Not Your Kind Of People (A Superhero Quest)

[X] Florence. Interpersonally she's definitely on the cooler side compared to Jae-yoon, but she's still made a real effort to be polite and courteous which is honestly a lot compared to Caio and Katarina. She clearly has some kind of professional background in the business, she screams it. Maybe you can learn something if you hang with her.
 
Chapter Fourteen: Pillar of the Community
"Is it okay if I go with you, actually?" you ask. "I don't mean to impose, you just seem to um... you seem experienced, and I'm brand new at this, so I was... wondering if you could show me the ropes a little."

It's slow and halting and uncertain, and it makes you feel like a dipshit, but it probably goes better than you expected all the same. She takes a moment to look at you, eyes flicking up and down in a silent assessment. If you didn't know any better you'd say she looks flattered. In the end she shrugs.

"Sure, I've got time. If you were planning on leaving anything here, reconsider it, I'm headed across town."

"Oh, no I've got everything," you say, patting the strap of your backpack. And then in the silence that follows as Florence starts turning toward the stairs, something occurs to you and you have to quickly blurt it out before the moment passes. "When you said Jae-yoon is at a bar, do you mean...?"

The click of her boot on the dusty PVC floor seems to echo through the complex as she comes to a halt mid-stride, full weight awkwardly landing on her heel. She turns back to you, confusion crossing her face momentarily. Even the bird seems befuddled.

"Oh, no, when I said he's friends with the owner I mean he's friends with the owner," she says. "Helps him clean up the place, that sort of thing. I wouldn't know much more about it, ask him yourself if you want to know more. I'll tell you one thing though, if Jae-yoon's ever been drunk on the job I sure haven't been able to tell." She turns and heads down the stairs, and you lurch to life to catch up with her.

You follow her down to the ground floor, around through another set of smashed-in glass doors, and out into the street. It must've rained again during the night now that you're paying closer attention, but it looks like it's getting warmer, the streets far closer to 'damp' than 'icy' in the grey hours of morning. The sea and the sky might still be the same ugly iron colour and the clouds may threaten more rain at any moment, but that's still something. Florence lets out a low whistle and the alien bird of prey takes off with a half-dozen mighty downbeats of its wings - the wind washing over you an inch from your face only puts into greater perspective how big that bird is and how little you'd like to fuck with it, supersuit or no. You squint up into the clouds as it rises and wheels away. You drop your gaze and stick your hands in your pockets as the street hologram turns green and Florence leads the way across the cracked and crumbling asphalt.

"That bird's going scouting for you, right?" you ask, quickening your pace and hopping the pool of frigid, murky water collecting by the curb to catch up with her. "And if it sees something, like another tear or some leftover monsters, what, you'll just know?"

"Doesn't work like that. Sharing senses sounds like it'd make the job a lot easier, though."

"So what is your power?"

"If you want the cliffnotes? I summon monsters." Florence takes a quick look around, then motions for you to follow her into an alley. It's cramped and waterlogged, the dumpster back here definitely long overdue for emptying by the smell, but it's all the privacy you could ask for in a pinch.

Closing her eyes to concentrate, she gestures toward the corner by a drainpipe, and before your eyes the air ripples and distorts. It's nothing at all like the tear you witnessed in the street outside Hadid's, no flash of lightning or rush of air. It's like tearing a hole in a bright blue curtain and then chroma keying it out, a two-dimensional opening in three-dimensional space that closes right up again as soon as it's done. It's almost neat. What does emerge is a bit like if you crossed a lioness with a full-grown wolf, the big-cat-big-dog fusion somehow elegant as much as it is alien and offputting. Again its eyes burn bright orange like glowing coals, its midnight blue-black coat shimmering and shifting somehow in a way that makes you wonder how wise it'd be to touch it, dappled in orange stripes like some colour-inverted tiger. It comes up to either of your waists, if it went up on its hind legs it could probably bowl you both over like reeds. Instead it simply stands there, silent and attentive, watching Florence closely.

"I just wanted to show you to Alex," she says, in the universal and completely instinctive tone of someone talking to their pet. "Off you go. Good girl."

The alien predator casually turns its head away, as if forgetting you ever existed, and suddenly bounds forward in an unnerving yet fascinating display of fluid agility. It never lands. Another tear opens in the air and it sails through, gone in an instant. The rip seals and it's like it was never there.

"Hoh, wow," you pant, only now realising you were holding your breath in the thing's presence. You think you catch a big of a smile on Florence's lips as she leads the way out of the alleyway and back on course. "How did you- I mean, controlling them like that is one thing but that looked like you were... I dunno, opening tiny rifts! Did you get tested, figure out what this is?"

Florence shakes her head. The wind picks up the second you're back in the street, bringing with it the scent of garbage and rain and wet garbage, just a little salty from the sea. There's probably some rotting monster in there too but there's real food as well, security shutters rising again to feed the people of Freeside who venture out their doors. That part makes your stomach growl, but thankfully you're too interested in Florence to be bothered.

"The- hah." She chuckles softly, nostalgic more than amused. "It's funny how things change. Once upon a time I thought I could do pretty much anything, y'know. I must've been... I don't know, six, maybe seven. My family lived out there-" she gestures toward the eastern edge of town "-right by city limits. We had our own house and we had a fence and we had a dog, and that place felt like a damn castle back then. Dog was a mutt with these black stripes so we named her Tiger Lily - mom loves pretty names, always has."

You sort of purse your lips in the shadow of a grimace. You can tell where this is going. Call it instinct, call it being well informed of the realities of post-anomaly living where loose spherebeasts can come rummaging through your trash at the worst possible moment. Florence hits the button at the next crosswalk. The hologram stays resolutely red as a biohazard cleanup truck comes rumbling through the intersection, escorted by two squadcars. She keeps her eyes fixed front, and it can only be deliberate.

"... you don't have to-" you start. A short laugh escapes her, more of a 'ptchuh' of amused surprise than anything else.

"This is going on twenty years ago, I'm not still cut up about my dog," she says.

"Sorry, go on."

"It's alright. I appreciate the thought." She takes a breath and clears her throat, leading the way further north and east through the rows upon rows of storm-lashed and monster-slashed concrete facades that is Freeside. You wonder idly if she still lives out this way. "Long story short, one night Tiger Lily got in a fight she couldn't win. I didn't see much. I just knew she got taken to the vet and never came back."

She's silent for a moment, and you have the good sense not to prod her. For all you know she's not quite as over it as she says, or there's another layer here she's not talking about. MD seems to be quiet this morning too. The two of you pass by an ex-bus shelter, smashed one too many times for the city to bother fixing up, and tags all over what's left of it. If you want to get around Freeside and you don't have a car you best believe you'll be walking. Even the trains only come a couple of stops across the river. They're good for getting into the heart of Riverhaven proper and that's about it. You wonder if Florence has the same thing on her mind, glancing at the ruined shelter as she passes it.

"So one night, we get another visitor," she says. "Not sure if it was the same monster, Dad shot that one but who knows if it was a kill shot. It was dark and I was a kid so it's not like I remember a lot of the details. But what we all know for sure is that when he came outside to chase it off again, he found it ripped to shreds and strewn about the yard, and me with my face buried in a second one's fur like one of those giant novelty teddy bears for rich kids. And that was the first time I ever used my powers."

You blink. You're no expert, but according to what you've picked up online superhuman abilities most commonly manifest during puberty, peaking in 17-20 range then sharply dropping off again. If Florence got her powers before she was even ten that makes her an insane statistical outlier. Maybe that's why she can do insane shit like open neat little rifts on command. But you don't say anything, because you're pretty sure that'd come off like you're accusing her of lying. And you don't think she is. It's possible but there's no motive, beyond maybe trying to impress you, and that'd be a really sad one.

"Back then I was dead certain it was magic. Like making up an imaginary friend and then having them turn up at the front door, or something like that. It was hell for the rest of the family, the way I was making up pets - and they'd only leave if I told them to leave, so the house filled up fast." She smiles slightly, looking off into the distance. " 'Dream come true' in a pretty literal sense. Even if I cleaned up after myself, I'd always find one on my bed when I woke up in the morning."

"You say you... were certain how it worked," you venture carefully, once you're pretty sure you won't cut her off. "What changed?"

Florence sighs, and her expression becomes neutral once more. "I grew up," she says simply, pausing to check through a storefront's cracked window for something-or-other that drew her eye. "Best guess is that my power is a combination of being able to open and close localised rifts to other spheres on command, and control the fauna on the other side through pheromones. Just like ants listening to an ant queen, I suppose."

"Can you close tears when they happen naturally?" you ask.

"No."

"Can you take control of monsters when they come through, like is there a range or-"

"No, it doesn't work like that," she says, swift and decisive as a whipcrack. She shakes her head and pats the air before you placatingly just as quickly. "Sorry. It isn't you."

"Sorry, I didn't mean to-"

"It's just a bit of a sensitive subject." She leans up against the next streetlight, arms folded, watching the residential traffic crawl by. "If you had any idea how many times I have to answer those same questions..." she shakes her head, pushing away from the pole to face you again. "You want to know how this all really works? The dirty little secret is that nobody has any idea what they can really do. None."

You blink. Traffic dries up and Florence seems to have forgotten to press the button but you have more important things to think about right now. "I don't understand. Aren't there tests you can run?"

"For the average person? Not in the slightest. Even the cutting edge is limited to maybes and most-likelys. What is a doctor supposed to test me for, my iron levels? If my hormones are imbalanced?" She gestures with one hand in a demonstrative fashion. "For example - I think I have minor strength and durability enhancements compared to an ordinary person. I can't prove it but I feel like I hit harder than I should, and despite all the scrapes I've gotten into I sure don't seem to twist my ankle or dislocate my shoulder or anything else you'd think getting thrown around by monsters would pile up. How am I supposed to test for that? Pay a doctor thousands of dollars to run some scans and tell me that my MRI is inconclusive?"

You wince sympathetically. "I never thought about it that way, but yeah that sounds... yeah."

"Trust me, neatly laying out a powerset with facts and figures, strengths and weaknesses, is a fiction invented to sell trading cards. In fact those cards come with a disclaimer about being fictionalised because I know of at least three that printed flat-out lies." Florence finally remembers the crosswalk, thinks to press the button, then shrugs and crosses anyway. You hurry along after her.

"Well. I guess you'd be different though, wouldn't you?" she adds halfway down the next block. "You getting your 'powers' from that- what did you call it?"

"(Nanoforge.)" You clear your throat so it doesn't crack and try again. "Nanoforge, but uh, call it MD if you want to talk to it yourself."

"Right. You getting your powers from that nanoforge thing, you probably know exactly what you're good for already. It must be nice."

You make noncommittal noises. Feels like way too much to explain MD's various limits right now. Besides, you've struck up something approaching a rapport, the last thing you want to do right now is jeopardise that by correcting her. Instead you let your gaze wander.

When she said 'across town' she meant it. You're not far from the warehouse you work- used to work at. Even a few blocks away you can still see the tips of the construction equipment arms stretching out above the rooftops, already hard at work restoring what the attack (and Paragon) flattened. Now if only they'd respond that quickly everywhere else. The sight and the thought reminds you of the sinking, queasy feeling that nobody has gotten in contact with you about whether you're getting paid yet, and the uncertainty of just how this new gig is supposed to pay you too. Your lips part to ask Florence, but- god what would she think? You don't want to come off like you're only here for the money. You need to play it cool, keep a close eye out. A shady operation like this, no way they don't pay out in cash.

"So do you still live around here, or...?" you ask instead, trying to make some light conversation. The question seems to make Florence antsy anyway, and you wince almost immediately at the sight.

"No. No I have my own place closer to the river," she replies, smoothing out a few micro-burrs in her composure as she goes. "I volunteer at the community centre here from time to time, actually."

"O-oh!" You quicken your pace to draw level with her, suddenly energised. "You mean Imron's place, right?"

She seems surprised, and pleasantly so for once. "You know him?"

"Yeah we uh-" you falter and stumble over your words as you struggle to selectively edit your past on the fly. "We met about three years ago, I helped him with some stuff. I'd- I would've been volunteering there more but that was when I got a job on the night shift and I just couldn't find space in the week."

"And that changed recently because...?"

"Because my workplace got totalled yesterday morning," you say with a kind of grim frankness.

"Oh." Florence looks ahead. "That would explain why I never bumped into you before. I must have just missed you.

The community centre wears a lot of hats. It's been through about as much as the rest of Freeside. Once upon a time, long before yours, it was a public library. You've heard no complaints about how it did as a library, but once attacks started to pick up it was chosen for hasty conversion into a disaster shelter. You don't remember the exact justification for picking a place so far from the city centre, something about it being a safety hazard to cross the bridge during an anomaly so the city wanted to discourage congestion there as much as possible. Eventually technology marched on, early-warning systems got better, and the shelter was abandoned. Then one day Imron came along and just asked the city to let him mind the building to turn into a shelter again, and they said yes. Based on the pittance of funding he gets, you imagine it was mostly to make the big reinforced hulk somebody else's problem.

It looks kinda post-apocalyptic in a lot of ways. It's a building with history but no spare cash to preserve that history so it just keeps wearing down, bit by bit. Windows smashed in the storms are boarded up, the once lovely domed roof cracked open like a skull before being boarded from the inside, the carpets were torn up rather than letting mold fester and spread. At least the grounds are surprisingly lush, thriving in the constant damp, with a little fenced-in garden out back for a small yet precious crop of vegetables to stretch food supplies. It's not home, but it's a place that makes a lot of people feel safe, and it's a little heartening for you too when you follow Florence up the broken path to the front door.

You just so happen to walk right into Imron in the reception antechamber, seemingly on his way out. He's a tall, rake-thin man, with a well-lined face and salt-and-pepper hair and beard. At first he's just surprised to have bumped into someone at this hour. Then his expression changes, not so surprised any more as he recognises Florence. Then he recognises you, and you'll admit it's gratifying to see how he reacts. He left you better than he found you when last you met, not that that was hard, but there was always a chance you'd backslide hard, and no doubt he would've assumed the worst if he heard about the warehouse collapse. A smile spreads wide across his face.

And then he calls you by the wrong name and you realise what a terrible mistake you've made.

It's not his fault. He wouldn't know. He had no way of knowing. This was the first time you've tried out that name in real life and of course, of course with your luck you manage to plough right into somebody who knows you by the old one at the same time. You never told him and it's not because you didn't trust him. Not because you thought he'd... you don't think he's a bad person. You would never assume the worst of him like that. But it just seemed easier not to say anything. He was already helping you stop being a user, it seemed too much to put that in his lap too. So you stayed quiet and you let him call you 'brother' too and then you fell out of contact with him for so long you simply forgot all about it until it was far, far too late to do anything about it. And now what? Florence goes and tells everyone you gave a fake name? Is everything fucked before it even got off the ground? Shit, shit shit shit.

[Recommend you assess the situation in its entirety,] MD chimes in via text, a simple scrolling line of silver-white letters hovering in the air where you can't help but see it. [You have the opportunity to make adjustments if necessary. I will assist.]

That's... true. Technically. Florence probably won't whip out her phone and tell the others you're an imposter. Maybe you can stick it out, find a moment to... to explain things. Or something. Just havve to wait for your moment. Wait and listen and be good. You can do that. You're a pro at that.

It takes you a minute to realise that everyone's still talking. If Imron saw you go pale and wide-eyed like a fish left to drown on the street, Florence must've asked him something and distracted him. The conversation's moved on without you and by the time you can breathe and focus again you think Imron's giving Florence a rundown about how the shelter's recovering from the attack yesterday morning.

"-their own families which I understand completely, but unfortunately that does mean we've been desperately shortstaffed," Imron explains, his voice smooth and deep and athoritative yet perfectly polite and welcoming all the same. It always was easy to listen and let him talk. "Prim is whipping up a storm in the kitchen as usual, I'm sure she'd appreciate some help and a chance to catch up with her sister."

Wait, sister? It doesn't wipe away all of the aftershock ripples clouding your mind, but it does get you focused long enough to shoot a curious look over at Florence. Her expression is strangely unreadable. You never saw Florence when you frequented Imron's but you saw Prim plenty. Did Imron just blindside her too?

"Of course I was also just on my way out to the storage unit," Imron goes on. "A good friend has left me some more supplies at, aha, a very generous price. I would prefer not to go alone to retrieve cargo so valuable, but it seems I am spoiled for choice today!"

Suddenly something that seemed so relaxing a prospect just became a complicated risk-reward assessment. You keep your eyes front, desperately resisting the temptation to look at Florence in case she makes eye contact. You have to play this cool, no matter what you decide. Volunteer first, take charge. Try to unfuck this.

[ ] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.
[ ] Go to the kitchens with Prim. She should be older than Florence by your recollection, always had the air of a mother of two that holds down a day job and still has the force of will to help the needy by night. You did your level best to help her out when she called on you and you think that if she remembers you it's fondly. Maybe you can feel out her past with Florence in private. Figure out if you should be worried about her reaction to... the name thing.
 
[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used
 
[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used
 
[X] Go to the kitchens with Prim. She should be older than Florence by your recollection, always had the air of a mother of two that holds down a day job and still has the force of will to help the needy by night. You did your level best to help her out when she called on you and you think that if she remembers you it's fondly. Maybe you can feel out her past with Florence in private. Figure out if you should be worried about her reaction to... the name thing.
 
[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.
 
[X] Go to the kitchens with Prim. She should be older than Florence by your recollection, always had the air of a mother of two that holds down a day job and still has the force of will to help the needy by night. You did your level best to help her out when she called on you and you think that if she remembers you it's fondly. Maybe you can feel out her past with Florence in private. Figure out if you should be worried about her reaction to... the name thing.
 
[X] Go to the kitchens with Prim. She should be older than Florence by your recollection, always had the air of a mother of two that holds down a day job and still has the force of will to help the needy by night. You did your level best to help her out when she called on you and you think that if she remembers you it's fondly. Maybe you can feel out her past with Florence in private. Figure out if you should be worried about her reaction to... the name thing.
 
"It's just a bit of a sensitive subject." She leans up against the next streetlight, arms folded, watching the residential traffic crawl by. "If you had any idea how many times I have to answer those same questions..." she shakes her head, pushing away from the pole to face you again. "You want to know how this all really works? The dirty little secret is that nobody has any idea what they can really do. None."

You blink. Traffic dries up and Florence seems to have forgotten to press the button but you have more important things to think about right now. "I don't understand. Aren't there tests you can run?"

"For the average person? Not in the slightest. Even the cutting edge is limited to maybes and most-likelys. What is a doctor supposed to test me for, my iron levels? If my hormones are imbalanced?" She gestures with one hand in a demonstrative fashion. "For example - I think I have minor strength and durability enhancements compared to an ordinary person. I can't prove it but I feel like I hit harder than I should, and despite all the scrapes I've gotten into I sure don't seem to twist my ankle or dislocate my shoulder or anything else you'd think getting thrown around by monsters would pile up. How am I supposed to test for that? Pay a doctor thousands of dollars to run some scans and tell me that my MRI is inconclusive?"

Something I really like about this is how -this is awkward phrasing- but how contextual it feels? Like if this happened in another time, another era, they'd be witches or holy warriors, children of the gods or what have you. But because they exist here and now in a modernish world they're superheroes. Kinda...acquired by institutions and bodies with vast reserves of capital and influence, with a whole commercialized legend created around them. Because it's still a mystery y'know? The tools to take it apart and understand it, really understand it aren't all there. Even the people who are getting augmentations or prometheum doses are dealing with a kind of black box I think. And the tools to make the tools aren't necessarily even there either given how Paragon, the established pinnacle, is this almost unknowable and deliberately ambiguous force that could still saw a skyscraper in half at a passing whim.

So meaning is formed out of what people do understand. And what they understand is branding, copyright, and products that can be bought and sold or invested in or shuffled off the books. Which is wonderfully bleak in this sorta pitch black delightful way I think. Since it's literally people trading on the value of things that they can't possibly comprehend but have to fit into their world somehow.

"The- hah." She chuckles softly, nostalgic more than amused. "It's funny how things change. Once upon a time I thought I could do pretty much anything, y'know. I must've been... I don't know, six, maybe seven. My family lived out there-" she gestures toward the eastern edge of town "-right by city limits. We had our own house and we had a fence and we had a dog, and that place felt like a damn castle back then. Dog was a mutt with these black stripes so we named her Tiger Lily - mom loves pretty names, always has."

There's a kinda really interesting tension in Florence's story where...a heavy implication within the story I think is that the wealthiest people no longer live on the coasts or the edges of cities. Or if they do its probably in what are basically militarized fortresses and that itself is sort of a flex. But most of the upper class have migrated to the urban core- where defenses are thickest and first responders closest, where there was the most money and the most will to protect the beating hearts of the sprawls (and man suburbia must have gotten eaten alive in the early days, likely literally). So by extension she probably didn't exactly grow up rolling in it.

But on the other hand by getting her powers so early she was the equivalent of a child prodigy, a complete statistical fluke and she clearly knows her way around the job, while holding herself apart from and above her coworkers (granted that's mostly Katarina and Caio the two disasters). So she's not old but she's been doing this awhile. She's got a genuinely really formidable ability set, some familiarity with the supe world's backstage, but she's hanging out with the fuckups and off the books types. So you can kinda see the arc of her backstory just from this I think. This big parabola that goes up high and then crashes down with a big-ass splat.

[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.

Imron is invited to the gender reveal party. Or gender conceal depending.

Point is it's time to do that communication thing with a guy who genuinely just seems Nice. So we can get practice at doing it for, y'know, our coworkers. And Caio.
 
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[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.
 
[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.
 
"Is it okay if I go with you, actually?" you ask. "I don't mean to impose, you just seem to um... you seem experienced, and I'm brand new at this, so I was... wondering if you could show me the ropes a little."

It's slow and halting and uncertain, and it makes you feel like a dipshit, but it probably goes better than you expected all the same. She takes a moment to look at you, eyes flicking up and down in a silent assessment. If you didn't know any better you'd say she looks flattered. In the end she shrugs.

"Sure, I've got time. If you were planning on leaving anything here, reconsider it, I'm headed across town."
This is nice, honestly. After Jae-yoon's personal distance, Katarina's bad attitude, and Caio's awful vibes, it's nice to see Florence seem to take a vague shine to Alex this whole chapter just from how they interact. It's probably good practice for them to hang out with probably the least acerbic, least mysterious, least awful vibes character in this new job of theirs.
"That bird's going scouting for you, right?" you ask, quickening your pace and hopping the pool of frigid, murky water collecting by the curb to catch up with her. "And if it sees something, like another tear or some leftover monsters, what, you'll just know?"

"Doesn't work like that. Sharing senses sounds like it'd make the job a lot easier, though."

"So what is your power?"

"If you want the cliffnotes? I summon monsters." Florence takes a quick look around, then motions for you to follow her into an alley. It's cramped and waterlogged, the dumpster back here definitely long overdue for emptying by the smell, but it's all the privacy you could ask for in a pinch.
oh no alex she's taking your SMT protagonist vibes from you watch out
"... you don't have to-" you start. A short laugh escapes her, more of a 'ptchuh' of amused surprise than anything else.

"This is going on twenty years ago, I'm not still cut up about my dog," she says.

"Sorry, go on."

"It's alright. I appreciate the thought."
Another nice lil' bit of the two of them. Alex doesn't even freak out during the conversation, which I'm calling a pretty big plus given how panicked they got when they first met the whole group.
Florence sighs, and her expression becomes neutral once more. "I grew up," she says simply, pausing to check through a storefront's cracked window for something-or-other that drew her eye. "Best guess is that my power is a combination of being able to open and close localised rifts to other spheres on command, and control the fauna on the other side through pheromones. Just like ants listening to an ant queen, I suppose."

"Can you close tears when they happen naturally?" you ask.

"No."

"Can you take control of monsters when they come through, like is there a range or-"

"No, it doesn't work like that," she says, swift and decisive as a whipcrack. She shakes her head and pats the air before you placatingly just as quickly. "Sorry. It isn't you."

"Sorry, I didn't mean to-"

"It's just a bit of a sensitive subject." She leans up against the next streetlight, arms folded, watching the residential traffic crawl by. "If you had any idea how many times I have to answer those same questions..." she shakes her head, pushing away from the pole to face you again. "You want to know how this all really works? The dirty little secret is that nobody has any idea what they can really do. None."

You blink. Traffic dries up and Florence seems to have forgotten to press the button but you have more important things to think about right now. "I don't understand. Aren't there tests you can run?"

"For the average person? Not in the slightest. Even the cutting edge is limited to maybes and most-likelys. What is a doctor supposed to test me for, my iron levels? If my hormones are imbalanced?" She gestures with one hand in a demonstrative fashion. "For example - I think I have minor strength and durability enhancements compared to an ordinary person. I can't prove it but I feel like I hit harder than I should, and despite all the scrapes I've gotten into I sure don't seem to twist my ankle or dislocate my shoulder or anything else you'd think getting thrown around by monsters would pile up. How am I supposed to test for that? Pay a doctor thousands of dollars to run some scans and tell me that my MRI is inconclusive?"

You wince sympathetically. "I never thought about it that way, but yeah that sounds... yeah."
Very interesting. Before this there was kind of a sense that Paragon was an outlier in how bizarre and impossible to understand they were, but Florence is kinda highlighting that humanity really doesn't understand what they're dealing with, even as they turn it into something marketable and commercialize the hell out of it. Probably lowkey another reason Shaw doesn't like Paragon, Shaw's whole thing kinda relies on him being the genius who Knows this stuff and who, in Knowing it, makes it more understandable for everyone else because someone human Knows it. Paragon flying around and being as powerful as they are inexplicable would be a real sticking point for his whole image.
"Yeah we uh-" you falter and stumble over your words as you struggle to selectively edit your past on the fly. "We met about three years ago, I helped him with some stuff. I'd- I would've been volunteering there more but that was when I got a job on the night shift and I just couldn't find space in the week."

"And that changed recently because...?"

"Because my workplace got totalled yesterday morning," you say with a kind of grim frankness.

"Oh." Florence looks ahead. "That would explain why I never bumped into you before. I must have just missed you.
Huh, small world. I do like how much it's tying into the idea that the Freesiders all really are Freesiders, it's giving them all a kind of identity which ties in a bunch to why Alex decided to start working with them in the first place.
You just so happen to walk right into Imron in the reception antechamber, seemingly on his way out. He's a tall, rake-thin man, with a well-lined face and salt-and-pepper hair and beard. At first he's just surprised to have bumped into someone at this hour. Then his expression changes, not so surprised any more as he recognises Florence. Then he recognises you, and you'll admit it's gratifying to see how he reacts. He left you better than he found you when last you met, not that that was hard, but there was always a chance you'd backslide hard, and no doubt he would've assumed the worst if he heard about the warehouse collapse. A smile spreads wide across his face.

And then he calls you by the wrong name and you realise what a terrible mistake you've made.

It's not his fault. He wouldn't know. He had no way of knowing. This was the first time you've tried out that name in real life and of course, of course with your luck you manage to plough right into somebody who knows you by the old one at the same time. You never told him and it's not because you didn't trust him. Not because you thought he'd... you don't think he's a bad person. You would never assume the worst of him like that. But it just seemed easier not to say anything. He was already helping you stop being a user, it seemed too much to put that in his lap too. So you stayed quiet and you let him call you 'brother' too and then you fell out of contact with him for so long you simply forgot all about it until it was far, far too late to do anything about it. And now what? Florence goes and tells everyone you gave a fake name? Is everything fucked before it even got off the ground? Shit, shit shit shit.
Oooooh dear. Poor Imron not doing anything wrong, or at least not that he knew was wrong, but it's a very visceral panic Alex is feeling even if Florence barely seems to care. On the practical side of things I doubt that anyone of the group would mind that Alex gave a "fake" name, but for Alex themselves this whole situation must be an absolute nightmare.
[Recommend you assess the situation in its entirety,] MD chimes in via text, a simple scrolling line of silver-white letters hovering in the air where you can't help but see it. [You have the opportunity to make adjustments if necessary. I will assist.]
MD being the best as always, though I am curious on why they've been so quiet, barely saying anything all chapter and even when they do "speak" it's in text-only. Working on Alex's requests, or something else?

[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.

Kinda needs to be done, I think, and it'd be good for Alex to have someone support them like Imron hopefully will.
 
[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.

do it

become the g ender
 
[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.



(unfortunately, due to budget cuts, the cake has been cancelled. we apologise for the inconvenience this may cause you.)
 
Update on proceedings: I have just received my second covid vaccination this morning so work is halting while I figure out how badly my shit's about to get rocked. Quest will resume ASAP!
 
Well, there's reason to hope it won't be too bad, the second jab is usually easier on the system.
 
[X] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.

gender? I hardly knew 'er!
 
[x] Go with Imron to the storage unit. Inexperienced as you are, you're technically a superhero now, and hopefully there's nothing he could bump into that'd be a serious threat with you around. More importantly, once you get him alone, maybe you can finally have The Talk. Explain why he has to call you Alex and make something up to explain the name he just used.

I saw you taking a shot at the "test for your power levels/classification" thing there, bitch. Don't think I didn't.
 
Chapter Fifteen: Gender Conceal Rehearsal
"I'll go with you!" you blurt out before you waste any more time. Florence, lips parted, spares you a glance but offers no argument. You give in to temptation and allow your eyes to flick nervously in her direction only once, otherwise keeping them glued on Imron. He seems befuddled by your frantic intensity, but he's clearly busy and getting bogged down interrogation you seems to be the last thing on his mind. Instead he nods and motions the two of you to your stations.

"Good, very good, though it seems I'm taking you from some well-deserved rest, eh? Quite the walk, especially on a day like this." Imron looks at Florence. "If she isn't in the kitchen she may be checking the garden, so have a look around."

"Thanks." Florence seems to be in Business mode, shoulders squared and eyes front, marching off to meet the veritable firing squad she seems to think is waiting for her with Prim. They're sisters? What's going on between them that's got Florence in such a mood, then? But your chance to ask has come and gone, and instead you're being ushered right back out of a building you've barely set foot in for three years before you could even get past the reception area. You hold out your hand as you step back into the grey daylight - looks like it's drizzling now. You hope it doesn't turn into real rain, it's a long walk back.

Even so you'd probably take a long walk in the rain over the one facing you right now, but you've already made your bed and it's time to lie in it. And, dunno, hope the house doesn't burn down and/or collapse on top of you in the process. You hurry to catch up with Imron before he notices your hesitation, headed even further out toward the edge of the city. The streets are patchworks of iced-over cracks, some of the lights at the intersections don't even work any more, and a lot of the buildings you pass by are either abandoned or just barely clinging to life. It's a little like Freeside is being slowly squeezed in a great fist - incursions and anomalies and plain old poverty pressing in from the coast and outskirts, and real estate deals made by people who'll never have to think about the human consequences of their business decisions the thumb pressing in from the riverside. The future isn't something people here like to concern themselves with. The picture's never rosy no matter how you look at it.

All of this a long way to say that heading out here to pick up anything of value to the community centre is a nonzero amount of risk and the thought of being the only one out here with Imron if something bad happened would probably be a lot more alarming if you didn't have superpowers of your own now. But he doesn't know that yet, right? And he was still fine with you being his plus one. So maybe it's not that bad? Just a numbers thing, warding off anyone desperate or opportunistic enough to jump him for being alone. Still, you can't help being nervous. You scratch behind one ear, nails rasping through the hair and digging into the soft skin beneath until it starts to hurt.

"So tell me how you've been!" Imron says, breaking the silence first. "It's been a long time since we had a chance to talk. I'm glad you seem well - when I heard what happened to the warehouse and tried to call I assumed the worst."

You laugh nervously. 'Yeah Imron, why would you assume something terrible happened involving me getting impaled in the chest and my entire heart popped like a balloon haha', you think to yourself. But out loud you say "I'm alright, I just lost my phone in all the commotion," because you don't want to give him a heart attack first thing. This calls for finesse, which is so far outside your wheelhouse it's a distant speck on the horizon, but you need to at least make the attempt.

"Ahh. It puts my heart at ease to see you safe all the same." He smiles so warmly that the lie, even well-intentioned, makes you heart sting - not that you actually have one any more. "You look much better. Life has been treating you well."

You chuckle mirthlessly. "I worked the night shift Imron, looking good isn't really an option."

" 'Good' is a relative term my friend, I give credit only where it is due, and unless my eyes and memory deceive me it is well-earned."

You don't make eye contact, but you don't belabour the point either. Truth be told it's not that hard to be better than how you were when you first met, even if your 'bloodstream' is about 95% nanomachines now. Once upon a time you just ate your feelings, and over the years it made you puff up until you looked like as big a piece of shit as you felt. Then when you got to the harder stuff- well let's just say that the Promo Diet probably has a few things in common with the Meth Diet. By the time you ended up running into Imron you had the waistline of a stick and the constitution to match. Getting clean finally put some meat back on your bones, and while the warehouse job was torture most shifts it also kept your diet from making you swell up like a balloon again. Doesn't help how you feel about your body but hey, take a well-meaning compliment for what it is, right?

"Have your family been in touch at all?" he asks.

God dammit. You're winding up to broach the other subject and he blindsides you with that too. You look away at nothing in particular, working your jaw like you're chewing on a piece of gristle. He had to ask. It's been years and you're still clean, there was a chance and so he had to ask. It's not his fault what the answer is.

"I haven't heard from them," you reply evenly.

"Ah. I'm sorry to hear that."

You walk in silence for a while. Imron may be almost twice your age but he's got boundless energy, and he doesn't make it simple to keep up. Traffic this far out drops from light to downright sparse, so the two of you don't bother rolling the dice on whether the crosswalks still work. MD doesn't offer any suggestions, probably deferring to you since you've known Imron longer than a day. Makes sense. Still doesn't make you feel any better. You take a deep, deep breath and quicken your pace a little to draw level with him.

"Look- can you do me a favour?"

"Mm? What is it?"

Last chance to back down. It feels mighty tempting, but the unseen eye of MD makes you hesitate. You can already imagine it hounding you to deal with the problem instead of stewing in it and the thought of getting this whole thing Over With in a shorter span of time is just the jolt you need to jerk over the starting line like a corpse with a few volts running through it. Kinda describes you pretty well these days anyway.

"When we get back can- from now on can you call me Alex?"

He slows, and comes to a stop. It feels like there's a stone in the pit of your stomach. Imron turns and looks at you, brows furrowed.

"I... apologise, I don't understand."

Why does everything have to be difficult?

"Just please call me Alex and- and when we get back can you tell Florence that you had me confused with someone else?" you forge on ahead, talking quicker and quicker in the hopes that if you just get to the end of your thought he'll suddenly understand everything. "I'm working with her now and I introduced myself as Alex so it'll just be really awkward if she thinks I'm using a fake name to trick her or something-"

"Please, slow down, you aren't making sense," Imron says, gesturing as if to placate you. "What is this about working with Florence? Has something happened? Is this about money? Are you-"

"I'm trans, Imron, please focus!" you snap.

And in the cavernous void of silence that follows it occurs to you that that's the first time you've ever identified as such. It doesn't sound accurate. It feels like an ill-fitted suit, sagging in areas and pinching in others. You've resisted it for a long time because it never felt right. 'Trans' is such a strong word that immediately evokes something nice and straightforward, switching from blue to pink or vice versa as it were. You don't want to be a girl. You don't feel like one either. You also don't know what dysphoria feels like but you hate being treated like a boy and you hate looking at yourself so mabe that's close enough? It's an understanding you slowly pieced together over the course of years and if the alternative was trying to explain that over the course of a single conversation, you guess you just defaulted to the snappier label. You stick your hands in your pockets nervously and watch Imron carefully for his reaction, see the light of comprehension dawning in his eyes.

"Oh," he says.

"Yeah," you say.

"Please forgive me," he says with a remorseful sigh, hand over his heart. "I had no idea-"

"It's fine," you mutter, averting your gaze so suddenly you can practically hear your neck crack. "Haven't seen each other in ages, no chance to tell you."

"I beg you, allow me to apologise, if not for my initial error then for having terribly slow wits only moments ago," he asks with a crooked smile. "I did not mean to make this harder for you than it undoubtedly already was."

"... thanks." The corner of your mouth turns up slightly. "I appreciate it."

"How should I refer to you from now on?"

"Uh..." You never thought you'd get this far. Not with anyone but certainly not with someone you actually know. You scratch the back of your head awkwardly. "They-them I guess? Like uh- 'that's them, their name is Alex'. If... that makes sense?"

"Mm." Imron cradles his chin, deep in thought. "I will think of something to explain myself to Florence, don't worry about that." He drops his hand. "And thank you for telling me. I cannot imagine it was easy."

Yeah, well, death and resurrection as a superhero really reordered your priorities. But that part's still pretty hard to talk about so you keep quiet. The walk resumes and you trail after Imron in silence, taking deep breaths to silence the pounding of your heart. It's not long after that when more silvery text appears out of the corner of your eye.

[My predictions that a positive outcome was possible were correct.]

"(Yeah yeah don't get a big head about it,)" you mouth silently.

[I do not have a head.]

"(Big avatar then, whatever.)"

It's not much longer to the storage unit. It's part of a long, squat, unlovely thing built to last - pre-Conjunction, and that's why it lasted this long. It directly abuts an old abandoned hardware store, long since run ragged and stripped of anything remotely useful, just a facade and sign-shadows and gaping empty windowframes. Rows of houses stretch on in every other direction, lawns overgrown and strewn with garbage. You didn't doubt Florence's story, but being out here just makes it all the more plausible. You've heard of people who have to deal with waking up to a grizzly bear pawing at the back door like a dog asking to come inside, and there's much worse things than bears in the woods now.

Speaking of which. Imron's the first to notice it, stopping dead and throwing out a hand to ward you away. He holds very still and you freeze with him, peering past his body with a sudden pit in your stomach as your body misses the memo about having superpowers now. There's a monster down the end of the row, slowly yet insistently tugging a dumpster around the corner for a better angle of attack. It's hard to get a good look at it - your first instinct might be to call it a bear, but while it's big and furry it sure as hell isn't shaped like one. It has a beak like a duck or a platypus, and offputtingly grabby and scaly claws akin to some kind of raccoon-lizard hybrid, and its three tails have a strangely sinuous quality to their motion that warns you to stay away. You scarcely dare to breathe, shooting Imron a glance.

"(Has this happened before?)" you whisper.

"(Yes,)" he replies, clearly just as eager to leave the monster undisturbed. Explanation is not forthcoming.

"(Well, what did you do those times? Call animal control?)"

"(I have tried that before. It appears that many city services will simply thank you for your call and never show up if you direct them to problem areas like this,)" Imron mutters grimly. "(If Florence were here then perhaps- no, the best thing to do is wait for it to leave on its own.)"

He's taking it deadly serious, but you? You're almost beaming. This is it. This is it! Right here, this is your gift-wrapped chance to show off your new look and new powers. The deadnaming and shit couldn't be further from your mind, you finally have something to flaunt and you're about to do it. Your heart is racing in your chest as you slip your bag off your shoulders and set it down purposefully, unzipping your jacket with a squeal of zipper pull on metal teeth and dropping it in the bag.

"Don't worry," you say, the hushed whisper forgotten as confidence surges. "I'll handle this."

"(You'll- what are you doing J- Alex-!)" Imron hisses, but you ignore it. This is your moment to shine, your time to prove yourself. You crack your knuckles and take a step forward, already planning out your moves-

"Alert, armour generation obstructed, please remove clothes," MD says mildly in your ear. At which point you remember that you planned to get changed at the hideout and walk around on patrol or whatever it is your first job would be in full costume. You completely failed to plan for this eventuality and now, big-brain that you are, your options are to back down like a fucking buffoon, obliterate your clothes and consign yourself to heading home in full costume or strip naked in front of Imron.

It's a choice you should probably think about more than not at all, but the full enormity of what you've landed yourself in hits you all at once and you pick one by spinal reflex more than anything else, so you're just as surprised as Imron is when you start yanking your shirt off.

"I- I just- hang on a second!" you plead. The realisation that if you take your shirt off Imron will see your impalement scar hits just early enough to save you but far too late to play it off. Your whole body lurches as if shocked by a live wire and you whip your spine around in a manner that you were pretty sure you stopped being capable of in mid-to-late highschool. Upside, you think this saves Imron the sight of your wounds and you the ordeal of having to answer questions about them. Downside, you're all flipped and hunched over, and it's very dark because your shirt's up over your face and you did it in such a hurry you've managed to get your arms stuck to. A bolt of intense panic shoots down your spine like a live-wire, only fed by Imron's extremely confused and slightly muffled "what are you doing...?"

"I j- wait-!" You wiggle frantically. You just have to get an undersuit layer to cover the mark and then once you get your shirt off you can put the helmet on and basically be home fr- no, fuck, you've still got your shoes on! You gave your suit those massive talons, you'll shred them to pieces if you don't get those off! You thrash about like a cat with its head trapped in a jar, thinking furiously at MD to please just give you the basic undersuit, and the prickling buzz of nanomachines flowing across your chest and back doesn't even compare to the embarrassed burn in your face. You've got about a tablespoon of natural blood left in your body and it's all in your cheeks. Eventually taking the shirt off proves easier than getting it on again so you do it, frantically stuffing it into the bag with your jacket and dropping to one knee to wrestle with your shoelaces. You're flustered enough that your fingers feel like they're being operated on an individual basis, fumbling and fouling each other up, but you're in too deep by now and if you stop to listen to Imron before you finish you're going to expire. You awkwardly hop from foot to foot as you get your shoes off, fighting to peel off your socks before they can touch the damp pavement, and when you can finally stuff everything in the bag and resolutely zip it shut you breathe a sigh of something almost like relief. Okay.

The buzzing feeling surges, waves of energy washing over you as MD gets to work turning the 'default' bodysuit into the armour of your design. And despite everything, despite the embarrassing display, it... still feels good. The way your posture shifts, the way the chilly air is sealed away, the way it fits to you like a glove, the way the helmet seals you in your own little world, the rippling waves of electromagnetic disturbance up your spine as your 'wings' settle in. You flex your fingers, claws now, and thanks to the heels you can just about look Imron in the eye now - in a manner of speaking.

"A lot's happened in the past few days," you say, and your voice drops about an octave compared to the tense squeaking you were just doing. "So the least I can do is this-"

"Wait Alex, please!" Imron steps ahead and throws his arm across your chest. You stop short, almost staggering, and shoot a bewildered look down at his arm. You look up at him again, lips already parting to ask him why his first instinct is still to stop the (alleged) superhero from intervening. "You intend to kill it?"

"Y-yeah?" you reply haltingly. "Why, should- am I not supposed to?"

He breathes a sigh of relief and slowly lowers his arm. "I understand you are eager to help, but please think about this. Look at it-" he gestures to the bizarre beast still pawing through old garbage "-and tell me, what do you see? I see a scavenger, seeking anything remotely palatable, before it moves on in search of better prospects. When you killed it, did you intend to carry the corpse all the way across town? Store it, dispose of it yourself? Did you know how, or where?"

"I- I mean I guess-" you say uncertainly.

"Spilling its blood would draw greater threats, carrion-eaters or even true predators, inshallah. Alien or of our own kind. And so I beg you, please, just let it be."

"I- okay, you don't- you don't have to beg me," you mutter, and like that all the confidence drains out again. You feel like an idiot playing dress-up for nobody's benefit and you're glad the helmet lets you avoid Imron's eyes so easily. "I'll leave it alone, sorry."

"Do not apologise for wanting to help me," he says, his tone warmer now, carefully moves his arm away to pat your shoulder instead. "Be proud that you are willing to listen. Now, let us wait for our rude guest to move on."

"Priority: A solution to engaging full armour under duress while clothed is needed. Potential temporary solution - destroy clothes?" MD chimes in like it didn't even notice how thoroughly and comprehensively you just beefed it trying to make a first impression.

"(Not on your fucking life, I hate clothes shopping,)" you mutter.

"Understood. Reconsidering options."

You wander over to the nearest wall and lean against it with a sigh, the cold, rough concrete barely registering through the microns-thick suit. You mutter a command for the gold blades to dissolve back into nanites and rejoin your suit, since they'll just be awkward ornamentation if you're not doing any fighting today. Imron draws closer but not too close, enough to keep an eye on the interdimensional raccoon making a mess of things. You're making a face, not that he can see, and you can only imagine what kind of comments about your fashion sense he's keeping to himself.

"So when you said you've begun 'working with' Florence, this is what you meant, then?" he asks.

"Yeah," you say, "I joined her group. Today's my first day, so I tagged along with her."

"And this is..." he gestures at the totality of you, then pauses and reconsiders his question. "Did you become aware of this only recently, and join as soon as you were able, or was it about losing your former place of employment?"

You shrug. "If you're asking if it's about money or the hero work then... I dunno, yeah, little of column A, little of column B? They make enough money to get by and if I can too then that's all I want. But if you're asking if this-" you gesture at yourself "-is recent or not, it is. It's the only reason I survived the other day and it's put... a lot of things into perspective, I guess. So when I happened to run into Katarina yesterday, that was it, I guess. This is what I'm doing with myself now."

Imron considers your words carefully. Then a smile creeps across that bushy beard he calls a face. "You are clearly far more passionate about it than your previous job," he says, his tone faintly yet unmistakeably teasing.

"Oh shut up," you grumble, folding your arms. His weathered face crinkles up just a little bit more, and you can't help but feel a little better.

"Come, it appears the guest is making ready to leave," Imron says. "We should move quickly while the way is clear."

The two of you head into the storage facility, the wet concrete path just wide enough to let vans move in and out, the steel shutters lining both sides of the path weathered yet still strong. The one Imron leads you to is completely unremarkable, not so much as an identifying number to be seen, but he squats down with a soft grunt to reach the lock and sure enough his key works. You stoop down to help him with the shutter, which soon enough turns into lifting it one-handed by yourself while terrified you're going to break the rails on accident or something. He steps into the shadows within and you follow, backpack slung over one shoulder, dropping the shutter about halfway behind you.

You don't know why but you half expected to find a shady panel van parked in here, its contents shrink-wrapped and ready for removal, like some kinda dead drop of drugs. There are drugs here, just not the recreational kind. You spy the labels in the weak, ambient light spilling under the shutter as Imron retrieves a knot of plastic bags from his pocket and begins dropping them inside. Looks like painkillers and antibiotics and the like, and the assortment of frozen food on the shelves with them almost feel like camouflage as much as the shelter genuinely needs that too. No wonder Imron was worried enough about losing this he asked for extra protection. He splits the precious cargo up among the various bags while you chase your thoughts in circles wondering if you should put some clothes on again and if so how many. He presses two of them into your hands.

"I can carry all of them if you want-" you start.

"Please, I may be growing old but I do not need a young m- person to carry my groceries for me yet," he replies. He looks a little uncertain about the stumble, but you're smiling inside the helmet. It's... it's nice. You're glad you told him. Outwardly you give a stoic nod and get comfortable with your cargo, angling your body to keep your backpack from slipping off your shoulder as you crouch down to grab the shutter and slide it up again-

"Huh, what're you supposed to be?"

You lurch back, bag sliding off your shoulder and falling to the floor. You'd like to say it was a tactical move to free up one arm. It was just shock, plain and simple. You're faintly aware of Imron behind you off to the shoulder, but you don't dare spare a backwards glance. The man who ducks under the shutter and steps into the space you just left in the shadowed storage unit is a pretty thin guy, even taller than Imron with the kind of ropey, lean muscle that belies the strength he can really bring to bear. He's dressed up warm and anonymous; hooded jacket and ballcap, gloves and white medical mask and sunglasses, the latter of which he takes off and slips into his pocket to get a better look at you. He has short, reddish hair under that hood but the most striking part of him is the eyes, an intense flame-orange that just seem too bright for the gloom he's standing in.

His name is Jack and he's your old dealer. Sheer shock and your visor are probably the only reasons you aren't completely going to pieces. Instead you're stiff and still as a statue, staring mutely at a man you absolutely, unequivocally did not ever want to see again, a man you never wanted to know you weren't dead in an alleyway somewhere. He looks at you like a particularly eyecatching lawn ornament, or perhaps just inspecting his own reflection in the black glass of your visor.

"Jack," says Imron, in the exactingly cordial tone of a man who would firmly and without hesitation saw his own leg off to escape this conversation, "I am pleased to see yesterday's attack seems to have passed you over."

"Yeah yeah I'm sure you are." Bored of you now, Jack fishes a pack of cigarettes out of his pocket and squeezes one out - a good dealer never uses his own product, but there's some drugs the world decided are fine to wreck your body with. You're sure you'd be able to come up with a very witty diss related to that if your entire body wasn't locking up. Jack cups the tip in his hand, and though he didn't reach for a lighter you see the tip flare up and begin to burn. He takes a puff and exhales slowly, grey smoke rising to the ceiling in a haze. Thankfully the helmet masks the stink.

"So it's in the bags, right?" he asks, taking another puff.

"What do you mean?" Imron replies.

"Don't play dumb with me man, we both have places to be." He blows the smoke out in a concentrated stream between his lips, harsh and growing annoyed. "C'mon, which bag is it? Look, I'm just trying to make this easy for you. Just gimme that one and we can all walk away happy, easy as pie." His eyes flicker over to you. "What, did you hire the cosplayer for muscle? Try to intimidate me, make me back off your turf? That upsets me, Imron. Makes me feel unwelcome."

Yeah, you remember this routine. Whatever he wants he's pretty good at making it seem like he's doing you a favour by getting it, and the threat of his patience running dry is never far behind. You remember feeling like he was the last friend you had once. You remember plenty of other things too. Doesn't take a genius to work out he's after the meds, you're far from streetwise but you know that kind of thing sells like hotcakes on the black market. They seem kind of familiar too - maybe it's a power play too, trying to punish Imron for disrespecting him or something. You wouldn't know. You don't exactly have the opportunity to ask.

"Elevated stress levels detected."

The question is

"What do you intend to do, Alex?"

[ ] Get Jack to back off. There's no way he really thinks you're just some asshole in a suit that can't back up a threat. If you just push him then sooner or later he'll fold rather than start a fight he doesn't know he can win, he has to. And if not...
[ ] Punch him in the face. This fucker may not have single-handedly ruined your life but he was the top donor in the misery department and you want to break a bone for every day of normalcy his shit made you lose.
[ ] Try to contact Florence. Your phone is right there in your bag, and sure MD said it's not a cyberwarfare suite but come on it can do almost anything and it's just a burner phone. If you shoot her a text and stall for time some then surely she'll be able to send a couple monsters your way, maybe chase Jack off or at least distract him.
 
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[X] ] Punch him in the face. This fucker may not have single-handedly ruined your life but he was the top donor in the misery department and you want to break a bone for every day of normalcy his shit made you lose

Some people just need a high five.
In the jaw.
With a NANOMACHINE REINFORCED METAL HAND
 
[X] Try to contact Florence. Your phone is right there in your bag, and sure MD said it's not a cyberwarfare suite but come on it can do almost anything and it's just a burner phone. If you shoot her a text and stall for time some then surely she'll be able to send a couple monsters your way, maybe chase Jack off or at least distract him.

There's a whole host of reasons why we want to punch Jack in the face, and he probably does deserve it, but escalating to violence right after that scene with the scavenger doesn't necessarily sit right with me. Not to mention the fact that we might not have the control we need yet to keep ourselves from possibly doing something we can't take back.

I think that this will help build up a good work dynamic with Florence, too. Establishing a dynamic and making sure that she, and by extension the rest of the team, know that we aren't just another wild cowperson ready to do whatever on a moment's notice.
 
Double post but yes, I caught the implications Jackie-Boy has his own powerset, looks like Firebending (the eyes and lighting his cigarette) but I repeat:

Deserve. High five. Face. Metal hand.
 
[X] Punch him in the face. This fucker may not have single-handedly ruined your life but he was the top donor in the misery department and you want to break a bone for every day of normalcy his shit made you lose.

Unless Imron has a good reason why not, we should feed this guy his own leg.
 
"(Not on your fucking life, I hate clothes shopping,)" you mutter.
solution: never wear clothes

meanwhile mmmmmhm none of the options really uh
seem to wonder 'hey what if Imron'll get some shit for whatever we pull'
which i'd feel bad about, especially since Imron literally just gave us a teachable moment about not going <err: string unspecified>-first into a fight
 
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Once upon a time you just ate your feelings, and over the years it made you puff up until you looked like as big a piece of shit as you felt.
Damn if that ain't a turn of phrase.
"Mm." Imron cradles his chin, deep in thought. "I will think of something to explain myself to Florence, don't worry about that." He drops his hand. "And thank you for telling me. I cannot imagine it was easy."
He's a good egg, Imron. Probably not that kind of egg.
"Alert, armour generation obstructed, please remove clothes," MD says mildly in your ear. At which point you remember that you planned to get changed at the hideout and walk around on patrol or whatever it is your first job would be in full costume. You completely failed to plan for this eventuality and now, big-brain that you are, your options are to back down like a fucking buffoon, obliterate your clothes and consign yourself to heading home in full costume or strip naked in front of Imron.

It's a choice you should probably think about more than not at all, but the full enormity of what you've landed yourself in hits you all at once and you pick one by spinal reflex more than anything else, so you're just as surprised as Imron is when you start yanking your shirt off.

"I- I just- hang on a second!" you plead. The realisation that if you take your shirt off Imron will see your impalement scar hits just early enough to save you but far too late to play it off. Your whole body lurches as if shocked by a live wire and you whip your spine around in a manner that you were pretty sure you stopped being capable of in mid-to-late highschool. Upside, you think this saves Imron the sight of your wounds and you the ordeal of having to answer questions about them. Downside, you're all flipped and hunched over, and it's very dark because your shirt's up over your face and you did it in such a hurry you've managed to get your arms stuck to. A bolt of intense panic shoots down your spine like a live-wire, only fed by Imron's extremely confused and slightly muffled "what are you doing...?"
pfffthahaha okay this whole scene is good, including the eventual fakeout with not fighting the monster, but I do like this little- bring the glitz of superhero life down into the messy reality of regular people irritations. It's always worth a giggle.

[X] Punch him in the face. This fucker may not have single-handedly ruined your life but he was the top donor in the misery department and you want to break a bone for every day of normalcy his shit made you lose.

Point of consideration: we just this update had an object lesson in how protecting other people usually isn't as simple as punching the threat until it goes away - if Jack thinks we're here on Imron's behalf, sure he'll back down now but he's liable to take it out on Imron when we're not here.

If, however, we flip out and deck him, then we're liable to get emotionally heated and do something to make him recognise who we are in the name of catharsis. And that's good, because it changes the dynamic - it means Imron has nothing to do with it, and this is between Jack and us, Alex, the enby he fucked over on his own time. Which means we at least have a shot at payback, and it's less likely to blow back on Imron, who is a good egg.

Besides, some people just deserve a high speed high five to the face, y'know?
 
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