr is saying happened), so Petyr is strongly relying on A) Catelyn trusting him, B) the Starks either not trusting or not asking anyone else about the matter and C) no-one, including Varys, taking the time to clear up the matter. And it's worth pointing out that Petyr didn't know anything about this whole dagger business until just now (though he almost certainly was involved in the letter Lysa sent to Catelyn, so he was already planning to set Lannisters and Starks against each other), so he's thinking on his feet with this lie.

It says something about his style of plotting, I think; he's not one for grand plans reaching far into the future. He's a shit-stirrer. He's creating problems and chaos, approximately directed against people he either doesn't care about (the Lannisters) or whom he feels wronged him (the Starks, for taking 'his' Catelyn away) and relying on his ability to improvise in the moment.

Anyway, next chapter is Jon III, in which we get to see a bit of how Jon Snow's life is looking up at the Wall.

1: This is funny to me, given that originally the city's sept was on the hill of Rhaenys, but then that got burned down by dragons - while the Great Sept is built on the hill of Visenya, who reportedly encouraged her son Maegor to outright burn the not-Pope with his dragon.
 
Oh? How was he involved in Lysa's letter to Catelyn?
It comes out way, waaaaaaaaay later, but basically
Lysa is in love with Petyr, and he's part of why she poisons her husband Jon Arryn (though it's also her own resentment of Jon, seeing as she was a young teenager, he was in his 50s I think when he married her, and it generally was a really shitty time for Lysa), and she then sends the letter to make the Lannisters a scapegoat for the Starks, while Littlefinger gets to benefit from the chaos.
 
I must admit, I forgot Cat met Vary's in her expedition I'm grateful for this thread for jogging my memory as this does feel like it could be a point of divergence.
 
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It says something about his style of plotting, I think; he's not one for grand plans reaching far into the future. He's a shit-stirrer. He's creating problems and chaos, approximately directed against people he either doesn't care about (the Lannisters) or whom he feels wronged him (the Starks, for taking 'his' Catelyn away) and relying on his ability to improvise in the moment.
Which works until people compare notes on what you said to each of them. Or even one person decides you're a weasly little shit that they don't trust and they have a sword at their side.
 
Jon III (Making Friends and Enemies)
Content Warnings: None

We begin with Jon sparring against another Night's Watch recruit, Grenn - and kicking his fucking ass. Ser Alliser Thorne, the master-at-arms of Castle Black, calls the match in Jon's favour, ridiculing Green, and then mocking Jon for leaning on his sword, and calling him 'Lord Snow' - a name that bites at Jon. Alliser seems initially a fairly standard drill-sergeant-type character; yelling regularly, deriding all efforts ("If the Others ever come for us, I pray they have archers, because you lot are fit for nothing more than arrow fodder.") and, at best, damning with faint praise. ("No [you didn't win.]. The Aurochs [Grenn] lost.") The other boys snigger at Jon, and Jon thinks how Alliser takes fault with him even after he'd beaten all the boys sent at him - while the others seem only to hate him more, not respect him.

Jon follows the rest back to the armory as they're dismissed, walking alone. He reflects that there's no-one in the twenty-odd boys he trains with that he could call a friend - and none of them are as good at fighting as Robb was, despite being two or three years older than Jon. All this just makes Jon despise them more. He's more than a little sour, and doesn't come off great here. He's bitter and resentful of being here, of no-one telling him that it sucks to be stuck in a penal colony at the end of the world (except Tyrion), of his uncle Benjen becoming cold and distant and leaving Jon to Alliser to run ragged - and then, leaving the Wall to lead a ranging beyond it, and leaving Jon behind with admonitions that his family relations won't earn him anything here. And Jon's afraid for his uncle, even if he doesn't think it consciously - he remembers imagining Benjen dead, feeling sick, and going to cuddle Ghost for comfort. Above all, he feels lonely - Castle Black has no godswood he can go to for solace, and he misses his (half-)siblings dearly.

And then Grenn arrives, with three friends. Grenn isn't exactly happy about getting beaten up, and his buddies stand behind him. Jon takes their insults badly, and shoots back, pissing them off more, then going for a sword. One of them grabs his arm and twists it behind him, and keep up their insults, going for an obvious sore spot of Jon's; his mother. Jon twists out of the boy's grip, stamps on his foot, and flies at another of them, putting his hands around the boy's throat. Another two grab him and throw him to the ground, where Grenn and others start to kick and beat him.

the fight is broken up by the appearance of Donal Noye; Castle Black's one-armed armorer. The boys say that Jon tried to kill them, and Grenn that his arm was broken, but the armorer checks it over quickly, says it's sprained at most, and to go talk to the Maester for a salve. Then, after they're sent packing, he rounds on Jon, admonishing him for attacking fellow brothers of the Night's Watch, and for taking their insults so seriously. He points out that there are men on the wall whose mothers were prostitutes, and that getting angry about people calling his own mother that won't change anything. He basically tells Jon to man up and deal with the fact that, yes, life on the Wall sucks, but it's the life he's chosen - and tells Jon he's not a lordling, he's a bastard, and above that he's a bully.

Jon chokes on that and protests, saying that they came after him, with four to his one. Donal points out that Jon repeatedly beats and humiliates people in the yard, and he doesn't give them any face - he shames them; does that make Jon proud? Jon hesitates, then says defensively that they're all older than him. Donal agrees - but points out that Jon's been trained by a real master-at-arms, when the first these other boys have had is Alliser. They're commoners, while Jon was raised in a lord's household, alongside a lord's sons. For all he complains about his status as a bastard, he's had a far better education and training than any of them - and how does Jon feel about his victories against older boys, now that he realizes he's been punching down, not up? Class follows people, even to the nominally-equal Wall. Jon says he didn't think about that before, and Donal says he had better start thinking, or sleep with a dagger by his bed, before dismissing him.

Jon steps outside into the sunlight, and takes a moment to admire the shining blue of the Wall. He remembers his first impression of its immensity, and the comparison of Castle Black seeming like children's blocks piled up against it.
It was older than the Seven Kingdoms, and when he stood beneath it and looked up, it made Jon dizzy. He could feel the great weight of all that ice pressing down on him, as if it were about to topple, and somehow Jon knew that if it fell, the world fell with it.
And then Tyrion speaks up, Jon having missed him before. Tyrion says that the Wall makes one wonder what's on the other side, and ponders why it is that building a wall makes one want to know that, before asking Jon whether he wonders the same. Jon says it's just forests and mountains and frozen lakes, and a hell of a lot of snow and ice. Tyrion jokes about imaginary creatures, and calls Jon Lord Snow, which makes him snap back at him. Tyrion points out that reacting like that to a name will just make people use it more, and invites Jon to sit and eat with him in the hall. Jon is hungry, so goes along. Tyrion comments on Ghost not being there, and Jon explains he chains him out in the old stables, no longer used, and talks about how much of the castle is abandoned. The Watch is far smaller than it once was, with only three castles - Castle Black, Eastwatch on the eastern shore, and the Shadow Tower (hilariously edgy name for a place that doesn't have nearly the same dark history as other castles) where the Wall runs into the western mountains.

Tyrion changes the subject to how long Benjen has been away - apparently rumors have been circulating in the Watch, as they went searching for what happened to Ser Waymar Royce, and were expected back two weeks ago. Tyrion says he's heard many rangers have vanished recently. Nice little bit of dramatic irony here, wherein we know what happened to poor Waymar.

Just as they get to the hall and are given bowls of stew (Tyrion complains, but Jon is happy enough), Ser Alliser arrives and says the Lord Commander wants to see Jon. For a moment he's terrified about Benjen, and blurts out a question about whether Benjen has returned. Ser Alliser bridles at this, saying the Lord Commander isn't accustomed to waiting, nor is he to being questioned by a bastard. Tyrion intervenes on Jon's behalf, and says to tell Jon why the commander wants him. Alliser, annoyed, says that a message has arrived about his brother - then he corrects himself and says it's his half-brother. An interesting little note there.

Jon runs out of the room and over to the Commander's Keep, to burst into Jeor Mormont's office. Jeor takes the sudden intrusion without comment, shaking a raven off his shoulder, and gives Jon a message to read. Jon recognizes Robb's hand, and breaks down crying for joy on hearing that Bran's woken up - even Jeor telling him to read the rest of the letter and that Bran's crippled doesn't dampen his spirits at all. The raven croaks Live! Live!, echoing Jon's words, and he runs out of the room, telling the guards along the way, grabbing up Tyrion and spinning him around in the air and telling him Bran's going to live.

People are, understandably, gathering around curiously. Jon notices Grenn nearby, his hand bandaged. Jon goes to him, and Grenn edges backwards, telling him to stay away. Jon smiles, and apologises for his wrist. He says that Robb used the same move on him once, and offers to help teach him how to counter it. Ser Alliser overhears and comments that "Lord Snow" wants to take his place now, and would have an easier time teaching a wolf to juggle than training 'Aurochs'. Jon jokes back, saying that he'll take the wager and he'd love to see Ghost juggle. There's a moment of shock and silence, then everyone laughs - except Alliser, who glares at Jon, and says acidly that humiliating him was a grievous error.

So, yeah, that's Jon III. Mostly a chapter about Jon getting his head out of his ass, some good news, and adapting a bit to his new station in life - and starting the first steps towards making friends and comrades, with characters like Grenn and Donal Noye.

Next chapter is Eddard IIII, in which he finally reaches KIng's Landing.
 
The night watch as I said before is a pretty romantic place though naturally the conditions of Westeros filter into it. Bit of a shame many of the fandom don't seem interested in the cast of characters present.
 
There's a moment of shock and silence, then everyone laughs - except Alliser, who glares at Jon, and says acidly that humiliating him was a grievous error.
Honestly says more of Alliser here in a neat little character moment - Alliser certainly seems to care about a person's class. It's totally understandable why Jon was reacting the way he was in the opening, he's young and was putting the expectations of his skill onto others. So Donal helps him change his perspective, but honestly I can't blame anyone in that situation.

I hope Donal shows up more, he seems fun. And a much better teacher lol.
 
Honestly says more of Alliser here in a neat little character moment - Alliser certainly seems to care about a person's class. It's totally understandable why Jon was reacting the way he was in the opening, he's young and was putting the expectations of his skill onto others. So Donal helps him change his perspective, but honestly I can't blame anyone in that situation.

I hope Donal shows up more, he seems fun. And a much better teacher lol.
He does show up more! He's a pretty big character. Gets a fucking badass death.
Mutual kill on the closest thing the giants have to a king, holding the passage against giants and wildlings while it's collapsed behind him.
 
Eddard IV (Meetings High and Low)
Content Warnings: Prostitution (mentioned)

We begin with Eddard arriving in King's Landing and at the Red Keep, fucking miserable. He's sore, tired, hungry and angry, all he wants is a bath, food and a warm bed - and the first thing that happens is that the castle's steward arrives to tell him a meeting of the Small Council (read: Ministers) has been convened. Ned agrees to go, though he wishes he didn't feel he had to (and it's notable - this is more than a bit of an asshole thing for Grand Maester Pycelle to do; immediately making a meeting that Ned has to either attend immediately, or ignore and set that as the opening point of his career as Hand), and turns up at the council chambers wearing a set of borrowed clothes, as his own are still making their way through the city.

The chambers are richly-appointed, but the first person who greets Ned is Lord Varys, whose "hand left powder stains on Ned's sleeve, and he smelled as foul and sweet as flowers on a grave." Varys gives condolences for Prince Joffrey's injuries and difficulties on the road, which Ned returns coolly. Disentangling himself, he crosses to where Renly Baratheon (who Ned notes as looking remarkably like Robert, when Robert was younger) is talking to Littlefinger. The three exchange greetings, along with a few quips about Renly and Petyr's manner of dress, and Petyr dropping a hint about the 'token of esteem' Ned's brother Brandon left with him - and needles Ned a little about Catelyn having mentioned him to Ned. Finally, Ned greets the Grand Maester; an elderly, grandfatherly-looking man with heavy metal chains of all different metals and adorned with gems around his neck.

Ned takes his seat at the table, and apologises for keeping the rest waiting. The others take their seats, and Ned experiences a sense of dislocation, of feeling like he shouldn't be here. He comments that only five of them are present at the council, whereupon Varys clarifies that Stannis Baratheon, the Master of Ships, has returned back to his seat on Dragonstone, Ser Barristan, Lord Commander of the Kingsguard, will be too busy accompanying the king - and the king himself only very rarely attends the meetings of the Small Council, though he does sometimes send commands, like the scroll Renly produces.

Ned cracks the seal, reads it, and sits back in disbelief - both at the order to prepare a tournament in celebration of Ned's appointment as Hand with truly extravagant monetary prizes, and that the thing will be in his own name. This is also the point where Ned learns that the crown's treasury is empty, and the royalty is ruinously indebted to various interests, including notably the Lannisters, the Tyrells, the Iron Bank of Braavos, several Tyroshi trading cartels, and most recently the Faith of the Seven itself. Ned is aghast; he remembers Aerys leaving an overflowing treasury; where has it all gone? Littlefinger abrogates his own responsibility, saying the job of the Master of Coin is to find money, while the Hand and King spend it. Ned protests that Jon was a prudent man; how could he have let the crown fall into such debt. The various ministers say that Robert wasn't always the kind of listen to good advice, and is very fond of hunting, feasting, tournaments and so on.

It's worth pointing out here that later on it becomes clear that Littlefinger has been embezzling massive sums from the treasury over the last years, shielded by the fact that Jon Arryn was an old noble who just wasn't really interested in commerce or the details of bookkeeping, while Robert hated 'counting coppers' or anything that smelled like it. So Petyr is definitely wanting to divert as much attention from his own role as he can.

Ned says he'll try to talk Robert out of the tournament, being an expense the realm can hardly afford. Renly says that be that as it may, they should probably still make plans for the thing to go ahead. Ned dismisses them, saying they should talk about that another day - and promptly realizes that was too blunt when he's not the most powerful of any lords present. He begs tiredness, and that they can meet again when he's fresher.

Leaving the council chambers, Ned goes out to glance over the ingress of Stark wagons and household into the keep; the Starks have been riding ahead of the main procession since the incidents on the Trident. Both Sansa and Arya have been understandably miserable, and blaming one another for the deaths of Lady and Mycah. Having satisfied himself, Ned goes to make for the Tower of the Hand, only to be stopped by Littlefinger who says he's going the wrong way and leads him out into what seems to be an abandoned area of the castle. Ned asks why they're there, and Littlefinger says he's taking Ned to his wife. Ned is, understandably, confused by this as he thinks Catelyn is still in Winterfell. Petyr leads him on, sarcastically sniping all the way (and making jokes about 'keeping Catelyn for himself' or that 'Catelyn would never understand' if Ned fell to his death as they make their way down a small cliff). Two horses are waiting, they mount, and ride down to a ramshackle building, which Ned realizes is a brothel - and Petyr says his wife is inside.

This is finally too much for Ned, who slams Petyr back against a wall and puts a dagger up beneath his chin. He's interrupted when Rodrik Cassel hurries over towards them - leaving Ned rather bewildered. He starts to accept that something might actually be going on here of use, and Petyr leads them inside; not before another barb about Ned "trying to look a shade more lecherous and a shade less like the King's Hand".

Ned is led up to a third-floor room, where he and Catelyn reunite, he shocked but happy, her clearly needing comfort and rushing into his arms. Ned quickly notices the wounds on Catelyn's hands, now healed to "raw red scars", and asks how she got them - and she tells the story of the assassin sent to kill Bran. Ned's understandably dazed, both by the story, and realisation that there might actually be some mystical connection between his children and these wolves - and he's killed Sansa's. "If the gods had sent these wolves, what folly had he done?" You can feel a touch of Eddard's faith here, worrying that he's stumbled into offending the Old Gods, or upsetting some plan.

Returning to the dagger, Ned says that it belonging to Tyrion and him being behind the assassination plot makes no sense - why would Tyrion want to hurt Bran? Littlefinger breaks in (to shore up his own lie), saying that Tyrion wouldn't have acted alone. Ned ponders the queen having a hand in this, or the king - and though he doesn't want to think that of Robert, he can't help but remember Robert wanting to send assassins after Daenerys, or the death of Rhaegar's children and Robert's reaction to that. Petyr points out that Robert need not have been involved, only not known - and Robert isn't exactly the most attentive king.

Petyr also points out that either way, accusing king or queen is treason - though it might work if they have damn good proof, and the dagger certainly won't suffice for that, as Tyrion could simply claim it was lost or stolen while at Winterfell. Again, Petyr is covering his ass here - if the dagger is kept out of the conversation as much as possible, the lower the chance is they'll actually ask someone who can contradict his story. He even suggests throwing it into the river.

Ned doesn't like the idea. He's cold to Petyr, saying that his son is crippled and would be dead if things had happened just slightly different. "If you truly believe I could forget that, you are as big a fool now as when you took up sword against my brother."

Petyr points out that Brandon is dead, while he's still around, and that he has no intention of changing that state of affairs. He makes it clear that he doesn't much like the Starks, but that he's never been able to refuse Catelyn anything, and she's attached to Ned, so...

Catelyn breaks in to say that she's told Petyr their suspicions over Jon Arryn's death, and that Petyr has promised to help - which Ned isn't exactly happy about, but he decides that it's not the first time he's had to make common cause with someone he doesn't like. He brings up Varys, and what the eunuch might know. Catelyn says Varys doesn't know about their suspicions re: Jon Arryn, but that he seems to know everything. Petyr promises to manage Varys, but says they should worry more about the Lannisters than the eunuch.

Ned thinks back to all the tragedies he can remember connected with the Lannisters - the death of Lady, the death of Mycah, Jon Arryn, Bran's fall, the old king being murdered - and says that Catelyn should go back to Winterfell; she can't see the girls right now, as much as she wants to, because it would surely be noticed. He promises to keep Arya and Sansa safe, and they kiss.

Littlefinger needles them again ("Would the lord and lady like the use of a bedchamber? I should warn you, Stark, we usually charge for that sort of thing around here."), and Catelyn asks for a moment alone. Petyr warns that he and Ned will need to get back to the castle soon if they want to keep their disappearance quiet, but Catelyn thanks him for her help, and he says he is "desperately sentimental", before leaving them alone.

Ned tells Catelyn to tell the Tallharts and Glovers to raise a hundred bowmen each to fortify Moat Cailin, a more-or-less abandoned castle which controls the Neck, and forms a powerful defensive chokepoint for the North. The defenses at White Harbour under the Manderlys should also be strengthened and manned, and Theon Greyjoy should be watched carefully - if there is a war, the Greyjoy fleets will be needed. He says he hopes it won't come to war - the Lannisters may prey on weakness, but a strong North could hold against all but the whole realm against them.
I must play out this fool's masquerade as if nothing is amiss. Remember why I came here, my love. If I find proof that the Lannisters murdered Jon Arryn …"

He felt Catelyn tremble in his arms. Her scarred hands clung to him. "If," she said, "what then, my love?"

That was the most dangerous part, Ned knew. "All justice flows from the king," he told her. "When I know the truth, I must go to Robert." And pray that he is the man I think he is, he finished silently, and not the man I fear he has become.
You'd really think Ned would start to learn by this point. He's had some pretty object lessons in the man Robert has become.

As an aside, I really can't overstate just how much Petyr constantly needles Ned, how much he clearly hates him, how much he talks about sex, and how much he jokes about taking Catelyn away, his connections to Catelyn etc etc. He's not quite as overtly sinister as in the show, I think, but he's not super subtle.

Next chapter is Tyrion III, wherein Tyrion visits the top of the Wall, gets some ominous hints of what's coming (which he promptly forgets) and says goodbye to Jon.
 
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I think this chapter and its interaction between Ned and Littlefinger is a really good illustration of why nobody actually does compare notes and ask follow up questions with Littlefinger. He's annoying and takes up space but never actually makes anyone think too deeply, when he isn't actually getting people riled up so they focus on the wrong thing.
 
It's worth pointing out here that later on it becomes clear that Littlefinger has been embezzling massive sums from the treasury over the last years, shielded by the fact that Jon Arryn was an old noble who just wasn't really interested in commerce or the details of bookkeeping, while Robert hated 'counting coppers' or anything that smelled like it. So Petyr is definitely wanting to divert as much attention from his own role as he can.
Where did he embezzle it all too lol?

I think this chapter and its interaction between Ned and Littlefinger is a really good illustration of why nobody actually does compare notes and ask follow up questions with Littlefinger. He's annoying and takes up space but never actually makes anyone think too deeply, when he isn't actually getting people riled up so they focus on the wrong thing.
Yeah he throws shit in such a way that you're distracted from his story's weakpoints.
 
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