Let's Play Every Final Fantasy Game In Order Of Release [Now Finished: Final Fantasy Tactics]

He apparently operates a delivery service, which is a funny job but actually makes sense for a dude established as: 1) good at riding a bike, 2) good at fighting, 3) living in a world where travel between cities means frequent monster encounters.

"So, I'm a delivery boy?"
"Exactly."
"...Yahoo, I'm a delivery boy!"

Jenova's "memetic legacy."

Had to resist the temptation to quote Monsoon. Especially with Leila covering MGRR.

And what kills me is that Advent Children had the same director, the same writers, the same director as FF7.

Typo spotted, unless repeating 'the same director' was meant to be for effect.

The same director, the same writers, the same director, the same writers, the same director, the same writers-
 
I was a young'un when I watched it, and man. Those were some sick fight secens.
Wasn't sure why they were happening, but I enjoyed them.

I think the nonsense continent hopping and Shinra bosses not having been literally lynched is less of a problem when one goes into this movie with no idea of what FF7 even is.

Because looking back with a better idea of the the game FF7, I do think it's quite disgusting how the movie works to redeem/whitewash Shinra and the people who ran it.
 
Listen, I don't know whose decision it was to give Vincent a power where he turns into his cloak and flies around (it's not obvious from still pictures, but his body isn't in the cloak while he's moving about, it's just a cloak), but actually it looks sick. That design and movement was seared into my mind for a decade after seeing this scene.
Another part of rwby we can blame this movie for.
 
The phone is ringing off the wall, but not hers - Cloud's, from his own office, which is in the same building. He apparently operates a delivery service, which is a funny job but actually makes sense for a dude established as: 1) good at riding a bike, 2) good at fighting, 3) living in a world where travel between cities means frequent monster encounters. However, Cloud is not there and has been gone for some time, as Tifa muses before finally relenting and responding to the mystery caller (the conversation cuts there).



Red ribbon?
Delivery service?


 
The whole memetic legacy thing sounds like nonsense at first blush, but when I remember how memories/thoughts/souls interact with the lifestream and I find myself thinking it's actually fairly eerie and appropriate for the mere concept or remembrance of Jenova to somehow wonk the functioning of the Planet.
 
I think another big thing about Bahamut-SIN is that unlike other summons, fuck you, it's IRL, not pulling you into another dimension to blow you the fuck up.

IIRC what I was told about the supplemental materials.
 
My guess is the settlement on the outskirts of Midgar was eventually abandoned at some point in the intervening 498 years and, being more ramshackle, didn't leave any ruins.

Everybody instead lives in Neo-Midgar, a city suspiciously similar to the old one built around a giant WallaceCo Oil Derrick.
 
Someone chucked a Materia at his head. Specifically, Marlene. He turns around, surprised,
Loz is surprised someone learned Sephiroth's legendary Materia Throw technique! Truely the best way to use materia!
Also, those things are huge. Like baseball sized, how did they fit into arm bands? Or Tifa's glove type weapons? Like, maybe one or two, four if you really push it, but trying to fit eight on one piece of equipment?
 
He summons Bahamut.

Specifically, Bahamut-SIN, a whole new version of Bahamut, presumably even more powerful than the others.
A Bahamut with the power to promote the last non-MMO Final Fantasy game that came out before this movie. Product integration -- a power both eldritch and inexorable.
 
That is to say: What this movie is saying in its opening is that, in the infamous FF7 epilogue ending, human civilization was literally just out of frame, hidden by the edge of Nanaki's cliff or something, a thriving modern humanity that we would have seen if the camera had panned just slightly to the left.
To be fair, if it's been 498 years it's entirely possible that New Midgar just didn't pan out or collapsed or moved at some point in the intervening years. That's a lot of time for things to change.
This, amazingly, astoundingly, is our first hint that Shinra is still around and active as a corporation, and whether they should even pay any damages at all is apparently not a settled question.

Please remember that Shinra nearly destroyed the world, all its executives were murdered, and its lead scientist tried to unleash an alien god to wipe out mankind.
Alright so, in theory I could see a new, reformed Shinra with Reeve at the head as the last remaining executive, trying to use the companies resources to turn over a new leaf and make it actually a helpful organization and stuff.

This is, of course, absolutely not what happens because Rufus of all the goddamn people shows up, being agressively not-dead.
Oh, and this is where I find out that I have Advent Children Complete. Released in 2009, Advent Children Complete is a "director's cut" version of AC, with an extra 26 minutes of footage. Unlike a real director's cut, however, this is (almost?) entirely footage created after the movie was already made, and as such it can break linear time and add to the 2005 movie references to aspects from later installment that did not exist at the time, such as Crisis Core (2007).
Wait, so you're telling me Advent Children gets updates?

Holy shit, can't wait for Advent Children Complete Redux Remake II: Electrical Boogaloo, where it gets another five hours of runtime to also incorporate all the plot points from the FFVII Sequel trilogy.
Fight Scene Rating: 3.5/5, Proof of concept more than anything.
Oh, we get fight scene ratings? Dope, I'll take it.
He's an oil prospector.

We touched on this a few times already, but this is it here in black and white: Advent Children's solution to the issue of 'how will humanity go on without Mako to power modern technology' is… Oil.

Barret, the character who embodied the fight for the planet, is now an oil prospector.
Whoa, hey, oil is totes different from Mako! It's like... the leftover dandruff of the planet or something instead of its blood, idunno I'm not a metaphor guy. But hey, if Barret says it's good, obviously it's good, he's an expert on this stuff right?
Speaking of retroactively hurting the integrity of the original story…

Cloud arrives at the Turks' location, where he finds out that Rufus Shinra is, incredibly, alive.
Still have no idea why they decided to go with this. I mean, other than fanservice, obviously, but Rufus was... VERY dead-dead, you know? He took a superweapon laser straight to the face, we have a cutscene of this happening. By everything we've seen in FFVII, that really isn't something you just walk (or wheel even) off.
Cloud says Sephiroth's dead, Rufus counters what if his body died but his spirit is still coursing through the Lifestream, which you might recognize as literally the plot of the original game,
Remember, its the plot of the original game that we saw end in Sephiroth's spirit presumably being finally absorbed and broken down by the lifestream for good.

God I hate post-FFVII Sephiroth hype. Spinoffs and crossovers like Kingdom Hearts is one thing, but it's just so goddamn stupid to have him still showing up in the actual timeline after he got killed deader than deader than dead.
Marlene and Tifa talk about how Cloud is a loner who just wants to fight alone because he's afraid of letting people close to him
Golly that sure would be relevant

If we were back in the first half of FFVII still
one who actually does have a father, except she only brings him up in a single line of dialogue, he never interacts with her in the whole movie, and she spends all of it sadly asking where Cloud is and when he'll come back.

Like. It's weird, y'all. That's not to say Marlene can't have strong feels about Uncle Cloud who helps take care of her while his father is off working long-distance, but it's weird to have made Cloud more of a father figure to her than Barret.
Barret's just keeping up his role from FFVII of never interacting with Marlene because he's busy building a better future for the world!

Just, you know, this time the better future is "getting filthy rich as an oil baron" instead of "being a terrorist to save the planet."
This is where Kadaj makes the plot explicit for those who hadn't guessed it already: the Reunion is their goal. They are actively trying to engineer Jenova/Sephiroth's resurrection. This is where we get all the 'Sephiroth will be haunting Cloud for the rest of time' memes, even though Sephiroth hasn't appeared yet, because this movie establishes that the suggestion at the end of the game that Jenova and Sephiroth had been destroyed for good wasn't in fact true, and that Jenova and Sephiroth will essentially always threaten a comeback whenever the circumstances are right.

FF7, as a series, is forever trapped in the plot of FF7, as a game.
It truly, truly is. FFVII is eternally weighed down by a millstone around its neck with the word "Sephiroth" deeply engraved across it.
Here though, Zack actually survives long enough to personally hand the Buster Sword to Cloud and tell him "My honor, my dreams, they're yours now. You will be my living legacy." It's a sweet sentiment, but it's a sentimentality and closure that is completely at odds with the deliberate ruthlessness of the original death scene.
I haven't actually played or watched anything of Crisis Core, but I wouldn't be too surprised if this is some retcon specific to that game/re imagining.
You can blame this scene, right here, for the existence of RWBY.
Oh damn, we can wrap up the entire review right there, honestly

Already found the greatest crime that Advent Children committed this soon
I know everyone is sick of me saying this, but again, these two locations are on separate continents. There's sea in between. Shallow sea with islands in between, sure, but sea nonetheless. And then also a magical forest labyrinth.
Look, some people are just really good at driving trucks. It's like driving from Alaska to Russia, if you can see it you can totally make the drive.
Second: Do you remember that small "My Problem with Materia" essay I wrote during one of the updates where I talked about the disconnect between the various layers of Materia's presentation in the setting?

So here's the thing:

Kadaj is the only character in the entire movie who uses Materia. (Aside from a very brief moment with Yazoo and Loz at the end.) Cloud, Tifa, the Turks, even Yazoo and Loz for 90% of their on-screen presence, fight entirely with their signature weapon and the associated fighting style. Loz can do flash-steps, but it's an innate power of his, he uses it before he nets any Materia. Cloud uses supernatural moves at several points like the blade beam, but they're Limit Breaks. At one point, Yuffie shows up with her arms full of Materia asking if Cloud needs magic and everyone tells her not to bother.

Like, from a choreography perspective, it makes sense. You want each character to have a clear, distinctive style instead of everyone also throwing in a Firaga or two randomly. But it just compounds this entire Materia Issue for me.
I feel like it can't be that hard to fling a materia or two into character's skillsets. Magic materia in particular should be easy once divorced from game mechanics - It's a Fire materia, not specifically a "casts Fire/Fira/Firaga" materia, just have Cloud do things like one glows and his next sword swing is on fire, or Barret's gun arm shines and he starts adding explosive damage to his bullets or whatever. Keeps their distinctive styles, but lets them mix it up with some magic.
His motorbike has sides that unfold to serve as a massive ram that is also a sword rack containing all his giant swords. I love him so much.
If there's one thing AC did right, it's Cloud's weapon collection. Can't wait for the Omnislash sword.
He also rescued Tseng and Helena from the Remnants' torture, but hastens to say that they "had it coming"
Whoa Vincent, that's a little harsh-
the Turks were looking for, and found, Jenova's head.
No nevermind Vince, shoulda just capped them right there. Shinra what the fuck.
 
Now that you've seen this, according to ff7 remake ultimania, the 3 boss whispers you fight at the end of the remake have the same fighting styles as Kadaj, Loz and Yazoo.
 
Did you know Cloud is a wolf now?
I don't have any proof, but there's a part of me that strongly suspects Tetsuya Nomura looked at fellow try-hard teenager (and Cloud is absolutely a teenager in terms of time spent conscious) Squall's prominent lion theme, thought was really cool, and decided to give Cloud a predator fursona too. It feels like the sort of thing he'd do.

I feel like a wolf theme is the sort of thing that would suit Cloud. Early-game Cloud would 100% identify himself as a "lone wolf" while posing with his sword, but in the end, wolves—and Cloud—are fundamentally social animals. Both narratively and mechanically, he has to form a pack and trust his friends to defeat Sephiroth.

Though it's pretty weird to only add this in now, when it wasn't present in the original game.
He apparently operates a delivery service, which is a funny job but actually makes sense for a dude established as: 1) good at riding a bike, 2) good at fighting, 3) living in a world where travel between cities means frequent monster encounters.
No chocobos!?

Immersion ruined, -99/10 rating, this movie burned my crops and salted my fields. Where is the chocobo harem of a chocobo-headed man so charismatic his mere glance could get an entire fieldful of chocobos to do a silly dance and cough up a summon materia.
the game walks back Cloud and Tifa's relationship by making sure there is no on-screen confirmation that they are a couple rather than friends and roommates
On one hand, there's a part of me that likes the "they're just best friends platonically raising children together" interpretation of their relationship because it's rare to see that sort of relationship in mainstream media.

On the other hand, it's also incredibly transparently to draw out the shipping wars, so.
one who actually does have a father, except she only brings him up in a single line of dialogue, he never interacts with her in the whole movie, and she spends all of it sadly asking where Cloud is and when he'll come back.
The thing which really gets me is… While Marlene basically disappears after the first act, Barret's love for his adopted daughter is one of his defining character traits and incredibly important in his arc of finding more to live for than just revenge.

It's egregious and I feel like they would have never done this to a character who wasn't an Angry Black Man from the Ghetto.
He's an oil prospector.
My strong suspicion is that someone in Square Enix got too worried that people would remember the fact that their game literally starts with the heroes doing ecoterrorism, so they made it very clear that—as well as Shinra surviving—the protagonist who was a terrorist leader is now a respectable oil baron.

See, not radical at all! We are a very family-friendly and respectable franchise!
Also, the movie is angling for outright comedy with Rude and Reno.
"Hey, I don't really get it, but if constantly cracking jokes and doing slapstick saves me from the Hague, I'm all for it!"

More seriously, this does feel strongly like the natural conclusion of post-Midgar 7 turning the Turks into a quirky miniboss squad. Is it necessarily the most interesting thing to do with the Gestapo who literally crushed a town? No, but it is, at least, consistent with the original's writing.
Kadaj as this helpless puppet of someone else's goals, someone who has more self-awareness of his condition than pre-Northern Crater Cloud did, yet even less agency in acting against it.
I feel like there has to be some secret good version of Advent Children which actually does something interesting with this contrast. Kadaj's lack of confidence in himself as he is causing him to be suicidally dedicated to literally becoming someone else is a great foil as Cloud's failure state.
hadn't guessed it already: the Reunion is their goal. They are actively trying to engineer Jenova/Sephiroth's resurrection.
For me at least, the most natural read of Cloud and Sephiroth's final mindscape battle, given the context of only the original game, is that Omnislash finally destroys Sephiroth's spite-fuelled ghost once and for all. But it's rather vague and "Jenova's head which went missing" is an amazing way of justifying the space aliens still having enough of a physical presence to make trouble.
 
Cloud: *destroys Sephiroth's ghost once and for all*
Jenova's Head: *sighs, runs "Sephiroth Personality Emulator.exe again, booting up another copy*
 
Advent Children, particularly with how attached it is to FF7's original story, feels like one big reminder of why pre-merger FF didn't do direct sequels, because most of their games were basically done deals. Not that all FF sequels and spinoffs are as bound to their original as AC is, but this AC review has so far been insightful as to why this sort of thing was avoided back when, pre-Spirits Within bombing
 
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Like, it's not subtle. They're all white haired pretty boys clad in black leather who speak ominously, and they're each a simple take on Sephiroth; from left to right, Yazoo is "What if Sephiroth was young," Kadaj is "what if Sephiroth was even more of a bishie," and Loz is "what if Sephiroth was more buff." Obviously they are directly connected to Sephiroth in the plot, but before we know that we can already tell from their visual design. They're literally Miniroths.
Why those names, though. Did they think it would be too obvious to just use Din, Hod and Binah? You're gonna name a character Sephiroth, come up with new characters that are fragments or emanations of him, and never reference any of the ten sefirot.

Instead we have Yazoo.

I mean, the Evil CEO Rationalization is flawless. In terms of characterization it's perfect. But they really are just going to… Get away with it. Like, there's a scene afterwards where Rude and Reno are talking about how Shinra needs to atone, and how so many of Shinra's employees have "gone back to work" for Shinra to fix the damage done to the world, and this is framed as sympathetic and sincere!! No!! That's not how it should work!! All of you should be in forever jail!!
Okay, I realize this isn't something the movie would ever do, but like, what reason does Cloud have to not kill these people? "Hey Reno, Rude. Long time no see. Hey, weird question- remember that time you murdered everyone in Sector 7?"
 
And here Cloud is getting an actual conversation with the actual spirit of the actual Aerith before even the halfway mark of the film. And what kills me is that Advent Children had the same director, the same writers, the same director as FF7. They deliberately chose to reset character arcs and step right into clichés the original game deliberately avoided, and I don't know… Why?
Yeah this is why I'm firmly on the side of death of the author in regards to FF7. They made Advent Children, nothing they say about FF7 can be trusted.
 
Why those names, though. Did they think it would be too obvious to just use Din, Hod and Binah? You're gonna name a character Sephiroth, come up with new characters that are fragments or emanations of him, and never reference any of the ten sefirot.

Instead we have Yazoo.
If they used the names of the attributes of the sephirot for his mini-me's, they'd raise awkward questions about Tifa.
 
Ah, Kadaj. Such a weird character. I too applaud the self-deprecation they went with here, that he hates being second fiddle to Sephiroth. In Dissidia Opera Omnia, he actually defaults to the Hero side of everything, and takes it upon himself to act as Aerith's body guard when Cloud isn't around.
If they used the names of the attributes of the sephirot for his mini-me's, they'd raise awkward questions about Tifa.
I must be missing something. How is the name Tifa connected to the sephirot?
 
Why those names, though. Did they think it would be too obvious to just use Din, Hod and Binah? You're gonna name a character Sephiroth, come up with new characters that are fragments or emanations of him, and never reference any of the ten sefirot.

Instead we have Yazoo.

Checked the FF wiki, seems there's nothing about Loz, but it says Kadaj comes from the Persian word for 'imperfect' or 'incomplete', while Yazoo is from yazoo streams... and probably the 80s synthpop band who did 'Only You'.
Granted, this is a fandom wiki, so who knows.

To speculate, Loz sounds close to Los, a William Blake character, even if nobody else is named after anyone from Blake's mythology. Or it could just be Loss...

I must be missing something. How is the name Tifa connected to the sephirot?

Speculated to be short for Tiferet
 
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Okay, I realize this isn't something the movie would ever do, but like, what reason does Cloud have to not kill these people? "Hey Reno, Rude. Long time no see. Hey, weird question- remember that time you murdered everyone in Sector 7?"
To be fair, I think encountering the Turks in the Midgar revisit is mandatory, and the only way it doesn't end with them dead and you looting their bodies is if you explicitly choose to spare them after having very briefly fought together in Wutai.

So I suppose that in any post-game fic where the Turks are still alive, Cloud would feel really awkward going back on that first decision.
 
Speculated to be short for Tiferet
…Well, that's another mark on my Kingdom Hearts headcanon, especially once I read what Tiferet's domains were.

However, I can see one reason why the Remnants aren't named for the sephirot: it never occurred to anyone to make such a reference. Remember that Sephiroth was only given his name because The Fiend of VI was not named Sephirot, something that would eventually be fixed in XIV. I would bet money no one at Square was even aware of the sephirot heirarchy.
 
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